YMS Newsletter Autumn 2019.Indd
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Charles Owen, Katya Apekisheva Pianos
Sergei Rachmaninov 1873–1943 Fantaisie-tableaux, Op.5 (Suite No.1) for two pianos 1 I. Barcarolle: Allegretto 7.57 2 II. La Nuit, l’Amour: Adagio sostenuto 5.53 3 III. Les Larmes: Largo di molto 6.05 4 IV. Pâques: Allegro maestoso 2.53 Suite No.2, Op.17 for two pianos 5 I. Introduction: Alla marcia 4.06 6 II. Valse: Presto 6.29 7 III. Romance: Andantino 6.58 8 IV. Tarantelle 6.10 Six Morceaux, Op.11 for piano, four hands 9 I. Barcarolle 5.04 10 II. Scherzo 2.53 11 III. Thème russe 4.10 12 IV. Valse 4.06 13 V. Romance 3.04 14 VI. Slava! 4.36 Charles Owen, Katya Apekisheva pianos 2 RACHMANINOV: WORKS FOR TWO PIANISTS Suite No.1 for two pianos, Op.5 (1893) Sergei Rachmaninov, born near Novogorod in 1873, is today cited again and again in pianistic surveys as possibly ‘the greatest pianist of all time’ – certainly of the recorded era. His life as a performer, however, ensued principally as a way to make a living in the west a!er he and his family fled the Russian revolution of 1917. Until then, his first devotion was to composition, following in the footsteps of Tchaikovsky, who gave him much encouragement and some vital recommendations. The Suite No.1, written in the summer of 1893, is dedicated to the older composer, who died in November that same year. The Suite No.1 was originally entitled ‘Fantaisie-tableaux’: Rachmaninov envisaged it, he told his cousin Sofia Satina, as ‘a set of musical pictures’. -
Online Music Theory Grades 1–5
ABRSM Qualification Specification Online Music Theory Grades 1–5 Level 1 Award in Music Theory Level 2 Award in Music Theory Version 1.0: August 2020 Contents 1. Introduction 3 About ABRSM 3 About this qualification specification 3 About our Music Theory qualifications 3 Regulation (UK) 4 Regulation (Europe) 5 Regulation (Rest of world) 5 2. Music Theory grades 6 Syllabus 6 Exam Regulations 6 Malpractice and maladministration 6 Entry requirements 6 Exam booking 6 Access (for candidates with specific needs) 6 Exam content 7 In the exam 7 3. Music Theory syllabus 9 Music Theory syllabus 9 Exam content 11 4. Assessment and marking 14 Assessment objectives 14 Mark allocation 16 Result categories 16 Marking criteria 17 5. After the exam 18 Results 18 Exam feedback 18 6. Other assessments 19 Practical Grades 19 Performance Grades 20 Practical Musicianship 21 ARSM 22 DipABRSM, LRSM, FRSM 23 2 1. Introduction About ABRSM Our mission ABRSM’s mission is to inspire musical achievement. We do this in partnership with four Royal Schools of Music: Royal Academy of Music, Royal College of Music, Royal Northern College of Music and Royal Conservatoire of Scotland. We are passionate about music, its value as an art form and the importance of music education. We believe that being involved with music gives people unique, positive experiences with life-long benefits. Through our world-leading assessments, books and resources we provide people worldwide with the tools they need to teach, learn, make and enjoy music. Our scholarships, donations, sponsorship and partnerships create opportunities for people of all ages to discover music and fulfil their potential. -
Computer Courses for Kids & Teens
Sparkling 22nd season for Proms MICHAEL ELEFTHERIADES Other free lunchtime concerts The Henrietta Barnett School is NIGEL SUTTON were a delight from first to last. much appreciated. Of special note were prize-winning This year’s programme of harpists Klara Woskowiak and walks was well attended, including Elizabeth Bass; young musicians exploration of the Suburb itself Adi Tal on cello and Nadav to hidden architectural treasures Hertzka on piano; and the in the City of London. organ recital by Tom Winpenny GOOD CAUSES in The Free Church. As ever, the many volunteers PRICELESS that make Proms so special did The Literary Festival weekend outstanding work, from providing also offered priceless moments, home-baked cakes for the LitFest including a conversation between Cafe and pouring Pimm’s in the Phyllida Law and Piers Plowright, refreshments marquee to shifting with the author effortlessly furniture, stewarding and Little Wolf Gang’s musical storytelling enthralled its audience charming all present. Itamar general organisation. Tasmin Little and Piers Lane Srulovich and Sarit Packer of Proms at St Jude’s raises The weather turned a kindly face and drama, she returned to the Honey & Co made everyone eager money for two causes that Spring Wordsearch on Proms, with (mostly) sunny stage in a glorious Union Jack to learn Middle Eastern cookery touch many lives, Toynbee days and balmy evenings filled evening gown, bringing the and delighted the audience with Hall’s ASPIRE programme and winner with music, talks, walks and fun audience to its feet as her rich free samples of cake! the North London Hospice. -
Gp 3.Qxt 7/27/15 8:56 AM Page 1
08-09 Ancient Music_Gp 3.qxt 7/27/15 8:56 AM Page 1 Sunday Afternoon, August 9, 2015, at 3:00 m a r Academy of Ancient Music M|M g Edward Gardner , Conductor o r Alina Ibragimova , Violin P e ALL-MENDELSSOHN PROGRAM h The Hebrides (“Fingal’s Cave”) (1830/32) T Violin Concerto in E minor (1844) Allegro molto appassionato— Andante— Allegretto non troppo—Allegro molto vivace Ms. Ibragimova will perform Mendelssohn’s cadenza. Intermission Symphony No. 3 in A minor (“Scottish”) (1842) Andante con moto—Allegro un poco agitato Vivace non troppo Adagio Allegro vivacissimo—Allegro maestoso assai M|M Mostly Mozart debut Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Alice Tully Hall , Starr Theater Adrienne Arsht Stage 08-09 Ancient Music_Gp 3.qxt 7/27/15 8:56 AM Page 2 Mostly Mozart Festival The Mostly Mozart Festival is made possible by Sarah Billinghurst Solomon and Howard Solomon, Rita E. and Gustave M. Hauser, Chris and Bruce Crawford, The Fan Fox and Leslie R. Samuels Foundation, Inc., Charles E. Culpeper Foundation, S.H. and Helen R. Scheuer Family Foundation, and Friends of Mostly Mozart. Public support is provided by the New York State Council on the Arts. Artist Catering provided by Zabar’s and zabars.com MetLife is the National Sponsor of Lincoln Center United Airlines is a Supporter of Lincoln Center WABC-TV is a Supporter of Lincoln Center “Summer at Lincoln Center” is supported by Diet Pepsi Time Out New York is a Media Partner of Summer at Lincoln Center UPCOMING MOSTLY MOZART FESTIVAL EVENTS: Tuesday and Thursday Evenings, August 11 and 13, at 7:30 Saturday Afternoon, August 15, at 3:00 in the David H. -
Alina Ibragimova Cédric Tiberghien Beethoven
Alina Ibragimova Cédric Tiberghien Beethoven Violin Sonatas – 3 Alina Ibragimova violin DDD WHLive0045 C 2011 The Wigmore Hall Trust Cédric Tiberghien piano P 2011 The Wigmore Hall Trust Made & Printed in England Recorded live at Wigmore Hall, London All rights reserved. 25 May 2010 Unauthorized copying, hiring, lending, public performance and broadcasting prohibited. LC 14458 Wigmore Hall 36 Wigmore Street Ludwig Van BeethoVen London W1U 2BP www.wigmore-hall.org.uk John Gilhooly Director Violin Sonatas – 3 The Wigmore Hall Trust Reg. Charity No. 1024838 01 Violin Sonata in A major Op. 30 No. 1 22.00 04 Violin Sonata in E flat major Op. 12 No. 3 19.05 07 Violin Sonata in A major ‘Kreutzer’ Op. 47 37.30 Total time: 78.56 ‘Smiling faces, furious applause: that’s how this series ended’ (The Times) WHLive0045 Alina Ibragimova violin Made & Printed in England Cédric Tiberghien piano Recorded live at Wigmore Hall, London, on 25 May 2010 Ludwig Van BeethoVen Violin Sonatas – 3 Violin Sonata in A major Op. 30 No. 1 22.00 01 Allegro 06.48 02 Adagio molto espressivo 07.15 03 Allegretto con variazioni 07.33 Violin Sonata in E flat major Op. 12 No. 3 19.05 04 Allegro con spirito 07.57 05 Adagio con molta espressione 06.31 06 Allegro molto 04.22 Violin Sonata in A major ‘Kreutzer’ Op. 47 37.30 07 Adagio sostenuto – Presto 13.38 08 Andante con variazioni 15.16 09 Presto 08.47 Total time: 78.56 b0045 RPM.qxd 02-03-2011 11:46 Page 2 BEETHOVEN VIOLIN SONATAS – VOLUME 3 This disc contains many wonders, but even the the sonata for which Op. -
Summer Festival of Chamber Music
Summer Festival of Chamber Music Paxton House, Scottish Borders Friday 19 – Sunday 28 July 2019 Welcome to Music at Paxton Fri 19 July, 7pm · 15 mins Fri 19 July, 7.30pm · 2 hrs /MusicatPaxton Picture Gallery, Paxton House Picture Gallery, Paxton House Festival 2019! #MaP2019 — — Festival Introductory Talk Paul Lewis Piano Angus Smith, — We are delighted that so many outstanding musicians have Music At Paxton Artistic Director Haydn Piano Sonata in E minor, agreed to come to Paxton House this summer, bringing with — Hob. XVI:34 them varied programmes of wonderful music that offer many In this brief festival curtain-raiser, Angus Brahms Three Intermezzi for captivating and entertaining experiences. Smith will shed light on the process of Piano, Op. 117 assembling the 2019 festival, revealing Beethoven Seven Bagatelles, Op. 33 It is a particular pleasure to announce that the prodigiously some of the surprising stories that lie Haydn Piano Sonata in E flat, gifted and engaging Maxwell String Quartet is to be Music behind the choices of composers and Hob. XVI:52 at Paxton’s Associate Ensemble for 2019–21. This young Scottish group is pieces. making great and rapid strides internationally, delighting audiences and critics Paul Lewis is regarded as one of the on their maiden tour of the USA earlier this year. They will present a variety of FREE EVENT to opening concert ticket holders leading pianists of his generation and concerts and community activities for us during their residency, and we also one of the world’s foremost interpreters invite you to meet the players during the Festival – before, during and after Please note that the duration of of central European classical repertoire. -
Doktori Értekezés Dla
Liszt Ferenc Zenemővészeti Egyetem Doktori iskola (7.6 Zenemővészet) HUBAY JENİ MŐVÉSZETE ÉS A HUBAY- ISKOLA KÖRMENDY KRISZTINA ANNA TÉMAVEZETİ: VERMES MÁRIA DOKTORI ÉRTEKEZÉS DLA 2008 Tartalomjegyzék BEVEZETÉS 1 I. AZ ELİADÓMŐVÉSZ 5 I. / 1. A tanulóévektıl a szólókarrierig 5 I. / 2. Párizs - A szólókarrier indulása 8 I. / 3. Brüsszel - Vieuxtemps katedrája /1882-1886/ 12 I. / 4. A kamarazene jelentısége a Hubay életmőben 14 I. / 5. Hubay elıadásmódja 19 II. HUBAY, MINT A KOMPONÁLÓ-VIRTUÓZ TRADÍCIÓ EGYIK UTOLSÓ ALAKJA 22 II. / 1. A Hubay kompozíciók stílusa 26 II. / 2. Hubay hegedőre írott mővei 28 II. / 3. Hubay: IV. a-moll hegedőverseny /Concerto all`antica/ (op.101.) elemzı bemutatása hegedőtechnikai szempontból 34 III. A HUBAY ISKOLA 38 III. / 1. A Hubay iskola sikerének társadalmi okai 40 III. / 2. Az ideális tanáregyéniség 43 III. / 3. A Hubay iskola továbbélése 45 IV. A MÓDSZER ÉS A TANÍTOTT REPERTOÁR 51 IV. / 1. A tanított repertoár 53 IV. / 2. A metodikai részkérdések vizsgálata 54 IV. / 2. 1. A jobbkéz helyes mőködésének tudatos kialakítása 56 IV. / 2. 2. A hangképzés / A tónus 59 IV. / 2. 3. A testtartás 61 IV. / 2. 4. Az átállítás folyamata / Az etődanyag feldolgozása 62 IV. / 2. 5. A balkéz feladatairól 63 IV. / 2. 6. Az akkordjáték 66 IV. / 3. Bach mőveirıl 66 IV. / 4. Az elıadásról 67 IV. / 5. A Hubay módszer egy kísérleti-gyakorlati aspektusa 68 IV. / 6. Hubay „módszeré”-nek továbbélése Waldbauer tanításán keresztül, Havas Kató megközelítésében 72 V. HUBAY TEVÉKENYSÉGE MAGYARORSZÁG ÉS BUDAPEST ZENEI ÉLETÉBEN (1886 - 1937) 75 V. / 1. A hazatérés utáni évek (1886-1920) 75 V. -
Trio Shaham Erez Wallfisch
Trio Shaham Erez Wallfisch Trio Shaham Erez Wallfisch THE MENDELSSOHN TRIOS Rachmaninoff Arensky Shostakovich “The trio's sheer pleasure of playing is bouncing off this Elegiac Trio Piano Trio No. 1 Piano Trio No. 2 beautifully recorded CD” Kassieke Zaken “Given excellently balanced recordings, these first class performances are evidence of sensitive and imaginative music-making”. Musicweb-international.com “The trio was given a huge ovation which they responded to with an encore of Mendelssohn's scherzo, from the opus 49 trio, played with magical ease.” Südwest Presse, Hans Herdeg, January 2013 RAVEL • FAURÉ • DEBUSSY Luister Magazine, October 2013 – Top-Rating: 10 “When Trio Shaham Erez Wallfisch was founded in 2009, it was welcomed with great enthusiasm, and again now this trio has hit – exactly like it did with its first recording (Mendelssohn trios) – with breathtaking brilliance, pungency and precision. And all of this fully in support of the music. We could be using more superlatives here, but this recording, to my opinion, is an absolutely essential one for French chamber music, and one which any self- respecting music lover would want to have in their collection… The recording itself is extremely accurate and detailed… Highest recommendation!” www.wyastone.co.uk 8 NI 5917 NI 5917Hagai Shaham, violin Arnon Erez, piano Raphael Wallfisch, 1 cello When the press has them down as “ “ (American Record Guide) and “ ” (Leipziger Volkszeitung) and these three giants decide it’s time to join forces, one had better sit up and take notice -
Stir Herd RICE UNNERSITY Sc~Ol of Music PROGRAM
NEW MUSIC AT RICE presents THE LARK QUARTET EVA GRUESSER, Violin ROBIN MAYFORTH, Violin ANNA KRUGER, Viola ASTRID SCHWEEN, Cello Wednesday, February 10, 1993 8:00p.m. Stude Concert Hall stir herd RICE UNNERSITY Sc~ol Of Music PROGRAM Alauda - concert piece for string quartet (1986) Libby Larsen Second String Quartet (1988) Ellsworth M ifburn (b. 1938) INTERMISSION String Quartet ("musica celestis") (1990) Aaron Jay Kernis Flowing (b.1960) musica celestis - Adagio Scherzo - Trio semplice - Scherzo Quasi una Danza Following the concert, everyone is invited to a reception in the Grand Foyer. 1 In consideration of the performers and members of the audience, please check audible paging devices with the ushers and silence audible timepieces. The taking of photographs and the use of recording equipment are prohibited. II. Development: Transition. Four solos which develop Theme 1 ( separ ated by brief contrasting sections). Re-Transition. III. Recapitulation: Theme 1 (shortened and varied). Contrasting Section (Rhythmic Section A) ending in Climax on Theme 1 variant. Theme 2 and Rhythmic Section B developed simultaneously. Closing Section variant. Harmonic Culmination. Coda. The second movement, musica celestis, is inspired by the medieval conception of that phrase which refers to the singing of the angels in heaven in praise of God without end. "The office of singing pleases God if it is performed with an attentive mind, when in this way we imitate the choirs ofangels who are said to sing the Lord's praises without ceasing." (Aurelian ofReome, translated by Barbara Newman) I don't particularly believe in angels but found this to be a potent image that has been reinforced by listening to a good deal ofmedieval music, especially the soaring work of Hildegard of Bingen ( 1098-1179). -
Menuhin Competition Returns to London in 2016 in Celebration of Yehudi Menuhin's Centenary
Menuhin Competition returns to London in 2016 in celebration of Yehudi Menuhin's Centenary 7-17 April 2016 The Menuhin Competition - the world’s leading competition for violinists under the age of 22 – announces its return to London in 2016 in celebration of Yehudi Menuhin’s centenary. Founded by Yehudi Menuhin in 1983 and taking place in a different international city every two years, the Competition returns to London in 2016 after first being held there in 2004. The centenary event will take place in partnership with some of the UK’s leading music organisations: the Royal Academy of Music, the Philharmonia Orchestra, Southbank Centre, the Yehudi Menuhin School and the National Youth Orchestra of Great Britain. It will be presented in association with the BBC Concert Orchestra and BBC Radio 3 which will broadcast the major concerts. Yehudi Menuhin lived much of his life in Britain, and his legacy - not just as one of the greatest violinists of the 20th century, but as an ambassador for music education - is the focus of all the Competition’s programming. More festival of music and cultural exchange than mere competition, the Menuhin Competition in 2016 will be a rich ten-day programme of concerts, masterclasses, talks and participatory activities with world-class performances from candidates and jury members alike. Competition rounds take place at the Royal Academy of Music, with concerts held at London’s Southbank Centre. 2016 jury members include previous winners who have gone on to become world class soloists: Tasmin Little OBE, Julia Fischer and Ray Chen. Duncan Greenland, Chairman of the Menuhin Competition comments: “We are delighted to be bringing the Competition to London in Menuhin’s centenary year and working with such prestigious partners. -
St Valentine's Day 2018
ST VALENTINE’S DAY 2018 Mansion House With Special Guest HUGH LAURIE CMF Team Dr Clare Taylor Managing Director Tabitha McGrath Artist Manager Philip Barrett Executive Assistant Trustees Sir Mark Boleat Sir Roger Gifford Sir Nicholas Kenyon Sir Andrew Parmley Advisory Board Guy Harvey Partner, Shepherd and Wedderburn Wim Hautekiet Managing Director, JP Morgan Alastair King Chairman, Naisbitt King Asset Management Kathryn McDowell CBE Managing Director, London Symphony Orchestra Lizzie Ridding Board Member, City Music Foundation Ian Ritchie Artistic Director and Music Curator, Setubal Music Festival Seb Scotney Editor, London Jazz News Philip Spencer Development Consultant Adrian Waddingham CBE Partner, Barnett Waddingham St Valentine’s Day 2018 2 WELCOME Welcome to the Mansion House and to a celebration of all that is good about life! Not least the wonderful music we are going to hear in the splendour of the greatest surviving Georgian town palace in London. The City Music Foundation – CMF – is just five years old and it was created in this house. Its mission is to turn talent into success by giving training in the “business of music” to soloists and ensembles at the start of their professional careers, as well as promoting them extensively in a modern and professional manner. Several - the Gildas Quartet, Michael Foyle, and Giacomo Smith with the Kansas Smitty’s, are playing for us this evening. This year CMF hopes to move into a more permanent home in the City at St Bartholomew the Less, within the boundaries of St Bartholomew’s Hospital – and within the City of London’s ‘Culture Mile’. This anticipates the relocation of the Museum of London to its new site in Smithfield and the creation of a new Centre for Music on the south side of the Barbican – all exciting developments in the heart of the Capital. -
Orquestra Gulbenkian Fabien Gabel Alina Ibragimova
Orquestra Gulbenkian Fabien Gabel Alina Ibragimova 13 OUTUBRO 2016 QUINTA 21:00h — Grande Auditório 14 OUTUBRO 2016 SEXTA 19:00h — Grande Auditório 21:30h — Grande Auditório Solistas da Orquestra Gulbenkian benjamin ealovega © alina ibragimova GULBENKIAN.PT/MUSICA mecenas principal gulbenkian música mecenas mecenas mecenas mecenas mecenas estágios gulbenkian para orquestra música de câmara concertos de domingo ciclo piano coro gulbenkian Sociedade de Advogados, SP RL 13 DE OUTUBRO Orquestra Gulbenkian QUINTA 21.00h — Grande Auditório 14 DE OUTUBRO SEXTA 19.00h — Grande Auditório Orquestra Gulbenkian Fabien Gabel Maestro Alina Ibragimova Violino Dmitri Chostakovitch Concerto para Violino e Orquestra n.º 1, em Lá menor, op. 77 Nocturne: Moderato Scherzo: Allegro Passacaglia: Andante – Cadenza Burlesque: Allegro con brio – Presto intervalo Piotr Ilitch Tchaikovsky Sinfonia n.º 5, em Mi menor, op. 64 Andante – Allegro con anima Andante cantabile, con alcuna licenza Valse: Allegro moderato Finale: Andante maestoso – Allegro vivace Duração total prevista: c. 1h 50 min. Intervalo de 20 min. 03 14 DE OUTUBRO SEXTA Solistas da Orquestra 21.30h — Grande Auditório Gulbenkian Amália Tortajada Flauta Jordi Rodriguez Violino Christopher Hooley Viola Raquel Reis Violoncelo Wolfgang Amadeus Mozart Quarteto com Flauta n.º 1, em Ré maior, K. 285 Allegro Adagio Rondeau Quarteto com Flauta n.º 2, em Sol maior, K. 285a Andante Tempo di menuetto Quarteto com Flauta n.º 3, em Dó maior, K. 285b Allegro Andantino Duração total prevista: c. 50’ Concerto sem intervalo 04 Dmitri Chostakovitch São Petersburgo, 25 de setembro de 1906 Moscovo, 9 de agosto de 1975 Concerto para Violino e Orquestra n.º 1, em Lá menor, op.