DOCSLIB.ORG

LA Bonfire Recap Smh

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LA Bonfire Recap Smh A PEEK BEHIND THE CURTAIN RECAP THE TL;DR Crunched for time? We get it. Here’s the topline summary of our latest Bonfire. EXECUTIVE SUMMARY On Thursday, February 21st, Spark Foundry hosted Bonfire 6, “A Peek Behind the Curtain,” our first Los Angeles event. More than 120 attendees joined us at the SLS Beverly Hills to explore the world of content and entertainment. The day featured panels and presentations from experts across a range of areas – from network television to podcasts to branded content, and beyond. TOP TAKEAWAYS QUALITY Above all, consumers crave quality content – regardless of platform or format. TRUST Throughout the Bonfire, content creators reminded attendees that trust between brand, agency, and content partners is critical. Whether it’s a broadcast network developing content on a client’s behalf or podcast talent discussing a brand during their program – storytelling is what they do, Clients should trust them to know how to be most effective within their medium. AUTHENTICITY Speakers agreed that having an authentic voice is imperative to success. Combining authenticity across creator, talent and brand is what can help content pack a greater punch than traditional ads. THREE THINGS Show the unseen. Today’s consumers love to be taken behind the scenes. TO REMEMBER Be abundantly curious in your storytelling. Once engaged, modern consumers crave – and expect – more. Challenge the norms. Today’s audiences have seen it all – until you defy convention and do something truly unique. Go for it. These three guiding truths will lead you to powerful content that engages consumers. 1 DEEP DIVE Curious about what was covered in a specific conversation or panel? We’ve got you covered. Here are our team’s recaps from all of the day’s sessions. THE BRAND STAYS IN THE PICTURE HOW MODERN CONSUMERS & NEW TECH ARE RESHAPING MEDIA CONSUMPTION HABITS To “light” our Bonfire, NBCUniversal Chairman Mark Lazarus sat down with PMX Americas CIO John Muszynski for a discussion of how modern media companies are evolving to become true destinations for consumers. With so many choices available, consumers are opting for specific programming rather than specific networks – a movement which is making it challenging for broadcast networks to build loyalty. To combat this trend, Lazarus shared that NBC is arming itself with a better understanding of the “supply and demand” for their programming. As part of that mission, the network is rolling out myriad new measurement products, including something called “CFLIGHT,” which seeks to ensure accurate measurement of cross-screen consumption and behaviors. FEATURING: Mark Lazarus (Chairman, NBCUniversal) & John Muszynski (CIO, PMX Americas) YOU CAN’T SPELL CONTENT WITHOUT CULTURAL FLUENCY OPPORTUNITIES AT THE INTERSECTION OF IDENTITY AND ENTERTAINMENT FEATURING: E.T. Franklin (EVP/Managing Director, Strategy & Cultural Fluency, Spark Foundry), Fritz Friedman (President, The Fritz Friedman Co.), Christy Haubegger (Head of Multicultural Business Development, CAA), Jessica Mendoza (ESPN Analyst & Olympic Gold/Silver Medalist) & Gil L. Robertson (Co-Founder & President, African American Film Critics Association) 2018 was a pivotal year for broad cultural representation in film. From Black Panther to Crazy Rich Asians, films featuring diverse casts and unique cultural lenses made their mark as critical and box office successes. Our panel on Cultural Fluency unpacked this success and delved into what this progress can mean for brands looking to engage with new audiences. Authentic “cultural connectivity” can offer a major leg up to modern brands, but it’s hard to unlock when marketers solely focus in on the audiences and cultures they grew up within. To be more successful, modern marketers should focus on being culturally aware and curious, embracing diversity and always being in learning mode. The demographics of today’s society are fundamentally shifting, and new technology and globalization are affording previously underrepresented voices many new platforms upon which to tell authentic stories. Current box-office and sales trends demonstrate that consumers have a real hunger to see brands showcase their genuine understanding and appreciation for diverse cultures, rather than just checking2 a box on “diversity.” DEEP DIVE THE BRANDED CARPET WHAT’S IT TAKE FOR A BRAND TO MAKE IT IN SHOWBIZ? When it comes to TV brand integrations, Jen Neal and Erin Lim from E! emphasized that trust is key. During their discussion, Neal and Lim shared that in order to produce a successful integration, the creators and brands need to build a trusting relationship. For creators, it’s important to truly understand a client’s business challenges; for brands, they need to trust the creators to know their audiences and the type of content which will resonate best. Consumers crave authenticity, so allowing creators to be their own authentic selves while working with brands is imperative. FEATURING: Jen Neal (EVP Marketing, E! & Executive Producer, Live Events E!) & Erin Lim (Host, E! News and The Rundown on Snapchat; Correspondent, E! News) REALLY REAL REALITY DELIVERING AUTENTICITY IN BRANDED ENTERTAINMENT FEATURING: Eric Levin (Global Chief Content Officer, Spark Foundry), Eric Day (Co-Founder & Managing Partner, INE Entertainment.), Scott Donaton (Global Chief Creative & Content Officer, Digitas), Dustin Fleischman (Head of Brand Partnerships, Whistle) & David Freeman (Co-Head of Digital Talent & Packaging, CAA) It’s no secret the media landscape is changing – and fast. Gone are old-world models, where it was “production company versus production company.” Instead, the new world order features creators who are accessible to brands and offer an array of formats to connect brands with consumers. Plus, changing marketplace dynamics are also evolving publishers’ willingness to engage with brands. With Facebook and Google earning a significant portion of ad dollars, media companies are looking to diversify revenue streams; branded content offers a space where they can drive real differentiation for clients. 3 DEEP DIVE I SEE YOUR SCREEN, AND I RAISE YOU A SCREEN HOW TO NAVIGATE MULTICHANNEL OPPORTUNITIES FEATURING: Margo Plotkin (Agent, Digital & Brand Partnerships, CAA), David Alpert (CEO, Skybound Entertainment), Larry Fitzgibbon (Co- Founder & CEO, Tastemade), Sarah Harden (CEO, Hello Sunshine) and Rob Holmes (VP of Programming & Engagement, Roku) Our multichannel panel explored the future of the OTT space, especially for brands. Featuring speakers from Roku, Hello Sunshine, and Tastemade, the group placed great emphasis on the need for brands to lean into video as a key storytelling platform – especially if their goal is to engage with Millennial audiences. Additionally, the panel affirmed that brands need to be open to telling their stories via different formats and content lengths and need to be comfortable breaking the norms if it’s what makes the most sense for the content. HOW DID THAT MAKE IT TO AIR? CHOOSING WHAT YOU SEE NBC Entertainment’s Jeff Bader gave Bonfire attendees an inside look into the network’s decision-making process on what to air. Now is a uniquely pivotal time of year for the networks, as they determine which programming will make it to the Upfront – a decision that has become increasingly hard to make. Bader shared that increased fragmentation of viewing behaviors – across platforms – means that the linear TV schedule, once considered the Holy Grail, is now viewed increasingly as a starting point for the TV lineup. When determining if a show will remain on the air, NBC not only looks at its immediate ratings, but also how the shows ratings build over time. Considering FEATURING: Jeff Bader (President of Program Planning, Strategy & ratings over time has proven useful for NBC, who Research, NBC Entertainment) has found that that numbers continue to increase, even weeks after an episode has aired. 4 DEEP DIVE SOUNDS LIKE SUCCESS ADVENTURES IN MODERN PODCASTING FEATURING: Conal Byrne (President, iHeartPodcast), Carolina Barlow (Co-Host, The Ron Burgundy Podcast), Jake Brennan (Writer, Host & Producer, Disgraceland), Carter Brokaw (President of Digital Revenue & Strategy, iHeartMedia), Holly Frey (Host, Stuff You Missed In History Class) Our panel – which featured podcast executives and talent from iHeartMedia – addressed the the emerging podcast space and how clients can activate there in a way that remains true to their brand and the talent. While the podcast landscape is still relatively new, its growth has been rapid due to ease of use, especially on iOS devices. Notably, the podcasting industry has faced some growth challenges on Android devices, which offer a less-ideal listening experience compared to iOS counterparts. But once improvements are made to Android’s podcast consumption experience, the podcast realm can expect to gain even more users, and quickly. Brands looking to engage in the space can be reassured that podcasting is not the wild, wild west of the media world. In fact, most podcast talent is more than willing to collaborate with brands to ensure integrations (product placement, host reads, etc.) feel organic. BEHIND THE APEX CURTAIN HOW OUR INVESTMENTS AMPLIFY PREMIUM CONTENT The team from APEX shared how they are forging innovations that place bigger bets on content opportunities, in order to pass the savings on to Publicis clients. Team APEX walked us through what they see as their three key areas of opportunity: Big Event TV, Social Video and Audio. Within Big Event TV, APEX is building relationships with shows before they go live, in order to ensure seamless integration opportunities. Their approach to Social Video is centered around leveraging data to ensure that the right content is being created for the right audience. Finally, APEX is taking a similar approach to audio as it does to social video. They are concentrating on uncovering user behaviors in the audio space, which in turn can be used to insert FEATURING: Ben Molinari (SVP Brand Development, Publicis the right spot into the right audio experience, Investment Solutions), Rob Goldberg (Founder & CEO, Fresno) and Talia Raviv (Global President, APEX) dynamically.
Load more

Recommended publications
  • Cablefax Dailytm Tuesday — November 20, 2018 What the Industry Reads First Volume 29 / No
    www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Cablefax DailyTM Tuesday — November 20, 2018 What the Industry Reads First Volume 29 / No. 224 Franchise Fees: LFAs Sweating Proposed FCC Changes Cities, towns and public access channels have flooded theFCC with comments on a proposed rulemaking that seeks to include cable-related, in-kind contributions in the definition of franchise fees. The fees are the monies paid for using rights of way to provide service. Under the new definition, in-kind contributions would include things such as unlimited free or discounted cable services for Local Franchise Authorities (LFAs) . Thus those contributions would be subject to the statutory 5% franchise fee cap. While cable’s an obvious fan of the move, franchises, wary of losing money or services, aren’t. “The Commission’s proposals violate the plain language of the statute which authorizes LFAs to both collect franchise fees and to impose franchise requirements on cable operators,” said a joint filing from a number of players, including the cities of Atlanta, Dallas and Boston. Public access channels are concerned that the proposal deems non-capital Public, Educational & Governmental requirements as franchise fees. “Such an action would deci- mate our ability to provide services to our community,” said PhillyCAM, the nonprofit that operates the City of Phila- delphia’s public access TV. The FCC’s Second Further Notice of Proposed Rulemaking, which makes these tentative conclusions, was adopted 4-0 in September. It addresses issues raised in July after the US Sixth Circuit vacated parts of FCC decisions that had limited the ability of LFAs to regulate non-cable services provided over a mixed use cable system and nixed LFAs imposing non-monetary assessments on cable ops.
    [Show full text]
  • Streaming Yujin Luo Final
    The Streaming War During the Covid-19 Pandemic Yujin Luo The Streaming War During the Covid-19 Pandemic 2 home, which is the ideal condition for The Covid-19 pandemic has drastically binge-watching. disrupted all business sectors. The arts, culture, and entertainment industries have To understand how the pandemic is shaping been hit exceptionally hard since the virus’ the streaming industry, it is important to first outbreak in January. In response to the understand its pre-Covid and current status. crisis, businesses have taken immediate The following analysis will divide the actions: transitioning to remote work, timeline into before 2020 and in 2020 based canceling and postponing live events on Covid-19’s first outbreak in January nationwide, shutting down entertainment 2020. venues, etc., resulting in lost revenues from sales, merchandising, advertising, and The Streaming Industry’s Pre-Covid promotions. Unfortunately, the Covid-19 State of the Major Players in the pandemic’s impacts are far more Streaming War permanent for an audience-oriented industry that requires a high level of Early adopters and fast followers used to be engagement. The business model might be the main audiences of streaming services, fundamentally changed and there will or in other words, streaming used to be a certainly be a shift in how content is niche add-on to traditional TV. Now, it is produced and consumed. transitioning to a new stage as a mainstream element in the entertainment While lockdowns and social distancing industry. The major streaming services from measures to contain the pandemic have before Covid are shown in the table below, had a huge impact on the traditional movie except for HBO Max, Peacock, and Quibi industry, the video streaming model seems (RIP) that just launched in 2020.
    [Show full text]
  • Commission Meeting and Public Hearing
    Commission Meeting and Public Hearing AGENDA June 20, 2019, 2:30-4:30 p.m. Mono County Office of Education Conference Room, 451 Sierra Park Road, Mammoth Lakes, CA --public hearing begins-- 1. Public Comment Members of the public are given the opportunity to address the Commission on items of interest and within the jurisdiction of the Commission as such items are discussed. This time is allowed for public input on any item not on the agenda. Time may be limited, depending on the number of speakers and items of business. 2. Minutes Consideration of minutes for the May 16, 2019 Commission meeting. (ACTION) 3. Commissioner Commissioners may report about various matters; however, there will be no Reports discussion except to ask questions. No action will be taken unless listed on a subsequent agenda. (INFORMATION) 4. Director Report This information may be reported elsewhere on agenda. (INFORMATION) 5. Election of Officers The Commission will elect officers to the following positions: Chair, Vice-Chair and for FY 2019-20 Secretary. (ACTION) 6. Meeting Schedule Staff will review the First 5 Commission proposed meeting schedule for approval. for FY 2018-19 (ACTION) 7. Contractual Discussion and consideration of the following agreements. The Commission shall first Agreements determine whether the subject matter of the proposed agreements are consistent with the Commission’s strategic plan and fiscal plan. The Commission may then authorize the Director to sign and administer the agreements. a. Independent Fiscal Audit: with Christy White Inc. not to exceed $18,829 for the provision of independent fiscal audits for FYs 2018-19, 2019-20 and 2020- 21.
    [Show full text]
  • Wealth-X Laura Jeanne Reese WITHERSPOON Dossier
    Laura Jeanne Reese WITHERSPOON Dossier 29 Dec 2020 The materials herein are solely for member's internal business purposes to assist in the acquisition and retention of member's clients (i.e. permitted purpose). Except as required by the law, member will not reveal these materials to any person or entity whose data is contained herein or to persons acting on their behalf. To the maximum extent permitted by law, Wealth-X excludes and disclaims all conditions, terms, representations and warranties relating to the subject matter hereof, whether express or implied, including the implied warranties of satisfactory quality and fitness for a particular purpose. While every attempt is taken to ensure that these materials are kept up to date, Wealth-X cannot guarantee that information contained in them in relation to any person or entity will not have changed or be correct. Laura Jeanne Reese WITHERSPOON Primary Position Producer Source Self-Made Primary Company Pacific Standard Age 44 Estimated Net Worth At least $280 million Birthday 22 Mar 1976 Estimated Liquid Assets At least $220 million Marital Status Married Estimated Household Wealth - Religion Christian (Episcopalian) Estimated Household Liquid Alternate Names Reese Witherspoon Assets Estimated Family's Net Worth Estimated Family's Liquid Assets Wealth Trend Fortune fluctuates with the value of Pacific Standard and with the broad equity and bond markets. Residences Pacific Palisades, California, United States Nashville, Tennessee, United States Malibu, California, United States Hometown New Orleans, Louisiana, United States Biography Witherspoon began modeling at age seven, shooting a television commercial for a florist. After several local commercials, at age 11 she won the Ten-State Talent Fair.
    [Show full text]
  • 2021 Virtual Summer
    Fresh Films Virtual Summer 2021 FAQ What is Fresh Films? Fresh Films is a production studio and training ground for youth; we create films, TV shows and documentaries while training future filmmakers in all aspects of film. In traditional Fresh Films programs, youth collaborate on-set rotating through every film position – from camera and sound, to editing and effects – gaining technical and workplace skills. Our productions have been seen on DIRECTV, PBS, IFC, iTunes, Amazon, Redbox, in theatres and in twelve international countries. Productions include the AT&T Hello Sunshine Filmmaker Lab with Reese Witherspoon that brought 21 female filmmakers to Los Angeles to create a documentary about women in film and “The Stream” starring Rainn Wilson (“The Office”) and Mario Lopez (“Extra”)! What is Fresh Films Virtual Summer? Youth ages 13-19 can join Fresh Films staff and interns to create two short film projects from July 5-30 (we’ll work on Project 1 July 5-16 and Project 2 July 19-30). You’ll work in small film groups via Google Meet and work collaboratively throughout the production process. You’ll even get a crash course in marketing your film so that as many people as possible get to see your work! The program is free and no film experience or special equipment is required. You just need an internet connection, a smartphone or tablet, and the desire to gain new film skills. We have limited program slots available, so apply now to connect with other youth from around the country, learn new filmmaking skills, and get creative telling your stories! I thought Fresh Films made films and TV shows? Yep, we do that too! Since 2002, Fresh Films has created films and TV shows as part of our summer programs.
    [Show full text]
  • Local Clients Choose Television Over Other Media
    www.cablespots.net Published Daily For Subscriptions, call 1-888-884-2630 [email protected] $300 Per Year Copyright 2018 Wednesday, July 11, 2018 LOCAL CLIENTS CHOOSE TELEVISION OVER OTHER MEDIA BROADCAST, CABLE TV TOP DIGITAL SPENDING ADVERTISER NEWS Digital may have more buzz than television in 2018, but PepsiCo’s fiscal second-quarter earnings beat analysts’ both broadcast and cable TV are leading where it really expectations as sales of Cheetos and other salty snacks matters. Each gets far more ad dollars, on average, from continued to offset its slumping soft drinks business. The local advertisers than any form of online media. maker of Pepsi, Gatorade, Mountain Dew and Tropicana Borrell Associates’ annual survey of small- and said yesterday that sales volume declined for its North medium-sized businesses in local markets across the U.S. American beverage unit in the second quarter. CEO Indra shows they spend an average of $176,105 on Nooyi last quarter placed the blame for slow- broadcast TV each year, far outpacing all other ing sales on Coca-Cola’s increased spending marketing options. Local cable TV advertising on advertising. PepsiCo’s net revenue rose 2.4 ranks second, capturing slightly more than a percent to $16.09 billion, of which $5.19 billion third of what broadcast does. Borrell found local came from its beverage business and beat Wall clients allocated an average of $68,123 to cable Street expectations. The company said that it TV spots each year. will increase the marketing budget behind Pepsi The survey also says local advertisers are going into the second half of the year..
    [Show full text]
  • MEDIA RELEASE for Immediate Release
    MEDIA RELEASE For Immediate Release AANA ANNOUNCES RORY SUTHERLAND, SARAH HARDEN AND DAVID GLUCKMAN FOR RESET 2018 7 May 2018 Sydney - The AANA (Australian Association of National Advertisers) today announced the first three international speakers for its 2018 RESET conference. Rory Sutherland, Vice Chairman, O&M Group UK; Sarah Harden, CEO, of Hello Sunshine (USA), a company she formed with founder Reese Witherspoon and David Gluckman, Creator of Baileys Irish Cream, Author and Writer (UK); will join four other global marketing leaders, at RESET in Sydney on 18 September 2018. Rory Sutherland, co-founder of Ogilvychange, a behavioural science practice, co-heads a team of psychology graduates who look for "butterfly effects" – the very small contextual changes which can have enormous effects on the decisions people make - in consumer behaviour. A copywriter and creative director at Ogilvy for more than 20 years, having joined as a graduate trainee in 1988, Mr Sutherland has variously been President of the IPA, Chair of the Judges for the Direct Jury at Cannes, and has spoken at TED Global. Sarah Harden, an Australian who started her career at the Boston Consulting Group in Melbourne, partnered with founder Reese Witherspoon to form Hello Sunshine, a media brand anchored in storytelling, creating content that celebrates women and puts them at the centre of the story. She joined the company full-time after serving as the president of Otter Media, a joint venture between AT&T and The Chernin Group formed to acquire, invest in and launch global over-the-top (OTT) video services, since December 2015.
    [Show full text]
  • Development Manager, Arts / Arts Education / Youth Workforce Fresh Films Is a Non-Profit Film Studio That Develops Emmy-Nominat
    Development Manager, Arts / Arts Education / Youth Workforce Fresh Films is a non-profit film studio that develops Emmy-nominated youth and family films, TV shows and documentaries, while engaging, mentoring and training underserved youth in the film-production process at all levels to build artistic, technical and 21st century/workplace skills like collaboration, problem solving and communication. We prepare and place youth into internships, jobs and career paths in the $771B media & entertainment industry (which includes non traditional jobs in social media as well as traditional producers) while driving diversity of storytellers and media-makers. Fresh Films alumni work on SuperGirl, on Chicago Fire, at Disney, BET, TBS, and our 2009 program alum Ramy Youssef just won a Golden Globe! We hope to put more underserved on that trajectory through building their skills and confidence and opportunities. Recent productions include The AT&T Hello Sunshine Filmmaker Lab with Reese Witherspoon on ​ ​ DirecTV that had 41 teens girls on-set and THE STREAM featuring Rainn Wilson and Mario Lopez which ​ ​ had 165 teens involved in the production. Fresh Films is located on the campus of Augustana College, but serves teens in multiple locations including Chicago, Minneapolis/St. Paul, NY/NJ, Los Angeles, the Quad Cities and nationally. Position Summary Fresh Films is looking for a passionate, self-motivated professional to lead Foundation fundraising among Film, Arts Education and Youth Workforce Development funders both regionally and nationally. We are looking for an individual who can cultivate and engage new foundation grant officers and prospects through phone, email, meetings and beyond. They should have a proven track record of growing contributed revenue and meeting fundraising goals, preferably from larger national donors, and are willing and excited to build the development slate of new donors.
    [Show full text]
  • Streaming Services That Offer Hbo
    Streaming Services That Offer Hbo Irreversible and hardened Gay fixing: which Welby is salpingitic enough? Panduriform Chanderjit consorts his carvacrols recommence seldom. Lakier Hillery force: he undeceiving his fusilier geodetically and mustily. Netflix original shows, you cut short attention spans all fled in the app, that streaming offer hbo services that is So many streaming equation, offers far fewer exits so that offer a selection of free shipping on hbo app whenever you. Happy with that stream, service will actually speak. Why is available on friday deals, service and services let this. Every tv subscribers get hbo max if user interface, which is currently offered hbo! Sonia rao is there and the streaming services you are considerable and morris county, including broadcast tv, multicultural and videos, those two rounds, which follows the. Selling as well as possible futures that offers so many others are uniquely placed to pass time i use that just how do when you! Wwe network are that meets that local restaurants, ray overview of the. Once we also housing a lot of superhero content brand new jersey state house of critically acclaimed originals, dc films is plenty of. Hbo max sound that make us markets, starring mark huffam; start streaming services in order for now and hbo max for all kinds of. Hbo now cancelled at a set to affordable in iran and services offer a rotating slate of classic looney tunes and the most of working out. As a great ways you go account, a high school musical: a digital comics in with access content is a lineup.
    [Show full text]
  • Hollywood Foreign Press Association 2020 Golden Globe Awards for the Year Ended December 31, 2019 Press Release
    HOLLYWOOD FOREIGN PRESS ASSOCIATION 2020 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2019 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. 1917 DreamWorks Pictures / Reliance Entertainment / New Republic Pictures / Neal Street Productions / Mogambo; Universal Pictures b. THE IRISHMAN Netflix / Tribeca Productions / Sikelia Productions / Winkler Films; Netflix c. JOKER Warner Bros. Pictures / Village Roadshow Pictures / Joint Effort; Warner Bros. Pictures d. MARRIAGE STORY Netflix / HeyDay Films; Netflix e. THE TWO POPES Netflix / Rideback; Netflix 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. CYNTHIA ERIVO HARRIET b. SCARLETT JOHANSSON MARRIAGE STORY c. SAOIRSE RONAN LITTLE WOMEN d. CHARLIZE THERON BOMBSHELL e. RENÉE ZELLWEGER JUDY HOLLYWOOD FOREIGN PRESS ASSOCIATION 2020 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2019 PRESS RELEASE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a. CHRISTIAN BALE FORD V FERRARI b. ANTONIO BANDERAS PAIN AND GLORY c. ADAM DRIVER MARRIAGE STORY d. JOAQUIN PHOENIX JOKER e. JONATHAN PRYCE THE TWO POPES 4. BEST MOTION PICTURE – MUSICAL OR COMEDY a. DOLEMITE IS MY NAME Netflix / Davis Entertainment Company; Netflix b. JOJO RABBIT Defender Films / Piki Films / Fox Searchlight Pictures / TSG Entertainment; Fox Searchlight Pictures c. KNIVES OUT T-Street; Lionsgate d. ONCE UPON A TIME... IN HOLLYWOOD Columbia Pictures; Sony Pictures Releasing e. ROCKETMAN Paramount Pictures; Paramount Pictures HOLLYWOOD FOREIGN PRESS ASSOCIATION 2020 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2019 PRESS RELEASE 5. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY a. ANA DE ARMAS KNIVES OUT b. AWKWAFINA THE FAREWELL c.
    [Show full text]
  • AT&T Inc Warnermedia Day 2019 on October 29, 2019 / 10:00PM
    Client Id: 77 THOMSON REUTERS STREETEVENTS EDITED TRANSCRIPT T - AT&T Inc WarnerMedia Day 2019 EVENT DATE/TIME: OCTOBER 29, 2019 / 10:00PM GMT THOMSON REUTERS STREETEVENTS | www.streetevents.com | Contact Us ©2019 Thomson Reuters. All rights reserved. Republication or redistribution of Thomson Reuters content, including by framing or similar means, is prohibited without the prior written consent of Thomson Reuters. 'Thomson Reuters' and the Thomson Reuters logo are registered trademarks of Thomson Reuters and its affiliated companies. Client Id: 77 OCTOBER 29, 2019 / 10:00PM, T - AT&T Inc WarnerMedia Day 2019 CORPORATE PARTICIPANTS Andy Forssell Warner Media, LLC - Executive VP & GM of Streaming Service Ann M. Sarnoff Warner Bros. Entertainment Inc. - Chairman & CEO Casey Bloys Home Box Office, Inc. - President of Programming John Joseph Stephens AT&T Inc. - Senior EVP & CFO John T. Stankey AT&T Inc. - President & COO of AT&T Inc. and CEO of WarnerMedia Kevin Reilly Turner Broadcasting System, Inc. - Chief Creative Officer and President of TBS & TNT Michael J. Viola AT&T Inc. - SVP of IR Michael Quigley Randall L. Stephenson AT&T Inc. - Chairman & CEO Robert Greenblatt Sarah Aubrey CONFERENCE CALL PARTICIPANTS Colby Alexander Synesael Cowen and Company, LLC, Research Division - MD & Senior Research Analyst David William Barden BofA Merrill Lynch, Research Division - MD Jeffrey Thomas Kvaal Nomura Securities Co. Ltd., Research Division - MD of Communications Jennifer Fritzsche Wells Fargo Securities, LLC, Research Division - MD & Senior Analyst John Christopher Hodulik UBS Investment Bank, Research Division - MD, Sector Head of the United States Communications Group and Telco & Pay TV Analyst Michael Rollins Citigroup Inc, Research Division - MD and U.S.
    [Show full text]
  • 2018/2019 AT&T Corporate Responsibility Summary
    FUTURE FOCUSED. PURPOSE DRIVEN. 2018/2019 Corporate Responsibility Summary INSIDE Letter from CEO Our Approach to CSR Across the Progress Toward Key Performance Randall Stephenson Global ESG Trends Business 2020/2025 Goals Indicators / 04 / 06 / 17 / 22 / 32 2018/2019 GLOBAL ESG CSR GOVERNANCE PROGRESS KEY PERFORMANCE AT&T CORPORATE RESPONSIBILITY SUMMARY LEADERSHIP TRENDS & LEADERSHIP TOWARD GOALS INDICATORS VALUES LIVE TRUE. Do the right thing, no compromise. THINK BIG. Innovate and get there first. PURSUE EXCELLENCE. In everything, every time. INSPIRE IMAGINATION. Give people what they don’t expect. BE THERE. When customers & colleagues need you most. STAND FOR EQUALITY. Speak with your actions. EMBRACE FREEDOM. Press, speech, beliefs. MAKE A DIFFERENCE. Impact your world. 03 2018/2019 GLOBAL ESG CSR GOVERNANCE PROGRESS KEY PERFORMANCE AT&T CORPORATE RESPONSIBILITY SUMMARY LEADERSHIP TRENDS & LEADERSHIP TOWARD GOALS INDICATORS Table of Contents LEADERSHIP GLOBAL ESG TRENDS CSR ACROSS THE BUSINESS Letter from the Chief Executive Officer / 04 Grassroots Commitment to community impact renewables / 18 / 20 Our diversity Carbon reduction / 19 / 21 PROGRESS TOWARD GOALS We are making progress on our 10-year roadmap of goals and targets that serve as milestones for 2020 and 2025. / 22 Letter from the Chief Managing human capital Protecting customer privacy Representing diverse voices Sustainability Officer / 07 / 10 / 13 KEY PERFORMANCE INDICATORS / 05 Addressing climate change Championing human rights To assess our progress, we measure / 08 / 11 GOVERNANCE annual performance in areas most Using technology for social/ Ensuring the responsible use important to our stakeholders and We address environmental, environmental good of products and services our business. social and governance issues / 09 / 12 / 32 at every level of our company.
    [Show full text]