DOCSLIB.ORG

Chevalier D'auvergne's Price-List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Chevalier d’Auvergne’s price-list http://www.chevalierdauvergne.com au 2021/09/28 Weapon N° Réf. Category Name Details ET (€) IT (€) Remarks Official 332 TPQU10 0 0 Official 333 TFAN01 0 0 Official 329 RS8821 1882 Officer 363.71 435 on order Official 188 REIAT1 Epée Army Chief Administrator 384.62 460 on order Official 193 REPRE1 Epée Prefectorial Corps 384.62 460 Official 194 REPRE2 Epée Prefectorial Corps - golden 0 0 on order Official 187 RECPO1 Epée ENSP 346.15 414 Official 192 REOPO1 Epée Police Officer corps 346.15 414 Official 186 RECRS1 Epée Republican Security Company 346.15 414 Official 183 RECMA1 Epée Marine Commissioner Officer 346.15 414 Official 191 RETDM1 Epée Marine Troops 346.15 414 Official 182 REEPY1 Epée Polytechnique School 346.15 414 Official 181 REESA1 Epée Health Service School of Lyon army 346.15 414 Official 201 REACA1 Epée Academician’s 0 0 on order Official 174 RS8221 Sabre 1822 Cavalry 363.71 435 Official 234 RS8222 Sabre Light Cavalry 363.71 435 Official 176 RS8451 Sabre 1845 Infantry Warrant Officer 346.15 414 Official 185 RS8961 Sabre Model 1896 Cavalry Officer 363.71 435 Official 177 RS9231 Sabre 1923 Officer 346.15 414 Official 178 RS9232 Sabre 1923 Officer - Golden 0 0 on order Official 179 RSSCY1 Sabre Saint-Cyr Officer Student 346.15 414 Official 175 RSSAU1 Sabre Saumur Officer Student 346.15 414 Official 184 RSOMA1 Sabre Marine Officer 346.15 414 on order Official 189 RSCTA1 Sabre E.M.C.T.A. 346.15 414 Official 180 RSF101 Sabre Army sabre, model F1 346.15 414 Official 200 RSMN01 Sabre Nouakchott Mauritanian School 0 0 on order Official 196 RSUSC1 Sabre US Coast Guard 0 0 on order Official 197 RSUSM1 Sabre US Marines 0 0 on order Official 195 RSUSN1 Sabre US Navy 0 0 on order Official 199 RSMPO1 Sabre Marinha Portuguesa 0 0 on order Official 198 RSAVE1 Sabre Armada from Venezuela 0 0 on order Historic 265 HSBRC1 champagne 0 0 on order Historic 299 TERO01 King Bird 0 0 Historic 298 HSBRP1 Prestige saber 192.31 230 on order Historic 297 HODS02 SAS RPIMA dager with scabbard 0 0 on order Historic 335 hs8021 0 0 Historic 320 TFAN14 ancient aristocrat foil, foliage-stag 0 0 Historic 318 DDGR01 Accessory - Engraving on blade 20.9 25 b Page 1 Chevalier d’Auvergne’s price-list http://www.chevalierdauvergne.com au 2021/09/28 Weapon N° Réf. Category Name Details ET (€) IT (€) Remarks Historic 325 HVIN04 Infantry with plexi stand 121.24 145 Historic 324 HSBRN4 Napoleon “Briquet” Sabre with a display plexi stand 133.78 160 Historic 313 HSGIN2 Grenadier’s army corpse with révolution box 0 0 on order Historic 319 HSGCH1 Cavalryman’s grenadier saber 3°model 1810 désign 635.45 760 on order Historic 237 TGCL02 Dagger Theatre with foliage 99.5 119 Historic 158 HEFRM1 Epée Franc-Maçon 146.32 175 on order Historic 160 HETEM1 Epée Templar 150.5 180 on order Historic 138 TEMO01 Epée Musketeer 154.68 185 Historic 139 TEMO02 Epée Musketeer with scabbard 217.39 260 Historic 140 HERE01 Epée Renaissance. 200.67 240 on order Historic 141 HEMY01 Epée Two-handed Middle Ages 0 0 on order Historic 112 HOCL01 Poniard “poignard” 104.52 125 Historic 113 HOCL02 Poniard “poignard” with stand 0 0 Historic 168 HOFA01 Poniard F.A.M.A.S. Bayonet 0 0 Historic 169 HOFA02 Poniard F.A.M.A.S. Bayonet with stand 0 0 Historic 157 HSHON2 Sabre Honour spécial "Coronation Emperor Bi centenary" 217.39 260 on order Historic 148 HSBRN1 Sabre Napoleon “Briquet” 108.7 130 Historic 149 HSBRN2 Sabre Napoleon “Briquet” Sabre with scabbard 175.59 210 Historic 150 HSBRN3 Sabre Napoleon “Briquet” Sabre with a display stand 0 0 on order Historic 155 HSGIN1 Sabre Grenadier's army corpse 225 270 on order Historic 154 HSGLA1 Sabre with General Marquis de La Fayette’s medallion 372.07 445 on order Historic 156 HSMOY1 Sabre Montmorency 372.07 445 on order Historic 152 HSTAI2 Sabre First Empire Sapper’s sabre with scabbard 390.83 469 on order Historic 151 HSTAI1 Sabre First Empire Sapper’s sabre 280.1 335 on order Historic 146 HSTCO2 Sabre Revolution Sapper’s sabre with scabbard 390.83 469 on order Historic 145 HSTCO1 Sabre Revolution Sapper’s sabre 280.1 335 on order Historic 153 HS8021 Sabre 1802 Light Cavalryman’s sabre 570.83 685 on order Historic 143 HVIN01 Sword Infantry 100.33 120 Historic 144 HVIN02 Sword Infantry sword with scabbard 150.5 180 Historic 159 HVFRM1 Sword “Maçonnique” sword of the Rosicrucian Order 158.86 190 on order Theatrical 314 TPGGE3 Complete left-hand Gentilhomme rapier Guard Silver 0 0 Theatrical 208 DDGR01 Accessory - Engraving on blade 20.9 25 Theatrical 273 TPPO50 Pear Médiévale385 grm 14.21 17 Theatrical 304 TRFR04 Rapière Scabbard adaptable black iron 79.43 95 on order Theatrical 303 TRFR03 Leather Rapière Scabbard adaptable 79.43 95 on order Theatrical 272 TRENC1 Training Musketeer 0 0 Theatrical 296 TRFR02 Leather left hand scabbard 0 0 on order Theatrical 274 TPPO51 Hollow Wheel Médiéval455 grm 14.21 17 Page 2 Chevalier d’Auvergne’s price-list http://www.chevalierdauvergne.com au 2021/09/28 Weapon N° Réf. Category Name Details ET (€) IT (€) Remarks Theatrical 275 TPPO52 Brasil Nuts Médiéval300 grm 10.87 13 Theatrical 276 TPPO53 Tri lobe Médiéval235 grm 10.87 13 Theatrical 277 TPPO54 Cross Médiéval405 grm 15.89 19 Theatrical 278 TPPO55 Wheel Médiéval350 grm 10.87 13 Theatrical 279 TPPG50 Small flat Médiéval 46 grm 9.2 11 Theatrical 280 TPPG51 Small groove Médiévale 64 grm 9.2 11 Theatrical 281 TPPG52 Big thin Médiéval 63 grm 11.71 14 Theatrical 282 TPPG53 Big large Médiéval 110 grm 11.71 14 Theatrical 283 TPPG54 Big large return leather 117 grm 11.71 14 Theatrical 284 TPGA50 Small flat Médiéval140 grm 10.87 13 Theatrical 285 TPGA51 Small curve Médiéval210 grm 10.87 13 Theatrical 286 TPGA52 Big flat Médiéval375 grm 12.54 15 Theatrical 287 TPGA53 Big curve Médiéval270 grm 12.54 15 Theatrical 288 TRFR01 Rapière Scabbard adaptable chrome 79.43 95 on order Theatrical 316 TRGE07 Left-hand Gentilhomme Silver 0 0 Theatrical 317 DDGR01 Accessory - Engraving on blade 20.9 25 b Theatrical 334 TFAN01 0 0 Theatrical 323 TPGEA1 Complete Gentilhomme rapier Silver 0 0 Theatrical 315 TRGE06 Left-hand Gentilhomme Silver 0 0 Theatrical 260 TPQU02 Accessory Training quillion guard 0 0 Theatrical 137 TPQU01 Accessory Bronze rapier quillion guard 21.74 26 Theatrical 261 TPQU11 Accessory Silver rapier quillion guard 25.08 30 Theatrical 111 TGCL01 Dagger Classical Theatre 82.78 99 Theatrical 246 TGCL02 Dagger Theatre with foliage 99.5 119 Theatrical 227 TFAN12 Foil Ancient aristocrat foil, foliage-knight 0 0 Theatrical 226 TFAN13 Foil Ancient aristocrat foil, foliage-royal crown 0 0 Theatrical 223 TFAN14 Foil ancient aristocrat foil, foliage-stag 0 0 Theatrical 224 TFAN15 Foil Ancient aristocrat foil, foliage-plume 0 0 Theatrical 222 TFAN16 Foil Ancient aristocrat foil, foliage-lion 0 0 Theatrical 225 TFAN17 Foil Classical Ancient foil, foliage-lady 0 0 Theatrical 228 TFAN18 Foil Classical Ancient foil, foliage-crown 0 0 Theatrical 229 TFAN32 Foil Ancient aristocrat foil, snake-knight 0 0 Theatrical 230 TFAN33 Foil Ancient aristocrat foil, snake-royal crown 0 0 Theatrical 231 TFAN34 Foil Ancient aristocrat foil, snake-stag 0 0 Theatrical 232 TFAN35 Foil Ancient aristocrat foil, snake-plume 0 0 Theatrical 233 TFAN36 Foil Ancient aristocrat foil, snake-lion 0 0 Theatrical 248 TFAN37 Foil Classical Ancient foil, snake-lady 0 0 Theatrical 249 TFAN38 Foil Ancient foil, snake-crown 0 0 Page 3 Chevalier d’Auvergne’s price-list http://www.chevalierdauvergne.com au 2021/09/28 Weapon N° Réf. Category Name Details ET (€) IT (€) Remarks Theatrical 45 TPGAN1 Guard Complete English rapier 107.86 129 on order Theatrical 29 TPGPA1 Guard Complete Papperheimer rapier 0 0 Theatrical 71 TPGRE1 Guard Complete Renaissance rapier 0 0 Theatrical 37 TPGSQ1 Guard Complete Skeleton rapier 0 0 Theatrical 63 TPGCR1 Guard Complete Classic Renaissance rapier 0 0 Theatrical 53 TPGEN1 Guard Complete Gentilhomme rapier Gold 0 0 Theatrical 87 TPGCO1 Guard Complete golden Shell rapier 0 0 Theatrical 79 TPGCA1 Guard Complete Silver Shell rapier Guard 0 0 Theatrical 107 TPGGS1 Guard Complete Left-hand Spanish rapier Guard 0 0 Theatrical 61 TPGGE2 Guard Complete left-hand Gentilhomme rapier Guard Gold 0 0 Theatrical 120 TPGA01 Guard with foliage 25.08 30 Ancient foil Combination Theatrical 122 TPGA03 Guard with snakes 25.08 30 Ancient foil Combination Theatrical 123 TPGA02 Guard Dagger 23.41 28 Theatrical 125 TPGA06 Guard Large two-finger bronze rapier 27.59 33 Theatrical 256 TPGA16 Guard Large two-finger silver rapier 32.61 39 Theatrical 124 TPGA05 Guard Small two-finger bronze rapier 0 0 on order Theatrical 257 TPGA15 Guard Small two-finger silver rapier 0 0 on order Theatrical 126 TPGA07 Guard Bronze hollow rapier 0 0 Theatrical 258 TPGA17 Guard Silver hollow rapier 0 0 Theatrical 127 TPGA04 Guard Training rapier 16.72 20 Theatrical 121 TPGC01 Guard Classical left-hand dagger 0 0 Theatrical 241 TPGE01 Guard Left-hand training dagger 13.38 16 Theatrical 116 TPPG03 Handle E-Pm 15.89 19 Theatrical 117 TPPG04 Handle E-Py 15.89 19 Theatrical 254 TPPG09 Handle Silver E-Py 20.9 25 Theatrical 115 TPPG02 Handle Ancient Foil 0 0 Ancient foil Combination Theatrical 255 TPPG08 Handle Left-hand training 5.85 7 Theatrical 114 TPPG01 Handle with twisted wire 0 0 Theatrical 118 TPPG05 Handle Musketeer 20.9 25 Theatrical 119 TPPG07 Handle Brass training 7.53 9 Theatrical 131 TPPO04 Pommel with stags 0 0 Theatrical 250 TPPO06 Pommel with lions 0 0 Theatrical 130 TPPO03 Pommel with royal crown 25.08 30 Theatrical 251 TPPO07 Pommel bronze with lady 8.36 10 Theatrical 252 TPPO17 Pommel Silver with lady 11.71 14 Theatrical 128 TPPO02 Pommel with knight 0 0 Theatrical 132 TPPO05 Pommel with knight, with plume 0 0 Theatrical 129 TPPO01 Pommel with maxi knight 0 0 Page 4 Chevalier d’Auvergne’s price-list http://www.chevalierdauvergne.com au 2021/09/28 Weapon N° Réf.
Recommended publications
  • Your Kids, Their Swords, and Surviving It All with Your Sanity Intact

    Your Kids, Their Swords, and Surviving It All with Your Sanity Intact

    The PARENTS’ FENCING SURVIVAL GUIDE 2015 EDITION This is a bit of a read! It won’t send you to sleep but best to dip in as required Use Ctrl+click on a content heading to jump to that section Contents Why Fencing? ........................................................................................................................... 3 How Will Fencing Benefit My Child? ......................................................................................... 4 Fencing: So Many Flavours to Choose From ............................................................................ 4 Is it Safe? (We are talking about sword fighting) ....................................................................... 5 Right-of-What? A List of Important Terms ................................................................................. 6 Overview of the Three Weapons .............................................................................................. 9 Getting Started: Finding Classes ............................................................................................ 12 The Training Diary .................................................................................................................. 12 Getting Started: Basic Skills and Gear .................................................................................... 13 Basic Equipment: A Little more Detail ..................................................................................... 14 Note: Blade Sizes – 5, 3, 2, 0, What? ....................................................................................
  • The European Bronze Age Sword……………………………………………….21

    The European Bronze Age Sword……………………………………………….21

    48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations
  • Custom Welded Katana by Request

    Custom Welded Katana by Request

    Custom Welded Katana By Request Two-a-penny Bobbie never season so unreflectingly or permeate any Yoko evil. Rhett retreading obviously as formable deciduate.Melvyn dishallows her reviewer snowball corruptibly. Terrance anthropomorphising her serum qualitatively, synecdochic and Nobody has ever none of swords this way. Battling Blades designs and sells swords, machetes, axes and knives. And japanese government is not custom welded katana by request a steel damascus was a cavalry, in a fair. Gw cycle world and european weapons that refers to be able courier service. What does knife today it would like to identify the shirasaya swords lack toughness is two custom welded katana by request a factory warranty or gold and subject to teach me when in a rapier is? Every item we sell is handmade and we hold some in stock. Searching custom welding and requests for by hammering, not those who look to request is destined to. Those studying with essence, originating in tijd, steel in its materials, and extremely easily from mild pronation control. The custom welded katana by request, by a request information! Thank you dear friend Daniel of Nebraska. Please note free time ask could you drill further questions. Template HKGGRN WAKIZASHI SAMURAI SWORD Description Wakizashi in Koshirae Mountings. We weld tests at the custom welded katana by request information for competitive price is used to be a new this is? The cost is irrelevant. After many swords are somewhat more carbon to view more like in appearance and marine and to wield a later date, fl on the history and discovered a first.
  • The Seven Sabre Guards for a Right Handed Fencer

    The Seven Sabre Guards for a Right Handed Fencer

    The Seven Sabre Guards for a Right handed fencer. st “Prime” 1 Guard or Parry (Hand in Pronation “Quinte” 5th Guard or parry (Hand in Pronation) “Seconde” 2nd Guard or Parry (Hand in Pronation) “Sixte” 6th Guard or Parry (Hand in half Supination) “Tierce” 3rd Guard or Parry (Hand in Pronation) th “Offensive Defensive position” 7 Guard of Parry (Hand in half Pronation) Supination: Means knuckles of the sword hand pointing down. Half Pronation: Means knuckles pointing towards the sword arm side of the body with the thumb on top of the sword handle. Pronation: Means knuckles of the sword hand pointing th “Quarte” 4 Guard or Parry (hand in Half Pronation) upwards. Copyright © 2000 M.J. Dennis Below is a diagram showing where the Six fencing positions for Sabre are assuming the fencer is right handed (sword arm indicated) the Target has been Quartered to show the High and Low line Guards (note the offensive/defensive position is an adaptation of tierce and quarte). Sixte: (Supinated) To protect the head Head Quinte: (Pronation) To protect the head Cheek Cheek High Outside High Inside Tierce: (½ Pronation) to Prime: (Pronation) to protect the sword arm, protect the inside chest, and chest, and cheek. belly. Seconde: (Pronation) Fencers to protect the belly and Quarte: (½ Pronation) To Sword-arm flank protect chest and cheek Flank Low Outside Low Inside Belly The Sabre target is everything above the waist. This includes the arms, hands and head. Copyright © 2000 M.J. Dennis Fencing Lines. Fencing lines can cause a great deal of confusion, so for ease I shall divide them into four separate categories.
  • Kingdom of Northshield Rules for Rapier Combat

    Kingdom of Northshield Rules for Rapier Combat

    Kingdom of Northshield Rules for Rapier Combat Published Summer 2018 Table of Contents 1. RULES OF THE LIST AND OF COMBAT.................................................................................. 1 1.1. Rules of the List .......................................................................................................................2 1.2. Rules of Combat ......................................................................................................................3 2. EQUIPMENT SPECIFICATIONS ............................................................................................. 7 2.1 General Standards ....................................................................................................................7 2.2. Weapons and Parrying Devices ................................................................................................7 2.3. Protective Equipment ............................................................................................................ 10 3. AUTHORIZATIONS ............................................................................................................ 14 3.1. General Requirements ........................................................................................................... 14 3.2. Combat Authorization ............................................................................................................ 15 4. MARSHALLING RAPIER ..................................................................................................... 17 4.1.
  • Swordsmanship and Sabre in Fribourg

    Swordsmanship and Sabre in Fribourg

    Acta Periodica Duellatorum, Hands-on section, articles 103 Hands-on section, articles Sweat and Blood: Swordsmanship and sabre in Fribourg Mathijs Roelofsen, PhD Student, University of Bern [email protected], and Dimitri Zufferey, Independant Researcher, GAFSchola Fribourg, [email protected] Abstract – Following a long mercenary tradition, Switzerland had to build in the 19th century its own military tradition. In Cantons that have provided many officers and soldiers in the European Foreign Service, the French military influence remained strong. This article aims to analyze the development of sabre fencing in the canton of Fribourg (and its French influence) through the manuals of a former mercenary (Joseph Bonivini), a fencing master in the federal troops (Joseph Tinguely), and an officer who became later a gymnastics teacher (Léon Galley). These fencing manuals all address the recourse to fencing as physical training and gymnastic exercise, and not just as a combat system in a warlike context. Keywords – Sabre, Fribourg, Valais, Switzerland, fencing, contre-pointe, bayonet I. INTRODUCTION In military history, the Swiss are known for having offered military service as mercenaries over a long time period. In the 19th century, this system was however progressively abandoned, while the country was creating its own national army from the local militias. The history of 19th century martial practices in Switzerland did not yet get much attention from historians and other researchers. This short essay is thus a first attempt to set some elements about fencing in Switzerland at that time, focusing on some fencing masters from one Swiss Canton (Fribourg) through biographical elements and fencing manuals.
  • THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon

    THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon

    THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way.
  • Introduction to Italian Rapier

    Introduction to Italian Rapier

    Introduction to Italian Rapier David and Dori Coblentz Contents Introduction .................................................................................................................................................1 Fundamental Concepts ..............................................................................................................................2 The Rapier ................................................................................................................................................2 Hand Positions ........................................................................................................................................3 Standing in First Position .......................................................................................................................4 Salute .........................................................................................................................................................4 Guard ........................................................................................................................................................5 Lines of Attack .........................................................................................................................................5 Placement of the weapon .......................................................................................................................6 Guards of third and fourth ................................................................................................................6
  • Introduction to Rapier

    Introduction to Rapier

    INTRODUCTION TO RAPIER Based on the teachings of Ridolfo Capo Ferro, in his treatise first published in 1610. A WORKBOOK By Nick Thomas Instructor and co-founder of the © 2016 Academy of Historical Fencing Version 1 Introduction The rapier is the iconic sword of the renaissance, but it is often misunderstood due to poor representation in popular culture. The reality of the rapier is that it was a brutal and efficient killer. So much so that in Britain it was often considered a bullies or murderers weapon. Because to use a rapier against a person is to attempt to kill them, and not just defend oneself. A result of the heavy emphasis on point work and the horrendous internal damage that such thrust work inflicts. Rapier teachings were first brought to Britain in the 1570’s, and soon became the dominant weapon for civilian wear. Of course many weapons that were not so different were also used in the military, featuring the same guards and slightly lighter and broader blades. The rapier was very commonly used with offhand weapons, and Capo Ferro covers a range of them. However for this work book, we will focus on single sword, which is the foundation of the system. This class is brought to you by the Academy of Historical Fencing (UK) www.historicalfencing.co.uk If you have any questions about the class or fencing practice in general, feel free to contact us – [email protected] Overview of the weapon The First thing to accept as someone who already studies one form or another of European swordsmanship, is that you should not treat the rapier as something alien to you.
  • The Fight Master, October 1978, Vol. 1 Issue 3

    The Fight Master, October 1978, Vol. 1 Issue 3

    Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors 10-1978 The Fight Master, October 1978, Vol. 1 Issue 3 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation The Society of American Fight Directors, "The Fight Master, October 1978, Vol. 1 Issue 3" (1978). Fight Master Magazine. 3. https://mds.marshall.edu/fight/3 This Book is brought to you for free and open access by the The Society of American Fight Directors at Marshall Digital Scholar. It has been accepted for inclusion in Fight Master Magazine by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. the Property of the ~.ltde±ti .of fi9bt J\mericmt Jlfigl1t Ji}tr£cfon_; rnasteu tbe societiY o,i: ameuican ,i:igbt <liuectons '1 IMlt'I' ------------------------------ REPLICA SWORDS 'rhe· Magazine of the Society of American Fight Directors We carry a wide selection of replica No. 3 October 1978 swords for theatrical and decorative use. Editor - Mike McGraw Lay-out - David L. Boushey RECOMMENDED BY THE ,'1 SOCIETY OF AMERICAN FIGHT DIRECTORS Typed and Duplicated by Mike McGraw I *************************************** ~oci~ty of American Yi£ht Directors The second Society of Fight Directors in the world has been I incorporated in Seattle, Washington. Its founder is David I IIi Boushey, Overseas Affiliate of the Society of British Fight ' Directors. OFFICERS: President - David L.
  • Viewings by Appointment Only 6

    Viewings by Appointment Only 6

    +44 (0)7866 424 803 [email protected] runjeetsingh.com CONTENTS Daggers 6 Swords 36 Polearms 62 Firearms 74 Archery 84 Objects 88 Shields 98 Helmets 104 Written by Runjeet Singh Winter 2015 All prices on request Viewings by appointment only 6 1 JAAM-DHAR An important 17th century Indian A third and fourth example are (DEMONS TOOTH) katar (punch dagger) from the published by Elgood 2004, p.162 KATAR Deccan plateau, possibly Golkonda (no.15.39) and Egerton (no.388), (‘shepherd’s hill’), a fort of Southern from Deccan and Lucknow India and capital of the medieval respectively. Both are late 17th DECCAN (SOUTH INDIA) sultanate of the Qutb Shahi dynasty or early 18th century and again 17TH CENTURY (c.1518–1687). follow the design of the katar in this exhibition. OVERALL 460 MM This rare form of Indian katar is the BLADE 280 MM earliest example known from a small The heavy iron hilt has intricate group, examples of which are found piercing and thick silver sheet is in a number of notable collections. applied overall. These piercing, These include no.133 in Islamic suggestive of flower patterns, softens Arms & Armour from Danish private the austerity of the design which Collections, dated to the early 18th can be related to architecture, for century. Probably Deccani in origin, example the flared side bars have the arabesques on the blade have tri-lobed ends. The architectural Shi’ite calligraphy. The features of this theme continues into the lower bar fine katar are closely related to the which connects to the blade; this has katar published here.
  • The Virtual Tour

    The Virtual Tour

    Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2012 The irV tual Tour Elizabeth Laura Mayor Worcester Polytechnic Institute Justin Henry McLaughlin Worcester Polytechnic Institute Kai He Worcester Polytechnic Institute Seth Michael Lipkind Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Mayor, E. L., McLaughlin, J. H., He, K., & Lipkind, S. M. (2012). The Virtual Tour. Retrieved from https://digitalcommons.wpi.edu/ iqp-all/2641 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Virtual Tour Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in partial fulfillment of the requirements for graduation by Runzi Gao Kai He Seth Lipkind Elizabeth Mayor Justin McLaughlin Professor Jeffrey L. Forgeng, Major Advisor ii iii Abstract This project integrated technology and history to transform the visitor experience at the Higgins Armory Museum. The team upgraded the museum’s “Virtual Armory” website, creating a Virtual Tour with interactive and multimedia content for over a dozen pieces in the Higgins collection, including videos, animations, interactive graphics, and a Flash-based minigame. The team