Abstracts Historia Scientiarum Baltica 2019
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Prague & Munich
Prague & Munich combo weekend! A chance to enjoy two of the most beauful, historic and largest beer consuming places on the planet in one weekend! Prague - The golden city, incredible architecture and sights, Charles bridge, Prague castle (the largest in the world), the ancient Jewish quarter, Easter European prices, Starbucks and other western food chains, wild nightlife & Czech Beer (pints for $1). Surely one of the most intriguing cies in the world as well as one of the most excing in Europe, Prague is a trip not to be missed! Munich - The land of lederhosen, pretzels and beer – and Oktoberfest! This famous Bavarian city as all of the culture, history, museums and of course beer to make it one of the world’s greatest cies! Munich’s reputaon for being Europe’s most fun city is well-deserved, as no maRer what season or me of year, there’s always a reason for a celebraon! Country: Prague - Czech Republic (Czechia); Munich - Germany Language Prague - Czech; Munich - German Currency Prague - Czech Koruna; Munich - Euro Typical Cuisine Prague - Pork, beef, dumplings, potatoes, beer hot spiced wine, Absinthe, Czech Beer. Munich - wurst (sausage), Pretzels, krautsalat (sauerkrautsalad), kartoffelsalat (potato salad) schweinshaxe (roasted pork knuckle), schnitzel, hendl (roasted chicken), strudels, schnapps, beer. Old Town Square, Lennon Wall, Wenceslas Square, Jewish Quarter, Astronomical Clock, Charles Bridge, Prague Castle. Must see: Prague - Old Town Square, Lennon Wall, Wenceslas Square, Jewish Quarter, Astronomical Clock, Charles Bridge, Prague Castle.. Munich - Horauhaus, Glockenspiel, English gardens, Beer Gardens DEPARTURE TIMES DEPARTURE CITIES Thursday Florence Florence - 8:00 pm Rome Rome - 5:00 -5:30 pm Fly In - meet in Prague Sunday Return Florence - very late Sunday night Rome - very late Sunday night/ early Monday morning WWW.EUROADVENTURES.COM What’s included Full Package: Transportation Only Package: Fly In Package: - round trip transportaon - round trip transportaon - 2 nights accommodaon in Prague - 1 night accomm. -
Eastern Europe and Baltic Countries
English Version EASTERN EUROPE AND BALTIC COUNTRIES GRAND TOUR OF POLAND IMPERIAL CAPITALS GRAND TOUR OF THE BALTIC COUNTRIES GDANSK MALBORK TORUN BELARUS GRAND TOUR OF POLAND WARSAW POLAND GERMANY WROCLAW CZESTOCHOWA KRAKOW CZECH REPUBLIC WIELICZKA AUSCHWITZ UKRAINE SLOVAKIA Tour of 10 days / 9 nights AUSTRIA DAY 1 - WARSAW Arrival in Warsaw and visit of the Polish capital, entirely rebuilt after the Second World War. Dinner and accommodation.SUISSE DAY 2 - WARSAW Visit of the historic center of Warsaw: the Jewish Quarter, Lazienkowski Palace, the Royal route. In the afternoon, visit of the WarsawMILANO Uprising Museum, dedicated to the revolt of the city during World War II. Dinner and accommodation. FRANCE DAY 3 - WARSAW / MALBORKGENOA / GDANSK PORTO FINO Departure for the Baltic Sea. Stop for a visit of the Ethnographic Museum with its typical architecture. Continue withNICE a visit of the Fortress of Malbork listed at the UNESCO World Heritage Site. Then, CANNES departure for Gdansk. Dinner and accommodation.ITALIE DAY 4 - GDANSK / GDNIA / SOPOT / GDANSK City tour of Gdansk. Go through the Golden Gate, a beautiful street with Renaissance and Baroque facades, terraces and typical markets, the Court of Arthus, the Neptune Fountain and finally the Basilica Sainte Marie. Continue to the famous resort of Sopot with its elegant houses, also known as the Monte Carlo of the Baltic Sea. Dinner and accommodation. DAY 5 - GDANSK / TORUN / WROCLAW Departure for Torun, located on the banks of the Vistula and hometown of the astronomer Nicolas Copernicus. Guided tour of the historical center and visit the house of Copernicus. Departure to Wroclaw. -
Lithuanian Writers and the Establishment During Late Socialism: the Writers Union As a Place for Conformism Or Escape Vilius Ivanauskas
LITHUANIAN HISTORICAL STUDIES 15 2010 ISSN 1392-2343 PP. 51–78 LITHUANIAN WRITERS AND THE EStabLISHMENT DURING LatE SOCIALISM: THE WRITERS UNION AS A PLACE FOR CONFORMISM OR ESCAPE Vilius Ivanauskas ABSTRACT This article analyses how the changes in the dominant attitude of local Soviet writers were encouraged, screened or restricted by the Writers Union [WU] through mechanisms of planning, control and even through measures of creating a secure daily environment. The author looks at the tensions and conflicts between writers of different generations, observing less ideology in the younger generation than in their predecessors since the development and dissemination of national images among the declared values of communism were increasing. The union as a system covered both aspects – conformism and the escape (manoeuvre). Though the WU had a strong mechanism of control, it managed to ensure for the writers such a model of adaptation where even those, who were subject to restrictions, had a possibility of remaining within the official structure, through certain compromises, while actually avoiding involvement in dissident activities or samizdat publishing. Introduction In August 1940 a group of Lithuanian intellectuals, most of whom were writers, went off to Moscow “to bring back Stalin’s Sunshine”, at the same time asking for Lithuania to be incorporated into the USSR. Forty eight years later in early June 1988 a few members of the local literary elite joined the initial Sąjūdis Group and from thenceforth stood in the vanguard of the National Revival. These two historic moments, witnessing two contrary breaking points in history, when Lithuanian writers were active participants in events, naturally give rise to the question of how the status and role of writers and their relationship with the Soviet regime changed. -
Lithuanian Literature in 1918–1940: the Dynamics of Influences and Originality
340 INTERLITT ERA RIA 2018, 23/2: 340–353 VANAGAITĖ Lithuanian Literature in 1918–1940: The Dynamics of Influences and Originality GITANA VANAGAITĖ Abstract. Lithuanian independence (1918–1940), which lasted for twenty- two years, and its symbolic center, the provisional capital Kaunas, have been very important for the country’s political, social, and cultural identity. In 1918, changes in the social, economic, and political status of an individual as well as transformations in the literary field followed the change of the political system. In what ways the relationship between the center and the periphery and the spheres of literary influences were altered by the new forms of life? Lithuania, the former geographic periphery of tsarist Russia, after the change of the political system became a geographical and cultural periphery of Europe. Nevertheless, political freedom provided an opportunity to use the dichotomy of center-periphery creatively. Lithuanian writers, who suddenly found them- selves living in Europe with old cultural traditions, tried to overcome the insignificance of their own literature, its shallow themes and problems by “borrowing” ideas and ways to express them. In fact, the imitation was not mechanical, so the new influences enabled writers to expand significantly the themes and forms of Lithuanian literature. The article examines the development of new cultural centers in inde- pendent Lithuania. It also discusses the avant-garde movement which emerged under the influence of Russian futurists and German expressionists. In addition, it focuses on individual authors, such as Antanas Vaičiulaitis, Kazys Binkis and Petras Cvirka, and the influence that affected their works. Keywords: center; periphery; literary influence; host culture Center and Periphery in Literature The word periphery translated from the Latin (peripherīa) means “a circle.” In turn, this Latin word is related to two Greek words, perí, which means “around,” and pherein – “to carry”. -
EESTI GEOGRAAFIA SELTSI AASTARAAMAT 44. Köide
EESTI GEOGRAAFIA SELTSI AASTARAAMAT 44. köide ESTONIAN GEOGRAPHICAL SOCIETY YEARBOOK OF THE ESTONIAN GEOGRAPHICAL SOCIETY VOL. 44 Edited by Arvo Järvet TALLINN 2019 EESTI GEOGRAAFIA SELTSI AASTARAAMAT 44. KÖIDE Toimetanud Arvo Järvet TALLINN 2019 YEARBOOK OF THE ESTONIAN GEOGRAPHICAL SOCIETY VOL. 44 EESTI GEOGRAAFIA SELTSI AASTARAAMAT 44. KÖIDE Edited by: Arvo Järvet Toimetaja: Arvo Järvet Aastaraamatu väljaandmist on toetanud: Tartu ülikooli geograafia osakond Tallinna ülikooli ökoloogia keskus Eesti Maaülikooli Põllumajandus- ja keskkonnainstituut Autoriõigus: Eesti Geograafia Selts, 2019 ISSN 0202-1811 Eesti Geograafia Selts Kohtu 6 10130 Tallinn www.egs.ee Trükitud OÜ Vali Press SAATEKS Eesti geograafia tähistab tänavu olulist aastapäeva – 100 aastat tagasi detsembris 1919 alustas Tartu ülikool õppe- ja teadustööd rahvusülikoolina ning ühe uue üksusena alustas ülikoolis tegevust geograafiakabinet, mille juhendajaks oli TÜ esimene geograafia- professor Johannes Gabriel Granö. Paljud eesti geograafid võivad end tänapäevalgi kaudselt Granö õpilasiks lugeda – sedavõrd olu- line ja tulevikkusuunav oli tema ideede ja uurimismeetodite osa. Tartu ülikooli geograafia osakond on jäänud eesti geograafiateaduse ja kõrghariduse lipulaevaks tänaseni. Geograafiliste uuringutega on lisaks Tartu ülikoolile tegeletud ka teistes teadusasutustes: nõukogude perioodil rohkem Teaduste Aka- deemia majanduse ja geoloogia instituutides ning Tallinna botaanika- aias, Eesti Vabariigi iseseisvuse taastamise järel Eesti Maaülikoolis ja Tallinna ülikoolis. Geograafia -
The Formation of Latvian Literary Identity at the End of the Nineteenth – the Beginning of the Twentieth Century: Overlapping Vectors of Reception
MAIJA BURIMA The Formation of Latvian Literary Identity at the End of the Nineteenth – the Beginning of the Twentieth Century: Overlapping Vectors of Reception The issue of national literary identity is a complex problem that is related to a common view of discourses of culture and social anthropology. Literary identity is a system of codes that may refer to just one particular national literature and express both its canonical features and processes in its periphery. Literary identity is changing in time. It depends on the poetic style of writers and affects the readers’ understanding of culture. Latvian literary identity is closely related to the processes of the history of Latvian literature. The formation of modern Latvian literature dates back to the early nineteenth century, however, the origin of really balanced search of form and content is most often attributed to Juris Alunāns’ poetry collection Dziesmiņas, latviešu valodai pārtulkotas (Songs translated for the Latvian language) that was published in Tartu (Dorpat) in 1856 and contains Alunāns’ translations from different languages of the poetry by Horace, Johann Wolfgang von Goethe, Friedrich von Schiller, Alexander Pushkin, Mikhail Lermontov, Heinrich Heine, etc. This collection is noteworthy for crystallizing of an important concept of Latvian literature of the mid-nineteenth century, i.e. for a young national literature to develop its identity, a thorough study of classical literature and the improvement of Latvian literary language were needed. These features are manifest in the genre, form, and content of two fundamental texts of the second half of the nineteenth century: the Kaudzītes brothers’ novel Mērnieku laiki (1879) (Times of Land Surveyors) and Andrejs Pumpurs’ epic Lāčplēsis (1888) (Bearslayer). -
The Evolution of Tower Clock Movements and Their Design Over the Past 1000 Years
The Evolution Of Tower Clock Movements And Their Design Over The Past 1000 Years Mark Frank Copyright 2013 The Evolution Of Tower Clock Movements And Their Design Over The Past 1000 Years TABLE OF CONTENTS Introduction and General Overview Pre-History ............................................................................................... 1. 10th through 11th Centuries ........................................................................ 2. 12th through 15th Centuries ........................................................................ 4. 16th through 17th Centuries ........................................................................ 5. The catastrophic accident of Big Ben ........................................................ 6. 18th through 19th Centuries ........................................................................ 7. 20th Century .............................................................................................. 9. Tower Clock Frame Styles ................................................................................... 11. Doorframe and Field Gate ......................................................................... 11. Birdcage, End-To-End .............................................................................. 12. Birdcage, Side-By-Side ............................................................................. 12. Strap, Posted ............................................................................................ 13. Chair Frame ............................................................................................. -
Religion and Poetry: Latvia's JÄ Nis Rainis
Religion and Poetry: Latvia's J�nis Rainis Arvids Ziedonis, Jr., The Religious Philosophy of Jánis Rainis. Waverly, Iowa: Latvju Grammata, 1969. 344 pp. Janis Rainis' status as one of the most remarkable Latvian writers has been secure for over sixty years now. It was he who raised Latvian poetry and drama to a level of artistry never before attained. To this day, literary critics and historians have been trying to place his strongly individualistic creative out- put into definite literary schools, but not with a great deal of success. Spiritually and aesthetically he is the best example in modern Latvian letters of the organic relationship between talent shaped by tradition and talent creating tradition. Rainis' poems are the common patrimony of most Latvian anthologies, and most of his fifteen dramas (all but two written in blank verse) are constantly per- formed on Latvian stages and occasionally abroad. Five of Rainis' dramas have been set as operas, and his lyrics have also attracted composers. A book-length study in English of this Latvian writer and his work has long been overdue, for in the English-speaking countries the true greatness of Rainis' literary genius has not been fully recognized. More of Rainis' works have been translated into Russian, German, Lithuanian, Estonian, Ukrainian, Belorussian, and even into Georgian, than into English. The primary objective of professor Ziedonis' monograph, originally a Temple University dissertation, is to shift the emphasis from the usual treatment of Rainis as an artist and a Latvian nationalist to a fuller appreciation of Rainis as a founder of a "new religion." To be sure, this is not an original idea con- cerning the poet. -
Balio Sruogos Laiškai Įvairiems Asmenims: „Sursum Corda!“
Lietuvių katalikų mokslo akademijos metraštis, vilnius, 2020, t. 43. issN 1392-0502 BaLio sRuoGos LaiŠkai ĮvaiRiems asmeNims: „suRsum CoRda!“ NeRiNGa maRkeviČieNĖ Įvadas. straipsnio1 tikslas – pristatyti Balio sruogos laiškų įvairiems as- menims rinkinį (1911–1947), kuris rekonstruotas ištyrus Lietuvos (vilniaus, kauno, Šiaulių) ir pasaulio (jav, Rusijos) atminties institucijose saugomus rašytojo egodokumentus2. siekiant šio tikslo, naudojantis analitiniu apra- šomuoju metodu, svarbu: 1) aptarti šio sruogos laiškų rinkinio korpusą, 2) aprašyti laiškų tematiką3, 3) pabrėžti sruogos laiškų ir atsiminimų apie jį sąsajas, nurodant naujai išryškėjančias detales ir iki šiol nežinotus ar ma- žai aktualintus faktus apie rašytojo asmenybę, jo veiklą ir gyvenimą, 4) ak- centuoti laiškuose atsispindinčius sruogos grožinės kūrybos fragmentus, svarbius genezės, recepcijos aspektais, 5) įvardyti tekstologines problemas. sruogos laiškai įvairiems asmenims iki šiol nebuvo surinkti, chronologiš- kai susieti, todėl jų visuma dar nėra tapusi analizės objektu, nepublikuota. Nedaug sruogos laiškų įvairiems asmenims tirta lingvistiniu, kreipimo- si formų aspektu4. sruogos laiškų medžiaga daugiausia rėmėsi algis samu- lionis5. jis ir pradėjo registruoti Lietuvoje saugomus sruogos laiškus paties kruopščiai suplanuotiems sruogos raštams, rengė laiškų rankraščių nuora- šus – darė autografų kopijas perrašinėdamas ranka ir spausdinimo mašinė- 1 straipsnis parengtas vykdant Lietuvos mokslo tarybos fnansuojamą projektą „Balio sruogos elektroninis laiškų (1911–1947) -
Dark Times: Art and Artists of Vilnius in 1939–1941
326 Dark Times: Art and Artists of Vilnius in 1939–1941 Giedrė Jankevičiūtė Vilnius Academy of Arts Maironio St. 6, LT-01124 Vilnius e-mail: [email protected] The aim of this paper is to discuss and reconstruct in general fe- atures the reality of the Vilnius artistic community from late autumn 1939 to June 1941. This period of less than two years significantly changed the configuration of the artistic community of the city, the system of institutions shaping the art scene as well as the artistic goals. It also brought forth new names and inspired new images. These changes were above all determined by political circumstances: the war that broke out in Poland on 1 September 1939; the ceding of Vilnius and the Vilnius region to Lithuania; two Soviet occupations: in the autumn of 1939 and June 1940, and the subsequent Nazi occupation a year later. The influence of politics on the art scene and the life of artists has been explored in institutional and other aspects by both Lithuanian and Polish art historians, but the big picture is not yet complete, and the general narrative is still under construction. A further aim of this paper is to highlight some elements that have not received sufficient atten- tion in historiography and that are necessary for the reconstruction of the whole. Some facts of cooperation or its absence among artists of various ethnicities are presented, and the question is raised on the extent to which these different groups were affected by Sovietisation, and what impact this fragmentation had on the city’s art scene. -
Richter Revised
University of Birmingham 'A mass which you could form into whatever you wanted' Richter, Klaus License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Richter, K 2017, 'A mass which you could form into whatever you wanted': Refugees and state building in Lithuania and Courland, 1914–21. in Europe on the move: Refugees in the era of the Great War. Cultural History of Modern War. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 03/05/2019 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Jānis Pliekšāns' (Rainis') “Formula of Happiness”
Jānis Pliekšāns’ (Rainis’) “Formula of Happiness” Jānis Lazdiņš Juridiskā zinātne / Law, No. 13, 2020 pp. 153–163 https://doi.org/10.22364/jull.13.09 Jānis Pliekšāns’ (Rainis’) “Formula of Happiness” Dr. iur. Jānis Lazdiņš Faculty of Law, University of Latvia Professor at the Department of Legal Theory and History E-mail: [email protected] The article focuses on the analysis of the understanding of “formula of happiness” of Jānis Pliekšāns (Rainis), lawyer, philosopher and the most famous Latvian poet. Rainis’ works were created at the end of the 19th – beginning of the 20th centuries. This is the time when the legal consciousness of the Latvian State was evolving and the Republic of Latvia was proclaimed (1918). Rainis’ views in the philosophy of law were significantly influenced by the theory of Marxism and the fight for rights described by Rudolf von Ihering. Rainis’ “formula of happiness” means interminable self-improvement in the struggle for personal happiness with the aim of leading the whole humanity towards happiness. The ultimate happiness is work for the benefit of all people. Keywords: Jānis Pliekšāns, Rainis, happiness, formula of happiness, struggle for happiness. Contents Introduction . 153 1. Personal Happiness . 155 2. Ultimate Happiness . 157 Summary . 162 Sources . 162 Bibliography . 162 Normative Acts . 163 Introduction Until now, happiness as a category of law has drawn little attention of lawyers and scholars of law. Predominantly, lawyers limit themselves to search for justice as the purpose of law in accordance with the particular conflict of laws. Only the right to pursuit of happiness, included in The Declaration of Independence of the Unites States of America (1776),1 has gained global fame.