DOCSLIB.ORG

Bibliothèque(S)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliothèque(S) revue de l’association des bibliothécaires de france Bibliothèque(s) 61 MARS 2012 JAPON Éditorial, par Pascal Wagner 1 Sommaire 2 Bibliobrèves 4 Gutenberg sur le rivage, par Jacques Keriguy 8 L’archipel des bibliothèques, par Taro Miura 11 120 ans d’histoire. L’Association japonaise des bibliothèques (JLA), Noboru Shiomi 15 Un symbole. La Bibliothèque nationale de la Diète, par Hiroyuki Taya 17 Le grand écart des bibliothèques municipales. Situation et enjeux, par Akikazu Yamamoto 21 Bibliothèques universitaires. Le grand défi, par Hiroshi Itsumura 23 Bunko story. Les bibliothèques Jeunesse privées du Japon, par Kiichiro Takahashi 26 La conservation en questions. Tradition et innovation, par Akio Yasue 31 Les bibliothèques japonaises après le séisme et le tsunami, par Taro Miura 34 Une autre société japonaise est en marche, par Jean-François Sabouret 37 Le cursus des bibliothécaires japonais, par Kazuyuki Sunaga 38 Manga story. Le manga et les bibliothèques au Japon, par Yasuyo Inoue 40 Radical Japan. Introduction aux musiques japonaises de 1945 à aujourd’hui, par Michel Henritzi 45 Tas de cendres. Journal, mars-avril 2003, par Michel Doneda 50 Survivre au bout du monde, entretien avec Shinji Aoyama 55 Actualités de l’ABF • Les gens • En bref •Musique en bibliothèque, par Coline Renaudin 58 Reportages Happy Birthday ! Les bibliothèques britanniques et les coupes budgétaires, un an après…, par Ophélie Ramonatxo • Les nouveaux professionnels au-delà des nouveaux professionnels, par Ophélie Ramonatxo • Comme Alice au pays des Merveilles, par Linda Koo Seen Lin • Sur la maîtrise de l’information, par Agnès Colnot 64 Billet des Hybrides Hybridation entre bibliothèque troisième lieu et Opac réseau social, par Laurent Hautbout 74 Les bibliothèques exposent 76 Notes de lecture • Fukushima. Récit d’un désastre • Alors Belka, tu n’aboies plus ? • Anonymous 78 Nous avons reçu 80 20 € Bibliothécaires, découvrez quelques temps forts du programme en avant-première VENDREDI 16 MARS 14h15-15h15 BIBLIDOC 10h30-12h SALLE NOTA BENE Doit-on encore chercher à désacraliser les La BnF numérique 11h30-12h15 BIBLIDOC bibliothèques ? Avec Bruno Racine (Président de la BnF), Jacqueline Sanson La bibliothèque, dernier service public culturel Organisé par le ministère de la culture et de la communication (Dir. générale), Arnaud Beaufort (Dir. général adjoint, Directeur de proximité ? des services et des réseaux), Denis Bruckmann (Directeur Organisé par le ministère de la culture et de la communication 16h45-17h45 BIBLIDOC général adjoint, Dir. des collections). Libraires et bibliothécaires, la médiation : Organisé par la Bibliothèque nationale de France 11h30-12h30 STAND SYNDICAT NATIONAL DE un enjeu partagé L’ÉDITION Organisé par le ministère de la culture et de la communication 11h30-12h15 BIBLIDOC Littérature jeunesse et nouveaux supports de lecture Faut-il encore des bibliothécaires ? Organisé par le ministère de la culture et de la communication 14h-15h PLACE DES AUTEURS DIMANCHE 18 MARS Littérature jeunesse au cinéma et cinéma dans 11h30-13h SCENE NUMÉRIQUE la littérature jeunesse 14h15-15h15 BIBLIDOC La bibliothèque dans le nuage numérique Qu’est-ce qui fait lire les jeunes ? Organisé par le ministère de la culture et de la communication 14h15-15h15 BIBLIDOC Organisé par le ministère de la culture et de la communication Économie de crise et achat public de livres 13h30-14h30 GRANDE SCÈNE Organisé par le ministère de la culture et de la communication 16h45-17h45 BIBLIDOC Chacun cherche son manga Les nouvelles pratiques de l’écrit : Organisé par le site Mangavore 15h30-16h30 STAND SYNDICAT NATIONAL DE un risque pour la maîtrise du français ? L’ÉDITION Organisé par le ministère de la culture et de la communication 14h15-15h45 BIBLIDOC Nouvelles lectures pour grands ados. avec la Délégation générale à la langue française et aux Quels modèles économiques et juridiques pour l’accès Rencontrez vos auteurs ! langues de France aux ressources numériques en bibliothèque ? Organisé par le ministère de la culture et de la communication 16h45-17h45 BIBLIDOC 18h30-19h30 SCÈNE DES AUTEURS Concevoir et construire une bibliothèque : Je me souviens... 16h30-17h30 GRANDE SCÈNE du projet à la réalisation. En lien avec l’exposition consacrée Des personnalités évoquent des souvenirs de lectures, Table ronde : les nouveaux publics du manga ? à l’architecture des bibliothèques (stand K69). de découvertes ou de rencontres marquantes en bibliothèque. Organisé par Manganews Organisé par le ministère de la culture et de la communication Organisé par le ministère de la culture et de la communication 17h30-19h SCÈNE NUMÉRIQUE 18h30-19h30 GRANDE SCÈNE Ce que la lecture fait au cerveau SAMEDI 17 MARS Mangas vintage : grands auteurs indépassables Organisé par le ministère de la culture et de la communication ou séries indémodables ? 11h30-12h15 BIBLIDOC Organisé par le magazine Animeland Le lectorat de la bande dessinée PRÉ-ACCRÉDITEZ-VOUS DÈS MAINTENANT Organisé par le ministère de la culture et de la communication LUNDI 19 MARS ET JUSQU’AU 14 MARS SUR LE SITE INTERNET. 13h30-18h SALLE NOTA BENE Le Vagabondage littéraire 10h30-11h30 GRANDE SCÈNE Attention, cette année, les accréditations réalisées Avec Jean Mattern (écrivain et éditeur chez Gallimard) Prescrire le manga sur place seront payantes. qui animera cette conférence Organisé par Manga news / Pixidols Organisé par l’Institut culturel roumain BIBLIOTHEQUES 210x297_SDL-TEMPS FORTS.indd 1 03/02/12 11:43 e précédent numéro de Bibliothèque(s) était consacré à la vision – très ins- L tructive – des bibliothèques françaises vues par des étrangers. Le présent numéro nous donne une vision des bibliothèques – et des bibliothécaires – du Japon. Nous apprendrons donc un certain nombre de choses sur les réalités japonaises, mais cela ne nous donnera-t-il pas aussi à apprendre quelque chose sur nous-mêmes ? Que le propos soit centré sur nous ou bien sur l’autre, nous avons toujours quelque leçon à tirer avec les contacts de nos collègues étran- gers, et notamment en ce qui concerne le Japon, si loin et si proche, si différent et pourtant si comparable sur de nombreux points. Le choix du Japon est bien sûr lié au thème du Salon du livre de Paris, le ren- Publication paraissant depuis 1907. dez-vous annuel le plus visible des différents acteurs de la « chaîne du livre » : Éditée par l’Association des auteurs, éditeurs, libraires, bibliothécaires, et surtout lecteurs. Rappelons que bibliothécaires de France Éditorial le prix « Sorcières », fruit d’une collaboration entre libraires et bibliothécaires, 31, rue de Chabrol – 75010 Paris Téléphone : 01 55 33 10 30 sera remis lors du salon. Télécopie : 01 55 33 10 31 Mais le salon, c’est la partie émergée d’un iceberg, car en réalité les occasions de [email protected] rendez-vous interprofessionnels ne manquent pas, et ce à tous les niveaux : au www.abf.asso.fr niveau national, où toutes les composantes siègent au conseil d’administration Directeur de la publication du Centre national du Livre, au niveau régional où, de plus en plus, les agences Pascal Wagner pour le livre deviennent des structures réellement interprofessionnelles, et les Rédacteur en chef Philippe Levreaud contacts deviennent de plus en plus réguliers. Il ne s’agit pas ici de faire de assisté de Fanny Bastien l’angélisme. Certaines cicatrices n’ont pas tout à fait disparu, les intérêts des uns [email protected] et des autres ne coïncident évidemment pas dans tous les cas. Mais nous n’en Comité de rédaction sommes plus non plus au temps des polémiques autour du droit de prêt. Les Gérard Briand, Grégory mutations technologiques, avec leurs conséquences juridiques et commerciales, Colcanap, Bernard Démay, et la grande instabilité qui en découle, auraient-elles tendance à pousser chaque Aline Girard, Annick Guinery, partie à être plus attentive aux problèmes des autres ? Cela joue probablement. Bernard Huchet, Jean Mallet, Pascal Wagner. Le dernier acteur de la « chaîne du livre » (et des bibliothèques) est constitué Responsable de rubrique par les pouvoirs publics. Là également, les contacts se font actuellement plus Les bibliothèques exposent fréquents. La période est favorable à cela, bien sûr. À nous de savoir utiliser Nicole Picot positivement ce contexte. Nous reparlerons de tout cela lors du congrès de Publicité Montreuil, début juin, intitulé « La bibliothèque, une affaire publique », durant Christine Guyot Téléphone : 06 26 64 91 68 lequel sera examinée, débattue, promue la place des bibliothèques dans les [email protected] politiques publiques à tous les niveaux, de l’État aux collectivités territoriales Josiane Stern en passant par l’enseignement supérieur. Téléphone : 01 47 88 19 99 [email protected] À vos agendas ! Diffusion PASCAL WAGNER ABIS - Gérard Briand Téléphone : 01 55 33 10 30 Télécopie : 01 55 33 10 31 Maquette M.-C. Carini et Pictorus Mise en pages Éditions de l’Analogie Abonnements 2011 [email protected] / 01 55 33 10 36 Individuel : 50 € – Collectivités : France 100 € / Étranger 110 € Commission paritaire n° 1114G82347 ISSN : 1632-9201 Dépôt légal : mars 2012 Impression : Jouve, Paris Bibliothèque(s) REVUE DE L’ASSOCIATION Au sommaire des prochains numéros de Bibliothèque(s) DES BIBLIOTHÉCAIRES DE FRANCE est analysée dans la base Pascal • n° 62 : Communiquer – 1er juin 2012 produite par l’Inist et dans la base Lisa. • n° 63 : Gastronomie – 31 juillet 2012 Couverture : • n° 64 : La chaîne électronique du livre – 15 octobre 2012 © Yo- / Fotolia.com 61 Sommaire MARS 2012 4 Bibliobrèves
Load more

Recommended publications
  • Journal Du FIF (Pdf)
    FESTIVAL INTERNATIONAL duFILM La Roche-sur-Yon conception v.zard / epcccy FIF-85 © Sony Pictures Releasing France Releasing Pictures / epcccy FIF-85 © Sony v.zard conception du 13 au 18 octobre 2011 FIF 85 LA ROCHE-SUR-YON du 13 au 18 octobre 2011 ÉDITORIAL Quelle peut être la place d’une compétition dans un Festival international du film comme celui de La Roche-sur-Yon ? Nous savons en tout cas ce qu’elle ne saurait être : l’image à l’instant t de ce que le cinéma offre de plus sensationnel… Il faudrait que nous entrions dans la course aux premières, or nous sommes encore trop jeunes pour cela, et il n’est pas sûr de toute façon que ce soit notre ambition. Notre compétition est en outre serrée : le nombre des films aurait pu passer à dix ou douze, la possibilité a été envisagée, mais il a semblé préférable d’en rester à huit. C’est que nous tenons à un principe : la compétition doit exister à égalité avec l’ensemble des sélections. Il n’y a pas d’un côté les rétrospectives, de l’autre les nouveaux films. D’un côté les cinéastes confirmés, de l’autre les talents naissants soumis au verdict d’un jury. Les reprises d’un côté, le flambant neuf de l’autre, à la fois plus fragile et plus excitant aux yeux du public et de la presse. Tout est neuf, à La Roche-sur-Yon. Rien n’est neuf, aussi bien, car aucun film n’est seul, tombé de la dernière pluie : tous les autres l’accompagnent et, si possible, l’encouragent.
    [Show full text]
  • Nationalism in Japan's Contemporary Foreign Policy
    The London School of Economics and Political Science Nationalism in Japan’s Contemporary Foreign Policy: A Consideration of the Cases of China, North Korea, and India Maiko Kuroki A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, February 2013 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of <88,7630> words. Statement of use of third party for editorial help I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by Josh Collins and Greg Demmons. 2 of 3 Abstract Under the Koizumi and Abe administrations, the deterioration of the Japan-China relationship and growing tension between Japan and North Korea were often interpreted as being caused by the rise of nationalism. This thesis aims to explore this question by looking at Japan’s foreign policy in the region and uncovering how political actors manipulated the concept of nationalism in foreign policy discourse.
    [Show full text]
  • Sexism in the City “We're Simply Buying Too Much”
    SEPTEMBER 2016 Japan’s number one English language magazine Five style-defining brands that are reinventing tradition SEXISM IN THE CITY Will men and women ever be equal in Japan’s workforce? “WE’RE SIMPLY BUYING TOO MUCH” Change the way you shop PLUS: The Plight of the Phantom Pig, Healthy Ice Cream, The Beauties of Akita, Q&A with Paralympics Athlete Saki Takakuwa 36 20 24 30 SEPTEMBER 2016 radar in-depth guide THIS MONTH’S HEAD TURNERS COFFEE-BREAK READS CULTURE ROUNDUP 8 AREA GUIDE: SENDAGAYA 19 SEXISM IN THE CITY 41 THE ART WORLD Where to eat, drink, shop, relax, and climb Will men and women ever be equal This month’s must-see exhibitions, including a miniature Mt. Fuji in Japan’s workforce? a “Dialogue with Trees,” and “a riotous party” at the Hara Museum. 10 STYLE 24 “WE’RE SIMPLY BUYING TOO MUCH” Bridge the gap between summer and fall Rika Sueyoshi explains why it’s essential 43 BOOKS with transitional pieces including one very that we start to change the way we shop See Tokyo through the eyes – and beautiful on-trend wrap skirt illustrations – of a teenager 26 THE PLIGHT OF THE PHANTOM PIG 12 BEAUTY Meet the couple fighting to save Okinawa’s 44 AGENDA We round up the season’s latest nail colors, rare and precious Agu breed Take in some theatrical Japanese dance, eat all featuring a little shimmer for a touch of the hottest food, and enter an “Edo-quarium” glittery glamor 28 GREAT LEAPS We chat with long jumper Saki Takakuwa 46 PEOPLE, PARTIES, PLACES 14 TRENDS as she prepares for the 2016 Paralympics Hanging out with Cyndi Lauper, Usain Bolt, If you can’t live without ice cream but you’re and other luminaries trying to eat healthier, then you’ll love these 30 COVER FEATURE: YUKATA & KIMONO vegan and fruity options.
    [Show full text]
  • The Technological Imaginary of Imperial Japan, 1931-1945
    THE TECHNOLOGICAL IMAGINARY OF IMPERIAL JAPAN, 1931-1945 A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aaron Stephen Moore August 2006 © 2006 Aaron Stephen Moore THE TECHNOLOGICAL IMAGINARY OF IMPERIAL JAPAN, 1931-1945 Aaron Stephen Moore, Ph.D. Cornell University 2006 “Technology” has often served as a signifier of development, progress, and innovation in the narrative of Japan’s transformation into an economic superpower. Few histories, however, treat technology as a system of power and mobilization. This dissertation examines an important shift in the discourse of technology in wartime Japan (1931-1945), a period usually viewed as anti-modern and anachronistic. I analyze how technology meant more than advanced machinery and infrastructure but included a subjective, ethical, and visionary element as well. For many elites, technology embodied certain ways of creative thinking, acting or being, as well as values of rationality, cooperation, and efficiency or visions of a society without ethnic or class conflict. By examining the thought and activities of the bureaucrat, Môri Hideoto, and the critic, Aikawa Haruki, I demonstrate that technology signified a wider system of social, cultural, and political mechanisms that incorporated the practical-political energies of the people for the construction of a “New Order in East Asia.” Therefore, my dissertation is more broadly about how power operated ideologically under Japanese fascism in ways other than outright violence and repression that resonate with post-war “democratic” Japan and many modern capitalist societies as well. This more subjective, immaterial sense of technology revealed a fundamental ambiguity at the heart of technology.
    [Show full text]
  • Modeling Internet-Based Citizen Activism and Foreign Policy
    MODELING INTERNET-BASED CITIZEN ACTIVISM AND FOREIGN POLICY: The Islands Dispute between China and Japan TOMONOBU KUMAHIRA Primary Thesis Advisor: Professor Jordan Branch Department of Political Science Secondary Thesis Advisor: Professor Kerry Smith Department of History Honors Seminar Instructor: Professor Claudia Elliott The Watson Institute for International Studies SENIOR THESIS Submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors in International Relations BROWN UNIVERSITY PROVIDENCE, RI MAY 2015 © Copyright 2015 by Tomonobu Kumahira ABSTRACT How can citizens utilize the Internet to influence foreign policymaking? Optimists emphasize the Internet’s great potential to empower citizens, while pessimists underscore the persistent dominance of conventional actors in shaping diplomacy. These conceptual debates fail to build analytical models that theorize the mechanisms through which citizen activism impacts foreign policymaking in the Internet era. Focusing on the interactions between “old” institutions and new practices enabled by technology, I argue that Internet-based citizen activists are using multiple and evolving strategies to engage with the conventional media and policymakers. My Hybrid Model provides an analytical framework with which scholars can describe new forms of non-electoral representation by citizen movements, while challenging foreign policy decision making theories established before the social media. My model traces the Senkaku/Diaoyu Islands dispute between China and Japan, in which nationalist campaigns online and offline have fueled a series of confrontations since 2005. Presenting practical implications for foreign policymakers and the conventional media to respond to the transformation, this Hybrid Model also helps citizens play a more active role in international relations. In conclusion, I explore the analogy between the Internet and past innovations in communication technologies to shed light on the future of the Internet and politics.
    [Show full text]
  • "Taiwan-Japan Relations After 2013 Fisheries Agreement: Road to 'Japan's TRA'?" Misato Matsuoka 1 & Michal Thim 2
    DRAFT PAPER – PLEASE DO NOT QUOTE OR CITE WITHOUT PERMISSION FROM THE AUTHORS "Taiwan-Japan Relations after 2013 Fisheries Agreement: Road to 'Japan's TRA'?" Misato Matsuoka 1 & Michal Thim 2 Abstract This paper seeks to examine the potential roles of Taiwan-Japan relationship that has been rarely considered in the analysis of regional relations. Conventionally, Taiwan’s peculiar position in regional and global politics is scrutinised through lenses of two counter-balancing relationships: (1) Cross-Strait Relations (CSR) with the People’s Republic of China (PRC) and (2) its relationship with the United States defined by the Taiwan Relations Act of 1979, and the interplay among the three states has been vital for Taipei in terms of upholding its de facto independence. However, with the increasing assertiveness of Beijing regarding maritime territorial disputes along its coastline, Taipei does not hesitate to act outside of the established partnership in an effort to secure its claim and/or negotiate settlement with other claimants. In 2012-2013 alone, Taiwan has been involved in two escalations along its maritime borders with two US treaty allies: Japan and the Philippines, both cases providing an example of Taipei’s own involvement in regional disputes. Particularly regarding the former case, with the return of Shinzo Abe to premiership, there has been remarkable dynamics in Taiwan-Japan relations. In January 2013, Japanese Ministry of Defence’s White Paper publicly acknowledged potential PRC’s attack on Taiwan as one of the examined scenarios leading to Japan’s conflict with the PRC. More significantly, in April Japan and Taiwan reached an agreement on fishing right in the disputed area of Diaoyutai/Senkaku islands, significance of which stands out when comparing with willingness of other claimants to make compromises over their territorial claims in East and South China Seas.
    [Show full text]
  • Blues in the Blood a M U E S L B M L E O O R D
    March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz.
    [Show full text]
  • 1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
    1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.
    [Show full text]
  • Unseen Femininity: Women in Japanese New Wave Cinema
    UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA by Candice N. Wilson B.A. in English/Film, Middlebury College, Middlebury, 2001 M.A. in Cinema Studies, New York University, New York, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Candice N. Wilson It was defended on April 27, 2015 and approved by Marcia Landy, Distinguished Professor, Film Studies Program Neepa Majumdar, Associate Professor, Film Studies Program Nancy Condee, Director, Graduate Studies (Slavic) and Global Studies (UCIS), Slavic Languages and Literatures Dissertation Advisor: Adam Lowenstein, Director, Film Studies Program ii Copyright © by Candice N. Wilson 2015 iii UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA Candice N. Wilson, PhD University of Pittsburgh, 2015 During the mid-1950s to the early 1970s a subversive cinema, known as the Japanese New Wave, arose in Japan. This dissertation challenges critical trends that use French New Wave cinema and the oeuvre of Oshima Nagisa as templates to construct Japanese New Wave cinema as largely male-centered and avant-garde in its formal aesthetics. I argue instead for the centrality of the erotic woman to a questioning of national and postwar identity in Japan, and for the importance of popular cinema to an understanding of this New Wave movement. In short, this study aims to break new ground in Japanese New Wave scholarship by focusing on issues of gender and popular aesthetics.
    [Show full text]
  • Cannes 2001 Report
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Waterloo Library Journal Publishing Service (University of Waterloo, Canada) Cannes 2001 Report By Ron Holloway Fall 2001 Issue of KINEMA CANNES INTERNATIONAL FILM FESTIVAL 2001 Two events devotee of made the 54th Festival International du Film (9-20 May 2001) particularly memorable. The first was the news that, after 22 years as délégué général, Gilles Jacob stepped up to become Président while handing down the reins to Thierry Frémaux, the latter now divides his time between Cannes and duties as head of the Institute Lumière in Lyons. The other was the presence on the Croisette of seven previous Palme d’Or directors: Francis Ford Coppola (The Conversation, 1974, and Apocalypse Now, 1979), Ermanno Olmi (The Tree of Wooden Clogs, 1978), Shohei Imamura (The Ballad of Narayama, 1983, and The Eel, 1997), David Lynch (Wild at Heart, 1990), Joel and Ethan Coen (Barton Fink, 1991), and Abbas Kiarostami (The Taste of Cherries, 1997). One might add, too, that over the past quarter century each of their eight award-winning films helped considerably to set the tone and style of the world’s mostrevered film festival. Apocalypse Now Redux In the case of Apocalypse Now -- aka Apocalypse Now Redux, to denote a new version of an old film -- Francis Ford Coppola returned to Cannes with the completed version of his work-in-progress presented here 22 years ago. No less than 53 minutes were added to the re-edited 203-minute version, in addition to a re-mastered Technicolor transfer and a re-mastered soundtrack.
    [Show full text]
  • Curva Minore Contemporary Sounds Musica Nuova in Sicilia 1997/2007
    Un museo etnografico edita una pubblicazione Why has an ethnographic museum published a 7 4/5 0 sull’attività di un’Istituzione che si occupa di musica book on the activities carried out by an Institution 0 2 contemporanea: perché? that deals with contemporary music? / Molte le possibili risposte, numerose quelle legate There are several answers, all of which trace back to 7 9 al lascito ideale del suo fondatore, Antonino Uccello the legacy left by the ethnographic museum’s 9 1 (1922-1979), intellettuale ad ampio raggio, poeta, founder, Antonino Uccello (1922-1979), to whom A I studioso non accademico di antropologia, this work is dedicated. Uccello was an intellectual L I anticonformista e scomodo operatore culturale with a wide range of interests, a poet, a non- C I S nella Sicilia degli anni Sessanta e Settanta, academic anthropology scholar, an eccentric and A N cui questo lavoro costituisce un omaggio. challenging cultural expert of Sicily in the 1960s I Casa museo Antonino Uccello V Nella pervicace volontà di proporre nuove soluzioni and 1970s. In his determination to offer new a cura di Gaetano Pennino A E V per le offerte culturali più avanzate e per le sfide solutions for the most cutting-edge cultural featuring english translation of selected chapters O U istituzionali più ardite, Uccello rivelò il senso initiatives and the most daring institutional R N dell’impegno di una vita spesa per l’affermazione challenges, Uccello gave proof of his commitment R A C U di un principio che oggi può configurarsi risibile to forwarding a principle, which today is vested of I S velleità: intendere la realtà in cui si vive per poterla absurd ambition: understanding the reality we live O U C cambiare, trasformare .
    [Show full text]
  • Johannes Bauer
    Johannes Bauer Discography | Diskographie 15.03.2019 2019 – 03 Zlatko Kaucic – Diversity Not Two Records, MW 969-2 Not Two Records, MW 969-2 Zlatko Kaučič – Ground Drums, Percussion Johannes Bauer – Trombone CD#5 »MED-ANA« 1. Med-Ana – 11:34 / 2. Med-Ana – 3:34 / 3. Med-Ana – 8:21 / 4. Med-Ana – 8:52 / 5. Med-Ana – 2:53 / 6. Šmartno Suita – 23:55 Tracks 1 to 5 – Recorded at Medana “Old Movie Theatre” on September 15, 2012. Track 6 – Recorded at Brda Contemporary Music Festival, Italy on September 13, 2014. 5 CDs in single printed paper-sleeves housed in a sturdy cardboard box-set with a magnetic locking. Contains a 12-page booklet with an interview, line-ups, liner notes and photographs. Only CD #5 with Johannes. 2018 – 01 Jeb Bishop, Matthias Müller, Matthias Muche – Konzert für Hannes Not Two Records, MW 961-2 Jeb Bishop – trombone Matthias Müller – trombone Matthias Muche – trombone 1. 07:39 / 2. 06:07 / 3. 09:03 / 4. 07.59 / 5. 07:40 / 6. 07:09 Recorded live at Stadtgarten Köln on May 5th 2016 Tribut Recording Johannes Bauer Discography 2 | 44 2017 – 01 Johannes Bauer / Peter Broetzmann – Blue City Trost Records, TR155 Peter Brötzmann: tenor & alt sax, tarogato, b-flat clarinet Johannes Bauer: trombone 1 Name That Thing 28:42 2 Blue City 5:11 3 Poppy Cock 15:25 4 Heard And Seen 14:05 5 Hot Mess 6:10 Mastered By – Martin Siewer, Photography – Philippe Renaud Live at Blue City Osaka / Japan 16. October 1997 2014 – 02 Barry Guy New Orchestra Small Formations – Mad Dogs On The Loose Not Two Records , MW925-2, 4 × CD, Album Barry Guy bass
    [Show full text]