Sampling the Alan Lomax Collection
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It May Seem Incongruous That One of the Most Insightful and Vital Films
It may seem incongruous that one of the most insightful and vital films about culture, place and legacy in 2020 is such a quiet piece of work, and one about folk music at that, given the necessary volume surrounding Black Lives Matter uprisings in the midst of a pandemic and the (constantly) unnecessary noise of so called discourse on the Internet. But, then, 2020 has been that kind of year. Filmmakers Rob Curry and Tim Plester have followed up The Ballad Of Shirley Collins, their brilliant portrait of the folk legend of the title, with a project whose roots lay in that film’s genesis and release. Southern Journey (Revisited) sees the filmmakers following in the footsteps, almost literally, of Collins and her collaborator Alan Lomax on the late 1950s cross-North America pilgrimage that resulted in the capture and release of some of the most spellbinding indigenous music ever committed to tape. Over the course of the film, audiences spend time with the descendants of the original musicians and those keeping the folk flame alive. It’s a beautiful piece of poetic portraiture and one of the remarkable aspects of it is how it folds and refracts time through a variety of filmmaking devices. There’s a relaxed approach to the film that echoes both the feeling of the original recordings and the places that the film visits. There’s no statement as to the purpose of the trip, just some context of the original trip and the result is a film that isn’t politically overt in any sense and is all the more moving and powerful because of that. -
The Sinclair Macphersons
Clan Macpherson, 1215 - 1550 How the Macphersons acquired their Clan Lands and Independence Reynold Macpherson, 20 January 2011 Not for sale, free download available from www.reynoldmacpherson.ac.nz Clan Macpherson, 1215 to 1550 How the Macphersons acquired their traditional Clan Lands and Independence Reynold Macpherson Introduction The Clan Macpherson Museum (see right) is in the village of Newtonmore, near Kingussie, capital of the old Highland district of Badenoch in Scotland. It presents the history of the Clan and houses many precious artifacts. The rebuilt Cluny Castle is nearby (see below), once the home of the chief. The front cover of this chapter is the view up the Spey Valley from the memorial near Newtonmore to the Macpherson‟s greatest chief; Col. Ewan Macpherson of Cluny of the ‟45. Clearly, the district of Badenoch has long been the home of the Macphersons. It was not always so. This chapter will make clear how Clan Macpherson acquired their traditional lands in Badenoch. It means explaining why Clan Macpherson emerged from the Old Clan Chattan, was both a founding member of the Chattan Confederation and yet regularly disputed Clan Macintosh‟s leadership, why the Chattan Confederation expanded and gradually disintegrated and how Clan Macpherson gained its property and governance rights. The next chapter will explain why the two groups played different roles leading up to the Battle of Culloden in 1746. The following chapter will identify the earliest confirmed ancestor in our family who moved to Portsoy on the Banff coast soon after the battle and, over the decades, either prospered or left in search of new opportunities. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
The Merry Mawkin the Friends of Norfolk Dialect Newsletter
THE MERRY MAWKIN THE FRIENDS OF NORFOLK DIALECT NEWSLETTER Number 61 Summer 2016 £1.50 www.norfolkdialect.com SUMMER 2016 THE MERRY MAWKIN 1 Chairman’s report t’s here! Welcome to the Isummer edition of The Merry Mawkin. You may notice it looks a little bit different, but it’s still as full of news, memories and squit as ever. We’ve had a few changes behind the scenes Front cover: Rhodedendrons since the last Merry Mawkin was published. at Sheringham Park. Ashley Gray, who has done a wonderful job Back cover: Swan family at designing and editing The Merry Mawkin for Glandford. nine years has decided to step down from this role and also his role of webmaster. My grateful thanks go to him for the many hours IN THIS ISSUE of hard work he put in to help FOND and for 2 Chairman’s report creating the professional look of the magazine 4 FOND officers & committee and website. 4 Membership application form 5 The Smella Wet Sand I’m sure you, as members of FOND, will 6 My Grandad echo me in saying that he really did produce 8 Spring has sprung something to be proud of. Ashley designed 9 NDF 2016 10 Ha you bin leartly? and edited a grand total of 34 Merry Mawkins. 11 Dialect Talks They made a great picture when I laid each one 12 Gorn on holidy? out to take a photograph of them to present to 12 Colin Boy’s Quiz him. I did have to add one to make the picture 13 The Cromer Dew look complete — can you spot it? Without 16 The Bridge at Lyng 17 Wordsearch even realising I doubled up on Wymondham 18 Tales from the Back Loke Abbey; most appropriate with Ashley being a 20 Fewd, Glorious fewd Wymondham boy! Ashley was also presented 21 Trosher Competition with life membership of FOND, some Norfolk 21 Membership 21 Wordsearch answers punch and a fond memories clematis. -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
The History of Scotland from the Accession of Alexander III. to The
UNIVERSITY OF CALIFORNIA AT LOS ANGELES THE GIFT OF MAY TREAT MORRISON IN MEMORY OF ALEXANDER F MORRISON THE A 1C MEMORIAL LIBRARY HISTORY OF THE HISTORY OF SCOTLAND, ACCESSION OF ALEXANDEB III. TO THE UNION. BY PATRICK FRASER TYTLER, ** F.RS.E. AND F.A.S. NEW EDITION. IN TEN VOLUMES. VOL. X. EDINBURGH: WILLIAM P. NIMMO. 1866. MUEKAY AND OIBB, PUINTERS. EDI.VBUKOII V.IC INDE X. ABBOT of Unreason, vi. 64 ABELARD, ii. 291 ABERBROTHOC, i. 318, 321 ; ii. 205, 207, 230 Henry, Abbot of, i. 99, Abbots of, ii. 206 Abbey of, ii. 205. See ARBROATH ABERCORN. Edward I. of England proceeds to, i. 147 Castle of, taken by James II. iv. 102, 104. Mentioned, 105 ABERCROMBY, author of the Martial Achievements, noticed, i. 125 n.; iv. 278 David, Dean of Aberdeen, iv. 264 ABERDEEN. Edward I. of England passes through, i. 105. Noticed, 174. Part of Wallace's body sent to, 186. Mentioned, 208; ii. Ill, n. iii. 148 iv. 206, 233 234, 237, 238, 248, 295, 364 ; 64, ; 159, v. vi. vii. 267 ; 9, 25, 30, 174, 219, 241 ; 175, 263, 265, 266 ; 278, viii. 339 ; 12 n.; ix. 14, 25, 26, 39, 75, 146, 152, 153, 154, 167, 233-234 iii. Bishop of, noticed, 76 ; iv. 137, 178, 206, 261, 290 ; v. 115, n. n. vi. 145, 149, 153, 155, 156, 167, 204, 205 242 ; 207 Thomas, bishop of, iv. 130 Provost of, vii. 164 n. Burgesses of, hanged by order of Wallace, i. 127 Breviary of, v. 36 n. Castle of, taken by Bruce, i. -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye. -
Ancient Ballads and Songs of the North of Scotland, Hitherto
1 ifl ANCIENT OF THE NOETH OF SCOTLAND, HITHERTO UNPUBLISHED. explanatory notes, By peter BUCHAN, COKRESFONDING ME3IBER OF THE SOCIETY OF ANTIQUARIES OF SCOTLAND. " The ancient spirit is not dead,— " Old times, wc trust, are living here.' VOL. ir. EDINBURGH: PRINTED 1011 W. & D. LAING, ANI> J, STEVENSON ; A. BllOWN & CO. ABERDEEN ; J. WYLIE, AND ROBERTSON AND ATKINSON, GLASGOW; D. MORISON & CO. PERTH ; AND J. DARLING, LONDON. MDCCCXXVIII. j^^nterct! in -Stationers i^all*] TK CONTENTS V.'Z OF THK SECOND VOLUME. Ballads. N'olcs. The Birth of Robin Hood Page 1 305 /King Malcolm and Sir Colvin 6 30G Young Allan - - - - 11 ib. Sir Niel and Mac Van 16 307 Lord John's Murder 20 ib. The Duke of Athole's Nurse 23 ib. The Laird of Southland's Courtship 27 308 Burd Helen ... 30 ib. Lord Livingston ... 39 ib. Fause Sir John and IMay Colvin 45 309 Willie's Lyke Wake 61 310 JSTathaniel Gordon - - 54 ib. Lord Lundy ... 57 312 Jock and Tarn Gordon 61 ib. The Bonny Lass o' Englessie's Dance 63 313 Geordie Downie . - 65 314 Lord Aboyne . 66 ib. Young Hastings ... 67 315 Reedisdale and Wise William 70 ib. Young Bearwell ... 75 316 Kemp Owyne . 78 ib. Earl Richard, the Queen's Brother 81 318 Earl Lithgow .... 91 ib. Bonny Lizie Lindsay ... 102 ib. The Baron turned Ploughman 109 319 Donald M'Queen's Flight wi' Lizie Menzie 117 ib. The Millar's Son - - - - 120 320 The Last Guid-night ... 127 ib. The Bonny Bows o' London 128 ib. The Abashed Knight 131 321 Lord Salton and Auchanachie 133 ib. -
Download PDF Booklet
LIZZIE HIGGINS UP AND AWA’ WI’ THE LAVEROCK 1 Up and Awa Wi’ the Laverock 2 Lord Lovat 3 Soo Sewin’ Silk 4 Lady Mary Ann 5 MacDonald of Glencoe 6 The Forester 7 Tammy Toddles 8 Aul’ Roguie Gray 9 The Twa Brothers 10 The Cruel Mother 11 The Lassie Gathering Nuts First published by Topic 1975 Recorded and produced by Tony Engle, Aberdeen, January 1975 Notes by Peter Hall Sleeve design by Tony Engle Photographs by Peter Hall and Popperfoto Topic would like to thank Peter Hall for his help in making this record. This is the second solo record featuring the singing of Lizzie The Singer Higgins, one of our finest traditional singers, now at the height Good traditional singers depend to a considerable extent upon of her powers. The north-east of Scotland has been known for their background to equip them with the necessary artistic 200 years as a region rich in tradition, and recent collecting experience and skill, accumulated by preceding generations. has shown this still to be the case. Lizzie features on this It is not surprising then to find in Lizzie Higgins a superb record some of the big ballads for which the area is famed, exponent of Scots folk song, for she has all the advantages of such as The Twa Brothers, The Cruel Mother and The Forester. being born in the right region, the right community and, Like her famous mother, the late Jeannie Robertson, she has most important of all, the right family. The singing of her the grandeur to give these pieces their full majestic impact. -
Grip Fast Online
Grip Fast Online e Online Newsletter of Clan Leslie Society International February/March, 2014 GatheringClan Leslie Society International Grandfather Mountain Highland Games July 10-13 2014 Clan Leslie - Honored Clan See Page 3 Contents From the Editor From the Editor 1 e Leslie Regiment 2 WE APOLOGIZE for inadvertently omitting CLSI 2014 Gathering 3 an article from outgoing chieftain David Texas Independence 5 Leslie White. David contributed so much Battle of Bannockburn 5 to our organization during his tenure as Commemorations chieftain and still contributes much to Clan Leslie International today. Here is his ar- e Battle of Culloden 5 ticle that should have been printed in the Support Our Convenors 6 January 2014 Grip Fast. Tents and Events 6-7 Donors 8 PASSING THE TORCH CLSI News 9-10 As I have reached the end of my second term as Chieftain, I would like Items for Sale 11 to express my sincere thanks our Clan Leslie Chief, The Honourable Gri n Reprints 12 Alexander Leslie, to the Council members and the other offi cers who have CLSI O cers Contact List 13 given freely of their time and talents to keep our Society moving forward. I am honored to have the privilege of leading our Society for four years. It was an opportunity to immerse myself in things “Scottish,” and to expand my knowledge of Scotland and of our Clan Leslie. I am proud of our Society’s many accomplishments, especially the Battle of Harlaw Commemoration ABOUT THE COVER (which I unfortunately missed due to a broken kneecap) and the raising of Our 2014 CLSI Gathering will be here before you know it! Make plans over $14,000 for a new Leslie’s Cross at the Chapel of the Garioch. -
Missouri Folklore Society Journal
Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text. -
I'm Gonna Live Anyhow Until I
I’m Gonna Live Anyhow Title: I’m Gonna Live Anyhow Until I Die: Alan Lomax’s “Southern Journey,” Until I Die 1959–1960 Alan Lomax’s “Southern Journey” Label: Global Jukebox 1959 – 1960 Catalog #: GJ1005 UPC: 847108024497 Genre: Folk, Blues, Traditional, Gospel, Appalachian, Prison Songs Street Date: 1.25.11 PDF booklet: 12-page booklet of photos and song notes. Publicist: Howard Wuelfing, Howlin’ Wuelf Media, 215-428-9119 Also available as an LP on Mississippi Records. In 1959 and 1960, at the height of the Folk Revival, Track List Alan Lomax undertook the first-ever stereo field recording trip through the American South to 1. J.E. Mainer’s Mountaineers: “Number 111” document its still thriving vernacular musical cul- 2. Fred McDowell: “61 Highway” ture. He traveled through Virginia, Kentucky, Ten- 3. Bright Light Quartet: “Chantey medley” † nessee, Alabama, Mississippi, Arkansas, Georgia, 4. E.C. Ball & Lacey Richardson: “Tribulations” and North Carolina, making over 70 hours of re- 5. Bessie Jones & the Georgia Sea Island cordings. The trip came to be known as Lomax’s Singers: “Daniel In the Lion’s Den” “Southern Journey,” and its recordings were first 6. Unidentified woman & Pentecostal Temple issued for the Atlantic and Prestige labels in the congregation: “Heaven Is Mine” * early ‘60s. 7. Emma Hammond: “Shout Lula” * “I’m Gonna Live Anyhow Until I Die” features, 8. Ervin Webb & prisoners: “I’m Going Home” among others, Bluebird hillbilly recording artists 9. WROS Scottsboro Old-Time Religious Hour J.E. Mainer and his Mountaineers; menhaden fish- excerpt * ermen chanties of the Bright Light Quartet; 10.