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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Family Album
1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini. -
Shit | Search Results | the Enquirer the Enquirer
shit | Search Results | The Enquirer The Enquirer Search results You searched for shit p ~ Posted on August 26, 2015` Safe Interviews w/ Zack and Porcell. No Need to Be Suspicious. had a week or two before Ray would show up in San Diego, so I mostly I holed-up in my room upstairs and put together the fourth issue of Enquirer. The main features were interviews with Zack and Porcell. I see these as the first noticeable examples of what would become a rather nasty habit for me as the zine’s editor: bending words to obscure points I didn’t like and favor points I did like. https://vicd108.wordpress.com/?s=shit[9/10/15, 3:25:18 PM] shit | Search Results | The Enquirer For example, I report Zack as saying: “I think leading a spiritual life means casting away and putting aside the physical nature in life, and the intellectual nature in life. But actually it’s using all three of them… And spirituality… Follow like…” Follow “The Enquirer” What kind of editing is that? Get every new post delivered to your Inbox. Knowing Zack, and having the benefit of hearing his voice directly, it was pretty obvious toJoin me 612 what other he followerswanted to say: that spiritual life isn’t something you have to throw away your material life for; that the two can and should be integrated, complimentary, and mutually nourishing. If I was actually editing to make the point Zack wanted to make, I would have written it like this: “I don’t think ‘leading a spiritual life’ means you have to cast aside the physical and intellectual aspects life. -
Downloads of Technical Information
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Nuclear Spaces: Simulations of Nuclear Warfare in Film, by the Numbers, and on the Atomic Battlefield Donald J. Kinney Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES NUCLEAR SPACES: SIMULATIONS OF NUCLEAR WARFARE IN FILM, BY THE NUMBERS, AND ON THE ATOMIC BATTLEFIELD By DONALD J KINNEY A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Donald J. Kinney defended this dissertation on October 15, 2018. The members of the supervisory committee were: Ronald E. Doel Professor Directing Dissertation Joseph R. Hellweg University Representative Jonathan A. Grant Committee Member Kristine C. Harper Committee Member Guenter Kurt Piehler Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Morgan, Nala, Sebastian, Eliza, John, James, and Annette, who all took their turns on watch as I worked. iii ACKNOWLEDGMENTS I would like to thank the members of my committee, Kris Harper, Jonathan Grant, Kurt Piehler, and Joseph Hellweg. I would especially like to thank Ron Doel, without whom none of this would have been possible. It has been a very long road since that afternoon in Powell's City of Books, but Ron made certain that I did not despair. Thank you. iv TABLE OF CONTENTS Abstract..............................................................................................................................................................vii 1. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Listen and Order the 3-Song EP “From the Grave.”
FOR IMMEDIATE RELEASE December 6, 2019 CRO-MAGS RELEASE BRAND NEW EP “FROM THE GRAVE” 2019 was a roller coaster year for CRO-MAGS founder, bassist and vocalist Harley Flanagan. From regaining sole ownership of the band name he created, to playing with his childhood friends in the re- united Misfits, CRO-MAGS took their punk-fueled legacy across the US and Europe, released their first music video in 27 years, and put out their first music in nearly 20 years via two EPs - Don’t Give In (released in June) and From The Grave (available today). The three song EP is available on limited 7 inch editions of clear w/ black smoke, solid yellow, clear orange and glow in the dark vinyl. Flanagan gives a track by track breakdown below. Listen and order the 3-song EP “From The Grave.” “From The Grave” - The title track features former Motorhead slinger Phil Campbell on lead and slide guitar, as Flanagan comments, “I first met Phil when we toured with Motorhead on the Orgasmatron tour. He is one of my favorite guitarists of all time and I still can't believe I have him playing on one of my songs!” Campbell adds, “We hung out a lot during the tour in the eighties. When I heard the track he wanted me to do, I just had to do it.” “PTSD” - “Basically the song is about just that, Post-Traumatic Stress Disorder, something that I have dealt with in my life, and during the time of the recording I was dealing with it a lot. -
Doom • Appalachian Terror Unit Warcollapse • Imperial
DOOM • APPALACHIAN TERROR UNIT WARCOLLAPSE • IMPERIAL LEATHER SHADES OF GREY • MASSMORD • resistant culture RESIST •AGRIMONIA • POLICE BASTARD • WAR/PLAGUE AGAINST EMPIRE • OI POLLOI • DRESDEN IN DEFENCE • OILTANKER • NO TOMORROW DEVIATED INSTINCT Now Exclusively Distributed by DOOM Street Date: POLICE BASTARD, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Birmingham, England Key Markets: USA/EUROPE For Fans of: DOOM, DISCHARGE, DEVIATED INSTINCT This is a crust classic back in print. Five songs recorded in 1989, during the same session in which DOOM recorded their brilliant split LP with NO SECURITY. Considered by many to be their best early material. This classic EP contains the songs “Means to an End,” “Relief, Pt. 2,” and of course, “Police Bastard.” This was the second release ever by Profane Existence Records and is considered by many to be a ARTIST: DOOM masterpiece. There are at least five different versions of the cover, but TITLE: POLICE BASTARD all of the records were made using plates from the original masters. LABEL: PROFANE EXISTENCE CAT#: EXIST 001.5 FORMAT: 7˝ Marketing Points: GENRE: CRUST PUNK / D-BEAT * Classic Crust Punk Record by a Legendary Crust Punk Band / METAL * Consistent Seller Over The Years BOX LOT: - SRLP: $4.98 UPC: 661799085205 EXPORT: NO RESTRICTIONS OTHER TITLES DISTRIBUTED BY ILD: Tracklist: POLICE BASTARD / WAR//PLAGUE Split LP 1. Relief Pt. 2 EXIST 117 2. Police Bastard 661799085267 3. Diseased 4. Circles 5. Means To An End Exclusively Distributed by Contact your sales rep: Mike Beer - [email protected] phone 414-672-9948 fax 414-672-9936 www.ildistro.com APPALACHIAN TERROR UNIT Street Date: ARMAGEDDON WON’T BE BROUGHT BY GODS..., 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Huntington, West Virginia Key Markets: USA/EUROPE For Fans of: NAUSEA, WOLFBRIGADE, ANTISCHISM Every once in a great while, a new band comes along with such intense fury that they captivate all who hear and see them — APPALACHIAN TERROR UNIT is one such band. -
Skip Groff Papers
Skip Groff papers Special Collections in Performing Arts University of Maryland Libraries Processed by: John Davis Date Processed: January 2018 Size: 6.50 Linear Feet Inclusive Dates: 1965-2019 Bulk Dates: 1965-1997 Collection No.: 2018-47-GROFF SCPA shelf location: L9-3-1 to L9-3-2 Abstract Frank “Skip” Groff [1948-2019] was a record producer, record store owner, disc jockey, United States Army veteran, and record promoter who was a primary figure in the Washington, D.C. area punk scene in the 1970s and 1980s. The Skip Groff papers includes recordings related to Groff’s career as a disc jockey and record store owner, photographs, correspondence, ephemera, magazines, clippings, and an oral history interview with Groff. Important Information for Users of the Collection Restrictions: There are no restricted files in this collection. Preferred Citation: Skip Groff papers, Special Collections in Performing Arts, University of Maryland Libraries. Publication Rights: All intellectual property remains with the creators and, as such, the materials in this collection can only be used within the restrictions of U.S. Copyright Law. A release is on file for Groff’s oral history. Status: This collection is PROCESSED Historical Note Frank “Skip” Groff [b. November 20, 1948 - d. February 18, 2019] was a record store owner, record producer, disc jockey, United States Army veteran, and record promoter who was a primary figure in the Washington, D.C. area punk scene from the late 1970s through the early 2000s. Starting out as a disc jockey in the mid-1960s while a student at the University of Maryland, Groff forged a multi-faceted career, spending time as a department store announcer, disc jockey, United States Army veteran, record store manager, and record promoter before eventually playing a vital role in the development of D.C.’s nascent punk scene in the late 1970s and 1980s. -
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Punk Lyrics and Their Cultural and Ideological Background: a Literary Analysis
Punk Lyrics and their Cultural and Ideological Background: A Literary Analysis Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Karl-Franzens Universität Graz vorgelegt von Gerfried AMBROSCH am Institut für Anglistik Begutachter: A.o. Univ.-Prof. Mag. Dr. Hugo Keiper Graz, 2010 TABLE OF CONTENTS PREFACE 3 INTRODUCTION – What Is Punk? 5 1. ANARCHY IN THE UK 14 2. AMERICAN HARDCORE 26 2.1. STRAIGHT EDGE 44 2.2. THE NINETEEN-NINETIES AND EARLY TWOTHOUSANDS 46 3. THE IDEOLOGY OF PUNK 52 3.1. ANARCHY 53 3.2. THE DIY ETHIC 56 3.3. ANIMAL RIGHTS AND ECOLOGICAL CONCERNS 59 3.4. GENDER AND SEXUALITY 62 3.5. PUNKS AND SKINHEADS 65 4. ANALYSIS OF LYRICS 68 4.1. “PUNK IS DEAD” 70 4.2. “NO GODS, NO MASTERS” 75 4.3. “ARE THESE OUR LIVES?” 77 4.4. “NAME AND ADDRESS WITHHELD”/“SUPERBOWL PATRIOT XXXVI (ENTER THE MENDICANT)” 82 EPILOGUE 89 APPENDIX – Alphabetical Collection of Song Lyrics Mentioned or Cited 90 BIBLIOGRAPHY 117 2 PREFACE Being a punk musician and lyricist myself, I have been following the development of punk rock for a good 15 years now. You might say that punk has played a pivotal role in my life. Needless to say, I have also seen a great deal of media misrepresentation over the years. I completely agree with Craig O’Hara’s perception when he states in his fine introduction to American punk rock, self-explanatorily entitled The Philosophy of Punk: More than Noise, that “Punk has been characterized as a self-destructive, violence oriented fad [...] which had no real significance.” (1999: 43.) He quotes Larry Zbach of Maximum RockNRoll, one of the better known international punk fanzines1, who speaks of “repeated media distortion” which has lead to a situation wherein “more and more people adopt the appearance of Punk [but] have less and less of an idea of its content. -
The Final Frontier: Cuban Documents on the Cuban Missile Crisis
SECTION 2: Latin America The Final Frontier: Cuban Documents on the Cuban Missile Crisis or most researchers probing the Cuban Missile Crisis, the Nikita Khrushchev) emissary Anastas Mikoyan near the end Cuban archives have been the final frontier—known to of his three-week November 1962 stay in Cuba; a summary exist, undoubtedly critical, yet largely and tantalizingly of Mikoyan’s subsequent conversation in Washington with US Fout of reach. For a little more than two decades, even as impor- President John F. Kennedy, conveyed to the Cubans at the UN tant archives remained shut (except to a few favored scholars), in New York by Moscow’s ambassador to the United States, Havana has occasionally and selectively released closed materials Anatoly F. Dobrynin; an internal report by communist party on the crisis, often in the context of international conferences. leader Blas Roca Calderio on his travels in Europe at the time This process began with Cuban participation in a series of “criti- of the crisis; and—perhaps most valuably for those seeking to cal oral history” conferences in 1989-92 with U.S. and Soviet understand Soviet-Cuban interactions after the crisis—a record (and then Russian) veterans of the events, which climaxed in a of the conversation in Moscow in December 1962 between January 1992 gathering in Havana at which Fidel Castro not Nikita Khrushchev and a visiting Carlos Rafael Rodriguez, only participated actively during all four days of discussions but evidently the first face-to-face meeting between the Soviet leader several times, with a figurative snap of the fingers, “declassified” and a senior Cuban communist figure since the Soviet leader’s important Cuban records.1 decision to withdraw the missiles, a step taken without advance Ten years later, in October 2002, to mark the 40th anniver- notice to or consultation with Havana that aroused consterna- sary of the crisis, Fidel Castro and the Cuban government again tion among the Cuban leadership and populace. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).