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Heisei 24/ 2012 Kyudo Glossary

ffi I trUFBEtiffiEfre [zst7) *TI*FA First Sekai Kyudo Koryu Enbu Kai [ParisJ executive committee lffiztrXtFEEte [ztt/) /v+X] [second Sekai Kyudo Taikai [Paris) Pre-Event] A\#tr Eli* A EA tr E EH I4H tr iEH;F+ KYUDO TERM Romanized Japanese Japaneseexplanation -+-E ' spelling (yudo term Englishexplanation $lE("iJ. eE^,'lj.JbX' r*i/..XIJ7 r7' + t7:7i:*jv\(48o146.132s6 et, vs ( ( v. A < a1 )il'trt+xt:H Z * * f . H$fi *- a I^fi./fX.IV.<'fr,6 ryE ffi;# il. crtcl te Ashibumi EPEA <', < a\k aljt.iF- Lr,.ffi;F&ixZ<. ilrrp+ The way of placing the feet when the Yumi is drawn. EFFa* Letreb7.+ritrLr,.4Et*&tbFI:lsD J'f " ?ah1>Er{*-Eo)4 Atari +t) lfr\lt:br:b.L" : : Lt Hitting the Mato El+li+Ht [: * t b b. L t EfrtJ h " Ateyumi T\? IFI)t:\< a: t eiL L. AAAtrlq;( b" B (4) rilli Dfr y+E€gdH;F€#.1ffi1hri$#rg-l-b Betaoshi ^t*F L +tr n;+ft|a. < a u b T'. t+4t . L-" " The wrist is bent, and the Yumi is pushed fbrward with the palm of (Nr44. * ( algk aH;E|:iR: tr(+F€ L ( v.* j-.) one's hand (5 ) f E+ iJ. [EF+E.Dr]L ts f b #1f t b . GnEJzATt)rt24+ 3 E X ]'€) Biku (.).< aouiflq(". *rH;&i:^=.f:d I 5 F6 : L. In Kai, the draw contracts and the lte unconsciously and abruptly draws agaln. Boshi ryE-1- a*flI?;\l\5fa t.'tE 't l#l *firta. t " Objective: The pan of the Yugake that covers the tip of the thumb. At present, as the internationalization of Kyudo progressesin Europe, North and South c America, as well as in Asia and Australia, the number of Kyudo lovers is growing. Chijimi frlaa tAl o{tflq(". i-"h?tr . nf+r''f,EL.: L. As a part of the ancient traditional culture of Japan, Kyudo has a large meaningful In Kai, the Kiryoku, shoulders,and elbows become slack

to people of many Chudo FF TIFI l. tdl ( 1t.lut L vocabulary, and in order to introduce the correct vocabulary the J flf\'a'F+a. " countries and to help spread the true Kyudo, it has been collected in a common lan- The correct body posture when drawrng the Yumi Churiki Elh'+h t*Rl ailif+tltlL'dlv./:.ltflEo: L. [t=] L 6=) guage. Our objective here is to compile an internationally standardized glossary of " The position in which half of the Yajaku has been drawn. Also called Kyudo. Daisan D Process of classification Daisan x-- illf t^Rl 01$/jlt-_Jlu,ft.lt:Eqo:L" lBfiJ . +rl L {, =). The Glossary has been compiled with the following points in mind: The position in which half of the Yajaku has been drawn. Also called Churiki 1 ) Terms in the Kyudo instruction manuals(Kyudo Manual Volume 1 )as well as the Dakimato +ETAT tft.l r).1.,t,"lt)lalEtlr:Ftt'.( tEflaaj tb.L. Positioning the Ashibumi at a point behind the cenrer of the Mato Kyudo Kyogi Regulations have been compiled Dekata litrt;ffir:frbEo. L" 2) The internationally standardized glossary has been romanized (i.e., written in Ro- The left shoulder extends foruard. man letters) , Dogi iEE [?*] /rre ( f ffi+dl L:L/:L8ft.o): L. 3 ) Explanatory sentences have been applied to supply meaning to words and expres- Clothing which has Tsutsusode (tight sleeves) and not Tamoto (long sions deriving from Japanese sleeves). 4 ) Following the preparation of the Glossary, the current English instructional materi- Doho llrJ [:J.a lE) trtf>bpttlFbH+r:6itlBt3LbhHt:6F,a u als are to be revised. (Presentlv. instruction in most countries is done using the A tool used for tighdy winding jute fibers on the Tsuru where the Hazu translated terms.) of the Ya is nocked. 5 ) The Glossary shall be updated with new terms as required.

2 Dozukuri fllAEU 4 tlt < r_3 a u l+t4g_7r h o. L. Hadanugi flltfiii3 The way of readying one's body when drawing the yumi. Removing the left sleeve when wearing Wafuku E Hakiya t# 3 * Jlv'/:f;l;h\0)ffi0>ttl1tttil- ( t:trri( L [i*] lt:tqo: " Enso HtE IEff Ai+ilj : t /e ( H e+fi( J ) rc)f,,-clfti b. t A Ya that, having been released,slides along the ground in front of the " Mato Preparingby making a circle-like fbrm with both of one's elbows, and befbre reaching the Azuchi not by stretchingthem. Hanakabushi)l+Ffr Nl:Jtr

4 al-rt\ a iii : L Kaezuru iaqiI Z< t, r' d)iFlffi-d- 7r a o : L Himezoribushi'8Ffifr 4 l.il>a'ifra " 6ti 4iiflljOf ffi . b D A ffi ff . The nodc ol' the bamboo on the Yumi in the topmost section of the Preparationof a replacementTsuru in advanceof unexpectedsituations Uchidake Kagamudo lEfiFl t\iji'fir^I:trzc,lFlE rl o. t f1li[Fl] L {, t', " I'7't9 0> c /:r-la J L Bending fbrward during Dozukuri Also called Fushido Hinerikawa llH) ),,)';L+FotR/ri:iF " The leather glued to the base of the fbrefinger on the Yugake Kai J. ^ l'.N) t l-1li:dlv'/:;l^:rqo L " Hirakiashi Fr13,E tfft+rl ,'6901{'tfi3 t*Z 6 iI: ll3 0). L,. Drawing the Yazuka completely. Turning 90 dcgreeswhile in Kiza position Kaizoe t) 1 liltl.J t'tt a E+.tq'I+l t tklt-fbta. L " Hirazuke Tt) e/ l^l <.4,ldtrfl1rii-u,-"fie+ Kakeguchi ttttr+t+ llHl ZltttrBI:b< k : t " A movement in Kiza in which the knce on the side carrying the princi- jyumonji The right angle of the Boshi of the Yugake and rhe Tsuru pal object is lificd slightly off the floor Kamikiri ttl;tlfttb/:bt:&lFta a L " Kataya nX r,3-'rlr' In Kai, the momentof waitingfor Seiki to becomelull [1lrir.]i /:tt lLk) r +aTf:rfia.L. I t' and the back is lowered. Ell L{,=i. Kobanare tl\Wn 6f-r',J.: ( EFru6:L" The place where the thread is wrapped on the Yajiri side when fixing A smaller release by the Mete the Yabane to the No Also called the Shitahagi Motohazu AdE 4oTiftot!ffiah'rt'h4r,h\o:L. tTdql r 6=) Koko rFtr li+a*H+AawnL ^EL+At al1aF,y,a4l)tlo.t " " The skin between the base of the thumb and forefinser on the Oshide The lower end of the Yumi where the Tsuruwa is positioned Also called the Shimohazu. Kuchiwari tA.l Mukobane |p.lll ll:tb. t " The body, the spirit and the Yumi join togetherto become one. Shitahagi Ttil JtxlRa lf) Elta E+.tJrli,l fua+(.6 3Ed)/:t.f0>:L" t4 sASNIKAIA EE /iEaHv'traD a L. E| L6=). The left shoulder is higher The place where thread is wrapped on the Yajiri side when fixing the Yabane to the No. Also called the Motohagi

10 ShitakirizumetoTLIF*f# tNtt, t\t\ L THTEAtr'rE-f h /:tt t.+', EFo. L. Tanden frE TnE*f\a^4:a f'ilJqa. 1,. The cane wrapping that holds together the Todake, rhe Uchidake and the The area of the abdomen below the navel Shimosekiita TasukisabakiB d tJA /-'f 3 t#tIJ hfittElilto. ,,. Shitanaribushi TFiFfr 4 a\\t oT *$tr6 2E Hafrfr a. L" The method of tying up the Tasuki The second node of the bamboo fiom the bottom on the Uchidake of Tateyoko ffitft+I+ E. nF. 4.tr. lFtEd)fi,if,flt. E,tr=.Frffi. rmi,s'J'.M++EotAftRr,+ the Yumi lyumonJi X+t:fr b a 1,. Shitaoshi T+ryt +EriTl:riia, T,*4t Lfr a l:+Hj-l+Dt\l a. L. The vertical line formed by the legs, lower back, spine, vertebrae of the In Tenouchi, the wrist is bent downwards, the lefi flst is tumed up- neck, and the horizontal line formed by both shoulders, both arms, both wards elbows, and fingers on both hands making up the Jumonji q d) 7r Shitazuru TEI f +.{t+ifi}.1 t T*r,ofia. t " Tenmonsuji xkrthfr )\V: L +Efi, E4.+E' A H Ffra ffiI I t E+i: r 3 +' a U 4 a L b a ffi a The part of the Tsuru below the Nakajiikake -c" Shitazuruwo TEntEl< ld|til aTaf,tdlcffib J, i:dl( : t. A fold spanning the palm of one's hand when the knuckles at the base hiku Drawing by pulling from below the Tsurumakura of the fingers from the forefinger to the little finger are flexed Snrrsu tt Itr:)ir, t€l :' irra. . t# t t+o'k{u.&-{ 4+" Tenouchi +a^ E+<'4&+E7ahita.L,, An error such as Tsurugire, Hazukobore, or dropping the Yumi The method of gripping the Yumi with the left hand (tr-h (P.Fl,tn:& Shizenno etrAh#n fitrii{, L. E *f :HE,a.6: L Teru F,R6 lTaql)aw, 4rr+Hrir/t r i i:5-13]'rJh+" " (.,) hanare When the moment is full, Hanare happensnaturally a l-l/tr - In Gyousha, the Yumi is not vertical at Hikiwake, but is slanted. (The Shoimato HFU,H! tqt'1,71r[',Jo+,1'd)f"Ri] DEitlEUt:fn-J/'r(i"r+. angle of the face is tilted back ) At the Shai, standing and facing to the front slightly forward of the centerline of the Mato Teshita +f th+Eh ar Iar;][ry\at : t The part of the Yumi below the Nigiri Shokon e{R

l3 q Tsurumakuralt+h li#f a+H+Eol1lll1'lIttRd)LJ-4tr.b 6i6<". irrrffh'7aL.ha. Uwazuru LET t+.f++ilrilt LEI\alta. L,. L. The part of the Tsuru above the Nakajikake The groove in the Yugake at the base of the thumb in which the Tsuru Uwazuruwo Ltttdl < t.t-.{t+ilit.loLofitilcffi.zat ) adl3fra.L,. is positioned hiku A way of drawing the yumi by pulling from above the Nakajikake o). lsurumrcnr 5'^rE t4.f#i.l fi' b | ^ ) t<'l!.0)fr7.l€'ffi L " The path that the Tsuru travels between Yugamae and Kai W Isurune 5tE EE?a{.l!.h;. aA9ti' tiElrl ttl c < 4tt h EO. r- " Wakishomen L" The sound made at Hanare when the Tsuru hits the Hitaiki (Himezori). x#EE #+rlH[+io. The Shinpanin Seki X TsurushirabeEi;E,t t4l#z.l OF+.+F{o |TDlttifl':Tr$hfEa.t " Inspecting the central pafi of the Tsuru at Yugamae ' Tsuruwa Eg+ft 1a llq) r.fi'rJb/:a)i:$ftj1il: Lt:l!.a - L" ( l.dfra tu+fr] Yadokoro Tr)l gtb )t/:Tt;Ev. tE,*.o a L. Tilflo til+61) The place where the released Ya comes to rest The ring-shapedpart of the Tsuru for positioning on the Hazu (The up- Yaguchi AH 4 Lrffrr+f€rr('5 6 : L. f:4 afiI\tlo>lt a. L L A space which sometimes occurs between the Yumi and the Ya Uchidake ^fI l!./tlilll " tEt/ttl il = ) . The inner face of the Yumi when it is strung with the Tsuru Also 'kh:+F.n(rlt^(r,(:L Yairo AE called the Maedake. A Ya veering in flight Uchikiri +lb+llt) 4At6( +Eqffir|t-Eirl tFtzrv':L. Yakobore ftztf h t*ltti- L,. A Hanare in which both hands or the right hand releaseupwardly The part of the Ya on the Yajiri side Yasuji )\Eh L Uwahagi tttl ftD{RA tffil f:116F+.tEl lluA+\r+5'&h/:rfia: t. trrEll a irflt.4,<"r,.< fi tfla.- " L6=i" The direction that the Ya flies The place where the thread is wrapped on the Hazu side when fixing Yatsugaedosa X.#74hlF,.t lt EE Z 7.6hlEa. L,, the Yabane to the No. Also called the Urahagi The step of nocking the Ya on the Tsuru Uwahazu .L6E .o F,nftob.ffioh't'h*$h\a: L. ttdql L 6 =i " Yawatashi fiE 9t^olthb[:ft]nt:.v1-1q++Lo. L. The upper end of the Yumi where the Tsuruwa is positioned Also The first Sharei to take place at the beginning of a Shakai called the Urahazu Yazii FE t

l5 Yotsugake E?B* +Ra+kt:44bA llil a.L" A Yugake with four fingers. yorsuya w2+-. ts4+a:L. (tF*l .lL*.) a l-+1 *ffzlfl) Four Ya. Two sets of a Hitote of a Haya and an Otoya. Yu tE t'f6&t0cmItEIEtb+La. t " The upper torso is bowed forward l0 centimeters as a sign of respect. Yubukuro Efi 4tly#tt h#.0)a t " A bag used for storing the Yumi. Yudaoshi 4htlt lWrd olh, l+A4) o++*1:tr--{4hlEa.t. The step of returning to Toriyumi posture following Hanare. Yugaeri 4iEl) tHEn.lr. l|fi:tr#aTHll:E+tf .6.: t" At Hanare, the Tsuru rotates to the back of the left hand. Yugamae 4t?it, lf.et#ZAfri*,a. t " The method of readying the Yumiya. t\aEE^EaaL" A rack for standingup Yumi. Yumiya 4F 4tXaat. The Yumi and the Ya. Yunde 4+ E+o).L"t+++-lL6=). The left hand Also called Oshite Yundeno 4+aNEn E+a+J6<'Ati:tF L: tr J a t'.AYtuba L. hanare Hanare that occurs when the left hand appears to push to the Mato Yuzuriha ETBZZ it6il:H. 6{qUi:A6.l.ltRd):L. t*Fffif.llL 6=). The Hane on the inside when the Ya has been nocked. Also called the Hozuriba. z Zanshin ffilb . r*.H 4.n:ffitul:tr1ha'L,. Hol|ffia. L" The condition of the spirit and the body immediately after the Ya has been released. -)L-r<+Ltt-. trL

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