Bachelor of Design Foundation Course SEMESTER I Sr

Total Page:16

File Type:pdf, Size:1020Kb

Bachelor of Design Foundation Course SEMESTER I Sr Bachelor of Design Foundation Course SEMESTER I Sr. Th Pr Subject TC Hours Internal External Total No. C C Th Pr Th Pr Drawing and Sketching 100 marks continuous 1 4 - 4 120 100 (c) evaluation Environmental Studies 2 4 4 - 60 25 75 100 (c) Fundamental of Design 3 4 2 2 90 25 25 50 25 100 (c) 25+25=50/2=25 4 Communication Skills (c) 4 3 1 75 15 10 60 15 100 History of Art & Design 5 4 3 1 75 15 10 60 15 100 (c) 20 500 SEMESTER II Th Pr Sr. No. Subject TC Hours Internal External Total C C Th Pr Th Pr 1 Art Appreciation (c) 4 3 1 75 15 10 60 15 100 Technical Drawing- 100 marks continuous 2 4 - 4 120 100 Foundation (b) evaluation 3 Advance Design (c) 4 2 2 90 25 25 50 25 100 25+25=50/2=25 100 marks continuous 4 Material Studies (b) 4 - 4 120 100 evaluation Computer Application 100 marks continuous 5 4 - 4 120 100 for Design evaluation 20 500 Fashion Design SEMESTER III Sr. Subject TC Th C Pr C Hrs Internal External Total No. Th Pr Th Pr Fundamentals of Illustration & 1 4 0 4 120 100 marks continuous evaluation 100 Design Concept 2 Introduction to Pattern Making 4 0 4 120 100 marks continuous evaluation 100 Introduction to Garment 3 4 0 4 120 100 marks continuous evaluation 100 Construction 4 Introduction to Textile 4 4 0 60 25 75 100 History of fashion (Indian & 5 4 4 0 60 25 75 100 Western) and women's studies TOTAL 20 500 SEMESTER IV Sr. Subject TC Th C Pr C Hrs Internal External Total No. Th Pr Th Pr Basic Fashion Illustration & 1 4 0 4 120 100 marks continuous evaluation 100 Design Concept 2 Basic Pattern Making 4 0 4 120 100 marks continuous evaluation 100 3 Basic Garment Construction 4 0 4 120 100 marks continuous evaluation 100 Computer Aided Rendering 4 4 0 4 120 100 marks continuous evaluation 100 Techniques In Fashion 5 Principles of Management 4 4 0 60 25 75 100 TOTAL 20 500 SEMESTER V Sr. Subject TC Th C Pr C Hrs Internal External Total No. Th Pr Th Pr Advance Fashion Illustration & 1 4 0 4 120 25 75 100 Design Concept 2 Advance Pattern Making 4 0 4 120 25 75 100 3 Advance Garment Construction 4 0 4 120 25 75 100 4 Draping - I 4 0 4 120 25 75 100 Indian Textile and 5 4 2 2 90 25 25 50 25 100 embroideries ( Craft Project) 25+25=50/2=2 5 TOTAL 20 500 SEMESTER VI Sr. Subject TC Th C Pr C Hrs Internal External Total No. Th Pr Th Pr Computer application in fashion 1 4 0 4 120 25 75 100 (2D) 2 Draping - II 4 0 4 120 25 75 100 Dyeing and Printing & Surface 3 4 0 4 120 25 75 100 Ornamentation 4 Marketing and Merchandising 4 4 0 60 25 75 100 5 Fashion Forecasting 4 4 0 60 25 75 100 TOTAL 20 500 SEMESTER VII Sr. Subject TC Th C Pr C Hrs Internal External Total No. Th Pr Th Pr Creative Pattern Making & 1 4 0 4 120 25 75 100 Grading Fashion styling and costume 2 4 2 2 90 25 25 50 25 100 designing 25+25=50/2=2 5 3 Range Development 4 0 4 120 25 75 100 Retail and Visual 4 4 4 0 60 25 75 100 Merchandising Quality Assurance 5 4 4 0 60 25 75 100 Management TOTAL 20 500 SEMESTER VIII Sr. Subject TC Th C Pr C Hrs Internal External Total No. Elective (Any two) from 1-4 Th Pr Th Pr 1 Men's wear 4 0 4 120 25 75 100 2 Women's wear 4 0 4 120 25 75 3 Kid's Wear 4 0 4 120 25 75 4 Fabric Styling for Apparels 4 0 4 120 25 75 Introduction to 5 4 4 0 60 25 75 100 entrepreneurship and IPR 6 Graduating Show 4 0 4 120 100 100 7 Internship 4 0 4 120 50 50 100 TOTAL 20 500 4-Year U.G. Degree Syllabus B Design –Foundation Course Semester - I Total Subject Credits Marks Hours Drawing and Sketching 4 120 100 - 100 Practical Internal External Total OBJECTIVES: 1) To develop hands on skills of Basic drawing and rendering capacity using different mediums. 2) To increase the skills and practice drawing through landscape, portrait and different forms of design. 3) To develop skills for object drawing, perspective, still life and human figurative drawings that can be efficiently used for drawing. CONTENT: % of Block Topic/Content Objective Assignments Weightag No Analysis e Marks 1 Shading – 1) Practice of various types To make students to 1. Pencil of lines. acquire the skills of free 2. Colour Pencil hand drawing using 3. Charcoal 2) Shading exercise with shading skill with different grade pencils and colour pencils. 25 various mediums. And to interpret the drawing 3) Detailed study of natural skills through Nature- forms- (Leaves, Flowers) landscape, portrait. 1. Landscape 5 nature elements to be 2. Portrait selected 2 Use of natural elements To acquire the skills to and convert the same to 1) Motif development - 5 nature elements to be interpret natural objects motifs. selected and converted through motif. So as to into design variation like develop the necessary Geometric, abstract, skills for textile motif stylized. 25 development and to acquire skills of 2) Copying, Enlargement copying, enlarging or Copying and and reduction of motifs reducing the motifs Enlargement and reduction of motifs or illustrations. 3 Object drawing 1) Study of 3-D geometrical Geometrical shapes objects with different Cube, Pyramid, Sphere angles To make students to acquire the drawing skills of three dimensional object and 25 learn the perspective Perspective drawings: 2) Perspective drawings of drawing. cube and solid studies, Square, Cube, Circle, Sphere, Triangle, Detailed discussion of one, two & three point Pyramid (one, two & perspective. three point perspective.) 4 Development of texture To study with analytical Practice of line quality approach of various improvement and apply it 1) Collect different texture objects, study of wire to drawings. and rendering frame structure applications of Different stages of 2) To imagine and interpret perspective, texture, products, still life, object the various stages 25 and use of space, drawing involved in making a tones, light and product, through shadows from still life Introduction of human drawings(any one product) and objects, rendering figurative drawings. in different mediums. Basic measurements and proportion. Evaluation pattern – Internal Assessment:100 marks continuous evaluation which includes Class Assignments (75 Marks) and Test (25 Marks) REFERENCE BOOKS: Sr. No. Title of the Book Author Publication Grade Examination- Subodh Narvekar , 1 Navneet Publication ( India) Ltd. Drawing Made Easy Avdhut Narvekar Sketching and Jyotsna Prakashan Pune ,2nd 2 Vasudev Kamath Drawing Edition,2006 Jyotsna Prakashan Pune ,1st 3 Still Life Sanjay Shelar Edition,2007 Jyotsna Prakashan Pune ,1st 4 Perspective Milind Mulik Edition,2006 Rahul Deshpande, Jyotsna Prakashan Pune ,1st 5 Colour Pencil Gopal Nandurkar Edition,2004 Draw and Paint Pundalik Vaze Jyotsna Prakashan Pune ,1st 6 Edition,2002 4-Year U.G. Degree Syllabus B Design –Foundation Course Semester - I Total Subject Credits Marks Hours Environment Studies 4 60 25 75 100 Theory Internal External Total OBJECTIVES: 1) To build awareness about physical environment and its components. 2) To acquire Knowledge of natural resources and their types. 3) To develop the concept of ecology and its components. CONTENT: % of Block Topic/Content Objectives Assignments weightage No Analysis Marks The Multidisciplinary Nature of Environmental Studies Unit 1- Definition, Scope and Importance, Need for public awareness Natural Resources Unit 1- Renewable and Non- Renewable Resources Unit 2- Natural Resources and Associated Problems- a) Forest To create Resources: Use and Over-exploitation, awareness about deforestation, case studies. Timber physical extraction, mining, dams and their Group 1 25 environment and effects on forests and tribal people. Discussions its components. b) Water Resources: Use and Over- utilization of surface and ground water, floods, drought, conflicts over water, dams-benefits and problems c) Mineral Resources: Use and exploitation, environmental effects of extracting and using mineral resources, case studies. d) Food Resources: World food problems, changes caused by agriculture and overgrazing, effects of modern agriculture, fertilization- pesticide problems, water logging, salinity, case studies e) Energy Resources: Growing energy needs, renewable and non-renewable energy sources, use of alternate energy sources, case studies f) Land Resources: Land as a resource, land degradation, man induced landslides, soil erosion and desertification. Unit 3- Role of individual in conservation of natural resources Unit 4- Equitable use of resources for sustainable lifestyles Ecosystems Unit 1- Concept of ecosystem Unit 2- Structure and function of ecosystem Unit 3- Producers, consumers and Decomposers Unit 4- Energy flow in the ecosystem Unit 5- Ecological succession Unit 6- Food chains, food webs and ecological pyramids. Unit 7- Introduction , types, characteristics features, structure and function of the following ecosystem- a) Forest ecosystem b0 Grassland Ecosystem c) Desert ecosystem d) Acquire Knowledge Aquatic ecosystem (pounds, streams, of natural lakes, rivers, oceans, estuaries) Group 2 resources and their 25 Biodiversity and its conservation Discussions types. Unit 1- Introduction- Definition: genetic, species and ecosystem diversity. Unit 2- Bio-geographical classification of India Unit 3- Value of biodiversity: consumptive use, productive use, social, ethical, aesthetic and option values Unit 4- India as a mega-diversity nation Unit 5- Hot-sports of biodiversity Unit 6- Threats to bio-diversity: habitat loss, poaching of wildlife, man-wildlife conflicts Unit 7- Endangered and endemic species of India Unit 8- Conservation of bio-diversity: In- Situ and Ex-situ conservation of biodiversity Environmental Pollution Unit 1- Definition, Causes, effects and control measures of – a) Air pollution b) Water pollution c) Soil pollution d) Marine pollution e) Noise pollution f) Thermal pollution g) Nuclear hazards Unit 2- Solid waste management: Causes, effects and control measures of urban and industrial waste Unit 3- Role of individual in prevention of pollution Unit 4- Pollution case studies Unit 5- Diaster Management: floods, earthquake, cyclone and landslides Social Issues and the Environment Unit 1- From Unsustainable to Sustainable development Unit 2- Urban problems related to To analyze the energy concept of ecology Unit 3- Water conservation, rain water Group 3 and its harvesting , watershed management 25 Discussions components.
Recommended publications
  • Schedule of Award Title Abbreviations
    Award Abbreviation Associate Degree in Applied Science AssocDeg(AppSc) Associate Degree in Applied Science (Information Technology) AssocDegAppSc(IT) Associate Degree in Aviation (Professional Pilots) AssocDegAvn(ProfPil) Associate Degree in Business AssocDegBus Associate Degree in Design (Furniture) AssocDegDes(Furn) Associate Degree in Engineering Technology AssocDegEngTech Associate Degree in Engineering Technology (Advanced Manufacturing) AssocDegEngTech(AdvMan) Associate Degree in Engineering Technology (Civil Engineering) AssocDegEngTech(CivEng) Associate Degree in Engineering Technology (Civil) AssocDegEngTech(Civ) Associate Degree in Engineering Technology (Design and Development) AssocDegEngTech(Des&Dev) Associate Degree in Engineering Technology (Electrical/Electronics) AssocDegEngTech(ElecElect) Associate Degree in Engineering Technology (Mechanical) AssocDegEngTech(Mech) Associate Degree in Engineering Technology (Network Engineering) AssocDegEngTech(NetEng) Associate Degree in Engineering Technology (Network) AssocDegEngTech(Net) Associate Degree in Engineering Technology (Systems and Logistics) AssocDegEngTech(Sys&Log) Associate Degree in Fashion and Textile Merchandising AssocDegFash&TextMerch Associate Degree in Fashion Design and Technology AssocDegFashDes&Tech Associate Degree in Graphic Design AssocDegGrDes Associate Degree in Graphic Technology AssocDegGrTech Associate Degree in Health Sciences AssocDegHSc Associate Degree in Information Technology AssocDegInfoTech Associate Degree in Information Technology (System
    [Show full text]
  • Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
    Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”.
    [Show full text]
  • Design, Architecture and Building Undergraduate Courses 2022
    Design, Architecture and Building Undergraduate Courses 2022 No. UTS ranked Australia’s #1 young◆ 1uni Welcome to the Faculty of Design, Architecture and Building Contents UTS at a glance 02 Why design, architecture and building at UTS? 33,752 Undergraduate enrolments 10,208 Postgraduate coursework 03 Design 2199 Higher degree research 04 Bachelor of Design in Animation UTS student diversity 05 Bachelor of Design in Fashion and Textiles 29% are 25 or older 06 Bachelor of Design in Product Design 49% are female 07 Bachelor of Design in Visual Communication 50% were born outside of Australia 08 Architecture Please note the above numbers are approximates as of 09 Bachelor of Design in Architecture January 2020. 10 Bachelor of Landscape Architecture (Honours) 11 Bachelor of Design in Interior Architecture 12 Built Environment 13 Bachelor of Construction Project Management 14 Bachelor of Property Economics 15 Combined Degrees 15 Bachelor of Creative Intelligence and Innovation 15 Bachelor of Arts in International Studies 16 Degree add-ons 17 Applying to UTS Connect with us 17 How to apply 17 Admission schemes UTSDAB 17 Admission pathways UTSDAB 17 Scholarships 17 Fees and financial assistance Acknowledgement of Country UTS acknowledges the Gadigal People of the Eora Nation, the Boorooberongal People of the Dharug Nation, the Bidiagal people and the Gamaygal people upon whose ancestral lands our university stands. We would also like to pay respect to the Elders both past and present, acknowledging them as the traditional custodians of knowledge for these lands. 1 Faculty of Design, Architecture and Building Why design, architecture and building at UTS? Our students are creative and critical thinkers, connected with the best the world has to offer.
    [Show full text]
  • This Copy Is for Staff Use Only
    Architecture, Design and Planning Handbook 2018 This copy is for staff use only Handbooks online: sydney.edu.au/handbooks Contents Contents Honours 21 Welcome 1 Bachelor of Design in Architecture enrolment 21 A message from the Dean 1 planner Bachelor of Architecture and Environments 3 Bachelor of Design in Architecture 23 Overview 3 Bachelor of Design in Architecture 23 Bachelor in Architecture and Environment 3 Bachelor of Design in Architecture (Honours) 23 enrolment guide Course Resolutions 23 Summary of requirements 3 Master of Architecture prerequisite unit of study 3 Bachelor of Design in Architecture 25 Honours 3 Table A: Units of study in the Bachelor of Design 25 Bachelor of Architecture and Environments 3 in Architecture enrolment planner Bachelor of Design in Architecture 29 Bachelor of Architecture and Environments 5 Table A: Units of study in the Bachelor of Design 29 Bachelor of Architecture and Environments 5 in Architecture Bachelor of Architecture and Environments 5 Bachelor of Design in Architecture - Core units of 29 (Honours) study Course Resolutions 5 Junior units of study 29 Senior units of study 29 7 Bachelor of Architecture and Environments Bachelor of Design in Architecture 31 Table D: Units of study in the Bachelor of 7 (Honours)/Master of Architecture honours core Architecture and Environments units Recommended electives 31 Bachelor of Architecture and Environments 9 Master of Architecture - Prerequisite unit of study 31 Table D: Units of study in the Bachelor of 9 Architecture and Environments School electives
    [Show full text]
  • The Shape of Women: Corsets, Crinolines & Bustles
    The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth.
    [Show full text]
  • Design Your Own Muumuu
    • UNIVERSITY OF HAWAII COOPERATIVE EXTENSION SERVICE • HOME ECONOMiCS CIRCULAR 351 . OJ. COOPERATIVE EXTENSION WORK IN AGRICULTURE AND HOME ECONOMICS 'COLLEGE OF TROPICAL AGRICULTURE UNIVERSITY OF HAWAII. HONOLULU. HAWAII 116822 UNITED STATES DEPARTMENT OF AGRICULTURE COOPERATING C. PEAIRS WILSON, DIRECTOR, HAWAII COOPERATIVE "EXTENSION SERVICE ,DISTRIBUTED IN FURTHERANCE OF THE ACTS OF CONGRESS OF MAY 8 AND JUNE 30, ll1U HOME ECONOMICS CIRCULAR 351-FEBRUARY 1967 DESIGN YOUR OWN MUUMUU GERTRUDE P. HARRELL Extension Specialist in Clothing Muumuus have been a popular way of dressing for many years in the islands. In the last decade, muumuus have become very versatile in styles, making them suitable for all occasions. Some of them are short; some are very basic and good for working around the house; and some are very dressy, used for very formal occasions. The muumuu is a form of dress that can be adapted to the individual's style of dress. Many people can design a muumuu that is very becoming to them. Because muumuus can be straight and on the tailored side or very full and quite fancy, they give every woman the chance to wear the type most becoming to her figure. Also, they can be made with various types of fabric. Muumuu fabrics range from the inexpensive cotton prints to the very ex­ pensive brocades and even to the expensive lace with lovely backing or lining. Muumuu fashions change the. same as dress styles of today. It is possible to use dress patterns and redesign them slightly and have lovely muumuus. If you have a desire to have individual muumuus, you can follow some basic prin­ ciples and design your own by using a current fashion pattern or a basic pattern that has been made to fit you.
    [Show full text]
  • Why Design a Guide to Studying Design in Ireland Architecture Art
    Architecture Why DesignArt & Design Education A guide to Craft Design studying design Fashion Design in Ireland Furniture Design Graphic Design/ Visual Communication Industrial Design/ Product Design Interior Architecture Interior Design New Media/ Multimedia Textile Design Institute of Designers in Ireland Foreword There are many different possibilities for students who wish to study design in Ireland. Whether you are interested in graphics, crafts, fashion or interiors, you can choose from a number of different courses. Most of the courses detailed are applied for through the CAO system (ask your teacher or guidance counsellor for details) while others can be applied for directly to the colleges. You are advised to contact the colleges directly to ask about admission procedures, portfolios and interviews, which may form part of the selection process. Much information can also be gleaned by exploring college websites. Sometimes it’s difficult to know what exactly a course will entail, especially if you have not studied the subject before. You should ask your art teacher and your guidance counsellor for their advice. Try to visit any college you are interested in, attend open days and email queries to the college admissions departments, who can send you out an information pack. Design courses offer many different creative career possibilities. However, all courses involve hard work and dedication in order to achieve the best possible future in design. Good luck in your future. 01 Studying design in Ireland Architecture The following pages hope to help you to better understand what specific areas of design are Art & Design Education and to inform you about different design courses on offer.
    [Show full text]
  • Chapter 2 Review of Literature…
    Chapter 2 Review of Literature… Review of Literature….. CHAPTER- II REVIEW OF LITERATURE 2.1 Conceptual review 2.1.1 History of Kachchh 2.1.1.1 The State 2.1.1.2 Origin of name 2.1.2 History of rulers of Kachchh 2.1.3 Assortment of Textiles in Court of Western India 2.1.3.1 Brocades 2.1.3.2 Silks 2.1.3.3 Mashru 2.1.3.4 Bandhani 2.1.3.5 Laheriya 2.1.3.6 Textile Crafts for Royal wardrobe 2.1.4 History of Indian Royal Garments for Men 2.1.4.1 Upper garments 2.1.4.1.1 Jama 2.1.4.1.2 Angarkha 2.1.4.1.3 Chogha 2.1.4.1.4 Atamsukh 2.1.4.1.5 Chapkan 2.1.4.1.6 Achkan 2.1.4.1.7 Bagalbandi 2.1.4.1.8 Sadri 2.1.4.1.9 Angarkhi 2.1.4.2 Lower garments: Paijama 2.1.4.3 Headdress 2.1.4.3.1 Pagh 2.1.4.3.2 Patka [13] Review of Literature….. 2.1.5 History of Indian Royal Garments for Women 2.1.5.1 Upper garments 2.1.5.1.1 Choli 2.1.5.1.2 Kanchali 2.1.5.1.3 Angia 2.1.5.1.4 Peshwaz 2.1.5.1.5 Kurta 2.1.5.1.6 Saris 2.1.5.2 Lower garments 2.1.5.2.1 Paijama 2.1.5.2.2 Ghaghra 2.1.5.3 Headdress: Odhani 2.1.6 Children’s costume 2.1.7 Ceremonies and festivals of Rulers of Kachchh 2.2 Empirical review 2.2.1 Studies related to traditional costumes of rulers of India 2.1 Conceptual Review 2.1.1 History of Kachchh 2.1.1.1 The State Kachchh is the Princely State with 17 gun salute, 19 guns local.
    [Show full text]
  • Strategies for Assessing the Responsiveness of Design Programs to the Context of Practice
    Thank you all for coming to this presentation on major futures issues for institutions. The NASAD Working Group on NASAD working group the Future of Design and Design Education has been meeting for several years to address the issue of the future direction of design and design education. I’m Karen Hughes, from the University of Cincinnati, and have been honored to work with my esteemed colleagues: Eric Anderson, Carnegie Mellon University The Future of Design and Design Education Meredith Davis, North Carolina State University Susan King Roth, Virginia Commonwealth University Strategies for assessing the responsiveness and David Weightman, Univ of Illlinois, of design programs to the context of practice Urbana Champaign Working group members: Karen Monzel Hughes, University of Cincinnati, Chair Eric Anderson, Carnegie Mellon University Meredith Davis, North Carolina State University Susan King Roth, Virginia Commonwealth University David Weightman, University of Illinois/Urbana-Champaign October 2011 Slide 1 Many of you probably attended our session at last’s year’s National Meeting in Cincinnati, in which we reported our findings NASAD working group and made recommendations. Today we will take that a step further and talk about strategies for assessing the responsiveness of design programs to the context of practice. Building upon that information presented last year, we will present a set of questions we hope design educators and administrators will ask themselves as they develop curricula for the future. We will illustrate with examples of how various design schools have addressed these questions, in hopes of sparking recognition of how you might implement changes in your own Design curricula.
    [Show full text]
  • Prospectus-2021.Pdf
    2021 ADMISSIONSAdmissions for Artisans/Children of Artisans Message from Chairman The National Institute of Fashion Technology welcomes you partake in a shared vision for the future. Our students are equipped with the latest information in innovation and technology in the entire value chain of design and fashion. They are encouraged to respect the rich Indian Heritage, and derive the best from our way of life, and our own traditional arts and handicrafts. We take incredible pride in instilling ethical values in our students that have gone on to make a mark, and have positively influenced the industries we serve and our society in general. NIFT has continuously strived to adopt the global standards in fashion education by aligning its teaching methods to interactive and evolving education systems, aimed at creating a unique learning experience that blends heritage, cultivates aesthetic virtuosity in an environment of freedom of inquiry and cognition. The revamped curriculum focuses on multidisciplinary learning, to the students to solve real life challenges but also facilitate them to carve out new and unique paths for themselves. application - in addition to celebrating diversity and fostering inclusivity, sensitising students to cultural and social contexts, which is vital in personality building and develops individuals as change agents in the society. The alumni of NIFT are recognised as adept professionals in a myriad of creative fields, and their success stories are a source of pride for the institute. Industry- Academia interfaces throughout the course provide a cutting-edge learning experience to our students. The Industry oriented learning environment through internships and Graduation projects allows for real time learning for the students.
    [Show full text]
  • Industrial Design at the University of Botswana: Designing Designers As If Botswana’S Setting Matters
    Industrial Design at the University of Botswana: Designing Designers as if Botswana’s Setting Matters Samuel Khumomotse Lecturer (Design & Technology) Faculty of Engineering & Technology University of Botswana P/Bag 0061, Gaborone, Botswana Tel: (267)355 4316Fax: (267) 352 309, Email: [email protected] Abstract The University of Botswana is proposing to introduce an undergraduate degree program in Industrial Design. It is inevitable that a new program must have local relevance while not loosing touch with the global realities. This paper discusses the need for the course, the proposed program structure and its rationale within Botswana’s social, economic and industrial setting. The submission discusses global factors that were considered in designing the program. It also highlights the implementation plan in terms of student enrolment and their exits profile, staff, resources both existing and projected, and industry collaboration. The article would be of use to policy makers, Industrial Design academics and design professionals who would like to understand how to design new courses in context. The paper arrives at an inevitable conclusion that the aim of the program is to produce designers who will operate efficiently within Botswana’s peculiar environment. (140) Keywords Industrial Design Design Education Industrial Design Curriculum Design Education Context Botswana Industrial Design Bibliographic Note Samuel Khumomotse, B.Ed (D&T) is a Lecturer in Design & Technology at the University of Botswana and coordinator of the proposed undergraduate Industrial Design programme. He holds a Master of Design Degree from the University of Technology Sydney, Australia and a Bachelor of Education in Design and Technology from the University of Botswana.
    [Show full text]
  • Lesson Guide Bustier Dress Draping: Intermediate Module 1 – Prepare the Dress Form
    Lesson Guide Bustier Dress Draping: Intermediate Module 1 – Prepare the Dress Form Step 1A The first step when draping the bustier is to apply style tape to your dress form to establish your guidelines and neckline styleline. Start by taping across the bust level from the left apex across to the right apex. 1 Module 1 – Prepare the Dress Form Step 1B Tape the desired neckline from center front to center back. At the side seam don’t drop lower than 1” from the armplate. 2 Module 1 – Prepare the Dress Form Step 1C For beginners, it is a good idea to apply your bust level tape from center front to the side seam. This will make it easier when balancing the side front panel. Be sure the tape is level to the floor. 3 Module 1 – Prepare the Dress Form Step 1D We will be using the princess lines of the dress form both front and back as the prin- cess stylelines for this bustier. 4 Module 1 – Prepare the Dress Form Step 2A For the skirt, measure down 7” from the bottom of the waist tape. Apply the hip style tape horizontally around the right half of the dress form. You must be sure that the hipline is parallel to the floor. 5 Module 1 – Prepare the Dress Form Step 2B You can check this by resting an L Square on the table and find the number on the ruler that corresponds to center front at the bottom of the hip tape. Your style tape should align at that number as you turn the dress form from front to back.
    [Show full text]