The Forerunners, by Romain Rolland 1
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ענליוו – Wilna – – Wilno – Vilnius
– Wilna – ווילנע – Wilno – Vilnius צו אבזערווירן און צו טראכטן… מו״לים ומתרגמים יידיים של ספרות הוגי דעות גרמניים Yiddish Publishers and TranslaTors of German auThors ThrouGh The lens of Their books ביום 23 ספטמבר 1943 חוסל גטו וילנה, כשנתיים לאחר שהוקם על ידי הגרמנים. היהודים שעוד היו בגטו גורשו או נרצחו בפונאר הסמוך. באלימות ובחוסר אנושיות הגיעה לקיצה היסטוריה בת מאות שנים של "ירושלים של הצפון" או "ירושלים דליטא", כפי שכונתה וילנה היהודית. אוצרות תרבותיים שמקורם ב"ייִדיִש לאַ נד" ובמיוחד בווילנע, שמה היידי של בירת ליטא וילנה היום, אינם משתקפים בנוף הספרותי והתאטרלי העכשווי במקום. תעשיית הוצאות הספרים של אז מציגה את העניין הרב שגילה קהל הקוראים בספרות היידית, כמו גם בתרגומים ליידיש של מחברים אירופאיים, ובמיוחד גרמנים. תרבות הקריאה תרמה, במיוחד בתוך חומות הגטו, להישרדות רוחנית. On September 23, 1943 the Vilna Ghetto, established two years earlier by occupying German forces, was liq- uidated, and the remaining Jews were either deported or murdered in the nearby Ponar Woods. With this act of brutality and inhumanity, the centuries old history of the so-called “Jerusalem of the North” or “Jerusalem of Lithuania” ended. The cultural treasures generated into a “Yidishland”, particularly in Vilna – the Yiddish name of the Lithuanian capital Vilnius – are reflected not only in the theatrical and literary worlds. The publishing indus- try of the time attested to a lively interest among reader- ship in Yiddish literature, but also on Yiddish translations of European, especially German authors. Reading helped facilitate intellectual survival, especially in the Ghetto. דער ווילנער ֿפאַ רלאַ ג ֿפון בּ. קלעצקין. בּ אָ ר י ס אָ ר ק אַ ד י י ו ו י ץ ק ל ע צ ק י ן )1875-1937( נולד הוצאות לאור, בתי דפוס בהרודיץ׳, וייסד בית הוצאה לאור משלו׃ דער Publishing Houses, Printers ווילנער ֿפאַ רלאַ ג ֿפון בּ. -
The Theory of the Modern Stage
The Theory of the Modern Stage AN INTRODUCTION TO MODERN THEATRE AND DRAMA EDITED BY ERIC BENTLEY PENGUIN BOOKS Contents Preface by Eric Bentley 9 Acknowledgements 17 PART ONE TEN MAKERS OF MODERN THEATRE ADOLPHE APPIA The Ideas of Adolphe Appia Lee Simonson 27 ANTONIN ARTAUD The Theatre of Cruelty, First and Second Manifestos Antonin Artaud, translated by Mary Caroline Richards 55 Obsessed by Theatre Paul Goodman 76 BERTOLT BRECHT The Street Scene Bertolt Brecht, translated by John Willett 85 On Experimental Theatre Bertolt Brecht, translated by John Willett 97 Helene Weigel: On a Great German Actress and Weigel's Descent into Fame Bertolt Brecht, translated by John Berger and Anna Bostock 105 E. GORDON CRAIG The Art of the Theatre, The First Dialogue E. Gordon Craig 113 A New Art of the Stage Arthur Symans 138 LUIGI PIRANDELLO Spoken Action Luigi Pirandello, translated by Fabrizio Melano 153 Eleanora Duse Luigi Pirandello 158 BERNARD SHAW A Dramatic Realist to His Critics Bernard Shaw 175 Appendix to The Quintessence of Ibsenism Bernard Shaw 197 KONSTANTIN STANISLAVSKY Stanislavsky David Magarshack 219 Emotional Memory Eric Bentley 275 CONTENTS RICHARD WAGNER The Ideas of Richard Wagner Arthur Symons 283 W. B. YEATS A People's Theatre W. B. Yeats 327 A Theory of the Stage Arthur Symons 339 EMILE ZOLA From Naturalism in the Theatre, Emile Zola, translated by Albert Bermel 351 To Begin Otto Brahm, translated by Lee Baxandall 373 PART TWO TOWARDS A HISTORICAL OVER-VIEW GEORG BRANDES Inaugural Lecture, 1871 Georg Brandts, translated by Evert Sprinchorn 383 ARNOLD HAUSER The Origins of Domestic Drama Arnold Hauser, translated in collaboration with the author by Stanley Godman 403 GEORGE LUKACS The Sociology of Modern Drama George Lukdcs, translated by Lee Baxandall 435 ROMAIN ROLLAND From TTie People's Theatre, Romain Rolland, translated by Barrett H. -
Introduction 1. the Dreyfus Affair and the Birth of the 'Intellectuals'
Notes Introduction 1.]. Guehenno, Journal des annees noires (1940-1944), Gallimard, 1947, p. 205. Quote brought to my attention by Jennifer Lefevre. 2. K. Reader, 'The Intellectuals: Notes towards a Comparative Study of Their Position in the Social Formations of France and Britain', Media, Culture and Society, 1982 (4), pp. 263-73, p. 266. 3. M. Leymarie, Les Intellectuels et Ia politique, Presses Universitaires de France (Collection Que sais-je?), 2001, p. 11. 4. J.-P. Sartre, 'Plaidoyer pour les intellectuels', in J.-P. Sartre, Situations VIII, Gallimard, 1972, p. 377. 5. For a recent study on female intellectuals, see N. Racine and M. Trebitsch, Intellectuelles. Du genre en histoire des intellectuels, Editions Complexe, 2004. 1. The Dreyfus Affair and the Birth of the 'Intellectuals' 1. E. Weber, France, Fin de Siecle, The Belknap Press of Harvard University Press, 1986, p. 66. 2. Ibid., p. 46. 3. At the end of 1871 Parisians opposed to the government of Adolphe Thiers elected a revolutionary council in Paris. Thiers fled to Versailles and subsequently organised a siege of the city in order to wrest control from the Communards. In May the Versailles troops entered Paris and at the end of the month the Commune was defeated. ln the bloody reprisals that followed some 18,000 Parisians died and almost 7,000 were deported. Communes were also crushed in other French cities and the repression cast a long shadow over relations between radicals and conservatives for years to come. 4. In 1815, after the fall of Napoleon, the monarchy was restored (Louis XVIII, 1815-25; Charles X, 1825-30). -
Andreas Latzko Und Stefan Zweig - Eine Schwierige Freund- Schaft : Der Briefwechsel 1918 - 1939 / Hrsg
B KULTURWISSENSCHAFTEN BD LITERATUR UND LITERATURWISSENSCHAFT BDBA Deutsche Literatur Personale Informationsmittel Andreas LATZKO; Stefan ZWEIG Briefwechsel 1918 - 199 EDITION 18-3 Andreas Latzko und Stefan Zweig - eine schwierige Freund- schaft : der Briefwechsel 1918 - 1939 / hrsg. und kommentiert von Hans Weichselbaum. - Berlin : Frank & Timme, 2018. - 152 S. ; 21 cm. - (Forum Österreich ; 8). - ISBN 978-3-7329-0436-5 : EUR 28.00 [#6106] Einschlägigen Schätzungen zufolge, hat Stefan Zweig in seinem Leben bis zu 50.000 Briefe geschrieben. Nicht alle sind erhalten, aber immer mehr wurden inzwischen gedruckt – auch wegen ihrer berühmten Empfänger: Zu Zweigs langjährigen Korrespondenzpartnern gehören Persönlichkeiten wie Romain Rolland, Sigmund Freud, Arthur Schnitzler, Hermann Hesse, Rainer Maria Rilke, Joseph Roth 1 oder Thomas und Klaus Mann. An diesen Namen gemessen, ist der österreichisch-ungarische Autor An- dreas Latzko (1876 - 1943) relativ unbekannt. Latzko und Zweig lernten sich 1918 in der Schweiz kennen, vor dem Hintergrund des Weltkriegs waren beide Pazifisten geworden. Der nun vorliegende Briefwechsel umfaßt 60 Briefe und Mitteilungen von Latzko an Zweig und 27 Antworten. Durch Überlieferungslücken und längere Pausen ist nicht jeder Brief direkt auf ei- nen Gegenbrief bezogen. Das mag die Entscheidung erklären, erst alle Briefe Latzkos (L 1 bis L 62, S. 19 - 110), dann alle Briefe Zweigs (Z 1 bis Z 27, S.113 - 142) abzudrucken, doch den grundsätzlich dialogischen Charak- ter selbst einer unvollständigen Korrespondenz drängt diese Anordnung un- nötig in den Hintergrund. 1 "Jede Freundschaft mit mir ist verderblich" : Briefwechsel 1927 - 1938 / Jo- seph Roth und Stefan Zweig. Hrsg. von Madeleine Rietra und Rainer Joachim Siegel. - Göttingen : Wallstein-Verlag, 2011. - 624 S. -
Medicine and Medical Service | International Encyclopedia of The
Version 1.0 | Last updated 08 October 2014 Medicine and Medical Service By Leo van Bergen It is impossible to talk about “the” medical care or “the” medical service of World War I. Medical care varied greatly, depending on geography, strategy, and national, social, or economic differences, and so did the people providing it. Nevertheless, some common characteristics existed: the urge to prove the worth of one’s own medical specialty for the war effort; the need to uphold discipline and morale; and the effort to deliver back to the army as many soldiers as possible fit for renewed service. These three goals resulted in a medicine defined by dual loyalty to patient and state in wartime, even more so than in peacetime. Table of Contents 1 Introduction 2 The humanitarian and military necessity of medical care 3 The organization of medical service 4 Differences in medical care 5 Dual loyalty 6 The psychologically wounded 7 Conclusion Notes Selected Bibliography Citation Introduction Writers have focused on many aspects of medicine and World War I: organization of care, physicians, and patients, including invalids, the disfigured, or the psychologically wounded. This research has resulted in a multitude of different, often national but sometimes comparative studies.[1] These different approaches are proof that one cannot speak of the medical care of World War I. Medical care during wartime varies as much as the war itself. It depends on the time period, weaponry used, geography, climate, military strategy, politics, the economy, the number of soldiers being treated, the amount of medical materials and of course the numbers, skills and knowledge of doctors and nurses. -
Viktor Ullmann
HERBERT GANTSCHACHER VIKTOR ULLMANN Witness and Victim of the Apocalypse Testimone e vittima dell'Apocalisse Prič in žrtev apokalipse Svědek a oběť apokalypsy Informations in English, Italian, Slovenian and Czech Language English (Viktor Ullmann) Page 2 English (Viktor Ullmann, Georg Friedrich Nicolai, Andreas Latzko) Page 7 Italian (Viktor Ullmann) Page 14 Slovenian (Viktor Ullmann) Page 17 Czech (Viktor Ullmann) Page 19 1 Herbert Gantschacher "Viktor Ullmann - Witness and Victim of the Apocalypse" The Austrian composer Viktor Ullmann in The Great War as an artillery observer and musician before, during and after the twelfth campaign in the theatre of war in the valley of the river Isonzo (September - October 1917) and in Barcola Riviera nearby the city of Trieste (November 1917 - April 1918) and as well as a composer and musician in the ghetto and concentration camp of the former imperial and royal fortress of Terezín (1942 - 1944), deportation to Auschwitz on 16th of October 1944, being murdered there on 18th of October 1944. Victor Ullmann (1898 - 1944) is one of the most important composers of the 20th century. His most well known work is the opera "The Emperor of Atlantis or The Disobedience of Death" composed 1943/44 in the ghetto and concentration camp of Terezín. A neglected chapter of his life have been the years from 1916 to 1918. During that time he has served as a one year volunteer in the First World War (such as the composer Ernst Krenek) as an artillery observer. Some years ago letters have been coming to the public, which Ullmann wrote from 1917 to 1918 from the theatre of war to his girlfriend Anny Wottitz. -
Vedanta and Cosmopolitanism in Contemporary Indian Poetry Subhasis Chattopadhyay
Vedanta and Cosmopolitanism in Contemporary Indian Poetry Subhasis Chattopadhyay illiam blake (1757–1827) burnt I have felt abandoned … into W B Yeats (1865–1939). A E I discovered pettiness in a gloating vaunting WHousman (1859–1936) absorbed both Of the past that had been predatory4 Blake and Yeats: The line ‘When I walked down meandering On the idle hill of summer, roads’ echoes Robert Louis Stevenson’s (1850– Sleepy with the flow of streams, 94) The Vagabond. Further glossing or annotation Far I hear the steady drummer of Fraser’s poems are not needed here and will Drumming like a noise in dreams … Far the calling bugles hollo, be done in a complete annotated edition of her High the screaming fife replies, poems by this author. The glossing or annotation Gay the files of scarlet follow: proves her absorption of literary influences, which Woman bore me, I will rise.1 she may herself not be aware of. A poet who does The dream-nature of all reality is important not suffer theanxiety of influence of great poets to note. This is Vedanta. True poetry reaffirms before her or him is not worth annotating. the truths of Vedanta from which arises cos- In ‘From Salisbury Crags’,5 she weaves myths mopolitanism. Neither the Cynics nor Martha as did Blake and Yeats before her.6 Housman too Nussbaum invented cosmopolitanism. This de- wove myths into his poetry. scription of hills and vales abound in Yeats’s2 and Mastery of imagery is essential for any poet. Housman’s poetry. Pride in being resilient is seen Poets may have agendas to grind. -
L'influence De La Musique Sur La Vie Et Sur L'oeuvre De Romain Rolland," Written by Florence Anne
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1939 L'Influence De La Musique Sur La Vie Et Sur 'OeuvrL e De Romain Rolland Florence Anne Duignan Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the French and Francophone Language and Literature Commons Recommended Citation Duignan, Florence Anne, "L'Influence De La Musique Sur La Vie Et Sur 'OeuvrL e De Romain Rolland" (1939). Master's Theses. 158. https://ecommons.luc.edu/luc_theses/158 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1939 Florence Anne Duignan -I'! so L 1 INFLUENCE DE LA MUSIQUE SUR LA VIE ET SUR L 1 0EUVRE DE ROMAIN ROLLAND BY FLORENCE ANNE DUIGNAN A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF LOYOLA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE.OF MASTER OF ARTS Loyola University Chicago 1939 VITA Florence Anne Duignan was born in Chicago; attended Chicago grammar and high schools; was graduated from Chicago Normal College; re ceived Bachelor of Music degree from Sherwood Music School in 1931; received Bachelor of Philosophy degree from Loyola University in 1935; is now a teacher in Chicago public schools. -ii- .. TABLE DES MATIERES .. LA PREMIERE PARTIE L 1 INFLUENCE DE LA MUSIQUE SUR LA VIE DE ROMAIN ROLLAND • • • 2 . -
Theory of Money and Credit Centennial Volume.Indb
The University of Manchester Research The Influence of the Currency-Banking Dispute on Early Viennese Monetary Theory Link to publication record in Manchester Research Explorer Citation for published version (APA): Mccaffrey, M., & Hülsmann, J. G. (Ed.) (2012). The Influence of the Currency-Banking Dispute on Early Viennese Monetary Theory. In The Theory of Money and Fiduciary Media: Essays in Celebration of the Centennial (pp. 127- 165). Mises Institute. Published in: The Theory of Money and Fiduciary Media Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:01. Oct. 2021 6 M ATTHEW MC C AFFREY The Influence of the Currency-Banking Dispute on Early Viennese Monetary Theory INTRODUCTION Vienna at the beginning of the twentieth century witnessed one of the most remarkable moments in the history of monetary theory. In consecu- tive years, three young economists in Vienna published treatises involving the problems of money and banking: Rudolf Hilferding’s Finance Capital in 1910, Joseph Schumpeter’s Th e Th eory of Economic Development in 1911, and Ludwig von Mises’s Th e Th eory of Money and Credit in 1912. -
Xerox University Microfilms 300 North Zoeb Road Ann Arbor
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) dr section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Nordic Race - Wikipedia, the Free Encyclopedia
Nordic race - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Nordic_race From Wikipedia, the free encyclopedia The Nordic race is one of the putative sub-races into which some late 19th- to mid 20th-century anthropologists divided the Caucasian race. People of the Nordic type were described as having light-colored (typically blond) hair, light-colored (typically blue) eyes, fair skin and tall stature, and they were empirically considered to predominate in the countries of Central and Northern Europe. Nordicism, also "Nordic theory," is an ideology of racial supremacy that claims that a Nordic race, within the greater Caucasian race, constituted a master race.[1][2] This ideology was popular in the late 19th and early 20th centuries in some Central and Northern European countries as well as in North America, and it achieved some further degree of mainstream acceptance throughout Germany via Nazism. Meyers Blitz-Lexikon (Leipzig, 1932) shows famous German war hero (Karl von Müller) as an example of the Nordic type. 1 Background ideas 1.1 Attitudes in ancient Europe 1.2 Renaissance 1.3 Enlightenment 1.4 19th century racial thought 1.5 Aryanism 2 Defining characteristics 2.1 20th century 2.2 Coon (1939) 2.3 Depigmentation theory 3 Nordicism 3.1 In the USA 3.2 Nordicist thought in Germany 3.2.1 Nazi Nordicism 3.3 Nordicist thought in Italy 3.3.1 Fascist Nordicism 3.4 Post-Nazi re-evaluation and decline of Nordicism 3.5 Early criticism: depigmentation theory 3.6 Lundman (1977) 3.7 Forensic anthropology 3.8 21st century 3.9 Genetic reality 4 See also 5 Notes 6 Further reading 7 External links Attitudes in ancient Europe 1 of 18 6/18/2013 7:33 PM Nordic race - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Nordic_race Most ancient writers were from the Southern European civilisations, and generally took the view that people living in the north of their lands were barbarians. -
Zweigheft 19 Stefan Zweig Zentrum Salzburg Edmundsburg Mönchsberg 2 5020 Salzburg Österreich
10 Jahre Stefan Zweig Zentrum Salzburg zweigheft 19 Stefan Zweig Zentrum Salzburg Edmundsburg Mönchsberg 2 5020 Salzburg Österreich Tel.: +43 (0)662 8044- 7641 Fax: +43 (0)662 8044- 7649 E-Mail: [email protected] www.stefan-zweig-centre-salzburg.at Öffnungszeiten: Montag, Mittwoch, Donnerstag und Freitag von 14–16 Uhr Führungen nach telefonischer Vereinbarung Das Stefan Zweig Zentrum Salzburg erreichen Sie vom Toscaninihof über die Clemens-Holzmeister-Stiege oder mit dem Lift im Zugang zu den Altstadtgaragen. zweigheft 19 Stefan Zweig Zentrum Salzburg Zehn Jahre Stefan Zweig Zentrum Salzburg – hier unser Plakat vom Herbst 2015. Für unsere Werbelinie, die seit 2008 von Carola Wilkens gestaltet wird, erhielten wir mehrere Auszeichnungen. 4 Inhalt Editorial 4 HANS WEICHSELBAUM LEIDENDE UNGEWISSHEIT 9 STEFAN ZWEIG [ÜBER ITALIENISCHE LITERATUR] 21 ARTURO LARCATI ZWEIG UND DIE ITALIENISCHE LITERATUR 25 JEROEN DEWULF DIE LETZTEN MONATE VON STEFAN ZWEIG IN BRASILIEN 29 AFONSO ARINOS DE MELO FRANCOS AUS DEN ERINNERUNGEN 31 HANNO MILLESI 24 STUNDEN AUS DEM LEBEN EINER FRAU 37 VERANSTALTUNGSPROGRAMM 42 5 Editorial Liebe Freunde des Stefan Zweig Zentrum Salzburg, sehr geehrte Damen und Herren! Der österreichische Schriftsteller Stefan Zweig wird mit gutem Grund für seine Erzählungen gerühmt, er ist der Autor von immer noch gern gelesenen Biographien. Zweig verfasste auch Gedichte, Theaterstücke, Romane, Essays und seine bekannten Erinnerungen Die Welt von Gestern, die er Mitte November 1941, drei Monate vor seinem Tod im brasilianischen Exil, an seine Verleger schickte. Ein Schriftsteller lebt aber – im Falle Zweig wird dies besonders deutlich – nicht nur in und mit seinen Büchern, sondern er wirkt auch mit seiner Existenz im öffentlichen Gespräch der Zeit.