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th 45 ​ Medieval and Renaissance Music Conference, 4-8 July 2017 ​ Prague, Convent of St Agnes of Bohemia (Entrance: Anežská Street 12)

4. 7. (Tue) A – Chapter Hall B – St Francis Church C – Presbyterium D – Refectory 08:30-10:00 Registration 10:00-10:30 Conference opening 10:30-11:30 Music and Liturgy at the St. George Re-Reading Medieval Music: Institutions and Their Sources, I New Tools for Automated Analysis, I Convent in Prague and Abbess Analytical and Hermeneutic Chair: Stefan GASCH Chair: Alexander MORGAN Kunhuta, I Approaches to Thirteenth-Century ------Chair: David EBEN Song Ilaria GRIPPAUDO: Noblemen, * Claire ARTHUR: Renaissance ------Chair: Honey MECONI Booksellers, and Maestri di Cappella: Counterpoint in Theory and Practice: A Renáta MODRÁKOVÁ: Medieval ------Musical References in Sicilian Case Study Musical Manuscripts from Former Henry DRUMMOND: An Unexpected Inventories (1513-1595) Benedictine Convents in the Bohemian Liaison: Music, Poetry and Narrative in Marta KOLÁROVÁ: John Dowland’s Lands the Cantigas de Santa María Alex ROBINSON: Music in the French Songs under Data Mining Analysis ​ ​ ​ Entries of Nobility and Other Dignitaries Jana VOZKOVÁ: Ter terni from the St. Joseph MASON: Melodic Jousting: during the Reign of Henri IV ​ ​ George Convent in Prague Musico-Poetic Competition in the (1589-1610) jeu-parti break 12:00-13:00 Music and Liturgy at the St. George Sources of Medieval Songs and Motets Institutions and Their Sources, II New Tools for Automated Analysis, II Convent in Prague and Abbess Chair: Honey MECONI Chair: Stefan GASCH Chair: Alexander MORGAN Kunhuta, II ------Chair: David EBEN Frieda VAN DER HEIJDEN: Gathering Laurie STRAS: Preserving Repertoire, Cory MCKAY: Using Statistical Feature ------Songs: The Compilation of the Song Preserving Practice: The Musical Heart Extraction to Distinguish the Styles of Charles E. BREWER: Abbess Kunhuta Collection in F-Pn fr. 12786 of a Mid-Sixteenth-Century Florentine Different Composers and the Ritual Ad salutandam Convent ​ dominicam crucem in parasceve at the Mathew THOMSON: Motets, Richard PARNCUTT: The Psychohistory ​ St. George Convent in Prague Monophonic Song, and Mensural Chantal KÖPPL: Jan Le Febure – of Consonance and Dissonance: Notation: The Case of MS fr. 846 Rosetum Marianum: Catholic Tricinia in Statistical Analyses of a Music Database ​ Anna ŽÁKOVÁ: The Performativity of the Archdiocese of Mainz (Germany) c. Mandatum at the St. George Convent in 1600 ​ Prague lunch 14:00-16:00 Central European Chant and Sources, Making and Reading Printed Books, I Theory and Practice, I Lecture – Recital, I I Chair: Daniel TROCMÉ-LATTER Chair: Stefano MENGOZZI Chair: Lenka HLÁVKOVÁ Chair: Ann BUCKLEY ------Grantley MCDONALD: Soundscapes Warwick EDWARDS: Modal Rhythm in Repertory and Readings from Codex

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David EBEN: Die liturgischen Bücher and Liturgical Music during the Progress Medieval Europe: What Practice Tells Us Speciálník: Agricola, Ghiselin, Josquin, ​ aus dem Kloster Ostrov of Philip the Fair and Juana of Castile, about Theory? and Anonymous 1501-1503 Jennifer THOMAS Lumír ŠKVAŘIL: Medieval Chant Lukáš MATOUŠEK: Tempo in Matthew GOULDSTONE Manuscripts of the Benedictine * Martin HAM: A Bibliographer’s Fourteenth-Century Music (ars nova) + singers ​ ​ Monastery in Rajhrad Headache: Some Notes on Susato’s Libri Ecclesiasticarum Cantionum Bernhard Andreas KÖLBL: How to Katarina ŠTER: Following Stories of the Notate an Unnotatable Rhythm in ars ​ ‘Prague Group’ of Music Manuscripts Bernhold SCHMID: Die Motetten 404 nova Chansons ​ from the Charterhouses Žiče (Seitz) and bis 416 von Lassos Magnum opus ​ Jurklošter (Geirach) musicum. Fragmente einer nicht Niels BERENTSEN: Improvising ​ vollendeten Sammlung? Three-Voice Polyphony in the Fourteenth Sylvia URDOVÁ: Das notierte Brevier Century aus Dębno aus dem Jahr 1375

Eva VESELOVSKÁ: Auf den Spuren des Budaer/Pressburger Antiphonars III – Auf den Spuren verlorener Handschriften break 16:30-18:00 The Polytextual Motet in Central Making and Reading Printed Books, II Ricercar’s Digital Projects: From MEI Music Theory and Philosophy, I Europe and Its Long Durée Chair: Klaus PIETSCHMANN to the Musical Heritage Chair: Bonnie BLACKBURN (In memoriam Jaromír Černý, ------Chair: Camilla CAVICCHI ------1939-2012) Louisa HUNTER-BRADLEY: The ------Elizabeth LYON: In Search of the Chair: Ian RUMBOLD Making of a Music Type: Henri du Part 1: Programme Ricercar: 25 Years affectus pietatis: Liturgy, Music, and ​ ------Tour’s Typeface for Plantin’s Polyphonic of Research Projects Emotion from Augustine through Jan CIGLBAUER: Das andere Music Publications Hyacinthe BELLIOT: The New Website Tinctoris Repertoire in den ältesten Quellen der and Its Databases mitteleuropäischen Motettentradition Daniel DONNELLY: Making an Karsten MACKENSEN: Concentus of Evening of it: Madrigal Prints as Models Vincent BESSON: Gesualdo Online and Nations: Francesco Giorgio’s De ​ Lenka HLÁVKOVÁ: Die mehrtextige for Social Entertainment the TiKiT•MUSICA harmonia mundi totius Motette in den utraquistischen Quellen Richard FREEDMAN: Citations: Monika JURIĆ JANJIK: Discussion on Antonio CHEMOTTI: Case Study I: The Renaissance Imitation Mass Project Musical Instruments in the Works by the Reception of Veni Sancte Spiritus – Da Dubrovnik Renaissance Philosopher and ​ gaudiorum premia – Veni Sancte Part 2: Ricercar’s Projects on Musical Politician Niccolò Vito di Gozze Spiritus Heritage Camilla CAVICCHI: The cubiculum Paweł GANCARCZYK: Case Study II: musicae

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Petrus Wilhelmi’s Panis ecce – Panis ​ ewus – Pange exul – Patribus veteribus Vasco ZARA: 3D Model and Historical – Tantum ergo Performance: Tools for Musicological Studies 18:15-18:30 ...and the Word Became Music (virtual exhibition opening) 18:30-20:00 Opening party 5. 7. (Wed) A – Chapter Hall B – St Francis Church C – Presbyterium D – Refectory 09:00-11:00 Theory and Practice, II Secular Song in Medieval France Reformation and Lecture – Recital, II Chair: William MAHRT Chair: Mary WOLINSKI Counter-Reformation in Music Chair: Felipe RAMOS ------Chair: Inga Mai GROOTE ------Michael Scott CUTHBERT: Trecento Uri JACOB: Early Representations of the ------The Frottole intabulate da sonare organi ​ Theory in Italian and Italian Theorists as Crusades in Medieval Music Daniel TROCMÉ-LATTER: by Andrea Antico (Rome, 1517): Music Composers Oecolampadius and Psalm Singing as for Noble Amateurs? David CATALUNYA: Tarragona Protest in Basel’s Reformation Gioia FILOCAMO Stefano MENGOZZI: The Fragments of ars nova Polyphony Maria Luisa BALDASSARI – ​ ​ ​ ‘Unconstitutionality’ of Cantus durus / Revisited Megan EAGEN: Erasmus Rotenbucher’s harpsichord ​ ​ ​ ​ Cantus mollis Bergkreyen (1551) and the Concept of (45') ​ Uri SMILANSKY: Machaut and the East Intertextual Readership Karen DESMOND: Trees to Degrees: – A Rarer New Sighting? New Aspects of Reproducing the Theorising Musical Time in the ars nova Andrea HORZ: Ode Settings, Hymns and Sixteenth-Century Recorder Consort ​ Jonathan WILD: Sonority, Inflection, and Christian Belief in the Age of Taavi-Mats UTT Jared C. HARTT: Tonal Coherence and Intonational Affect in a Machaut Ballade Reformation Andres SIITAN the Fourteenth-Century Motet in Reet SUKK England Chiara BERTOGLIO: Cats, Bulls and (Cantores Vagantes) Donkeys: An Italian Churchman and the (55') Reformation of Music Ita HIJMANS: The Sound of a Mitchell BRAUNER: The Papal Mid-Fifteenth Century Central European Chapel’s Repertory of Lamentation Recorder Consort: A Case Study Lessons Prior to the Tridentine Reforms (20') break 11:30-13:00 Chant in the Fourteenth-Century Early Music Printing in Music on the Road Music Theory and Philosophy, II ​ ​ Prague: New Directions, Late German-Speaking Lands: From the Chair: Bartłomiej GEMBICKI Chair: Melanie WALD-FUHRMANN Developments 1470s to the Mid-Sixteenth Century ------(In memoriam Gábor Kiss, † 2017) Chair: Grantley MCDONALD Ginte MEDZVIECKAITE: From Venice Frederik PACALA: Music in the Prague Chair: Charles E. BREWER ------to London: Giovanni Croce’s Sette University Milieu at the Beginning of the ​ ------Andrea LINDMAYR-BRANDL: The sonetti penitenziali and Their Seventeenth Century: The Treatise of ​

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Jakub KUBIENIEC: Prague and the First Printed Salzburg Missals: Shifting Interconfessional Journey Václav Clemens Žebrácký (c. Divine Office in Kraków between Media 1589-1637) Michael CHIZZALI: ‘Plurimos Italiam ​ Hana VLHOVÁ-WÖRNER: Singing in Moritz KELBER: Augsburg Beauties: petere videmus’: Study Visits of Dresden Melinda LATOUR: The Uses of Companion: Late Chant Interpolations Sigmund Salminger’s Music Prints of the Chapel Musicians in Florence around Pleasure: Moral Song between Ethics and Late 1540s 1600 Aesthetics Zsuzsa CZAGÁNY: Centres and Peripheries. Remarks on the Repertory Marianne GILLION: Old Wine in New Rosemarie DARBY: The Sacred Music Santiago GALÁN: Studying Music in of historiae in Medieval Bohemia and Bottles: ‘Catholic’ Chants in ‘Lutheran’ of Cristoforo Montemayor and Its Renaissance Spain: The MS 2044 from ​ ​ Hungary Liturgies Journey from Naples to Rome Barcelona and Other Related Sources lunch 14:00-15:30 Aspects of the Eastern and Oriental Ritual Matters: Composition, Music in the Art of Renaissance Italy The Ideologies of Early Music Orthodox Traditions of Sacred Music, Revision, and Transmission in Chair: Barbara EICHNER Periodisation: Bohemia and Central I Renaissance Music for the Mass, I ------Europe (Discussion) Chair: Haig UTIDJIAN Chair: Katelijne SCHILTZ Sanna RANINEN: ‘Bestial rabble, futile Chairs: Hana VLHOVÁ-WÖRNER – ------drums’: Bacchanalian sounds in the Art Erika HONISCH Tamar CHKHEIDZE: The Modus and M. Jennifer BLOXAM: ‘…a number of Renaissance Italy ------Principles of Its Transformation in the symphony, a cathedral in tone for Our Participants: Medieval Georgian Chanting Tradition Lady…’: Hearing Obrecht’s Missa Sub Laura STEFANESCU: Engaging the Jan BAŤA ​ tuum presidium in Ritual Context Inner Sensorium: A Journey to Paradise Lenka HLÁVKOVÁ ​ Ekaterine ONIANI: On the Graphic in the Magi Chapel Bernhold SCHMID Diversity of Signs in Georgian Music Klaus PIETSCHMANN: ‘Ad pietatem in Reinhard STROHM Palaeography of the Tenth and Eleventh hoc actu excitat audientes’: Morales’ Laura VENTURA NIETO: Elżbieta WITKOWSKA-ZAREMBA Centuries Missa de Beata Virgine à 5, the Anthropomorphism, Musical ​ Annunciation Feast in Renaissance Instruments, and Depicted Female Khatuna MANAGADZE: Georgian Rome, and the Efficiency of Papal Musicians in Sixteenth-Century Italy Heirmoi of St. Andrew of Crete’s Great Indulgences ​ Canon: Peculiarities of Composition Alanna ROPCHOCK: To the Glory of Whom? Josquin’s Missa de Beata ​ Virgine in Catholic and Lutheran Ritual ​ Contexts break 16:00-18:00 Historiae for Irish Saints in Medieval Ritual Matters: Composition, Further Research on the San Lorenzo Music and Early Modern Health ​ European Sources Revision, and Transmission in Palimpsest Chair: Laurie STRAS Chair: Zsuzsa CZAGÁNY Renaissance Music for the Mass, II Chair: Andreas JANKE – John NÁDAS ------Chair: Katelijne SCHILTZ ------Samantha BASSLER: John Dowland and Ann BUCKLEY: The Amra Project ------Margaret BENT: The Motet Collection Constructions of Melancholy and Christiane WIESENFELDT: Lost in of SL 2211 and the Composer Hubertus Disability in Early Modern England

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Stefan MORENT: A New Translation: Censorship in the Mantuan de Salinis Twelfth-Century Music-Liturgical BMV-Masses Remi CHIU: Resonance and Contagion Fragment for the Gallus-Historia Elisabeth HUFNAGEL: The Notation of in the Writings of Ficino, Fracastoro, and ​ Franz KÖRNDLE: Ritual, Theology and Rhythmic Proportions in SL 2211 Cardano Chant Genres: Alleluia Lasso’s Masses for the Munich Court Chair: Zsuzsa CZAGÁNY Oliver HUCK: The San Lorenzo Renaissance Music Research in Brazil ------Jessie Ann OWENS: Lasso’s Ritual Palimpsest and the Florentine Tradition Chair: Laurie STRAS ​ Santiago RUIZ TORRES: The Iberian Reading of De Rore’s Scarco di doglia of Trecento Song Revisited ------​ Tradition of Chanting the Mass Alleluia Cesar VILLAVICENCIO: Developing ​ at Vespers: New Evidences from Francesco ZIMEI: Old Stylistic Fashions Renaissance Musical Thought at the Castilian and Catalan Sources and Changing Tastes in the State University of São Paulo Florentine ars nova of the Quattrocento ​ ​ Eva VERGOSOVÁ: Mass Liturgy in Paula CALLEGARI: The Virtues of Bohemian Sources and Their Michele EPIFANI: Remarks on the Style and the Renaissance Musical Classification: The Role of the Alleluia Sixteenth Gathering of the San Lorenzo Practice ​ Series Manuscript (I-Fsl 2211) 20:00-21:30 CONCERT: Tiburtina Ensemble & ​ Schola Gregoriana Pragensis 6. 7. (Thu) A – Chapter Hall B – St Francis Church C – Presbyterium D – Refectory 09:00-11:00 Aspects of the Eastern and Oriental Iconography Today The Anatomy of Polyphonic Music Musica Rudolphina, I Orthodox Traditions of Sacred Music, Chair: Reinhard STROHM around 1500: An Iberian Case Study, I Chair: Petr DANĚK II ------Chair: Manuel Pedro FERREIRA ------Chair: Haig UTIDJIAN Katelijne SCHILTZ – Melanie ------Martin HORYNA: Die böhmische ------WALD-FUHRMANN: Hands-on: A Bernadette NELSON: Music in Context: Reformation und Musik Nina-Maria WANEK: The Phenomenon Motive in Late Medieval Iconography Polyphonic Repertories at the Portuguese of the So-Called “Missa Graeca” and Its Experimental Re-Enactment Royal Court and Chapel c. 1480 – Jan BAŤA: Lutheran Musical Culture in Chants: Assessing New Hypotheses in c. 1520 Rudolfine Prague Regard to Their Emergence and Dating Trent Codices Chair: Reinhard STROHM João Pedro d’ALVARENGA: The Cecilia LUZZI: From Italy to Prague: Giuseppe SANFRATELLO: Chants of ------Iberian Motet around 1500 Literary and Musical Networks and the the Byzantine Rite in Sicily: Historical Murray STEIB: Music of the Trent Circulation of Manuscript Poetry in Transcriptions and Contemporary Contrafacta: A Typology of Change Owen REES: Two of a Kind: Motet Pairs Philippe de Monte’s Madrigals at the End Studies and Identity Crises in the Iberian of the Sixteenth Century Nicolò FERRARI: The Credos of Tr93: Repertory Arusyak TAMRAZYAN: The Art of the Questions of Text Underlay Laura HAFNER: Masses by Stefano Manrusumn Neumated Codices in Nuno MENDONÇA RAIMUNDO: The Felis in a Prague Choir Book ​ Armenian Medieval Sacred Chant Sacred and the Secular in Iberian Renaissance Music: Stylistic Dialogues Eugene KINDLER: Analogies between between Separate Genres

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Melodies of the Traditional Liturgical Chants of Latin, Greek and Armenian Liturgies break 11:30-13:00 Aspects of the Eastern and Oriental English Music under Henry IV and V The Anatomy of Polyphonic Music Musica Rudolphina, II Orthodox Traditions of Sacred Music, Chair: Lisa COLTON around 1500: An Iberian Case Study, Chair:Vladimír MAŇAS III ------II ------Chair: Eugene KINDLER Margaret BENT: The Identity of Roy Chair: Manuel Pedro FERREIRA Erika HONISCH: Writing Motets and ------Henry and the Dating of the Old Hall ------Rewriting History in Imperial Prague Haig UTIDJIAN: Armenian Sacred Manuscript Tess KNIGHTON: Seven Years in Chant from Rome to Vienna: Athanasius Seville: Pedro de Escobar and Questions Jan BILWACHS: Das Verhältnis Kircher, Antōn Iwč‘gartašean and the Roger BOWERS: Three Generations of of Identity and Musical Practice zwischen Text und Musik in Karl Medieval Neumes Lancaster: The Chapel Musicians of Luythons Motetten John, Duke of Lancaster, King Henry IV, Kenneth KREITNER: The Tordesillas Mena Mark HANNA: The Coptic and King Henry V Perplex Ferran ESCRIVÀ-LLORCA: The Trisagion: Ancient or Modern? Procession of the Relics of Sao Roque David FALLOWS: The Early Carol and Esperanza RODRÍGUEZ-GARCÍA: (Lisbon, 1588): Individual and Collective Areni AGBABIAN: An Apprenticeship the Court of Henry V Reassessing Antonio de Ribera within Representations against a Musical with Constantinopolitan Master the Iberian Context Background Musicians in Exile: The Last Remnants of a Living Oral Tradition María Elena CUENCA RODRÍGUEZ: Hana STUDENIČOVÁ: Possible A Spanish Composite Mass Rex Parallels in the Urban Musical Culture of ​ Virginum versus the De Beata Virgine Brno and Vienna in the Sixteenth ​ ​ Maria Mass Tradition in Europe Century ​ lunch 14:00-15:30 Medieval Sacred Song Musical Life of the Late Middle Ages Medieval Music Theory Musica Rudolphina, III Chair: Hana BREKO in the Austrian Region Chair: Jane ALDEN Chair: Christian LEITMEIR ------Chair: Paweł GANCARCZYK ------Jeremy LLEWELLYN: The Beginnings ------William MAHRT: Dynamic Petr DANĚK: Historische Musikdrucke of Musical Boredom Marc LEWON: The Neidhart Parallelismus Membrorum in den böhmischen Ländern vor 1630 Phenomenon Konstantin VOIGT: New Ways of Elina HAMILTON – Solomon Vladimír MAŇAS: Neglected Sources, Singing Iambic Dimeter in Reinhard STROHM: Polyphonic Music GUHLMILLER: Theinred of Dover: A Unreflected Information? Musical Twelfth-Century Latin Liturgical Song in Fifteenth-Century Sources from Reevaluation of the Evidence for Dating Inventories in the Bohemian Lands Vienna the Treatise De legitimis ordinibus between 1590 and 1670 as a Valuable ​ Honey MECONI: O viridissima virga, pentachordorum et tetrachordorum Testimony of the Distribution and ​ ​ Genre, and Performance in Hildegard’s Birgit LODES: Transforming Traditions: Performance of Renaissance Repertoire Music Music for Emperor Charles V in the Holy Lynsey Hannah CALLAGHAN: Musica ​ Roman Empire Speculativa in Fifteenth-Century Scott EDWARDS: The Dream of the

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Bedfordshire: The Case of John Benet’s Quill: Music, Books, and Reform in Proportion Treatise Sixteenth-Century Hradec Králové

Kateřina MAÝROVÁ: ‘Protestant’ Composers of the First Half of the Sixteenth Century in the Rokycany Music Collection break 16:00-18:00 Roman vs. Non-Roman Chant Voices and Instruments in the New Looks at Familiar Sources and Musica Rudolphina, IV Traditions Sixteenth Century Music Chair: Erica HONISCH Chair: Daniel J. DICENSO Chair: Martin KIRNBAUER Chair: Sean GALLAGHER ------Michaela ŽÁČKOVÁ ROSSI: The Alexander LINGAS: A Julia MILLER: Historical and Modern Jacek IWASZKO: Recently Discovered ‘Gnadengeld’ as an Important Source on Fifteenth-Century Setting of the Gloria Performance Practices of Recorders in Concordances and Identified Works in the Rudolfine Patronage: Can the ​ in excelsis of the Roman Rite in Greek Sacred Repertoire of the Spanish ‘Siglo Kk I.2 Manuscript from Cracow Imperial Accounting Ledgers Testify ​ de Oro’ about Music? Rebecca MALOY: Interchange between Munir SABAG: Stylistic Analysis of Western Chant Traditions: New Michal HOTTMAR: Concordances of Adrian Tubal’s Works in the Winchester Petra JAKOUBKOVÁ: Odae ​ Evidence from the Divine Office the Lutes Prints which Were Used in the Partbooks suavissimae: A Rudolne Collection of ​ Sixteenth Century in the Area of Panegyric Motets James BLASINA: Women’s Silence and Present-Day Slovakia Thomas SCHMIDT: Collecting the Speech in a Medieval Office French-Court Motet: London, Royal Klemen GRABNAR: A Little-Known Kateryna SCHÖNING: Instrumental College of Music, Ms. 1070 Double-Choir Hymn Cycle from c. 1600 Settings in the ‘Lautentabulatur des Stephan Craus’ and in ‘Blindhamers Paul RANZINI: Passion Music by Rore Peter MARTINČEK: Double-Choir Lautentabulatur’ and Their Humanistic or Willaert? An Additional Source Music by Matthäus Apelles von Background Löwenstern (1594-1648): Differences between Compositions Preserved in the Sammlung Bohn and the Levoča Music Collection

Magdalena DOSTÁLOVÁ: Choirbook from the Former Opava Gymnasial Collection (A 1775) 18:00-19:00 Poster session (with drinks) 19:00-19:45 Business meeting 7. 7. (Fri) A – Chapter Hall B – St Francis Church C – Presbyterium D – Refectory 09:00-10:30 Early Medieval Chant Commemorating Henricus Isaac Research Surrounding the Books of Medievalism on Stage, Screen, Record,

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Chair: Hana VLHOVÁ-WÖRNER (c. 1450/55-1517), I Hispanic Polyphony Online Database and Radio, I ------Chair: Giovanni ZANOVELLO Chair: Emilio ROS-FÁBREGAS Chair: James COOK – Karen COOK ​ Jasmin HARTMANN: From prosula to ------​ ​ versus: The Stylistic Plurality of the Andrew KIRKMAN: ‘Prince of the Art Emilio ROS-FÁBREGAS: The Books of Karen COOK: Gaming the Medievalist ​ ​ Benedicamus Tropes in Lucca 603 and of Music of Our Town’: Uncovering the the Hispanic Polyphony Online World in Harry Potter ​ ​ Its Implications for the History of the Identity of a Lost Master Database: A Comprehensive Approach to Genre Hispanic Polyphony in the Digital Age James COOK: Sonic Medievalism and ​ * Eleanor HEDGER: Heinrich Isaac’s Cultural Identity in Fantasy Videogame Luisa NARDINI: Prosulas in Missa Comme femme desconfortée: A Andrea PUENTES-BLANCO: Music for ​ Beneventan Manuscript: A Project of Musical Offering to the Virgin Mary the Rosary Devotion: Marian Litanies, Michael NORTON: Reflections on a Edition Processions and Vernacular Songs in Spectral Genre: ‘Liturgical Drama’ in the Sonja TRÖSTER: Shades of Contrafacta: Sixteenth- and Early Cabinet of Curiosities Alejandro PLANCHART: The Agnus Alternative German Texts for Isaac’s Seventeenth-Century Barcelona ​ Dei and the Ite Missa est South of Rome Music ​ ​ ​ Ascensión MAZUELA-ANGUITA: Illustrating with Music the Chronicles of Honorat Ciuró (1612-1674) through the Books of the Hispanic Polyphony Database

María GEMBERO-USTÁRROZ: Miguel Navarro or Juan Navarro? Polyphonic Concordances and Conflicting Attributions of Two Sixteenth-Century Spanish Composers in the Lira ​ sacro-hispana (c. 1852-1860) by ​ Hilarión Eslava

Javier MARÍN-LÓPEZ: In Search of Fame: The City of Úbeda and the Musical Patronage of Francisco de los Cobos, Secretary of the Holy Roman Emperor Charles I of Spain break 11:00-13:00 Franciscans and Thirteenth-Century Commemorating Henricus Isaac Elizabethan Music and Its Sources Medievalism on Stage, Screen, Record, Polyphony (c. 1450/55-1517), II Chair: Jessie Ann OWENS and Radio, II Chair: Adam MATHIAS Chair: John KMETZ ------Chair: James COOK ------James BURKE: John Sadler (c. 1513 – ------Lucia MARCHI: St. Francis and Music: Stefan GASCH: On Some Masses of c. 1591) and an East Anglian Copy Book Adam WHITTAKER: The Seventh Seal:

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New Perspectives Henricus Isaac: The Evidence of the Musical Visions of the Plague Alamire-Manuscripts Katherine BUTLER: Music and Musical Mary WOLINSKI: Motets on Education in the Early Elizabethan Irene HOLZER: Neither ‘Folk’ nor Franciscan Themes in the David BURN: A Recently Discovered Church: The Evidence of GB-Lbl: ‘Volksmusik’? Neo-Medieval Music as a Thirteenth-Century Manuscript W2 Source for Isaac’s Mass Propers 30480-4 Third Path in the German Speaking Countries Rethinking the Conductus Ruth DEFORD: Scribal Initiative in the Anne HEMINGER: Negotiating ​ Chair: Adam MATHIAS Manuscript Brno, City Archive 14/5 Edward VI’s Reformation: Music and Ralph CORRIGAN: Medievalising ------Religious Change in the Parish Churches Modernity or Defining the Indefinable? Mary CALDWELL: Seeking Song: of London, 1547-1553 What Is Medieval about Covers of Locating the Conductus between Orality Modern Popular Songs? ​ ​ and Literacy Christopher KU: The Reformation-Era Antiquarian and the Pre-Reformation Mark EVERIST: Anonymous IV and the Festal Mass: John Baldwin’s Copy of Conductus John Taverner’s Missa Gloria tibi ​ Trinitas lunch 14:00-16:00 Medieval Songs and Sources Fifteenth-Century Masses Who Is Who: Dedication and Sixteenth-Century Music in Central Chair: Jan CIGLBAUER Chair: Michael Scott CUTHBERT Authorship Europe ------Chair: Jennifer THOMAS Chair: Thomas SCHMIDT ​ Alexandros HATZIKIRIAKOS: The Carolann BUFF: Before the Cyclic Mass ------​ Chansonnier du …? Collections, Vicente CHAVARRIA: Nasci d’aguelo: Grzegorz KOS: Masses Fa-Ut by ​ ​ ​ Anthologies, Chansonniers, and Anne ROBERTSON: Louis of Savoy and Séverin Cornet’s Dedicatory Works Heinrich Finck: Sources, Style, and Indigestible Authors Anne of Lusignan in Geneva: The ‘New Context Masses’ of 1453 Cristina CASSIA: Hesdin and the Gregorio BEVILACQUA: English Problems in Biographical Writing Eliška BAŤOVÁ: A Printed Edition of Devotional Songs in a Manuscript from Fabrice FITCH: On Compositional Jan Blahoslav’s Gospels in the Context Papal Avignon Process in the Missa Prolationum Agnieszka LESZCZYŃSKA: ‘Frölich of Erasmus’s Ideals of Liturgical Music ​ will ich singen…’ Paul Kugelmann’s Lillian BLOTKAMP: Musical Creativity Sean GALLAGHER: Ockeghem and the Collection of Songs for Duke Albrecht of Allen SCOTT: Musical Networking in in a Devotio Moderna Songbook Sound of ‘English’ Rhythm Prussia Reformation Germany ​ ​

Ute EVERS: Die geistlichen Spiele in Joseph SARGENT: Nathaniel Giles Marc DESMET: In Search of Sources in einem utraquistischen Antiphonarium Reconsidered: New Evidence from Jacobus Handl’s Opus musicum ​ aus der 1. Hälfte des 16. Jahrhunderts Documentary and Musical Sources (1586-1591) break 16:30-18:00 EXHIBITION: Musical Gems of the Bohemian Reformation. Manuscripts and Prints of the Fifteenth through the Seventeenth Centuries ​ in the Collections of the National Museum in Prague (Czech Museum of Music, Karmelitská Street 2/4, Praha 1) ​

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19:30-20:45 CONCERT: Societas Incognitorum (St Salvator Church, Salvátorská Street 1, Praha 1) ​ ​ 8. 7. (Sat) A – Chapter Hall B – St Francis Church C – Presbyterium D – Refectory 09:00-11:00 Central European Chant and Sources, Trecento Song Music of Sixteenth-Century Courts Analysing Sixteenth-Century II Chair: Gregorio BEVILACQUA and Cities Polyphony Chair: Irene HOLZER ------Chair: Marc DESMET Chair: Scott EDWARDS ------Elena ABRAMOV-VAN RIJK: Donato ------Markus ZIMMER: Wie deutsch ist der da Firenze’s Sovran Uccello and Cathy ELIAS: Singing the Cantos of Alexander MORGAN: Rhythmic ​ ​ ​ ​ germanische Choraldialekt? Emperor Charles IV: A New Orlando Furioso in the Streets, Courts, Constraints and Octave Leaps in ​ Interpretation and Theatres Renaissance Stretto Fugas Barbora KABÁTKOVÁ: The Office of ​ St. Emmeram in Manuscripts of the St. Antonio CALVIA: Musical and Poetic Tess KNIGHTON: Written and Peter URQUHART: An Interpretation of George Convent at Prague Castle Cohesion in the Works of Nicolò del Unwritten Musics in Sixteenth-Century Antico’s 1520 Print of 4-ex-2 Canons Preposto Barcelona Renáta KOČIŠOVÁ: Die Aachener Chia-Yi WU: Praying through the kulturelle Tradition in dem Prešover Sara Maria FANTINI: ‘Sovra la riva d’un Eric RICE: Orlando di Lasso’s Musical Musical Synthesis of Wylkynson’s Salve ​ Brevier – eine Hypothese corrente fiume’: Literary and Political Representations of Black African Slaves regina References in Lorenzo Masini’s in Sixteenth-Century Munich David MERLIN: Cantus fractus in Madrigals Deborah LAWRENCE: Hearing a ​ ​ einem Graduale aus Kutná Hora (A-Wn Bartłomiej GEMBICKI: Early Music Renaissance Soundscape through the 15501, Kuttenberger Kantionale) Mikhail LOPATIN: From Broken Heart Recording as Mythography: Monteverdi Music of Blind Musicians to Divided Song: ‘Divisio’ at the and the ‘Other’ Vespers Hana BREKO KUSTURA: Project Intersection of Poetry, Metrics, and CROMUSCODEX70 and Research of Music in Trecento Song the Croatian Sources for Cantus fractus ​ break 11:30-13:00 Medieval Motets Reforming Faith: Continuity and Chansons and Chansonniers Zarlino at 500: Aspects of His Chair: Leofranc Disruption in the Uses of Music Chair: Warwick EDWARDS Contrapuntal Legacy HOLFORD-STREVENS Chair: Ulrike HASCHER-BURGER ------Chair: David BURN ------Evan MACCARTHY: Revisiting the ------Catherine A. BRADLEY: Song and Inga Mai GROOTE: ‘Zwen lateinischs Porto Songbook Timothy DALY: Zarlino and the Quotation in Thirteenth-Century Motets psalmen’: Resilience and Change in Ancients: Le istitutioni harmoniche and ​ ​ for Saint Elizabeth of Hungary Reforming Musical Practices in Clare BOKULICH: Songs and Generic the Contrapuntal Tradition Heilbronn Metamorphosis in the Fifteenth Century Gaël SAINT-CRICQ: The Trouvères Denis COLLINS: Moveable ​ harmonistes and the Case of Robert de Manon LOUVIOT: Regulating Carlo BOSI: ‘Impotent suis et affollé’: Counterpoint and the Canonic Motets of ​ Reims Processions in Reformed Augustinian Sex and Early Renaissance Chanson Zarlino and Willaert Convents of Lower Saxony Wolfgang FUHRMANN: The Jason STOESSEL: Zarlino, Willaert and Technique Formerly Called ‘Isorhythm’: Christine ROTH: Constructing Authority the Visual Culture of Canon in

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Serial Thinking in the Late Middle Ages and Identity through Tradition and Renaissance Italy and the Renaissance Change: Northern German Lutheran Music Collecting

Fañch THORAVAL: Music Prohibitions and Regular Reformation: The Case of the Canons of San Salvatore lunch 14:00-16:00 Liturgy and Ritual Music and Reformation Instruments and Dance in the Late Italy around 1600 Chair: Manon LOUVIOT Chair: Agnieszka LESCZYŃSKA Middle Ages Chair: Moritz KELBER ------Chair: Antonio CHEMOTTI ------Juan Pablo RUBIO: L’ordo ad John KMETZ: Clemens, Susato and ------Leon CHISHOLM: The Early Sacred ​ unguendum fratrem dans le Their Souterliedekens: Cashing in on the Cecilia NOCILLI: Alcune riflessioni Concerto as Trading Zone ​ ​ ​ Sacramentaire de Saint-Pierre-d’Aurillac Reformation? sulla teoria musicale nei trattati italiani di (Silos, Archive du Monastère, ms. 8) danza del Quattrocento «a fine che de Sigrid HARRIS: ‘Women are as roses’: Paul KOLB: Three Sets of Partbooks, ingnorantia non me increpi» Floral Symbolism in Monteverdi and Miriam WENDLING: A Temporary Two Motets, and a Theory Treatise: A Gesualdo Rest: Late Medieval Processions with Tale of Transmission Fabian KOLB: Sacralisation of the the Dead Instrumental: The instrumentische Jeffrey LEVENBERG: Johannes ​ Alice TACAILLE: Les timbres et les musica in Ecclesiastical and Devotional Franciscus Marcus and the ‘Studia ​ Karen THÖLE: A Choreography of psaumes en vers français : le cas du ms Contexts between the Late Medieval and Humanitatis’ in the Gesualdo Castle e Chant in the Bursfelde Liber ordinarius BnF Fr. 2336 (XVI ​ s.) Early Modern Times ​ ​ Antonio CASCELLI: Orfeo and the David ANDRÉS FERNÁNDEZ: Mattias LUNDBERG: Two Layers Theory and Practice, III Madrigal Tradition: Between Seeing and Hieronymite Processional Plainchant Become One: Musical Idiosyncrasies in Chair: Jiří K. KROUPA Hearing Performance in Sixteenth-Century Spain the Structure of the Swedish Reformation ------Mass from 1531 to 1614 Charles ATKINSON: Constitutio in ​ ​ Boethius’ Musica and Its Greek ​ ​ Antecedents break 16:30-18:00 Jaap van BENTHEM – Barbora KABÁTKOVÁ: Singing Johannes Tourout: A Vocal Introduction to His Music 18:00-20:00 Closing event

* The paper will be read in the absence of the author.

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Posters: Jan BAŤA – Jiří K. KROUPA: Musica Rudolphina Štefánia DEMSKÁ: Tradition of Post-Pentecost Antiphons in Medieval Musical Sources Stefan GASCH: The New Senfl Edition Guido Maria KLEMISCH: Reconstruction of Recorders in Silvestro Ganassi Opera intitulata fontegara, Venice 1535 ​ ​ Jan KOLÁČEK: The Cantus Analysis Tool Alexander MORGAN – Craig SAPP: New Analysis Tools for the Josquin Research Project Kirstin PÖNNIGHAUS – Chantal KÖPPL: Early Mass Settings between Liturgical Function and Artistic Ambitions Raquel ROJO CARRILLO – Rebecca MALOY: Digital Exhibition of Old Hispanic Chant Fragments Burkard WEHNER: The Vocal Music of ms. Trier 322/1994: Bohemian Music and devotio moderna ​ Adam WHITTAKER: Representations of Early Music on Stage and Screen