CONFERENCE SCHEDULE, Basel, 3.-6. July 2019 Wednesday, July 3, 2019 GROSSER SAAL NEUER SAAL KLEINER SAAL STUDIO ECKENSTEIN KLAUS-LINDNER-SAAL STUDIO I
09.00 REGISTRATION 10.00 OPENING 10.30 Themed Session: Free Papers Free Papers Free Papers Free Papers Studio 31 (4) Elizabethan and Jacobean Notational Issues and Medieval Music Theory and Musical Life in Basel Music Printing Installation, Live Praises of Music beyond Practice Chair: Inga Groote Chair: Performance Chair: Chair: Thomas Schmidt Chair: Andreas Haug Katherine Butler Paul Kolb Daniela v. Aretin Melinda Latour O'Brien Fabian Kolb Pipers, Paupers, and Ligatures and musical Griechische Begriffe in der The Sound of Friendship: Promoting Musical Princes: Social Class in the Meaning lateinischen Paschal de L’Estocart and Knowledge. Pictorial and Praise and Dispraise of Musikterminologie des his circle at the University Verbal Paratexts in the Music Mittelalters. Adaptation, of Basel from 1581–1583 Design of German Music Transformation und Theory Prints and Musical Übersetzung (paper in German, Textbooks around 1500 printed Version in English)
Samantha Arten Nicolò Ferrari Giovanni Varelli John Kmetz Ginte Medzvieckaite (11.00) Johannes Keller “God is pleasde, with such Text Underlay in Firminus The Roman schola cantorum Musicians in Motion: Positioning Devotional (Arciorgano) & Ensemble lyke armony”: Protestant Caron’s Masses according to the Carolingians: Workplace Mobility, Music Prints within Italian Domus Artis Praise of Music in a Reading of the lost Berlin Charitable Giving, and the Printed Book Market 1520- Elizabethan and Early Diptych Erasmus Foundation at the 1640 🎶🎶 Jacobean England University of Basel (1533- 1633)
Janet Pollack David I Lewis Charles M. Atkinson Daniel Trocmé-Latter Marianne C.E. Gillion “Secrets of Future and Learning to Interpret On Modulation in Early Latin Lutheran hymnody in Musical Proofreading at an Celestial Harmony”: Praise Mensural Rhythm: Rules or Medieval Chant: The φθοραί Reformation Basel Early Modern Printing of Music Literature and Experience? in Byzantium and the vitia in House: The Case of the Commendatory Verses in the West Graduale Romanum Early Modern English Music (Antwerp: Officina Books Plantiniana, 1599)
Samantha Bassler Christian Goursaud Alejandro Enrique Planchart Harald Gropp Louisa Hunter-Bradley “Hath brought Madde Men The Notation of Busnoys's A Newly Discovered Von Mainz nach Basel --- Cover to cover: Tracing the into Their Perfect Wits and Missa L'homme armé: An Sequentia in Benevento 40 nicht nur Peter Schöffer publishing process from Senses”: Praises of Music, Assessment of the Sources and its implication for the commissioning through to Medicine, Philosophy, transmission of Carolingian sales of De la Hèle's Octo Theology, and Disability in Music to Southern Italy Missae (1578) at the Early Modern England Officina Plantiniana 12.30 LUNCH
14.00 Free Papers Themed Session: Free Papers Paired Papers/Free Papers Free Papers Studio 31 (4) Music in England: Lute Song The Renaissance Musical Renaissance Motet Medieval Songs and its Soundscapes and Installation/Live and Beyond Work: Foundations, Chair: Birgit Lodes Sources Mythmakers Performance Chair: Repertories and Practices Chair: Christian Thomas Chair: Chair: Chair: John Griffiths Leitmeir Richard (Anthony) Soterraña Aguirre Lance Davis Morrison Christelle Cazaux-Kowalski Blaithin Therese Hurley Johannes Keller Robinson Presentation Research Lord, Don't Remember / Don't A Conductus and its ‘A time in Foreign and (Arciorgano) & Ensemble ‘The Poet with his luryng Project: The Renaissance Forget: Imitatio in the Late Prosula? Dic Christi and Strange Countries’ – Domus Artis Lute, his Sonets syngeth Musical Work (15 min.) Domine, non secundum Bulla fulminante in the Thomas Whythorne’s Mid- shrill’: Elizabethan and Tradition Codex Buranus (D-Bs Clm Sixteenth-Century Musical 🎶🎶 Jacobean Voice Types and John Griffiths 4660) and other Journey to France, the Lute Song The Architecture of “peripheral” sources Flanders, Germany, Renaissance Musical Switzerland and Italy Narrative (15 min.)
Katie Bank Carlos Gutiérrez Peter W. Urquhart Anne-Zoé Rillon-Marne Evan MacCarthy Rethinking ‘Light’ Song in Fluid Multiplicities: Thinking Questions about pitch Melismas in the Codex The Voyage through Early Modern England the Ontology of Musical content in 16th c. Buranus Montaigne’s Ears Works through Renaissance performance of Benedicta es Philosophy (15 min.)
Pilar Ramos On glosas and again on the Musical Work in 16th Century (15 min.)
Joseph Sargent Ana López Samuel Michael Bradley Jennifer Bain Marina Toffetti Revisiting George Marson: Los brazos traigo cansados: The Intersection of Notation, Contrafacta and Musical Musical Heritage and Music, Biography, Context Origins and Transformation Style, and Performers’ Quotation in the Repertory Transnational Cultural of a Romance in the Chromatic Instincts in the of Hildegard of Bingen Identity: the Dissemination Renaissance (15 min.) Music of Jean Guyot and Assimilation of Italian Music to the North of the Alps and the Genesis of a Pan-European Style
Caitlin Roxana Quigley Manuel del Sol Megan K. Eagen-Jones Santiago Ruiz Torres Bartłomiej Gembicki David Francis Gallagher Nolan Making Pange lingua of Mid-Sixteenth Century Peculiarities in the The Musicology of Better notes? – A The Music of Philippe de Johannes de Urrede in Early Centonate Motets as Riddles transmission of the Legendary Places. Venice Provocative Proposal for Monte in the Paston Modern Spain (15 min.) in Music and Text Aquitanian Notation in and its Mythmakers the Tuning of Marenzio's Collection Plainchant Sources from 'O voi che sospirate' Aragon (11th-14th Centuries) 16.00 COFFEE BREAK
16.30 Free Papers Free Papers / Paired Free Papers Themed Session: Free Papers Themed Lecture Recitals: (4) Around Josquin Papers Chant traditions in Local Silvestro Ganassi’s Music Printing Why did Nicola Vicentino Chair: Spanish and Italian Sacred Liturgies I Fontegara: Status Chair: Choose to Introduce his Polyphony Chair: Giovanni Varelli quaestionis and Recent Enharmonic System Chair: Daniele Filippi Research Developments through Solmization? Chair: Chair: Martin Kirnbauer Giorgio Peloso Zantaforni Owen Lewis Rees Gionata Brusa Dina Titan Tim Crawford Anne Smith, Johannes Word and Music at Play: the Music at Spanish Habsburg I Libri Ordinari come fonte per Silvestro Ganassi’s A tool for exploring early Keller and Ivo Haun case of Non te smarir cor exequies: the Evidence of la conoscenza della prassi Diminution Style – A New printed music: F-TEMPO Why Did Nicola Vicentino mio va’ passo passo the libros de exequias esecutiva: un’indagine Interpretation of (Full-Text search of Early Choose to Introduce his Attributed to Josquin esplorativa Fontegara Music Prints Online) Enharmonic System [Paper read in Italian] through Solmization?
🎶🎶 Elizabeth Randell Upton Emilio Ros-Fábregas Giulia Gabrielli Martina Papiro Lynette Bowring Josquin des Prez, Virgo A new manuscript of Il ‘canto del popolo’ in Beyond illustration: The Materiality and the Musical Salutiferi, and Lucrezia Spanish Renaissance Sudtirolo dal Medioevo al title pages of Ganassi’s Work in Renaissance Italy Borgia polyphony from Totana Seicento: alcuni nuovi Fontegara 1535 & Regola (Murcia) contributi Rubertina 1542 [Paper read in Italien]
Jeffrey J. Dean Andrea Puentes-Blanco Ute Evers Thilo Hirsch Susan Forscher Weiss O felix urbs Aquensium: a An Iberian Holy Week Cycle Kommt das „Augsburger Il dolce suono – Acoustical Originality and Imitation in new composer and a of Responsories and its Osterspiel“ wirklich aus measurements and Sixteenth-Century Musical context for Josquin's early Italian Connection Augsburg? practical experiences with Grammars: The Curious works 'new' viols after Ganassi Case of Ambrosius 1542/43 Wilfflingseder’s Erotemata Musices (Nuremberg, 1563)
Jane Daphne Hatter Sigrid Harris Samuel James Barrett William Dongois and Tiago Royston Gustavson Puns as prayers in late- His Cross to Bear: Imitatio Imitation and Affiliation in the Simas Freire The Choirbook of Count medieval music or How do Christi and the Affects of Medieval Latin Hymn Ganassi: musicien- Anton of Isenburg- you solve a problem like “la the Soul in Gesualdo’s Repertory spéculateur ou musicien- Büdingen, [Ronneburg] mi la?” Responsoria (1611) pédagogue. 1558–1560: A Neglected Monument of Music Printing 18.30 19.00 RECEPTION IN THE MUSIKMUSEUM AND VISIT OF THE EXHIBITION “KLANGBILDER” 🎶🎶
Thursday, July 4, 2019 GROSSER SAAL NEUER SAAL KLEINER SAAL STUDIO ECKENSTEIN KLAUS-LINDNER-SAAL STUDIO I
09.00 Themed Session: Celebrating Free Papers Free Papers Themed Session: Themed Session: Short Papers (3) the Census-Catalogue at 40: 13th-Century Motet / Lyrics Lute Music Monastic Music from the Matters and Materialities Permixtiones I Manuscript Studies Past and Chair: Chair: Marc Lewon Bay to Biscay to the Baltic in Music of the Habsburg Chair: Charles M. Arkinson Future, Part I, Beyond the Sea: a European Court and the Czech Lands Census-Catalogue (I) Perspective – Part I Chair: Chair:Margaret Bent Chair: Magnus Williamson Matthew Paul Thomson Agnieszka Leszczyńska Lois Breckon Jiri K. Kroupa Matthieu Romanens Beyond the Fringes of Cen- Fixity, Variance, and Emanuel Wurstisen, his The Comparative Silence of «Qui operatus est mihi?» Num est rithmus modulatio Cat: Polyphonic Insertions in Compositional Process in Lute Tablature and their Florentine Nuns after Some New Insights in sine ratione? Auf der Suche Plainsong Sources, 1400- Thirteenth-Century Motets Relationships with Poland Council of Trent Vaet's Motet Dedicated to nach rhythmisch-numerischen 1550 Maximilian II in 1560 Verhältnissen im aquitanischen Repertoire des 12. Jahrhunderts
(09.20) Elena Chernova Das Nachtoffizium in der frühen russischen Mehrstimmigkeit Paweł Gancarczyk Catherine Anne Bradley Ryaan Ahmed Barbara Eichner Jan Bilwachs Sources of Polyphonic Music Choosing a Tenor Quotation A Digital Toolbox for Same difference? Post- Music in Egerland from the in Poland: Four Decades after for Thirteenth-Century Motets: Exploring Lute Tablature Tridentine Reforms and Viewpoint of Preserved (09.40) Haddar Beiser the Census Catalogue Unexpected Connections with Music in German Music Collections from the Machaut and the Pedes and Polyphonic Nunneries and Monasteries Second Half of the 16th Musicalization of Rhetoric Rondeaux Century
Jessie Ann Owens Anne Ibos-Augé Kateryna Schöning Nere Jone Intxaustegi Jan Bata (10.00) Michael Eberle Scribbles and Other Evidence Quoting Lyric Fragments in a The Act of Memory – Jauregi «La musique rare et The Significance of Music in the of the Creative Process 13th-Century French ‚Album Amicorum‘ for the Nuns and Music in Early singulière…» Musical Songs of Hugo von Montfort Devotional Text: the Livre Lute (Pl-WRk ms. 352 Modern Bilbao Accompaniment of the d’amoretes about 1550) Festivities of the Order of the Golden Fleece in Prague (1585) in Light of a Newly-Discovered Document
10.30 BREAK
11.00 Themed Session: Themed Session: Free Papers Free Paper/Themed Themed Session: Free Papers/Short (4) Celebrating the Census- Early Music Iconography: 13th / 14th- Century Session: Material Philology as an Papers/Lecture recital Catalogue at 40: Manuscript Methodological Worlds and Treatises and Beyond Monastic Music from the Approach to Studying Wind Instruments + Violino Studies Past and Future, Part Cultural Intersections – Part I Chair: Bay to Biscay to the Baltic Music Sources from the alla bastarda II, Revisiting the Census- Chair: Sea: a European Nordic Reformation Chair: Catalogue Perspective – part II Movements Chair:Jennifer Thomas Chair: Chair: Antonio Chemotti Jane Alden Maria Luisi and Francesco Christian Thomas Leitmeir Tomasz Jeż Mattias Lundberg Daniel Adam Rose-Jones ʻEn tous les lieux ou j’ay Luisi Compilation and The cultural symbiosis of Music as Diocesan Power The Symbolic Role of the estéʼ: France, Burgundy, and Censimento delle raffigurazioni Adaptation: How Cistercians and Jesuits in Struggle: Printed Chant Hunting Horn in the Art of the Songs of Busnoys musicali nell’Umbria “Dominican” is the Music Culture of the Books in Sweden c.1480- South-West England meridionale tra Medioevo e Hieronymus de Moravia’s Baltic >rea c. 1600 c.1520 Rinascimento. Con un analisi Tractatus de Musica? delle citazioni di inni e antifone (11.20) Tin Cugelj The Trombone in Renaissance Croatia John T. Brobeck Gabriela Currie Federico Zavanelli Ascensión Mazuela- Sanna Raninen Jean Mouton’s Early Motet Imaging Musical Borderlands Two post-Franconian Anguita Make Do and Mend: Style Revisited in Moldavian Frescoes of the Treatises at the Early Sixteenth-Century Reworking Liturgical 15th and 16th Centuries Stages of the Italian Ars Barcelonan Convents in Parchment Manuscripts in (11.40) Katharina Haun nova Transnational Music post-Reformation Sweden The Cornetto in its Early Years - Networks 1450 to 1530
Giovanni Zanovello Luzia Rocha and Luís Correia Elina G. Hamilton Karin Strinnholm Árni Heimir Ingolfsson (12.00) Kiichi Suganuma Singing, Writing, and Printing de Sousa Why the Third Remains Lagergren The Scribe as Editor: The True Way of Making Songs in North-Eastern Italy Music and power. The ‘Crónica Controversial: Divided but United: the Copying the Icelandic Diminutions: Girolamo dalla Geral de Espanha’ in the Reconsidering Anonymous Birgittine Double Abbey Graduale in the 16th and Casa’s Usage of Thirty-Second context of Iberian and IV, Walter of Evesham Liturgy 17th Centuries Notes and Its Reception around European Courts Abbey, and Theinred of 1600 Dover as Contemporaries (12.20) Félix Verry "Per il violino alla bastarda": Tracing a Forgotten Tradition of Polyphonic Diminutions for Birgit Lodes Cristina Santarelli Janine Droese Karen Thöle Bjarke Moe Treble Instruments A Recycling Bin for Imperial Tempus transit gelidus,/ The Hocket 'Sustinere', Liturgical Texts and Chants Printing Technique, Repertory? On the mundus renovatur: Le Hrabanus Maurus’s 'De with Matching Instructions Musical Notation and 🎶🎶 Provenance, Repertory and celebrazioni della primavera in laudibus sanctae crucis' from the Nuns Convent Hymn Singing during the Function of the Choirbook Piemonte and the Idea of Men and Gertrudenberg/Osnabrück Reformation in Denmark Stuttgart 47 Angels Singing Together
13.00 LUNCH 13.45 Business Meeting
13.45-14.30 GROSSER SAAL: BUSINESS MEETING
14.30 Themed Session: Themed Session: Themed Session: Free Papers Themed Session: Short Papers (3) Celebrating the Census- Early Music Iconography: Chants Going Around: Medieval Music Theory Perspectives of Humanist Permixtiones II Catalogue at 40: Manuscript Methodological Worlds and Reception and Creation of and Notation Music in Theory, Text, Studies Past and Future, Part Cultural Intersections – Part II Prosula in Europe from Chair: Image, and Modern Act Chair: III, Beyond the Census- Chair: 11th to the 15th Century Chair: Catalogue (I) Chair: Karin Strinnholm Chair: Emilio Ros-Fábregas Lagergren
David Burn Florence Gétreau Marie Winkelmüller- Stefano Mengozzi Crawford Young Samantha Chang Manuscripts Lost and Found: Two early 16th-Century Urechia Affect and Inventio in Humanist Music and Listening to Painting: Music Updating the Census Allegories of Music in the Rewriting Tradition? The Medieval and Renaissance Inventive Execution, from Inside the Painter’s Studio Catalogue Liechtenstein Collections in Alleluia Prosulas of the Theory Stage to Classroom Vaduz and Vienna: Challenges Gradual of Santa Cecilia in of Context and Meaning Trastevere (14.50) Chelsey Belt Remembering the Sound of the Lira da Braccio in the Seventeenth Century Tess Knighton Björn R. Tammen Luisa Nardini Andrew James Hicks Patrizia Bovi Traces of Spanish Polyphony: Envisaging Marriage – Chant Transmission and How Post-Franconian is Lo Strambotto, Written Music Manuscript Musical Betrothing Music and Painting: Stylistic Contaminations: Post-Franconian Notation? and Unwritten: The Culture in the Iberian the Artistic and Intellectual Prosulas for the Proper of Contours of a Classic (15.10) Laura Kathleen Thomas Peninsula around 1500 Cosmos of Richard of Genova the Mass in Beneventan Italian Song Form and Its Leaving Eden: The Rise and Fall in A-Wn 2129 Manuscripts Performance Context of Early Music’s Anglican Influence
🎶🎶 Rachel Carpentier Thomas Tolley Hana Vlhovà-Wörner Kaho Inoue Jacob Mariani (15.30) Maximilien Brisson Sixteenth-Century Lamenting the Fall of Prosulas in Hussite and Ligatures in the Appendix Organology on Stage: Lodovico da Viadana's Centum Instrumental Repertory in Constantinople: Music and the Utraquistic Sources from to Amerus’s 'Practica artis Instrument as Argument sacri concentus ab una voce the Transatlantic Hispanic ‘Avignon Pietà’ Later Middle Ages musicae' sola Church
(15.50) Nadezhda Ignatieva Il Quarto libro dei Madrigali di G. G. Gastoldi come metodo di lettura della tragicommedia pastorale di G.B. Guarini “Il Pastor fido”
16.00 COFFEE BREAK
16.30 Themed Session: Themed Session: Free Papers Free Papers Free Papers Workshop (4) The Census-Catalogue at 40: Early Music Iconography: Chant Traditions in Local Madrigal Mass Cycles/Instrumental Aquitanian Polyphony MS Studies Past Present Methodological Worlds and Liturgies II Chair: Cathy Ann Elias Music/Stemmatics Future, Part IV Cultural Intersections – Part III Chair: Olivier Cullin Chair : Jeffrey Dean Chair: Jessie Ann Owens Chair:
Thomas Schmidt Nicoletta Guidobaldi Kathleen Edna Nelson Julie Cumming James Cook Florian Vogt, Kelly Landerkin, Manuscript Cataloguing The virtual and sonic The Early History of the The Questione della In Search of the Earliest Christelle Cazaux-Kowalski Across the Digital Divide – reconstruction of a humanistic ‘Roman’ family of Exultet musica: Revisiting the Scottish Mass Cycles «Laude iocunda» – Analyse und the Historic (and Current?) microcosm: the Gubbio Melodies Origins of the Italian Aufführungspraxis im Role of the Census-Catalogue studiolo Madrigal organalen Repertoire der Aquitanischen Mehrstimmigkeit 🎶🎶 Lucia Marchi Gaia Prignano Filipa Taipina Jeffrey Levenberg Murray Steib From the Paléographie Musica e mito nel ‘camerino Modifications of the Imitating Gesualdo? The Sacred Origins of Musicale to DIAMM (via the delle pitture’ di Alfonso I Cistercian Use in the Antonio Cifra’s Instrumental Music Census-Catalogue): towards a d’Este: una proposta di Gradualia of the Fifth “Audacious” Fifth Book of historiography of source ricostruzione virtuale Mode: The Case of the Madrigals studies Gradual de Lorvão
Klaus Pietschmann Martha Garcia Ágnes Papp Kecskés Dan Donnelly Chantal Franziska Köppl RISM and the cataloguing of Sinfonía de sonidos y palabras. „Resonemus pariter”: Eine The Madrigal Print as Roman Missae de feria in Renaissance music Instrumentos musicales en el spätmittelalterliche Travelogue: Traversing the Papal Manuscripts c. 1500 relicario Ángeles músicos y en Sanctus-Melodie und ihr Venetian Stato da mar in el texto literario del teatro de Tropus Giandomenico la temprana edad moderna Martoretta's Third Book of Madrigals Michael Scott Cuthbert Thilo Hirsch David Eben Todd Michael Borgerding Andrea Lindmayr-Brandl Space, Time, and Evidence-Based The Prague Troper and Its Counterpoint, the Why Stemmatics Do Not Uncertainty: Catalogue Reconstruction of a Spanish Legacy for the Notational Improvising Body, and Work Structure in the Digital Era Renaissance vihuela de arco Practice in the Diocese of Homoerotic Play in the and its “Andalusian” Playing Prague Italian Madrigal Technique
18.30 BREAK 19.00 CONCERT SOUNDME IN THE PETERSKIRCHE
Friday, July 5, 2019
GROSSER SAAL NEUER SAAL KLEINER SAAL STUDIO ECKENSTEIN KLAUS-LINDNER-SAAL STUDIO I
09.00 Themed Session: Free Papers Free Papers Free Papers Themed Session: Themed Session: (3) A New Source of Early 16th Century Music Music at the Habsburg- Print, Analysis, and Georgian Music of the Recovering the Sweet Fourteenth-Century English Chair: Burgundian Court Chair: Interpretations of Middle Centuries Sound of the ‘organo di Motets David Burn Gregorian Chant Chair: legno’ Chair: Margaret Bent Chair: Chair: Augusta Champagne
Margaret Bent Laurie Alison Stras Brett Andrew Kostrzewski David Merlin Khatuna Managadze Leon Chisholm Introduction Antonio Moro’s Choirbooks Culling the Treasury: Petrus Eine Letter für eine Neume Mediaeval and Renaissance Stopping the Unstoppable: from Mid-Sixteenth- Alamire and the Question of in mehreren Bedeutungen: Georgian and European Wooden Pipes in the Early Century Florence "Scribe B" zur graphischen Church Music: Similarities Music Movement Ausdifferenzierung des and Differences Choraldrucks in Zeiten des Humanismus
Jared C. Hartt Bernhold Schmid Daniel Tiemeyer Leo André Lousberg Tamar Chkheidze Walter Chinaglia Margareta and its Network of „Im Madrigalenstil". Marian Devotion and Politics: Sémiologie Grégorienne 3.0: The Issue of Musical The Physical Origins of a Comparands Orlando di Lassos Note Pierre de la Rue and the The Intertextual Analysis of Dramaturgy in the Cycle of Sweet Sound: an Artisan’s Nere-Motetten Music at the Habsburg- Pre-Guidonian Gregorian Liturgy (At the example of View on the Timbre of Burgundian Court of Chant. Georgian Chants) the canna di legno Margaret of Austria
Peter M. Lefferts Paola Dessì Ian Lorenz Olivier Cullin Ekaterine Oniani InVocare, vocal ensemble A Rotulus Motettorum Music Masters and Music “A Marvellous Delight”: Charles-Albert Cingria Georgian Music Robert Selinger, Organ for University Students in Musical Heightening in (1883-1954) as a Paleography in the Context “Sempre più delicata the Sixteenth Century Nicolas Gombert’s Magnificat Musicologist: an Original of Georgian Chant Styles parerà la consonanza”: Cycle Point of View on the The organo di legno in Interpretation of Gregorian Eka Chabashvili Performance Chant Music of Ritual, Round Dance and Medieval 🎶🎶 Theatre in Georgia 10.30 COFFEE BREAK
11.00 Themed Session: Free Papers Themed Session/Free papers: Themed Session: Free Papers: (4) Reopening Gaffurius’s Libroni Improvised Counterpoint Neumes without Names: Iberian Polyphony, c.1480– Dance Music and Beyond Chair: Bonnie Blackburn Theory and practice Another Perspective on Early c.1530: Texts, Composition Chair: Chair: Neumatic Notation and Musical Language in Chair: Sacred and Secular Genres Chair: Tess Knighton
Daniele V. Filippi August Valentin Rabe Andreas Haug Esperanza Rodríguez-García Cecilia Nocilli “Opera et solicitudine An Ecological Description How Ninth Century Theory Musical Language in the «El subtille del subtille» Franchini Gaffori … impensa of fundamentum Might Change our Way of Iberian Motet ca.1500 nella musica per danza di vero Venerabilis Fabrice”: Improvisation? Looking at neumes Domenico da Piacenza. Archival Evidence on Proporzioni e segni Operation Libroni mensurali accidentali
Martina Pantarotto Daniel Saulnier Hanna Zühlke and Grayson Wagstaff Manuela Morilleau De Notes, Texts, and Decoration: Super librum docere - Konstantin Voigt Pedro de Escobar, Oliveira Gaffurius and His Team at Super librum cantare From Accents to neumes. Re- Polyphonic Liturgical L’apprentissage de la Work on the Libroni Interpretation and Settings, and the Use of musique et de la danse au Combination of Grammatical Imitative and Non-Imitative féminin à la cour portugaise Signs in Palaeofrankish and Textures de la reine D. Catarina de Panfrankish Notations Áustria (1507-1578)
Cristina Cassia Alon Schab Henry Parkes Nuno de Mendonça Vania Dal Maso Gaffurius at the Mirror: The Long Motifs and Hartker the Reformer Raimundo Dancing through the Internal Concordances of the Improvised Counterpoint Villancicisms: Word- and Barlines. An Analysis and Libroni upon a Plainsong in the Mood-Painting in the Performance, of a Sixteenth Century Iberian Song of the Early Renaissance Collection of 16th-Century Dances
Agnese Pavanello Marcello Mazzetti Ryan Brendan O'Sullivan Bernadette Nelson Alexander John Robinson The Non-Milanese Repertoire «Acciò che, col tempo, New Light on the Origins of Literary Evidence for the Renaissance Photographs of the Libroni: A Potential possano seguire le pedate the Tone V Salve regina Circulation of Spanish Songs or Simply Artistic Guidepost for Tracking de i vostri Contrapunti»: in Portugal, c.1480-c.1530 Creations...? Louis de Musical Exchanges Theory and Performance Caullery’s "Ball at the court Practice of the of Henri IV" (c.1610) – a Counterpoint in Late Cautionary Example for Renaissance Brescia Musical Iconography
13.00 LUNCH 13.00 Musikmuseum
14.30 Themed Session: Free Papers Free Papers Free Papers Paired Papers/Free Paper Musikmuseum (3) Reopening Gaffurius’s Libroni Around ‘Fauvel’ Liturgical Chant and Music Printing in German- Cantiones and Copying Round table: Musis – part II Instruments Speaking Countries Music in 15th and 16th gratissima turba – Two Century Mysterious Paintings and Their Context Polifonia Sforzesca-Team Christelle Chaillou- Angel Antonio Chirinos Elisabeth Giselbrecht Jan Ciglbauer Organisation: Dorothea Presentation of the Research Amadieu Amaro Reading polyphonic ode Die Lieder, die es nicht Baumann Portal De la dansa au virelai (XIIIe- Taxonomies and books mehr gibt. Zum Inhalt der XIVe s.) Performance: the Case of Ave böhmischen virgo singularis (E-Mn 19421) Cantionentradition im 15. Jahrhundert
David Mesquita, Cantare Giulio Minniti Cristina Alís Raurich Andrea Horz Lenka Hlávková super librum [Live A Stylistic Evaluation of the The flores of Flos vernalis: Lyra and Ode – Humanistic Cantiones aus der Demonstration] Newly Composed “pseudo- Robertsbridge Codex, theatrical performances in Hohenfurther chant” in Fauvel Lichtenthal Codex, and the southern German-speaking Liederhandschrift 42 und 🎶🎶 Creation of Intabulation in countries and Italy around die parallelen Traditionen the 14th Century 1500 ihrer mehrstimmigen Bearbeitungen
Cory McKay Ruxandra Marinescu Barbara Haggh-Huglo Catalina Vicens Annerose Tartler A Collaborative Symbolic Reading Fauvel and the Performing Guillaume Du Polyphonic Settings of Sneaking a Peek over a Music Database for motet O bicornix / A touz Fay’s Chant with Voices and Hebrew Chant: Music as a Copyist’s Shoulder: Computational Research on jours / Virgo Dei genitrix in Organ(s), 1458-1953 Pedagogical Tool in the Bernhard Rem and his Music Manuscript Dijon, Learning of Biblical Sources Bibliothèque municipale Languages in Early 16th 525 Century Southern Germany and Switzerland
16.00 COFFEE BREAK
16.30 Workshop: Themed Session/Free Free Papers/Lecture recital Free Papers Free Papers Musikmuseum (4) Citations: The Renaissance Paper: Voice, Vocality, Virtuosity 13th Century, Divine Office and beyond Round table: Musis Imitation Mass (CRIM) and Music for Augsburg Chair: Katelijne Schiltz Trouvères/Trobadours Chair: Susan Boyton gratissima turba – Two The Quotable Musical Text in Patricians Chair: Misterious Paintings and a Digital Age Chair: Franz Körndle Their Context Chairs: (continuously) Richard Freedman and David Michael Meyer Grace Newcombe Brianne Kathleen Dolce Kristin Hoefener Fiala Representation and ‘The well-modulated voice’: a Cleric, Trouvère, or Cleric- Der kompilierte Citations: The Renaissance Purposeful Collecting: Practical Guide to Navigating Trouvère? Towards a Offizienzyklus Simile est Imtiation Mass (CRIM) and The Josquin in Augsburg and Medieval Descriptions of the Prosopography of Musicians regnum celorum aus St. Quotable Musical Text in a Wittenberg Manuscripts Good, the Bad, and the Ugly in Medieval Arras Amand Digital Age in Singing (paper read in English)
Stefan Gasch Sara Maria Fantini, Patrizia Nicholas Bleisch Rhianydd Hallas Founder vs. Bibliophile: Bovi Perfomative Copying? Jenstejn’s Visitation: a another Look at Fugger and Editing and Performing the Toward a Descriptive Conventional Office? Josquin Fourteenth-Century Siciliane Analysis of the Scribes of Several Trouvère 🎶🎶 Chansonniers
Sonja Tröster Lisandro Abadie Joseph Mason Andrew Bull Music for the Eagle "cum voce tremula". Vocal A jeu-parti problem?: The Inchcolm Office for St Vibrato and Vox Humana Multiple melodies and their Columba: a Site of Scoto- from Micrologus to composers at the Arras puy European Musical Monteverdi Hybridity?
Alanna Ropchock Tierno Livio Ticli Alexandros Maria Jamie Reuland A Bavarian Renaissance The Italian Virtuoso: Art Hatzikiriakos Beyond Meaning or Wedding: Reconstructing Synergies and Music Skills in Dezacordar los motz e.ls sos Mimesis – A Case for the 1579 Fugger Nuptial the Renaissance e.ls lenguatges Dysphoria Repraesentatio in Mass and madness in late Plainchant 🎶🎶 troubadours’ songs
18.30 BREAK 19.00 CONFERENCE DINNER IN THE WAISENHAUS BASEL
Saturday, July 6, 2019
GROSSER SAAL NEUER SAAL KLEINER SAAL STUDIO ECKENSTEIN KLAUS-LINDNER-SAAL
09.00 Themed Session: Themed Session: Free Papers/Lecture recital Free Papers/Lecture recital Free Papers (3) Renaissance Materialities in the Persisting pasts? Reform, Medieval /Renaissance Wind Around Machaut Medieval Sources of Plainchant "Museum of Renaissance Music" Reformation, and the Construction Instruments Chair: Chair: Christelle Cazaux-Kovalsky – Images of Identities Chair: Thomas Drescher Chairs: Vincenzo Borghetti, Tim Chair: Sheppard Camilla Cavicchi Manon Louviot Raffaella Maria Bortolini Uri Smilansky Eva Veselovská Grapes, Vines, Music and Naked Liturgical Uniformity: Reality or The Shawm with Cylindrical Bell in Modelling 'le noble rethorique' Das System der Bodies Dancing Political Rhetoric? The Case of the Albumazar’s Liber Astrologiae Handschriftenbearbeitung in der 15th century Congregation of Slowakei. Die mittelalterlichen Windesheim Musikhandschriften im Kontext der Forschung
Massimo Privitera Christine Roth Josué Meléndez Peláez Kévin Roger Gillian Lucinda Gower Making Music in the Garden Is there a Lutheran Repertoire? A The Mothern Cornetto: Addressing Voice Rests and Musical Sources of Plainchant in the Comparatist Commentary on Difficulties in Performing Modes’ Periodicity: New Look on Richard and Mary Rouse Central and Northern German Characteristics in Renaissance Guillaume de Machaut's Motet Collection at the University of Music Collections Music Structure California, Los Angeles
Katelijne Schiltz Antonio Chemotti Ann Allen, Nathaniel Wood and Mara R Winter Miriam Monroe Wendling Les simulachres & historiées Regionalism, Musical Past, and the Hanna Geisel Contextualizing the Transverse Disinterring the Requiem: Layers faces de la mort 1538 Cult of the Saints in Early Modern Alta Bellezza – An Insight into Flute in the Musical Universe of and Variants in Plainchant Silesia: Valentin Triller’s Gar nichts Recreating the Sound World of a Guillaume de Machaut Masses for the Dead schedlichs 15th Century Alta Capella 🎶🎶 🎶🎶 10.30 COFFEE BREAK
11.00 Themed Session: Free Papers Free Papers Free Papers Free Papers (4) Renaissance Materialities in the 16th Century Theory and Didactics Ockeghem/Josquin/Mass: New 14th-Century Italy: on Sources L.B..Alberti / Female Role and "Museum of Renaissance Chair: Insights and Compositional Issues Female Voice / Parodia Music" – Objects Chairs: Vincenzo Borghetti, Tim Sheppard M. Jennifer Bloxam Thomas William Posen David Fiala Andrés Locatelli Vasco Zara ‘O dulciz Maria’: Listening to a From Mode to Mattheson’s Major Okeghem 5.0: A virtual Reality New Insights on the Modena Leon Battista Alberti on Musical Late Medieval Ivory Relief and Minor Keys: The Contributions Project for the History of Music at Codex Proportions. A Case of of Johannes Cochlaeus, Heinrich Saint-Martin of Tours Misinterpretation Glarean, and Joannes Litavicus
Martin Kirnbauer Michael Robert Dodds Jeannette D. Jones Andreas Janke Laura Ventura Nieto Sounds from a Wunderkammer: Litterae, voces, claves: The Lament and Glory in Ockeghem’s The Squarcialupi Codex as a An Alluring Sight of Music: The The “Rindentrompete” Vienna, ascendancy of the keyboard as Mort, tu as navré Model Book Musical Courtesan in the Kunsthistorisches Museum SAM instrument of reference Quattrocento
Scott Edwards Christoph Riedo Catherine Anne Motuz Mikhail Lopatin Anne Piejus Material Encounter and the Producing counterpoint together: Seeing the Invisible in Huc me Mixed Feelings in a «cantus Slapping Euterpe Imaginary: A Case Study of the Multipart improvisation in the 16th sydereo mixtus»: Excessive Love and Singing Fountain of Prague century Singing Beyond Measure in Paolo da Firenze’s Fatto m’à sdegno
Moritz Kelber Sunniva Thomassen Wolfgang Fuhrmann Giacomo Ferraris Michael Chizzali Keyboard Instruments as Means Learning Counterpoint in the 16th On the Liturgical Background of the Cadence Types and Cadential "Parodia" in Sixteenth-Century of Political Communication in the Century – the Didactic Approach of Renaissance Mass Organisation in the Music of the Music – some Terminological and Renaissance the Diminution Manuals Early Trecento Conceptual Observations
13.00 LUNCH
14.30 Themed Session: Renaissance Free Papers Free Papers Free Papers Paired Papers (4) Materialities in the "Museum of Chanson Spanish/Portuguese Sacred Music Keyboard music Psaltérion / Around Zarlino Renaissance Music" – Afterlife Chair: David Fallows Chairs: Vincenzo Borghetti and Tim Sheppard Árni Ingólfsson Sylvain Margot Marcela Garcia Dominique Gatté Baptiste Chopin et Olivier Echoes from the Periphery: The L’influence des espaces The Style of the Liber Primus Fragments of a Lost Organ Book Féraud Manuscript Rask 98 and the géoculturels sur la structure et la Missarum as the Most Important in Alsace (c. 1500) Le psaltérion dit «en groin-de- Transmission of Renaissance syntaxe cadentielle du rondeau Work of Alonso Lobo porc» au XIVe siècle: Music in Iceland entre 1250 et 1450 (14.45) Frauke Jürgensen iconographie, reconstitution, Chez Schedel: Nürnberg, 1466 mode de jeux et possibilités musicales 🎶🎶 Samantha Bassler Ita Hijmans João Pedro d'Alvarenga Renaissance Music in the 18th Performing Songs from the Exequial and Penitential Motets in Century: The London Madrigal Gruuthuse Manuscript 16th-Century Portugal: Texts and Society Contexts
Martin Elste Felix Diergarten María Elena Cuenca, Cory McKay (15.30) Christopher Holman Cesar Marino Villavicencio From Rüdel to Munrow. Aural Analyzing Binchois. Transmission, Exploring Musical Style in the Basel and St. Gallen Renaissance Practical Philology & Riddles in representations of medieval and Counterpoint, Performance Anonymous and Doubtfully Keyboard Ornamentation Preparing the Renaissance Renaissance music Attributed Mass Movements of the Repertoire Coimbra Manuscripts: A Statistical 🎶🎶 Approach
Fabrice Fitch João Vaz Augusta Campagne Paula Callegari
On the Leuven Chansonnier’s Towards a New Critical Edition of Keyboard Accompaniment in Le Istitutioni Harmoniche of Virelai Se vous Voullés and its Manuel Rodrigues Coelho, Flores Italy in the Second Half of the Gioseffo Zarlino: Virtues and Authorship de Musica (1620): Problems of 16th Century Vices in the Composition and Notation, Rhythm and Musical Performance Performance 16.30 END 17.00 Post Conference Activities