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CONFERENCE SCHEDULE, Basel, 3.-6 CONFERENCE SCHEDULE, Basel, 3.-6. July 2019 Wednesday, July 3, 2019 GROSSER SAAL NEUER SAAL KLEINER SAAL STUDIO ECKENSTEIN KLAUS-LINDNER-SAAL STUDIO I 09.00 REGISTRATION 10.00 OPENING 10.30 Themed Session: Free Papers Free Papers Free Papers Free Papers Studio 31 (4) Elizabethan and Jacobean Notational Issues and Medieval Music Theory and Musical Life in Basel Music Printing Installation, Live Praises of Music beyond Practice Chair: Inga Groote Chair: Performance Chair: Chair: Thomas Schmidt Chair: Andreas Haug Katherine Butler Paul Kolb Daniela v. Aretin Melinda Latour O'Brien Fabian Kolb Pipers, Paupers, and Ligatures and musical Griechische Begriffe in der The Sound of Friendship: Promoting Musical Princes: Social Class in the Meaning lateinischen Paschal de L’Estocart and Knowledge. Pictorial and Praise and Dispraise of Musikterminologie des his circle at the University Verbal Paratexts in the Music Mittelalters. Adaptation, of Basel from 1581–1583 Design of German Music Transformation und Theory Prints and Musical Übersetzung (paper in German, Textbooks around 1500 printed Version in English) Samantha Arten Nicolò Ferrari Giovanni Varelli John Kmetz Ginte Medzvieckaite (11.00) Johannes Keller “God is pleasde, with such Text Underlay in Firminus The Roman schola cantorum Musicians in Motion: Positioning Devotional (Arciorgano) & Ensemble lyke armony”: Protestant Caron’s Masses according to the Carolingians: Workplace Mobility, Music Prints within Italian Domus Artis Praise of Music in a Reading of the lost Berlin Charitable Giving, and the Printed Book Market 1520- Elizabethan and Early Diptych Erasmus Foundation at the 1640 Jacobean England University of Basel (1533- 1633) Janet Pollack David I Lewis Charles M. Atkinson Daniel Trocmé-Latter Marianne C.E. Gillion “Secrets of Future and Learning to Interpret On Modulation in Early Latin Lutheran hymnody in Musical Proofreading at an Celestial Harmony”: Praise Mensural Rhythm: Rules or Medieval Chant: The φθοραί Reformation Basel Early Modern Printing of Music Literature and Experience? in Byzantium and the vitia in House: The Case of the Commendatory Verses in the West Graduale Romanum Early Modern English Music (Antwerp: Officina Books Plantiniana, 1599) Samantha Bassler Christian Goursaud Alejandro Enrique Planchart Harald Gropp Louisa Hunter-Bradley “Hath brought Madde Men The Notation of Busnoys's A Newly Discovered Von Mainz nach Basel --- Cover to cover: Tracing the into Their Perfect Wits and Missa L'homme armé: An Sequentia in Benevento 40 nicht nur Peter Schöffer publishing process from Senses”: Praises of Music, Assessment of the Sources and its implication for the commissioning through to Medicine, Philosophy, transmission of Carolingian sales of De la Hèle's Octo Theology, and Disability in Music to Southern Italy Missae (1578) at the Early Modern England Officina Plantiniana 12.30 LUNCH 14.00 Free Papers Themed Session: Free Papers Paired Papers/Free Papers Free Papers Studio 31 (4) Music in England: Lute Song The Renaissance Musical Renaissance Motet Medieval Songs and its Soundscapes and Installation/Live and Beyond Work: Foundations, Chair: Birgit Lodes Sources Mythmakers Performance Chair: Repertories and Practices Chair: Christian Thomas Chair: Chair: Chair: John Griffiths Leitmeir Richard (Anthony) Soterraña Aguirre Lance Davis Morrison Christelle Cazaux-Kowalski Blaithin Therese Hurley Johannes Keller Robinson Presentation Research Lord, Don't Remember / Don't A Conductus and its ‘A time in Foreign and (Arciorgano) & Ensemble ‘The Poet with his luryng Project: The Renaissance Forget: Imitatio in the Late Prosula? Dic Christi and Strange Countries’ – Domus Artis Lute, his Sonets syngeth Musical Work (15 min.) Domine, non secundum Bulla fulminante in the Thomas Whythorne’s Mid- shrill’: Elizabethan and Tradition Codex Buranus (D-Bs Clm Sixteenth-Century Musical Jacobean Voice Types and John Griffiths 4660) and other Journey to France, the Lute Song The Architecture of “peripheral” sources Flanders, Germany, Renaissance Musical Switzerland and Italy Narrative (15 min.) Katie Bank Carlos Gutiérrez Peter W. Urquhart Anne-Zoé Rillon-Marne Evan MacCarthy Rethinking ‘Light’ Song in Fluid Multiplicities: Thinking Questions about pitch Melismas in the Codex The Voyage through Early Modern England the Ontology of Musical content in 16th c. Buranus Montaigne’s Ears Works through Renaissance performance of Benedicta es Philosophy (15 min.) Pilar Ramos On glosas and again on the Musical Work in 16th Century (15 min.) Joseph Sargent Ana López Samuel Michael Bradley Jennifer Bain Marina Toffetti Revisiting George Marson: Los brazos traigo cansados: The Intersection of Notation, Contrafacta and Musical Musical Heritage and Music, Biography, Context Origins and Transformation Style, and Performers’ Quotation in the Repertory Transnational Cultural of a Romance in the Chromatic Instincts in the of Hildegard of Bingen Identity: the Dissemination Renaissance (15 min.) Music of Jean Guyot and Assimilation of Italian Music to the North of the Alps and the Genesis of a Pan-European Style Caitlin Roxana Quigley Manuel del Sol Megan K. Eagen-Jones Santiago Ruiz Torres Bartłomiej Gembicki David Francis Gallagher Nolan Making Pange lingua of Mid-Sixteenth Century Peculiarities in the The Musicology of Better notes? – A The Music of Philippe de Johannes de Urrede in Early Centonate Motets as Riddles transmission of the Legendary Places. Venice Provocative Proposal for Monte in the Paston Modern Spain (15 min.) in Music and Text Aquitanian Notation in and its Mythmakers the Tuning of Marenzio's Collection Plainchant Sources from 'O voi che sospirate' Aragon (11th-14th Centuries) 16.00 COFFEE BREAK 16.30 Free Papers Free Papers / Paired Free Papers Themed Session: Free Papers Themed Lecture Recitals: (4) Around Josquin Papers Chant traditions in Local Silvestro Ganassi’s Music Printing Why did Nicola Vicentino Chair: Spanish and Italian Sacred Liturgies I Fontegara: Status Chair: Choose to Introduce his Polyphony Chair: Giovanni Varelli quaestionis and Recent Enharmonic System Chair: Daniele Filippi Research Developments through Solmization? Chair: Chair: Martin Kirnbauer Giorgio Peloso Zantaforni Owen Lewis Rees Gionata Brusa Dina Titan Tim Crawford Anne Smith, Johannes Word and Music at Play: the Music at Spanish Habsburg I Libri Ordinari come fonte per Silvestro Ganassi’s A tool for exploring early Keller and Ivo Haun case of Non te smarir cor exequies: the Evidence of la conoscenza della prassi Diminution Style – A New printed music: F-TEMPO Why Did Nicola Vicentino mio va’ passo passo the libros de exequias esecutiva: un’indagine Interpretation of (Full-Text search of Early Choose to Introduce his Attributed to Josquin esplorativa Fontegara Music Prints Online) Enharmonic System [Paper read in Italian] through Solmization? Elizabeth Randell Upton Emilio Ros-Fábregas Giulia Gabrielli Martina Papiro Lynette Bowring Josquin des Prez, Virgo A new manuscript of Il ‘canto del popolo’ in Beyond illustration: The Materiality and the Musical Salutiferi, and Lucrezia Spanish Renaissance Sudtirolo dal Medioevo al title pages of Ganassi’s Work in Renaissance Italy Borgia polyphony from Totana Seicento: alcuni nuovi Fontegara 1535 & Regola (Murcia) contributi Rubertina 1542 [Paper read in Italien] Jeffrey J. Dean Andrea Puentes-Blanco Ute Evers Thilo Hirsch Susan Forscher Weiss O felix urbs Aquensium: a An Iberian Holy Week Cycle Kommt das „Augsburger Il dolce suono – Acoustical Originality and Imitation in new composer and a of Responsories and its Osterspiel“ wirklich aus measurements and Sixteenth-Century Musical context for Josquin's early Italian Connection Augsburg? practical experiences with Grammars: The Curious works 'new' viols after Ganassi Case of Ambrosius 1542/43 Wilfflingseder’s Erotemata Musices (Nuremberg, 1563) Jane Daphne Hatter Sigrid Harris Samuel James Barrett William Dongois and Tiago Royston Gustavson Puns as prayers in late- His Cross to Bear: Imitatio Imitation and Affiliation in the Simas Freire The Choirbook of Count medieval music or How do Christi and the Affects of Medieval Latin Hymn Ganassi: musicien- Anton of Isenburg- you solve a problem like “la the Soul in Gesualdo’s Repertory spéculateur ou musicien- Büdingen, [Ronneburg] mi la?” Responsoria (1611) pédagogue. 1558–1560: A Neglected Monument of Music Printing 18.30 19.00 RECEPTION IN THE MUSIKMUSEUM AND VISIT OF THE EXHIBITION “KLANGBILDER” Thursday, July 4, 2019 GROSSER SAAL NEUER SAAL KLEINER SAAL STUDIO ECKENSTEIN KLAUS-LINDNER-SAAL STUDIO I 09.00 Themed Session: Celebrating Free Papers Free Papers Themed Session: Themed Session: Short Papers (3) the Census-Catalogue at 40: 13th-Century Motet / Lyrics Lute Music Monastic Music from the Matters and Materialities Permixtiones I Manuscript Studies Past and Chair: Chair: Marc Lewon Bay to Biscay to the Baltic in Music of the Habsburg Chair: Charles M. Arkinson Future, Part I, Beyond the Sea: a European Court and the Czech Lands Census-Catalogue (I) Perspective – Part I Chair: Chair:Margaret Bent Chair: Magnus Williamson Matthew Paul Thomson Agnieszka Leszczyńska Lois Breckon Jiri K. Kroupa Matthieu Romanens Beyond the Fringes of Cen- Fixity, Variance, and Emanuel Wurstisen, his The Comparative Silence of «Qui operatus est mihi?» Num est rithmus modulatio Cat: Polyphonic Insertions in Compositional Process in Lute Tablature and their Florentine Nuns after Some New Insights in sine ratione? Auf der Suche Plainsong Sources, 1400- Thirteenth-Century
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