Resident Evil
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ATINER's Conference Paper Series HUM2013-0895
ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HUM2013-0895 The Impact and Influence of Carroll's World of Alice on Video Game Design Marcello Arnaldo Picucci Doctorate Student University of Newcastle upon Tyne United Kingdom 1 ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 26/3/2014 2 ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research 3 ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 This paper should be cited as follows: Picucci, M.A., (2013) "The Impact and Influence of Carroll's World of Alice on Video Game Design" Athens: ATINER'S Conference Paper Series, No: HUM2013-0895. -
Milla Jovovich
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA . SAMUEL HADIDA et METROPOLITAN FILMEXPORT présentent une production CONSTANTIN FILM/ DAVIS FILMS/ IMPACT PICTURES un film de RUSSELL MULCAHY MILLA JOVOVICH ODED FEHR ALI LARTER IAIN GLEN ASHANTI MIKE EPPS Un film produit par Bernd Eichinger, Samuel Hadida, Robert Kulzer, Jeremy Bolt et Paul W.S. Anderson SORTIE LE 3 OCTOBRE 2007 Durée : 1h30 Vous pouvez télécharger l'affiche et des photos du film sur : http://presse.metropolitan-films.com www.metrofilms.com www.re3.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT PROGRAMMATION PARTENARIATS KINEMA FILM / François Frey 29, rue Galilée - 75116 Paris Region Paris GRP-Est-Nord ET PROMOTION 15, rue Jouffroy-d’Abbans [email protected] Tél. : 01 56 59 23 25 AGENCE MERCREDI 75017 Paris Tél. : 01 56 59 23 25 Region Marseille-Lyon-Bordeaux Tél. : 01 56 59 66 66 Tél. : 01 43 18 80 00 Fax : 01 53 57 84 02 Tél. : 05 56 44 04 04 Fax : 01 56 59 66 67 Fax : 01 43 18 80 09 Le virus expérimental mis au point par la toute-puissante Umbrella Corporation a détruit l’humanité, transformant la population du monde en zombies avides de chair humaine. Fuyant les villes, Carlos, L.J., Claire, K-Mart, Nurse Betty et quelques survivants ont pris la route dans un convoi armé, espérant retrouver d’autres humains non infectés et gagner l’Alaska, leur dernier espoir d’une terre préservée. Ils sont accompagnés dans l’ombre par Alice, une jeune femme sur laquelle Umbrella a mené autrefois de terribles expériences biogéniques qui, en modifiant son ADN, lui ont apporté des capacités surhumaines. -
Peter Lindbergh Biography
G A G O S I A N Peter Lindbergh Biography Born 1944 in Leszno, Poland. Lives and works in Paris, France; New York, NY; and Arles, France. Selected Solo and Two-Person Exhibitions: 2017 Shadow and Substance: Alberto Giacometti sculptures and their photographs by Peter Lindbergh. Gagosian, Britannia Street, London, England. Peter Lindbergh: A Different Vision of Fashion Photography. Kunsthal Rotterdam, Rotterdam, Netherlands. Peter Lindbergh/Garry Winogrand: Women on the Street. NRW Forum, Düsseldorf, Germany. 2016 Peter Lindbergh. Gagosian, Athens, Greece. 2014 Peter Lindbergh. Gagosian Gallery, Paris Project Space, Paris, France. Peter Lindbergh: The Unknown & Images of Women. HDLU Museum, Zagreb, Croatia. 2013 Peter Lindbergh: Berlin. Maison de la Photographie, Lille, France. Peter Lindbergh (with poetry by Forrest Gander). Vladimir Restoin Roitfeld, New York, NY. Peter Lindbergh: Images of Women. Corso Como Gallery, Seoul, South Korea. 2012 Peter Lindbergh: Known and “The Unknown.” Galleria Carla Sozzani, Milan, Italy. Peter Lindbergh. FotoMuseum, Antwerp, Belgium. 2011 Peter Lindbergh: The Unknown. Ullens Center for Contemporary Art, Beijing, China. 2010 On Street. C/O Berlin, Berlin, Germany. Invasion and Cinema. Photobiennale Festival, Grand Manezh, Moscow, Russia. 2008 Peter Lindbergh: Beauduc. Rencontres Internationales de la Photographie, Église des Frères Prêcheurs, Arles, France. 2007 Hearst Collection by Peter Lindbergh. Norman Foster Gallery, Hearst Tower, New York, NY. Peter Lindbergh: Cinema. Festival Transphotographiques, Lille, France. Peter Lindbergh. Camera Work Gallery, Berlin, Germany. 2006 Peter Lindbergh: Like a Rolling Stone. Galerie ACTE 2, Paris, France. Peter Lindbergh: Visioni. FORMA Centro Internazionale di Fotografia, Milan, Italy. Peter Lindbergh: Cinema. AmFAR, Cinema against AIDS, Cannes, France. 2003 Stories Supermodels, photographs by Peter Lindbergh. -
The Million Dollar Hotel
Wettbewerb/IFB 2000 THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL Regie: Wim Wenders Deutschland/USA 1999 Darsteller Tom Tom Jeremy Davies Länge 122 Min. Eloise Milla Jovovich Format 35 mm, Skinner Mel Gibson Cinemascope Dixie Peter Stormare Farbe Geronimo Jimmy Smits Jessica Gloria Stuart Stabliste Best Donal Logue Buch Nicholas Klein,nach Shorty Bud Cort einer Idee von Bono Vivien Amanda Plummer und Nicholas Klein Stanley Goldkiss Harris Yulin Kamera Phedon Papamichael Stix Conrad Roberts Schnitt Tatiana S.Riegel Hector Tom Bower Schnittassistenz Lin Coleman Joc Richard Edson Ton Lee Orloff Jean Swift Charlayne Woodard Mischung Jeffrey Perkins Izzy Goldkiss Tim Roth Sound Supervisor Elmo Weber Terence Scopcy Julian Sands Musik Bono Brian Eno U2 Production Design Robbie Freed Ausstattung Bella Serrell Milla Jovovich, Mel Gibson Tiffany Payne Kostüm Nancy Steiner Haar Styling DJ Plumb THE MILLION DOLLAR HOTEL Maske Debbie Zoller Los Angeles im Frühjahr 2001. Im Schatten der Bürotürme der multinatio- Spezialeffekte Thomas Tannen- nalen Konzerne liegt das Million Dollar Hotel, Zufluchtsort für schräge berger Gestalten und Außenseiter, die am American Dream nicht teilhaben. Einer Aufnahmeltg. Jeremy Alter Regieassistenz Christine Larson von ihnen ist der liebeskranke und leicht verhuschte Tom Tom,der sein Herz Produzenten Deepak Nayar an das Straßenmädchen Eloise verloren hat. Doch ehe er ihr überhaupt Bono seine Zuneigung offenbaren kann, wird dem Million Dollar Hotel unge- Nicholas Klein wöhnliche Aufmerksamkeit zuteil: Einer seiner Bewohner, der Junkie und Wim Wenders Künstler Izzy,ist unter ungeklärten Umständen vom Hoteldach gefallen.War Bruce Davey Executive Producer Ulrich Felsberg es ein Unfall, Selbstmord, oder wurde er hinuntergestoßen? Normalerweise Co-Produktion Kintop Pictures, würde sich in Downtown LA keine Menschenseele um so ein Schicksal Los Angeles kümmern, doch Izzys Tod wird binnen kürzester Zeit zur Nachrichtensensa- tion. -
UK Films for Sale EFM 2015
UK FILMS FOR SALE EFM 2015 UK FILM CENTRE, STAND 38, EUROPEAN FILM MARKET, MARTIN GROPIUS BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN TEL: + 49 30 209159 448 45 Years TThe Match Factory Cast: Charlotte Rampling, Tom Courtney Thania Dimitrakopoulou +49 172 851 210 Genre: Drama 9 Director: Andrew Haigh [email protected] Status: Completed Market Office: MGB 32 Home Office tel: +49 221 539 709 0 Synopsis: There is just one week until Kate Mercer’s forty-fifth wedding anniversary and the planning for the party is going well. But then a letter arrives for her husband. The body of his first love has been discovered, frozen and preserved in the icy glaciers of the Swiss Alps. By the time the party is upon them, five days later, there may not be a marriage left to celebrate. 47 Meters Down TAltitude Film Sales Cast: Vanessa Kirby Vicki Brown + 49 30 209 159 401 Genre: Thriller [email protected] Director: Johannes Roberts Market Office: MGB 136 Status: Pre-Production Home Office tel: +44 20 7478 7612 Synopsis: Twenty-something sisters Kate and Lisa are gorgeous, fun loving and ready for the holiday of a lifetime in Mexico. When the opportunity to go cage diving to view Great White sharks presents itself, thrill-seeking Kate jumps at the chance while Lisa takes some convincing. After some not so gentle persuading, Lisa finally agrees and the girls soon find themselves two hours off the coast of Huatulco and about to come face to face with nature's fiercest predator. But what should have been the trip to end all trips soon becomes a living nightmare when the shark cage breaks free from their boat, sinks and they find themselves trapped at the bottom of the ocean. -
KILLING BONO a Nick Hamm Film
KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success. -
“A Jill Sandwich”. Gender Representation in Zombie Videogames
“A Jill Sandwich”. Gender Representation in Zombie Videogames. Esther MacCallum-Stewart From Resident Evil (Capcom 1996 - present) to The Walking Dead (Telltale Games 2012-4), women are represented in zombie games in ways that appear to refigure them as heroines in their own right, a role that has traditionally been represented as atypical in gaming genres. These women are seen as pioneering – Jill Valentine is often described as one of the first playable female protagonists in videogaming, whilst Clementine and Ellie from The Walking Dead and The Last of Us (Naughty Dog 2013) are respectively, a young child and a teenager undergoing coming of age rites of passage in the wake of a zombie apocalypse. Accompanying them are male protagonists who either compliment these roles, or alternatively provide useful explorations of masculinity in games that move beyond gender stereotyping. At first, these characters appear to disrupt traditional readings of gender in the zombie genre, avoiding the stereotypical roles of final girl, macho hero or princess in need of rescuing. Jill Valentine, Claire Redfield and Ada Wong of the Resident Evil series are resilient characters who often have independent storyarcs within the series, and possess unique ludic attributes that make them viable choices for the player (for example, a greater amount of inventory). Their physical appearance - most usually dressed in combat attire - additionally means that they partially avoid critiques of pandering to the male gaze, a visual trope which dominates female representation in gaming. Ellie and Clementine introduce the player to non-sexualised portrayals of women who ultimately emerge as survivors and protagonists, and further episodes of each game jettison their male counterparts to focus on each of these young adult’s development. -
Divx Na Cd Strona 1
Divx na cd 0000 0000 Original title/Tytul oryginalny 0000 Polish CD//Subt/Nap title/Tytul polski isy 10ThingsIHateAboutYou(1999) Zakochana zlosnica 1/pl 1492: Conquest of Paradise (AKA 1492: Odkrycie raju / 1492: Christophe1492:Wyprawa Colomb do / raju1492: La conquête du paradis / 1492: La conquista del paraíso) (1992) 2 Fast 2 Furious (2003) Za szybcy za wsciekli 1/pl 2046(2004) 2046 . 2/pl 21Grams (2003) 21 Gram 2/pl 25th Hour(2002) 25 godzina 2/pl 3000Miles toGraceland(2001) 3000 mil do Graceland 1/pl 50FirstDates(2004) 50 pierwszych randek 1/pl 54(1998) Klub 54 AboutSchmidt(2002) About Schmidt 2/pl Abrelosojos(AKA Open Your Eyes) (1997) Otworz oczy 1/pl Adaptation (2002) Adaptacja 2/pl Alfie(2004) Alfie 2/pl Ali(2001) Ali Alien3 (1992) Obcy 3 AlienResurrection (1997) 4 Obcy 4 – Przebudzenie Obcy 2 – Decydujace Aliens (1986) 2 starcie Alienvs. Predator(AKA Alienversus Predator/ AvP) (2004) Obcy Kontra Predator Amelia/ Fabuleux destin d'Amélie Poulain, Le (AKA Amelie from AmeliaMontmartre / Amelie of Montmartre / Fabelhafte Welt der Amelie, Die / Fabulous Destiny of Amelie Poulain / Amelie) (2001) AmericanBeauty(1999) American Beauty AmericanPsycho(2000) American Psycho Anaconda(1997) Anakonda AngelHeart (1987) Harry Angel AngerManagement(2003) Dwoch gniewnych ludzi Animal Farm (1999) Folwark zwierzecy Animatrix, The(2003) Animatrix AntwoneFisher(2002) Antwone Fisher Apocalypse Now(AKA Apocalypse Now: Redux(2001)) (1979) DirApokalipsa cut Aragami(2003) Aragami Atame(AKA Tie Me Up! Tie Me Down!) (1990) Zwiaz mnie Avalanche(AKA Nature -
Campari Orange Passion
CAMPARI CALENDAR 2012 PRESS KIT GERMAN Index 01_Press release …..……………………………………………………………………………………………………………………………page 1 02_BTS Diary………………………………………………………………………………………………………………………………………page 6 03_What is it about 2012?...……………………………………………………………………………………………………….…….page 31 04_Milla Jovovich Biography….……………………………………………………………………………………………………….…page 32 05_Dimitri Daniloff Biography………………..…………………………………………………………………………………………page 36 06_Bob Kunze-Concewitz Biography…………………………………………………………………………………………………page 38 PRESSEINFORMATION „It’s the end of the world, baby!“ DER CAMPARI KALENDER 2012 TROTZT DER ENDZEITSTIMMUNG MIT EINEM TOAST AUF DAS LEBEN Mailand, Italien – 27. Oktober 2011. Heute wurde in Mailand die 13. Ausgabe des Campari Kalenders für 2012 präsentiert. Schon der Titel überrascht: Mit „ It’s the end of the world, baby!“ interpretiert der Kalender eine uralte Vorhersage der Mayas, nach der unsere Welt in ihrer jetzigen Form am 21. Dezember 2012 aufhören wird zu existieren. Danach sagt die Prophezeiung eine Zeit des Umbruchs voraus. Ein düsteres Szenario, das Campari auf besondere Weise im Kalender beantwortet: Energiegeladen und kompromisslos, weit weg vom Mainstream. Denn statt einer düsteren Aussicht auf unbekannte Geschehnisse präsentiert Campari einen Toast auf das Leben. Dem Betrachter zeigen sich positive Perspektiven fesselnder Endzeittheorien in Form von starken, inspirierenden Bilderwelten. Im Zentrum der erstaunenden Szenerie steht Hollywood-Schauspielerin und Supermodel Milla Jovovich. Der Kalender nimmt den Betrachter mit auf eine -
Cutscenes, Agency and Innovation Ben Browning a Thesis In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Concordia University Research Repository Should I Skip This?: Cutscenes, Agency and Innovation Ben Browning A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada April 2016 © Ben Browning CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Ben Browning Entitled: Should I Skip This?: Cutscenes, Agency and Innovation and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Darren Wershler External Examiner Peter Rist Examiner Marc Steinberg Supervisor Approved by Haidee Wasson Graduate Program Director Catherine Wild Dean of the Faculty of Fine Arts Date ___________________________________ iii ABSTRACT Should I Skip This?: Cutscenes, Agency and Innovation Ben Browning The cutscene is a frequently overlooked and understudied device in video game scholarship, despite its prominence in a vast number of games. Most gaming literature and criticism concludes that cutscenes are predetermined narrative devices and nothing more. Interrogating this general critical dismissal of the cutscene, this thesis argues that it is a significant device that can be used to re-examine a number of important topics and debates in video game studies. Through an analysis of cutscenes deriving from the Metal Gear Solid (Konami, 1998) and Resident Evil (Capcom, 1996) franchises, I demonstrate the cutscene’s importance within (1) studies of video game agency and (2) video game promotion. -
16491 Old Gres Mag 2003
Old Greshamian Magazine Number 142 November 2003 Bakers & Larners of Holt The Last Word In Luxury Shopping Bakers & Larners of Holt Market Place Holt Norfolk NR25 6BW Telephone 01263 712244 Fax 01263 712720 Open an OPTION ACCOUNT and be part of the exceptional shopping experience! Website www.bakersofholt.co.uk Email [email protected] Old Greshamian Magazine CONTENTS Calendar of Events 3 Chairman’s Notes 4 Annual General Meeting and The O.G. Club Committee 5 – 7 Accounts 8 – 9 Obituaries 30 – 29 O.G. News 30 – 46 Marriages, Engagements and Honours 47 Centenary Dinner 48 Tallis Reunion Dinner 49 Sydney O.G. Dinner 50 The 2003 Newquay Reunion 50 – 52 The Headmaster’s Speech 53 – 57 The Chairman’s Speech 58 – 59 Sir David Rowland’s Speech 60 – 63 ‘I realised that life is fragile’ 64 – 65 A Railway in my Garden 66 – 67 First Night Nerves 68 – 69 Firman’s Point 70 Best of Times Worst of Times 71 – 72 Reel-life hero 73 – 75 Character building 76 – 77 Ali gets a real lift after his hard work 78 Notes on Gresham’s School 79 Salerno – A Living Nightmare 80 – 81 Sir John Gresham, KT. 82 – 83 Reviews 84 – 91 Old School House Letter 92 – 112 Lecture by Sir Martin Wood, O.G. 112 The Wicksteed Collection 112 O.G. Club Cruise 113 Sports News 114 – 118 Letters to the Editor 119 – 121 Miscellaneous 122 – 124 Examination Results 124 Destinations of School Leavers 125 O.G. News/Change of Address 127 2 Outline Calendar of Events 2003 –2004 CHRISTMAS MEETING 2003. -
Resident Evil 2: the Board Game Rulebook
RULEBOOK 1 CONTENTS Introduction . 3 Additional Game Rules . 16 Tiles ........................................16 Game Contents . 4 Tile Encounter Levels .....................16 Character Profiles ............................6 Terrain Elements ............................17 Profile Cards ...............................6 1. Doors ..................................17 The Health Track ..........................6 2. Stairwells ..............................17 Inventories ................................6 3. Walls. 17 Item Cards ...................................7 4. Item Boxes .............................17 The Playing Area .............................8 Characters ..................................18 Square Model Limits .......................8 The Health Track .........................18 Range .....................................8 Resuscitation and Character Death ......18 Line of Sight ...............................8 Items .....................................18 Herb Items .............................18 Enemy Reference Cards .......................9 Weapon Profiles ........................18 Custom Weapons .......................18 Gameplay – The Basics . 10 Enemies ....................................19 Character Activations ........................10 Enemy Reference Cards ...................19 1. The Action Phase .......................10 Move ..................................10 Getting Ready to Play Scenario 2A. .20 Open/Close Door .......................10 Setting Up ................................20 Search .................................10