Modernism in Pakistani Urdu Dramas Pjaee, 18(8) (2021)
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“Script Writing” MCD502 Competition Is Improving the Quality of Dramas
“Script Writing” MCD502 Competition is improving the Quality of Dramas With the onset of the new millennium came a relaxation in the PEMRA laws, as well as a more ‘enlightened’ government. All these new changes resulted in a lot of channels and a variety of Pakistani dramas for the viewers. Over the years, viewers had to ignore many shows because unfortunately a lot of Pakistani directors had taken to producing overly glamorous and unrealistic dramas. Recently however the tables have turned and now most viewers have to choose between two or more most-watch drama serials, which air at the same time on competing channels. Every Saturday for instance, I keep switching between GEO and HUM TV to find out the story of both ‘Meri Zaat Zare Benishan’ and ‘Vasl’. Both dramas have an extremely realistic storyline and a very moving performance by the casts. With such strong competition directors are making a lot of effort to come up with new stories and good casts for a good production. Instead of making glamorous sets and spending a lot of budget on appearances, most directors are producing dramas closer to home and trying to depict details, dialogues and circumstances that the viewers can relate to. Interestingly the two earlier mentioned dramas “Meri Zaat Zara Benishan’ and ‘Vasl’ both show a mix of lifestyles. In ‘Meri Zaat’ the drama shows the mindset of a conservative family, and then shows the resulting poor lifestyle of the heroine Saba. At the same time we observe the hero Arfeens’, who works in France, lifestyle. In Vasl the drama also shifts between New York and Karachi, showing an average middle class families outlook. -
Promoting Elite Culture by Pakistani Tv Channels ______
PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS ___________________________________________________ _____ BY MUNHAM SHEHZAD REGISTRATION # 11020216227 PhD Centre for Media and Communication Studies University of Gujrat Session 2015-18 (Page 1 of 133) PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS A Thesis submitted in Partial Fulfilment of the Requirements for the Award of Degree of PhD In Mass Communications & Media By MUNHAM SHEHZAD REGISTRATION # 11020216227 Centre for Media & Communication Studies (Page 2 of 133) University of Gujrat Session 2015-18 ACKNOWLEDGEMENT I am very thankful to Almighty Allah for giving me strength and the opportunity to complete this research despite my arduous office work, and continuous personal obligations. I am grateful to Dr. Zahid Yousaf, Associate Professor /Chairperson, Centre for Media & Communication Studies, University of Gujrat as my Supervisor for his advice, constructive comments and support. I am thankful to Dr Malik Adnan, Assistant Professor, Department of Media Studies, Islamia University Bahawalpur as my Ex-Supervisor. I am also grateful to Prof. Dr. Farish Ullah, Dean, Faculty of Arts, whose deep knowledge about Television dramas helped and guided me to complete my study. I profoundly thankful to Dr. Arshad Ali, Mehmood Ahmad, Shamas Suleman, and Ehtesham Ali for extending their help and always pushed me to complete my thesis. I am thankful to my colleagues for their guidance and support in completion of this study. I am very grateful to my beloved Sister, Brothers and In-Laws for -
MAPPING DIGITAL MEDIA: PAKISTAN Mapping Digital Media: Pakistan
COUNTRY REPORT MAPPING DIGITAL MEDIA: PAKISTAN Mapping Digital Media: Pakistan A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Huma Yusuf 1 EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) Graham Watts (regional editor) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 21 June 2013 1. Th e author thanks Jahanzaib Haque and Individualland Pakistan for their help with researching this report. Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 10 Social Indicators ................................................................................................................................ 12 Economic Indicators ........................................................................................................................ -
Pdf (Accessed: 3 June, 2014) 17
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The Production and Reception of gender- based content in Pakistani Television Culture Munira Cheema DPhil Thesis University of Sussex (June 2015) 2 Statement I hereby declare that this thesis has not been submitted, either in the same or in a different form, to this or any other university for a degree. Signature:………………….. 3 Acknowledgements Special thanks to: My supervisors, Dr Kate Lacey and Dr Kate O’Riordan, for their infinite patience as they answered my endless queries in the course of this thesis. Their open-door policy and expert guidance ensured that I always stayed on track. This PhD was funded by the Arts and Humanities Research Council (AHRC), to whom I owe a debt of gratitude. My mother, for providing me with profound counselling, perpetual support and for tirelessly watching over my daughter as I scrambled to meet deadlines. This thesis could not have been completed without her. My husband Nauman, and daughter Zara, who learnt to stay out of the way during my ‘study time’. -
Dramas and Their Perception: a Social Awareness of Drama's Structures and Their Representation
DOI: 10.31 03/gmcr.2018(III-I).03 | Vol. III, No. I (2018) URL: http://dx.doi.org/10.31 03/gmcr.2018(III-I).03 | Pages: 34 – 45 p- ISSN: 2 08-2105 L-ISSN: 2 08-2105 Dramas and their perception: A Social Awareness of Drama's Structures and their Representation Salman Amin* | Saadia Fatima† | Sajjad Ali‡ Abstract This research is designed to explore the impact of Pakistani dramas of the private channel on Pakistani women. To witness various effects caused by dramas, detailed research is carried out. To gather and document the perceptions of the female viewers of Rawalpindi and Islamabad, a detailed questionnaire was prepared. Through a sample of 300 respondents, data was collected from people of different age groups, educational background and occupational groups. The perceptions of viewers about the various content in dramas showed that private channels provide a lot of content for entertainment, education, comedy, information, serious, horror, emotional and musical content. Overall, it was observed that Geo TV dramas provide the content mentioned more frequently than Hum TV and ARY Digital. The study concludes that there are significant changes taking place in all the mentioned domains. The degree to which private channels display different lifestyles was another important variable of the study that has been discussed for so long, but it was observed from the finding that dramas of private channels promote multiple lifestyles (Western and Indian) on an equal basis. Key Words: Impact, Pvt Channels, Drama, Rawalpindi, Islamabad, Lifestyles Introduction In the past, television watching was a lot different from that of today. -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
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Gallup TV Ratings Services – the Only National TV Ratings Service
Gallup TV Ratings Services – The Only National TV Ratings Service Star Plus is Pakistan's Most watched Channel among Cable & Satellite Viewers : Gallup TV Ratings Service Dear Readers, Greetings! Gallup TV Ratings Service (the only National TV Ratings Service) released a report on most popular TV Channels in Pakistan. The report is compiled on the basis of the Gallup TV Ratings Services, the only National TV Ratings available for Pakistan. According to the report, Star Plus tops the list and had an average daily reach of around 12 million Cable and Satellite Viewers during the time period Jan- to date (2013). Second in line are PTV Home and Geo News with approximately 8 million average daily Cable and Satellite Viewers. The channel list below provides list of other channels who come in the top 20 channels list. Please note that the figures released are not counting the viewership of Terrestrial TV Viewers. These terrestrial TV viewers still occupy a majority of TV viewers in the country. Data Source: Gallup Pakistan Top 20 channels in terms of viewership in 2013 Target Audience: Cable & Satellite Viewers Period: Jan-Jun , 2013 Function: Daily Average Reach (in % and thousands Viewers) Rank Channel Name Avg Reach % Avg Reach '000 1 Star Plus 17.645 12,507 2 GEO News 11.434 8,105 3 PTV Home 10.544 7,474 4 Sony 8.925 6,327 5 Cartoon Network 8.543 6,055 6 GEO Entertainment 7.376 5,228 7 ARY Digital 5.078 3,599 8 KTN 5 3,544 9 PTV News 4.825 3,420 10 Urdu 1 4.233 3,000 11 Hum TV 4.19 2,970 12 ATV 3.898 2,763 13 Express News 2.972 2,107 14 ARY News 2.881 2,042 15 Ten Sports 2.861 2,028 16 Sindh TV 2.446 1,734 17 PTV Sports 2.213 1,568 18 ARY Qtv 2.019 1,431 19 Samaa TV 1.906 1,351 20 A Plus 1.889 1,339 Gallup Pakistan's TV Ratings service is based on a panel of over 5000 Households Spread across both Urban and Rural areas of Pakistan (covering all four provinces). -
CONTEMPORARY PROXIMITY FICTION. GUEST EDITED by NADIA ALONSO VOLUME IV, No 01 · SPRING 2018
CONTEMPORARY PROXIMITY FICTION. GUEST EDITED BY NADIA ALONSO VOLUME IV, No 01 · SPRING 2018 PUBLISHED WITH THE ASSISTANCE OF EDITORS ABIS – AlmaDL, Università di Bologna Veronica Innocenti, Héctor J. Pérez and Guglielmo Pescatore. E-MAIL ADDRESS ASSOCIATE EDITOR [email protected] Elliott Logan HOMEPAGE GUEST EDITORS series.unibo.it Nadia Alonso ISSN SECRETARIES 2421-454X Luca Barra, Paolo Noto. DOI EDITORIAL BOARD https://doi.org/10.6092/issn.2421-454X/v4-n1-2018 Marta Boni, Université de Montréal (Canada), Concepción Cascajosa, Universidad Carlos III (Spain), Fernando Canet Centellas, Universitat Politècnica de València (Spain), Alexander Dhoest, Universiteit Antwerpen (Belgium), Julie Gueguen, Paris 3 (France), Lothar Mikos, Hochschule für Film und Fernsehen “Konrad Wolf” in Potsdam- Babelsberg (Germany), Jason Mittell, Middlebury College (USA), Roberta Pearson, University of Nottingham (UK), Xavier Pérez Torio, Universitat Pompeu Fabra (Spain), Veneza Ronsini, Universidade SERIES has two main purposes: first, to respond to the surge Federal de Santa María (Brasil), Massimo Scaglioni, Università Cattolica di Milano (Italy), Murray Smith, University of Kent (UK). of scholarly interest in TV series in the past few years, and compensate for the lack of international journals special- SCIENTIFIC COMMITEE izing in TV seriality; and second, to focus on TV seriality Gunhild Agger, Aalborg Universitet (Denmark), Sarah Cardwell, through the involvement of scholars and readers from both University of Kent (UK), Sonja de Leeuw, Universiteit Utrecht (Netherlands), Sergio Dias Branco, Universidade de Coimbra the English-speaking world and the Mediterranean and Latin (Portugal), Elizabeth Evans, University of Nottingham (UK), Aldo American regions. This is the reason why the journal’s official Grasso, Università Cattolica di Milano (Italy), Sarah Hatchuel, languages are Italian, Spanish and English. -
The World's 500 Most Influential Muslims, 2021
PERSONS • OF THE YEAR • The Muslim500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2021 • B The Muslim500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2021 • i The Muslim 500: The World’s 500 Most Influential Chief Editor: Prof S Abdallah Schleifer Muslims, 2021 Editor: Dr Tarek Elghawary ISBN: print: 978-9957-635-57-2 Managing Editor: Mr Aftab Ahmed e-book: 978-9957-635-56-5 Editorial Board: Dr Minwer Al-Meheid, Mr Moustafa Jordan National Library Elqabbany, and Ms Zeinab Asfour Deposit No: 2020/10/4503 Researchers: Lamya Al-Khraisha, Moustafa Elqabbany, © 2020 The Royal Islamic Strategic Studies Centre Zeinab Asfour, Noora Chahine, and M AbdulJaleal Nasreddin 20 Sa’ed Bino Road, Dabuq PO BOX 950361 Typeset by: Haji M AbdulJaleal Nasreddin Amman 11195, JORDAN www.rissc.jo All rights reserved. No part of this book may be repro- duced or utilised in any form or by any means, electronic or mechanic, including photocopying or recording or by any information storage and retrieval system, without the prior written permission of the publisher. Views expressed in The Muslim 500 do not necessarily reflect those of RISSC or its advisory board. Set in Garamond Premiere Pro Printed in The Hashemite Kingdom of Jordan Calligraphy used throughout the book provided courte- sy of www.FreeIslamicCalligraphy.com Title page Bismilla by Mothana Al-Obaydi MABDA • Contents • INTRODUCTION 1 Persons of the Year - 2021 5 A Selected Surveyof the Muslim World 7 COVID-19 Special Report: Covid-19 Comparing International Policy Effectiveness 25 THE HOUSE OF ISLAM 49 THE -
Imran Aslam Is a Senior Journalist from Pakistan and in Currently The
Imran Aslam is a senior journalist from Pakistan and in currently the president of GEO TV Network, where he oversees content for GEO News, GEO Entertainment, Aag (a youth channel) and GEO Super (Sports). Aslam was born in Madras and had his early schooling in Chittagong and Dacca in then East Pakistan. He graduated from Government College, Lahore. He subsequently studied at the London School of Economics (LSE) and School of Oriental & African Studies where he read Economics, Politics, and International Relations. He left Pakistan after a brief incarceration during which he suffered a period in solitary confinement and was subjected to torture in Baluchistan. At that time he was working on a dissertation on the political evolution of Baluchistan. Aslam moved to the United Arab Emirates and worked as the Director of the Royal Flight of Shaikh Zayed Bin Sultan‐Al‐ Nahyan, where he was tasked to single handedly set up a fleet of luxury aircraft for the personal use of the President of the UAE. This is what he describes as the “Arabian Nightmare” of his life. The job enabled him to travel extensively and meet with some exciting political passengers. He woke up one morning from this unreal job and moved back to Pakistan to pursue a career in Journalism. In 1983 Aslam became the Editor of the Star, an evening newspaper that was to blaze a trail in investigative journalism during the days of General Zia‐ul‐Haq. Working with a wonderful team described as “typewriter guerillas” the Star was the samizdat of Pakistan journalism in those oppressive days. -
The Role of Translation in the Resurgence of Pakistani Dramas
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied -------------------------------------------------------------------------------------------------------------------------- The Role of Translation in the Resurgence of Pakistani Dramas Aisha Shoukat* (B.Ed., MA English) Email: [email protected] Abstract The purpose of this research is to investigate the role of translation in the resurgence of Pakistani Drama Industry, as well as to present suggestions and recommendations for the translators to come up the hurdles they face while translating the dramas. The data was collected through survey technique. Questionnaire were distributed among randomly selected participants comprising open ended and close ended questions. At the end of survey the participants were given 3 images to read and give their views regarding the need of translating Pakistani dramas. 40 participants were randomly selected from English department of The University of Lahore, Different cities of Pakistan and Saudi Arabia. Through findings, the research revealed the revival of Pakistani drama industry and the need of translation for the resurgence of the industry in a foreign country. The findings also shows the interest of the foreigners in Pakistani dramas. The study is important for the readers as it would act as a platform for future researchers to explore the new dimensions in literary translation. Keywords: Pakistani dramas; translation; revival; international audience. 1. Introduction Translation is a mean of communication which help us to communicate with others in the world around. It is defined as “The communication of meaning from one language (the source) to another language (the target) ”[16]. The main focus of the study is on the Literary Translation as it is a challenging phenomenon. -
Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences.