Dramas and Their Perception: a Social Awareness of Drama's Structures and Their Representation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Promoting Elite Culture by Pakistani Tv Channels ______
PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS ___________________________________________________ _____ BY MUNHAM SHEHZAD REGISTRATION # 11020216227 PhD Centre for Media and Communication Studies University of Gujrat Session 2015-18 (Page 1 of 133) PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS A Thesis submitted in Partial Fulfilment of the Requirements for the Award of Degree of PhD In Mass Communications & Media By MUNHAM SHEHZAD REGISTRATION # 11020216227 Centre for Media & Communication Studies (Page 2 of 133) University of Gujrat Session 2015-18 ACKNOWLEDGEMENT I am very thankful to Almighty Allah for giving me strength and the opportunity to complete this research despite my arduous office work, and continuous personal obligations. I am grateful to Dr. Zahid Yousaf, Associate Professor /Chairperson, Centre for Media & Communication Studies, University of Gujrat as my Supervisor for his advice, constructive comments and support. I am thankful to Dr Malik Adnan, Assistant Professor, Department of Media Studies, Islamia University Bahawalpur as my Ex-Supervisor. I am also grateful to Prof. Dr. Farish Ullah, Dean, Faculty of Arts, whose deep knowledge about Television dramas helped and guided me to complete my study. I profoundly thankful to Dr. Arshad Ali, Mehmood Ahmad, Shamas Suleman, and Ehtesham Ali for extending their help and always pushed me to complete my thesis. I am thankful to my colleagues for their guidance and support in completion of this study. I am very grateful to my beloved Sister, Brothers and In-Laws for -
Pdf (Accessed: 3 June, 2014) 17
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The Production and Reception of gender- based content in Pakistani Television Culture Munira Cheema DPhil Thesis University of Sussex (June 2015) 2 Statement I hereby declare that this thesis has not been submitted, either in the same or in a different form, to this or any other university for a degree. Signature:………………….. 3 Acknowledgements Special thanks to: My supervisors, Dr Kate Lacey and Dr Kate O’Riordan, for their infinite patience as they answered my endless queries in the course of this thesis. Their open-door policy and expert guidance ensured that I always stayed on track. This PhD was funded by the Arts and Humanities Research Council (AHRC), to whom I owe a debt of gratitude. My mother, for providing me with profound counselling, perpetual support and for tirelessly watching over my daughter as I scrambled to meet deadlines. This thesis could not have been completed without her. My husband Nauman, and daughter Zara, who learnt to stay out of the way during my ‘study time’. -
Gallup TV Ratings Services – the Only National TV Ratings Service
Gallup TV Ratings Services – The Only National TV Ratings Service Star Plus is Pakistan's Most watched Channel among Cable & Satellite Viewers : Gallup TV Ratings Service Dear Readers, Greetings! Gallup TV Ratings Service (the only National TV Ratings Service) released a report on most popular TV Channels in Pakistan. The report is compiled on the basis of the Gallup TV Ratings Services, the only National TV Ratings available for Pakistan. According to the report, Star Plus tops the list and had an average daily reach of around 12 million Cable and Satellite Viewers during the time period Jan- to date (2013). Second in line are PTV Home and Geo News with approximately 8 million average daily Cable and Satellite Viewers. The channel list below provides list of other channels who come in the top 20 channels list. Please note that the figures released are not counting the viewership of Terrestrial TV Viewers. These terrestrial TV viewers still occupy a majority of TV viewers in the country. Data Source: Gallup Pakistan Top 20 channels in terms of viewership in 2013 Target Audience: Cable & Satellite Viewers Period: Jan-Jun , 2013 Function: Daily Average Reach (in % and thousands Viewers) Rank Channel Name Avg Reach % Avg Reach '000 1 Star Plus 17.645 12,507 2 GEO News 11.434 8,105 3 PTV Home 10.544 7,474 4 Sony 8.925 6,327 5 Cartoon Network 8.543 6,055 6 GEO Entertainment 7.376 5,228 7 ARY Digital 5.078 3,599 8 KTN 5 3,544 9 PTV News 4.825 3,420 10 Urdu 1 4.233 3,000 11 Hum TV 4.19 2,970 12 ATV 3.898 2,763 13 Express News 2.972 2,107 14 ARY News 2.881 2,042 15 Ten Sports 2.861 2,028 16 Sindh TV 2.446 1,734 17 PTV Sports 2.213 1,568 18 ARY Qtv 2.019 1,431 19 Samaa TV 1.906 1,351 20 A Plus 1.889 1,339 Gallup Pakistan's TV Ratings service is based on a panel of over 5000 Households Spread across both Urban and Rural areas of Pakistan (covering all four provinces). -
The World's 500 Most Influential Muslims, 2021
PERSONS • OF THE YEAR • The Muslim500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2021 • B The Muslim500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2021 • i The Muslim 500: The World’s 500 Most Influential Chief Editor: Prof S Abdallah Schleifer Muslims, 2021 Editor: Dr Tarek Elghawary ISBN: print: 978-9957-635-57-2 Managing Editor: Mr Aftab Ahmed e-book: 978-9957-635-56-5 Editorial Board: Dr Minwer Al-Meheid, Mr Moustafa Jordan National Library Elqabbany, and Ms Zeinab Asfour Deposit No: 2020/10/4503 Researchers: Lamya Al-Khraisha, Moustafa Elqabbany, © 2020 The Royal Islamic Strategic Studies Centre Zeinab Asfour, Noora Chahine, and M AbdulJaleal Nasreddin 20 Sa’ed Bino Road, Dabuq PO BOX 950361 Typeset by: Haji M AbdulJaleal Nasreddin Amman 11195, JORDAN www.rissc.jo All rights reserved. No part of this book may be repro- duced or utilised in any form or by any means, electronic or mechanic, including photocopying or recording or by any information storage and retrieval system, without the prior written permission of the publisher. Views expressed in The Muslim 500 do not necessarily reflect those of RISSC or its advisory board. Set in Garamond Premiere Pro Printed in The Hashemite Kingdom of Jordan Calligraphy used throughout the book provided courte- sy of www.FreeIslamicCalligraphy.com Title page Bismilla by Mothana Al-Obaydi MABDA • Contents • INTRODUCTION 1 Persons of the Year - 2021 5 A Selected Surveyof the Muslim World 7 COVID-19 Special Report: Covid-19 Comparing International Policy Effectiveness 25 THE HOUSE OF ISLAM 49 THE -
The Role of Translation in the Resurgence of Pakistani Dramas
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied -------------------------------------------------------------------------------------------------------------------------- The Role of Translation in the Resurgence of Pakistani Dramas Aisha Shoukat* (B.Ed., MA English) Email: [email protected] Abstract The purpose of this research is to investigate the role of translation in the resurgence of Pakistani Drama Industry, as well as to present suggestions and recommendations for the translators to come up the hurdles they face while translating the dramas. The data was collected through survey technique. Questionnaire were distributed among randomly selected participants comprising open ended and close ended questions. At the end of survey the participants were given 3 images to read and give their views regarding the need of translating Pakistani dramas. 40 participants were randomly selected from English department of The University of Lahore, Different cities of Pakistan and Saudi Arabia. Through findings, the research revealed the revival of Pakistani drama industry and the need of translation for the resurgence of the industry in a foreign country. The findings also shows the interest of the foreigners in Pakistani dramas. The study is important for the readers as it would act as a platform for future researchers to explore the new dimensions in literary translation. Keywords: Pakistani dramas; translation; revival; international audience. 1. Introduction Translation is a mean of communication which help us to communicate with others in the world around. It is defined as “The communication of meaning from one language (the source) to another language (the target) ”[16]. The main focus of the study is on the Literary Translation as it is a challenging phenomenon. -
Assignment # 3
Assignment # 3 Competitors Map Of HUM TELEVISION Submitted to: Sir Shehzad Submitted by: Muhammad Salman khan Roll Number: 01-120092-037 Competitors Map Of HUM TELEVISION Religious channel Kid’s TV One channel News Play TV channel ARY Digital Oye - Youth Geo TV ARY Musik Entertainme nt Movie Food TV Masala Style360 Direct Indirect channel Food Fashion Competitor Competitor Channel Channel ARY Dalda ZAUQ Dastar Food Khowan Magazine Fashion TV Cook Book Quakab News Life style Kook Book Papers channel Radio Channels Hum TV: Hum TV Is a 24-hour Pakistani entertainment TV channel based in Karachi and it is the first brand of Eye Television Network Limited, Pakistan, began its transmission on January 17, 2005. It is popular because its content covers the entire family with special focus on females of Pakistan. Sister Channels: It has three sister channels: • Masala – Food Channel. • Oye Channel – Youth Entertainment Channel. • Style360 – Fashion Channel. Also it is launching its monthly Food Magazines. Direct Competitors of Hum TV: Direct competitors of Hum Channels are as follows: • Entertainment channel o Geo TV o TV One o ARY Digital They are direct competitor of Hum Pure entertainment channel. They are also producing quality drama serials and morning shows etc. • Music Channel o Play TV o ARY Musik These channels are direct competitors of OYE Channel. They are purely providing entertainment to youth. • Food Channel o Food TV o ARY ZAUQ These channels are direct competitors of Masala TV. These channels are providing food programs. • Food Magazines o Dalda Ka Dastarkhowan o Quakab Kook Book o Cook Book These are magazines in market which are direct competitor of th Food Magazine. -
Scanned Using Scannx OS16000 PC
/' \ / / SAGAR 2017-2018 CHIEF EDITORS Sundas Amer, Dept, of Asian Studies, UT Austin Charlotte Giles, Dept, of Asian Studies, UT Austin Paromita Pain, Dept, of Journalism, UT Austin ^ EDITORIAL COLLECTIVE MEMBERS Nabeeha Chaudhary, Radio-Film-Television, UT Austin Andrea Guiterrez, Dept, of Asian Studies, UT Austin Hamza Muhammad Iqbal, Comparative Literature, UT Austin Namrata Kanchan, Dept, of Asian Studies, UT Austin Kathleen Longwaters, Dept, of Asian Studies, UT Austin Daniel Ng, Anthropology, UT Austin Kathryn North, Dept, of Asian Studies, UT Austin Joshua Orme, Dept, of Asian Studies, UT Austin David St. John, Dept, of Asian Studies, UT Austin Ramna Walia, Radio-Film-Television, UT Austin WEB EDITOR Charlotte Giles & Paromita Pain PRINTDESIGNER Dana Johnson EDITORIAL ADVISORS Donald R. Davis, Jr., Director, UT South Asia Institute; Professor, Dept, of Asian Studies, UT-Austin Rachel S. Meyer, Assistant Director, UT South Asia Institute EDITORIAL BOARD Richard Barnett, Associate Professor, Dept, of History, University of Virginia Eric Lewis Beverley, Assistant Professor, Dept, of History, SUNY Stonybrook Purmma Bose, Associate Professor, Dept, of English, Indiana University-Bloomineton Laura Brueck, Assomate Professor, Asian Languages & Cultures Dept., Northwestern University Indrani Chatterjee, Dept, of History, UT-Austin uiuversiiy Lalitha Gopalan, Associate Professor, Dept, of Radio-TV-Film, UT-Austin Sumit Guha, Dept, of History, UT-Austin Kathryn Hansen, Professor Emerita, Dept, of Asian Studies, UT-Austin Barbara Harlow, Professor, Dept, of English, UT-Austin Heather Hindman, Assistant Professor, Dept, of Anthropology, UT-Austin Syed Akbar Hyder, Associate Professor, Dept, of Asian Studies, UT-Austin Shanti Kumar, Associate Professor, Dept, of Radio-Television-Film, UT-Austin Janice Leoshko, Associate Professor, Dept, of Art and Art History, UT-Austin W. -
Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan
Syracuse University SURFACE Dissertations - ALL SURFACE June 2014 Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan Faris Ahmed Khan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Khan, Faris Ahmed, "Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan" (2014). Dissertations - ALL. 56. https://surface.syr.edu/etd/56 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract In 2009, the Pakistani Supreme Court began granting rights to gender ambiguous people who are locally known as khwaja siras. The Court organized this population into taxonomic groups and ordered the government to ‘mainstream’ them. These actions were based on certain cultural assumptions and occurred amid uncertainties about who khwaja siras really were. Meanwhile, khwaja siras began to mobilize in an effort to control their public image. Based on fourteen months of ethnographic fieldwork on the identity politics of khwaja siras in Karachi, this dissertation seeks to understand the ways in which gender ambiguous people constructed, negotiated and represented themselves both within their social networks and in the wider society, as well as the factors underpinning their public portrayals. I conceive khwaja sira politics as a ‘game’, that is, as the art of manipulation and concealment. I argue that the games of secrecy and deception in which this minority population engaged were responses to the stigma they experienced in everyday life. -
Channel Changes
CHANNEL CHANGES Here are the major changes that have taken place on the various satellites over India in the past month. G-SAT 8 AT 55.0E News 24x7, Raj Musix Tamil and Raj Cinema Middle East have left 3732 On 11th Mana TV Channel 3-4 have Asia on 4140 V are encrypted again. V; Film 1 has started on 3880 H, left 10968 V. On 16th T-Sat Disha MEASAT 3/3A at 91.5 deg E; On 15th FTA; Fire TV, War News, Cinema TV, has started on 10968 V, FTA. Champions TV 1 and Champions TV Venus TV and Business Plus have 2 have started on 12396 H, started on 4146 H, FTA; King TV, As IS 17 AT 66 DEG E encrypted; Reformed 21 has started News, Pink Film, Roshni News and On 13th Meenakshi TV has left 3966 on 12436 H, encrypted; Zing Asia Etihad have left. On 23rd JK News H. has left 12436 H. On 20th DD Bihar has replaced Awaz Entertainment on has started on 12276 H, Irdeto. 3880 H, FTA; CineGold, Rung TV IS 20 AT 68.5 DEG E and NS Choice have started on 4146 On 9th Shalom TV is back on 12682 INSAT 4B/3A / GSAT 15 / GSAT H, FTA; Music Masti, Klutch Bux V, FTA. On 13th 1st India has 17AT 93.5 DEG E and TV 110 have left. replaced Sanskriti on 4184 V, FTA. On 20th Dr Shuddhi, DD Rajasthan, On 28th NewsTime Assam has Fakt Marathi, Shemaroo Marathi SES 7/TELKOM 4 AT 108 DEG E started on 4013 H, FTA; News 18 Bana and Ishwar Bhakti TV have On 15th Thrill and Celestial Classic Malayalam on 4034 V is now in FTA; started on 11510 H, Conax; Karma Movies have started on 3900 V, ABV. -
1-U3753-WHS-Prog-Channel-FIBE
CHANNEL LISTING FIBE TV CURRENT AS OF JANUARY 15, 2015. $ 95/MO.1 CTV NEWS CHANNEL.............................501 NBC HD ........................................................ 1220 TSN1 ................................................................ 400 IN A BUNDLE CTV NEWS CHANNEL HD ..................1501 NTV - ST. JOHN’S ......................................212 TSN1 HD .......................................................1400 GOOD FROM 41 CTV TWO ......................................................202 O TSN RADIO 1050 .......................................977 A CTV TWO HD ............................................ 1202 OMNI.1 - TORONTO ................................206 TSN RADIO 1290 WINNIPEG ..............979 ABC - EAST ................................................... 221 E OMNI.1 HD - TORONTO ......................1206 TSN RADIO 990 MONTREAL ............ 980 ABC HD - EAST ..........................................1221 E! .........................................................................621 OMNI.2 - TORONTO ............................... 207 TSN3 ........................................................ VARIES ABORIGINAL VOICES RADIO ............946 E! HD ................................................................1621 OMNI.2 HD - TORONTO ......................1207 TSN3 HD ................................................ VARIES AMI-AUDIO ....................................................49 ÉSPACE MUSIQUE ................................... 975 ONTARIO LEGISLATIVE TSN4 ....................................................... -
Content-Based Automatic Video Genre Identification
(IJACSA) International Journal of Advanced Computer Science and Applications, Vol. 10, No. 6, 2019 Content-based Automatic Video Genre Identification Faryal Shamsi1, Sher Muhammad Daudpota2, Sarang Shaikh3 Department of Computer Science Sukkur IBA University Sukkur, Pakistan Abstract—Video content is evolving enormously with the heavy matter how irrespective it is, with the actual contents of video. usage of internet and social media websites. Proper searching and An up-loader might give his or her own name to a movie or can indexing of such video content is a major challenge. The existing caption a talk show as a movie, in such cases a user may not be video search potentially relies on the information provided by able to view these videos if his/her search string does not match the user, such as video caption, description and subsequent with the information available with the video. So, there must comments on the video. In such case, if users provide insufficient be an identification system for video genre which considers or incorrect information about the video genre, the video may not be indexed correctly and ignored during search and retrieval. its contents rather than the textual information provided by This paper proposes a mechanism to understand the contents of the up-loader. video and categorize it as Music Video, Talk Show, Movie/Drama, This paper proposes a frame work to analyze contents of an Animation and Sports. For video classification, the proposed system uses audio and visual features like audio signal energy, input video and classify it in one of the five genres including zero crossing rate, spectral flux from audio and shot boundary, music video, talk-show, movie/drama, animation and sports. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication.