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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
2020 May June Newsletter
MAY / JUNE NEWSLETTER CLUB COMMITTEE 2020 CONTENT President Karl Herman 2304946 President Report - 1 Secretary Clare Atkinson 2159441 Photos - 2 Treasurer Nicola Fleming 2304604 Club Notices - 3 Tuitions Cheryl Cross 0275120144 Jokes - 3-4 Pub Relations Wendy Butler 0273797227 Fundraising - 4 Hall Mgr James Phillipson 021929916 Demos - 5 Editor/Cleaner Jeanette Hope - Johnstone Birthdays - 5 0276233253 New Members - 5 Demo Co-Ord Izaak Sanders 0278943522 Member Profile - 6 Committee: Pauline Rodan, Brent Shirley & Evelyn Sooalo Rock n Roll Personalities History - 7-14 Sale and wanted - 15 THE PRESIDENTS BOOGIE WOOGIE Hi guys, it seems forever that I have seen you all in one way or another, 70 days to be exact!! Bit scary and I would say a number of you may have to go through beginner lessons again and also wear name tags lol. On the 9th of May the national association had their AGM with a number of clubs from throughout New Zealand that were involved. First time ever we had to run the meeting through zoom so talking to 40 odd people from around the country was quite weird but it worked. A number of remits were discussed and voted on with a collection of changes mostly good but a few I didn’t agree with but you all can see it all on the association website if you are interested in looking . Also senior and junior nationals were voted on where they should be hosted and that is also advertised on their website. Juniors next year will be in Porirua and Seniors will be in Wanganui. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
Gigantic Book Of
e’re all made of cocaine use”); James meat, even the Lorenzo from Pride & not-so-meaty Glory (“about the size of amonWg us. We like to pre - a pinkie finger”); Stefan tend we are something Adika from Dad’s Porno more than meat, yet when Mag (“hung like a baby we die, only the meat remains. and is a quick shooter”); Slik Toxik’s Rob Bruce (“small cock, Women, because they are congenitally plus he only has ONE BALL! He lost his other ball in an acci - insane, are the most fervid propagandists of dent”); Dokken’s Mick Brown (“maybe 3 inches if you pull on the idea that we possess something beyond it”); one-time Van Halen singer Gary Cherone (“so small if mere flesh, blood, bone, and the occasional somebody saw you sucking his dick it would look like waste product. Women, especially when they you were smoking a joint!”); Jack Russell get older and their meat starts to sag, invari - from Great White (“Mushroom CAP & that’s ably lose their minds and indulge psychotic it, ONCE BITTEN and it never grew delusions such as the notion that we all have back!”); Tommy Thayer from Black-n-Blue a “soul.” And since they clutch their aging (“so small crabs could use it as a flag - chicken claws onto this notion with bloody pole”); Marq Torien from BulletBoys (“so desperation, they are the first to shriek when small he probably pisses on his balls”); someone alleges that they are, in the end, Glenn Danzig (“his cock is just like him, meat. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
The Right to Rock » Blog Archive » Frankie Banali & Friends
The Right To Rock » Blog Archive » Frankie Banali & Friends - 24/7/3... http://therighttorock.com/?p=156 TIME IS LIKE A FUSE, SHORT AND BURNING FAST - "Fight Fire With Fire", Metallica « Podcast #31: Covers Over Kill - Immortalis » Frankie Banali & Friends - 24/7/365 The Tribute to Led Zeppelin Is it a crime to cover one of hard rock’s most legendary bands? Well Quiet Riot drummer Frankie Banali is on a mission to do the unthinkable and cover some of the greatest tunes ever recorded by none other than Led Zeppelin. What is the reason for this unimaginable feat? Well, I can say it in two words: John Bonham . Frankie has assembled an all star line up of musicians to pay homage to the man that inspired him to pick up the stix. He enlisted the services of fretless bass master, Tony Franklin, to solidify the rhythm section and then he brought in a who’s who of guitarists and vocalists to round out the project. Frankie carefully picked the musicians for each song so that each would be treated with the respect that it deserved. Alex Ligertwood starts off the festivities with a truly killer remake of The Wanton Song, with monster guitarist Doug Aldrich manning the axe. It doesn’t slow down from there with Glenn Hughes’ incredible interpretation of Four Sticks. Glenn adds a bit of soul to the tune that just makes it sound bigger than ever. To top off all of the vocal giants on this record, vocalist Paul Shortino delivers big on Ramble On, rivaling the original. -
Proudly Supports Mentor Rocks
Online Quick Care Getting sick is never convenient, but getting care should be. That’s why Lake Health introduced Online Quick Care. “Visit” with a Lake Health provider from your smartphone or computer seven days a week from 9 am - 9 pm. lakehealthquickcare.zipnosis.com Online Quick Care Getting sick is never convenient, but getting care should be. That’s why Lake Health introduced Online Quick Care. “Visit” with a Lake Health provider from your smartphone or computer seven days a week from 9 am - 9 pm. lakehealthquickcare.zipnosis.com Thanks to our sponsors ® think local magazine Get ready to rock! The City of Mentor welcomes you to Mentor Rocks. For over 30 years, the City has proudly supported local artists through a variety of events, including our summer concert series. In 2017, we unveiled our new state-of-the-art amphitheater to serve as an active center for advancing performing arts, not only in our community but in the region. We are thrilled at the response and hope you enjoy the energetic and diverse entertainment schedule we have in store MENTOR CITY COUNCIL for you this year! Standing: (L-R) Matthew E. Donovan (Ward 2), Scott J. Marn (At-Large), Ray Kirchner (At- Sincerely, Large), and Sean P. Blake (Ward 1). Seated: (L-R) Council Vice-President Bruce R. Landeg (Ward 3), Council President John A. Kenneth J. Filipiak Krueger (Ward 4), and Janet A. Dowling (At- City Manager Large). THE ULTIMATE BEACH PARTY! Food • Entertainment • sand • Water • fun 3 WORLD CLASS SAND SCULPTORS July 20, 2019 11AM-7PM Headlands BEACH State Park 9601 Headlands Road, Mentor, OH 44060 www.headlandsbeachfest.com Mentor On Tap & Uncorked features the best beers and wines that Ohio has to offer...along with great food & live music too! Bring on the fun! If you’re looking for Star-Spangled Fourth of July something to do this summer, Spectacular you won’t have to wait long. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
AUDIO + VIDEO 4/13/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 07 APRIL 13 + APRIL 20, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 4/13/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- NON 521074 ALLEN, TONY Secret Agent $18.98 4/13/10 3/24/10 CD- RAA 523695 BECK, JEFF Emotion & Commotion $18.98 4/13/10 3/24/10 CD- ATL 521144 CASTRO, JASON Jason Castro $9.94 4/13/10 3/24/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 4/13/10 3/17/10 CD- ASW 523890 GUCCI MANE Burrrprint (2) HD $13.99 4/13/10 3/24/10 CD- LAT 524047 MAGO DE OZ Gaia III - Atlantia $20.98 4/13/10 3/24/10 CD- MERCHANT, NON 522304 NATALIE Leave Your Sleep (2CD) $24.98 4/13/10 3/24/10 CD- MERCHANT, Selections From The Album NON 522301 NATALIE Leave Your Sleep $18.98 4/13/10 3/24/10 CD- LAT 524161 MIJARES Vivir Asi - Vol. II $16.98 4/13/10 3/24/10 CD- STRAIGHT NO ATL 523536 CHASER With A Twist $18.98 4/13/10 3/24/10 4/13/10 Late Additions Street Date Order Due Date CD- ERP 524163 GLORIANA Gloriana $13.99 4/13/10 3/24/10 CD- MFL 524110 GREAVER, PAUL Guitar Lullabies $11.98 4/13/10 3/24/10 Last Update: 03/03/10 ARTIST: Tony Allen TITLE: Secret Agent Label: NON/Nonesuch Config & Selection #: CD 521074 Street Date: 04/13/10 Order Due Date: 03/24/10 Compact Disc UPC: 075597981001 Box Count: 30 Unit Per Set: 1 SRP: $18.98 Alphabetize Under: T File Under: World For the latest up to date info on this release visit WEA.com. -
1978 Fifteenth Space Congress Program
Space Congress Programs 4-26-1978 1978 Fifteenth Space Congress Program Canaveral Council of Technical Societies Follow this and additional works at: https://commons.erau.edu/space-congress-programs Scholarly Commons Citation Canaveral Council of Technical Societies, "1978 Fifteenth Space Congress Program" (1978). Space Congress Programs. 36. https://commons.erau.edu/space-congress-programs/36 This Book is brought to you for free and open access by Scholarly Commons. It has been accepted for inclusion in Space Congress Programs by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. ::c 1- z w w I LL LL COCOA B~ACH , FLORIDA • APRIL 26, 27, 28, 1978 FIFTEENTH SPACE CONGRESS COMITTEE CHAIRMAN'S MESSAGE GENERAL CHAIRMAN William C. (Bill) Holmes THE FIFTEENTH SPACE Boeing Services International, Inc. CONGRESS, developed with the theme, "Space - The Best VICE CHAIRMAN is Yet to Come," will be an Gene McCoy outstanding technical confer NASA, Kennedy Space Center ence. It is designed to pres ent the latest advances in ASSISTANT TO CHAIRMAN aerospace technology in an John W. Griffin environment most conduc- Boeing Services I nternati.onal, Inc. ive to information exchange. FINANCE Our program this year has E. M. (Skip) Lauer six technical paper sessions to allow you maximum participation in the Guest Realty, Inc. technical programs. We will cover a variety of topics including communications, technology transfer/utilization, PROGRAM CHAIRMAN advanced technology, future programs, and international Jarnes W. (Jim) Johnson advances in space transportation. We are also including a NASA, Kennedy Space Center session on energy based on the interest displayed in the past two years. -
One Direction Infection: Media Representations of Boy Bands and Their Fans
One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes.