Jan. 5, 1961 Catholic Church
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Elizabeth Taylor: Screen Goddess
PRESS RELEASE: June 2011 11/5 Elizabeth Taylor: Screen Goddess BFI Southbank Salutes the Hollywood Legend On 23 March 2011 Hollywood – and the world – lost a living legend when Dame Elizabeth Taylor died. As a tribute to her BFI Southbank presents a season of some of her finest films, this August, including Giant (1956), Cat on a Hot Tin Roof (1958) and Who’s Afraid of Virginia Woolf? (1966). Throughout her career she won two Academy Awards and was nominated for a further three, and, beauty aside, was known for her humanitarian work and fearless social activism. Elizabeth Taylor was born in Hampstead, London, on 27 February 1932 to affluent American parents, and moved to the US just months before the outbreak of WWII. Retired stage actress Sara Southern doggedly promoted her daughter’s career as a child star, culminating in the hit National Velvet (1944), when she was just 12, and was instrumental in the reluctant teenager’s successful transition to adult roles. Her first big success in an adult role came with Vincente Minnelli’s Father of the Bride (1950), before her burgeoning sexuality was recognised and she was cast as a wealthy young seductress in A Place in the Sun (1951) – her first on-screen partnership with Montgomery Clift (a friend to whom Taylor remained fiercely loyal until Clift’s death in 1966). Together they were hailed as the most beautiful movie couple in Hollywood history. The oil-epic Giant (1956) came next, followed by Raintree County (1958), which earned the actress her first Oscar nomination and saw Taylor reunited with Clift, though it was during the filming that he was in the infamous car crash that would leave him physically and mentally scarred. -
51 “Sacred Places Are Those Which Are Designated for Divine Worship Or
CHAPTER IV SACRED PLACES AND TIMES “Sacred places are those which are designated for Divine worship or for the burial of the faithful by dedication or a blessing which the liturgical books prescribe for this purpose” (can. 1205). SECTION I: PARISH CHURCHES, CHAPELS AND ORATORIES 189 §1. The erection, renovation or modification of a church, chapel, or any other building on parish or school property requires compliance with the norms published in the Building Policy of the Diocese of Bismarck. (Appendix 25) §2. A parish church may become an oratory if circumstances favor such a canonical transfer. This is only done under the direct supervision of the Diocesan Bishop and following the appropriate procedure. (Appendix 26) 190 §1. Pastors, rectors and chaplains are charged with the responsibility of maintaining the proper cleanliness and good order befitting a place of divine worship in churches, chapels and oratories. §2. Every effort should be made to make churches, chapels, oratories and other spaces where the faithful gather accessible to persons who are physically disabled. §3. All upkeep and repair of sacred art in a church, chapel or oratory is to be done by competent artists. 191 Admission to churches, chapels and oratories for all sacred functions must be absolutely free of charge as specified in can. 1221. Any custom to the contrary is not to be tolerated. Money may be collected only once during church services, unless the Diocesan Bishop has given permission for an additional collection. 192 Churches, chapels and oratories may not be used for any purpose except divine worship. Such functions as civic programs, music concerts and the like may not take place in a church, chapel or oratory without the express approval of the pastor, rector, or chaplain. -
Remembering Saint-Like Priest
Remembering saint-like priest How does St. Aloysius Schwartz sound to you? Who, you may ask, is Aloysius Schwartz? Monsignor Aloysius Schwartz walked among us. While he was born in Washington in 1930, he went St. Charles College (now Charlestown) in 1944 as a freshman in the minor seminary high school. His illustrious classmates include Bishop Joe Gossman and Dr. Mike Eder, a famed educator. From an early age, Al felt called to the missions. He studied at Maryknoll College and completed his theology in Louvain, Begium. His sister, Dolores Vita, a parishioner at St. John Neumann Mission in Annapolis, told me that Maryknoll wanted him to teach, but Al wanted to go to the missions. So he was actually ordained as a diocesan priest on June 29, 1957, and was assigned in Busan, South Korea. In the seminary, at Louvain, Al would spend his summer vacations working at the rag pickers’ camps for derelicts of French society. Al visited Banneux, where the Virgin of the Poor appeared, and dedicated his priesthood to the service of the poor. The law of attraction surely worked for Father Al. His love for the poor brought the poor to his door. Orphans would show up at his rectory. Realizing he needed support in caring for the poor, he founded the Religious Congregation of the Sisters of Mary in 1964, and the Brothers of Christ in 1981. He established Boystowns and Girlstowns to care for and educate the orphan and abandoned children, and children from poor families. Father Al was involved in pro-life activities of every kind, building hospitals and sanatoriums for the indigent, hospices for the homeless and handicapped men, women and children. -
The Creative Process
The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other. -
Agenda Paolina
2021 AGENDA PAOLINA con riflessioni quotidiane dagli scritti del beato Giacomo Alberione Anno LXV © SASP s.r.l., 2020 Copertina di Ulysses Navarro, ssp “Gesù Maestro Via Verità Vita”: realizzazione grafica di Ulysses Navarro, ssp PRESENTAZIONE «Ut unum sint». Dalla Parola l’unità. La comunione con la Trinità come senso ultimo della nostra vita aposto- lica, del nostro vivere insieme per l’evangelizzazione e del nostro operare perché l’umanità possa incontrare Gesù Maestro. Ma anche la comunione come stile di vita e mentalità, continuamente rinnovata da Cristo e dalle nuove frontiere della missione paolina. Questo essere “uno” esprime il senso del “corpo”, della Famiglia Paolina pronta a operare insieme, a pregare insieme per l’umani- tà, a generare nuovi percorsi di vita. Lo sfondo dei brani scelti per l’Agenda Paolina 2021 è la sinodalità, tema tanto caro a Papa Francesco e neces- sario per vivere la nostra missione. “Camminare insieme”, nella diversità dei doni, è un atteggiamento profondo ma anche un modo di operare. “Sinodali” lo siamo nel vivere la nostra missione come Famiglia, quando la Parola di Dio ci raggiunge, ci conquista e dà nuovi significati al no- stro essere in mezzo all’umanità di oggi. La vita del Beato Giacomo Alberione, nel Centenario della sua professione religiosa (5 ottobre), è per noi un esempio perché impre- gnata di incontri, di reciprocità, di ascolto, di coinvolgi- mento… Il suo amore alla Scrittura, e in particolare alle Lettere di san Paolo, ha plasmato il suo modo di vivere da apostolo e di esserci padre. Durante quest’anno celebriamo il 50° della morte del Primo Maestro e portiamo a termine, proprio il 26 no- vembre, l’Anno Biblico di Famiglia Paolina. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
John Quincy Adams from Lectures on Rhetoric and Oratory
John Quincy Adams Lectures on Rhetoric and Oratory: Delivered to the Classes of Senior and Junior Sophisters in Harvard University, by John Quincy Adams. Vol 1. Cambridge: Hilliard and Metcalf, 1810. While best known as President lectures be published. In 1810, Adams (1824-28), John Quincy Adams held, in wrote in his diary that “I shall never, 1806, the chair of Boylston Professor of unless by some special favor of Heaven, Rhetoric and Oratory at his alma matter, accomplish any work of higher elevation.” Harvard. As part of the responsibility of However, the lectures failed to make much his position, Adams was required to public impact. deliver a series of lectures on rhetoric Still, when read today, the Adams “based upon the models of the ancients.” lectures give a solid, informative summary When Adams was first notified of of much that has been written about his appointment in 1805, he was still various rhetorical forms. The section here serving as senator of Massachusetts. He is included to give you more ideas about immediately set to work on the lectures. your own deliberative speech. There is We know that he read and studied many also a sense in which Adams is writers on rhetoric, including Quintilian, specifically American in his formation of Cicero, Bacon, and George Campbell. He rhetoric; he offers a public, presented thirty-six lectures between 1806 straightforward, clear and practical guide and 1809. (You will read number eleven, to public debate and discussion. It is on deliberative rhetoric.) While the overall precisely what you might expect to hear reaction to the lectures was lukewarm, from a member of one of the founding when students heard that Adams was families of the Revolution, one who was leaving Harvard to become United States witness to the evolution of the American Minister to Russia, they asked that the public speech. -
Holy Trinity Catholic Church
Holy Trinity Catholic Church 4215 Pine Rd. NE Bremerton, WA 98310 Phone: 360-377-7674 Fax: 360-377-6181 Parish Website: www.htcbremerton.org March 11, 2018 Mission Statement: We, the Roman Catholic community who gather at Holy Trinity Parish, are committed to the worship of God, the building of community and service to others by proclaiming the Gospel of Jesus Christ. We do this because we are loved by God and empowered by the Holy Spirit to share in Jesus’ mission. Weekend Eucharistic (Mass) Schedule Parish Office (360)377-7674 Saturday: 5:00pm (Vigil) Parish office email: [email protected] Sunday: 8:00, 9:45, 11:30am, 4:00pm (Spanish) Hours: Mon., Tue., Thu. & Fri.: Receivers for hearing impaired available by contacting any 9:00am - 12:00pm, 1:00pm - 4:30pm; usher before Mass. Wed. : 9:00am-11:00pm, 1:30pm-4:30pm Weekday Masses: Parish Staff (St. Joseph Chapel, in memory of Fr J. Erny) Pastoral Coordinator: Veronica Kelley Ext. 228 Wed., Thu. 8:30am, Fri: 11:00am [email protected] Liturgy of the Word/Communion Service: Parish Priests: Mon., Tue.: 8:30am (Chapel) Fr. Jack Buckalew (Pastor Emeritus) Ext. 220 Exposition, Benediction & Liturgy of the Hours: [email protected] Fri.: 10:00am (Church) Fr David Gese Fr Dennis Sevilla Adoration & Benediction: (Chapel) Deacons: First Friday of month, 12pm - 5:50pm (Benediction) Henry Miner [email protected] Holy Day Masses: John Amlag [email protected] 9:00am & 7:00pm Administrator: Ted Leniszew ski Ext. 214 Sacrament of Reconciliation [email protected] Saturday: 2:30pm - Until all are heard or 4:00pm Outreach: Kathy Warcup Ext. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
Glossary, Bibliography, Index of Printed Edition
GLOSSARY Bishop A member of the hierarchy of the Church, given jurisdiction over a diocese; or an archbishop over an archdiocese Bull (From bulla, a seal) A solemn pronouncement by the Pope, such as the 1537 Bull of Pope Paul III, Sublimis Deus,proclaiming the human rights of the Indians (See Ch. 1, n. 16) Chapter An assembly of members, or delegates of a community, province, congregation, or the entire Order of Preachers. A chapter is called for decision-making or election, at intervals determined by the Constitutions. Coadjutor One appointed to assist a bishop in his diocese, with the right to succeed him as its head. Bishop Congregation A title given by the Church to an approved body of religious women or men. Convent The local house of a community of Dominican friars or sisters. Council The central governing unit of a Dominican priory, province, congregation, monastery, laity and the entire Order. Diocese A division of the Church embracing the members entrusted to a bishop; in the case of an archdiocese, an archbishop. Divine Office The Liturgy of the Hours. The official prayer of the Church composed of psalms, hymns and readings from Scripture or related sources. Episcopal Related to a bishop and his jurisdiction in the Church; as in "Episcopal See." Exeat Authorization given to a priest by his bishop to serve in another diocese. Faculties Authorization given a priest by the bishop for priestly ministry in his diocese. Friar A priest or cooperator brother of the Order of Preachers. Lay Brother A term used in the past for "cooperator brother." Lay Dominican A professed member of the Dominican Laity, once called "Third Order." Mandamus The official assignment of a friar or a sister to a Communit and ministry related to the mission of the Order. -
Protection of Minorities in Upper Silesia
[Distributed to the Council.] Official No. : C-422. I 932 - I- Geneva, May 30th, 1932. LEAGUE OF NATIONS PROTECTION OF MINORITIES IN UPPER SILESIA PETITION FROM THE “ASSOCIATION OF POLES IN GERMANY”, SECTION I, OF OPPELN, CONCERNING THE SITUATION OF THE POLISH MINORITY IN GERMAN UPPER SILESIA Note by the Secretary-General. In accordance with the procedure established for petitions addressed to the Council of the League of Nations under Article 147 of the Germano-Polish Convention of May 15th, 1922, concerning Upper Silesia, the Secretary-General forwarded this petition with twenty appendices, on December 21st, 1931, to the German Government for its observations. A fter having obtained from the Acting-President of the Council an extension of the time limit fixed for the presentation of its observations, the German Government forwarded them in a letter dated March 30th, 1932, accompanied by twenty-nine appendices. The Secretary-General has the honour to circulate, for the consideration of the Council, the petition and the observations of the German Government with their respective appendices. TABLE OF CONTENTS. Page I Petition from the “Association of Poles in Germany”, Section I, of Oppeln, con cerning the Situation of the Polish Minority in German Upper Silesia . 5 A ppendices to th e P e t i t i o n ................................................................................................................... 20 II. O bservations of th e G erm an G o v e r n m e n t.................................................................................... 9^ A ppendices to th e O b s e r v a t i o n s ...............................................................................................................I03 S. A N. 400 (F.) 230 (A.) 5/32. -
Roman Catholic Parish and Oratory
ODŽǕǐǃdžǓ 23ǓDž Ǖǐ ODŽǕǐǃdžǓ 30Ǖlj St. Stanislaus, Bishop and Martyr Roman Catholic Parish and Oratory MARCH 14TH TO MARCH 22ND 524 W. Historic Mitchell Street, Milwaukee, WI 53204-3509 THIRD SUNDAY OF LENT ~ 2020 VICAR GENERAL AND DELEGATE FOR THE UNITED STATES INSTITUTE OF CHRIST THE KING The Very Reverend Monsignor M. Schmitz Provincial Superior Canon Matthew Talarico Parish Administrator and Rector Rev. Canon Benoît Jayr (414) 226 5490 (Priory), (414) 226 5534 (fax) , (414)-335-3124 (Emergencies) Oblate Abbé George Baird Assisting Priests Canon Matthew Weaver Secretary Mrs. Jo Ann Neumann Mr. Christopher Berry ~ Director of Sacred Music & Organist Mr. Mark Schuh ~ Associate Director of Music Mr. Fabian Qamar ~ Associate Director of Music To contact the St. Stanislaus office, please send e-mails to [email protected] Website: www.institute-christ-king.org/milwaukee/ Novena to St. Joseph O glorious St. Joseph, faithful follower of Jesus Christ, to you we raise our hearts and hands to implore your powerful intercession in obtaining from the benign heart of Jesus all the helps and graces necessary for our spiritual and temporal welfare, particularly for the grace of a happy death and the special favor we now request. (mention your request) O guardian of the Word Incarnate, we feel animated with confidence that your prayers in our behalf will be graciously heard before the throne of God. O glorious St. Joseph, through the love you bear to Jesus Christ and for the glory of His name, hear our prayers and obtain our petitions. Amen. INSTITUTE OF CHRIST THE KING SOVEREIGN PRIEST ST STANISLAUS BISHOP & MARTYR PARISH AǏǏǐǖǏDŽdžǎdžǏǕǔ ǂǏDž UǑDŽǐǎNJǏLj EǗdžǏǕǔ WELCOME TO ST.