DOCSLIB.ORG

Reds Die in Biggest U.S. Battle ' SAIGON (AP) — U.S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reds Die in Biggest U.S. Battle ' SAIGON (AP) — U.S ' t r DUtatirattm • ' & ' ~- • Register, Inc., ISM. 1 DIAL 7414)010 MONMOUTB COUNTY 3 HOME NEWSPAPER FOR 88 YEARS FMUn FRIDAY, NOVEMBER 11, J966 7C PER COPY PAGE ONE $8 •; ga OHICM. Reds Die in Biggest U.S. Battle ' SAIGON (AP) — U.S. com- tion, named Attleboro, Is "the the ground forces with attacks on provincial capital of Chuong The resignations raised no im- In the southern panhandle and nounced. In a periodic summary mandtri sent another brigade of target-US. action" of the Viet Viet Cong base camps today for TJiien, 102 miles southwest of mediate threat to Ky's govern- the Hanoi and Haiphong areas. of American air losses, he said 4,000 men to die Tay Ninh front Nam War. the second straight day. The Saigon. ment. Ky and the other generals An Air Force A1E Skyraidex four U.S. helicopters have been today ti the reported enemy toll «ight-engtne Stratoforts dropped On the political front, Premier of the junta hold the power, and was shot down by Communist downed over the North during '' U.S: ground ' forces reported their bombs 23 miles northeast the civilians in the cabinet have the war, while U.S. losses In In just over a week of fighting filing 20 Viet Cong in new fight- Nguyen Cao Ky announced that ground fire over North Viet Nam rote to 900 dead: of Tay Ninh City. two more cabinet ministers were a mostly advisory role. today. The pilot of the propeller- South Viet Nam "no total' 133 " ing and' finding 15 more bodies 81 Bombing MlMioas planes, and 215 helicopters. " An estimated 25,000 or more of enemy killed In earlier fight- In the Mekong Delta, the Viet leaving his government. "Ms driven craft bailed out just North ing to bring the ComhiurHst toll ~ Cong launched a mortar, rocket b'rought to four the number ot Bad weather again curtailed the of the demilitarized zone and was The latest unit to join the Tay Americans have been committed rescued unhurt, a U.S. spokes- • to the operation to root out the to 900. U.S. casualties for the end small-arms attack on a ministers who have resigned in air war against North Viet Nam Ninh fighting was the 1st Brigade weeks of dissension between yesterday. U.S. pilots flew 83 man reported. enemy from the .Viet. Cong operation y still .were reported dependents' camp of Vietnamese of the U.S. 1st Infantry Division regional forces and killed or civilian cabinet ministers from bombing missions, about half the The spokesman said the Sky- stronghold CO miles northwest of light over-all, although some This committed the whole divi- Saigon near the Cambodian units were hit hard in the early wounded 46 South Vietnamese, South Viet Nam and the natives usual number on a good day. raider was the 422d American border. An American military fighting. most of them wives or children of North Viet Nam who domi- They concentrated on water traf- plane lost over the North, in- sion — some 15,000 men — to spokesman, .reported the opera- Giant B52 bombers supported of milltamen stationed In tbe nate Y&* military junta. fic, storage and staging areas cluding two not previously an- the action. In Madison and Marlboro Bog Controversies Flare Up By WILLIAM j. ZAORSKI landfill granted to Dotninlck Stiles and Peter Stafflinger, pres- MADISON TOWNSHIP—Mayor charged with "unilateral action"! MARLBORO ~ A new contro- Manzo of Matawan, none of those ident of the Board of Health, went Harry E. Messenger made a fu- in appearing before the Marlboro. versy over Burnt-Fly Bog may asked by a Daily Register re- to the site. But the mayor said tile attempt last night to bail out Township Planning Board in con-; be in the making, A resident porter could explain what tbe ve- he did not enter the dump prop- Planning Board Chairman Joseph nection with a variance request' last night declared that a chemi- hicle was doing there in the first erty. Pandozzi after a citizens' de- for a landfill in Burnt Fly Bog.. cal truck had been seen in the mand at Monday's council meet- place. Mr. Stafflinger, said he did in- The mayor proposed that Madl-. township's dump which lies in Mayor prubb said he. Busi- spect the vehicle but could not ing that be resign. the bog. son be "completely divorced; ness Administrator Sidney 0. find its driver. He found no odor Mr. Pandozzi, who is Demo- from.the landfill and to take no: The truck; found at Edmund Young Jr., Patrolman Robert (See MARLBORO, Page 3) cratic municipal chairman, was ctive part in the status of Burnt ] Emmons' dump last Saturday Fly Bog unless the township: was empty, said Mayor Walter were directly affected." • Grubb Jr., in response to ques- 9 'put of Marlboro' , ;' tions by John Narzowich of He said, "I want to withdraw; Buckley Rd. at the Township Dicln t Kill Donna, Madison and the Planning Board: Council meeting. out of the affairs of Marlboro^! Mr. Narzowich asked the may- We do not have a blanket con-; or if there was any truth to cem for the bog, only with the; statements he heard that a chem- and within our domain. I pro-! ical firm was depositing, wastes Jury Told by Doss pose that our previous resolution; Mt$$ WALLACE HQMQRED ~t NWMS at Riverview Hospital, Rad Bank,- acknowledged in the bog. •-....••.:... asking the state and the Mo'n-; The" mayor replied that, there FREEHOLD — William G. Doss inouth County Planning Board to] thVleadership of their director laif night at a reception for Mist Ruth Wallace, left. Was no evidence that it did. He told a Monmouth County Jury cquire property for Green Acres: Horace Brown, head intensive care nurie, made th* presentation of a portrait in oil. and three others went to the yesterday in the 15th day of his s rescinded."- I Mr*. Louise Mrotz, right, was chairman of the portrait committee. Miss Wallace has dump after being notified of the murder trial that he did not kill He added, "I am primarily; truck by Councilman Charles T. Donna DeRier. concerned with the bog property, been Rivervie'w'i 'director of nurses 15 year* and served 27 months as ah officer in the McCue. ,';..... '. '• /• The Jury was told a story sim- in Madison Townslup." , ' j Navy Nurse Corps. James. S. Parkits, honorary chairman of the board of governors, and No Evidence Pound ilar to the one l\e related to Mr. Pandozzi, who refused to: John H. Daniels, administrator, addressed the gathering at which Miss E. M. Lovely, While no one found evidence of Superior Court Judge Elvln R. sit as chairman until the' mat-- chemical waste dumping In the Siznmitt last week when the jurors ter . was, resolved, turned ' th»' nursing *vperviic-r, j>r#»id»d., . , ' (Register Staff Photo) township diunp which la near the Weren't present. chair over to vice chairman'WP' Judge Simmlll decided Ihat po- Iiarn" Kerr. Before doing so, 1KB lice evidence against him 'should read a statement,- clarifying his' Keyport Marine Killed in Viet be admitted In the trial. actions In appearing at.the Mejr Doss is accused of .killing Son* 3 meeting of the •Marlboro PUn- n» DeRier, >: W-yKfcr M Mont nirtg Board. ' < f«I tJH^Wri! Hfe said, "I bitterly resent th* * spending itU*. turner t statement* made, by *.citi- trftb' her parents Jn TWSirtHflMI* WEST KEANSltURO—Parents even worse, for the government shocking and in very poor taste, poorest person doesn't cans About He wat on-ththe stant d most of type of accusation , influenced of a Marine killed in Viet Nam to discuss how much if will pay fend»nd should come in a second or what the funeral expenses an go- the day following several other council last Monday to ask the " • : severely criticized U.S. toward funeral expenses," he as- third telegram, or Utter of'ex- ing to be," he declared. defense- witnesses. Legislature to take,action to pre- neat policy regarding serted. „ planation. The distressing telegram came His Story vent this (ype of deliberate char- anu on combat fatalities. "Comments of this 'type are "Whenyou loseason.'eVepthe a few hours after a Marine of- He, related the events of Aug. acter assassination." - . '.'If you have a son In Viet ficer broke the news of their 3, when, the murder, allegedly The mayor .agreed, stating that son's death, and a second tele- took place, and Aug. 23* when 1 f smear had run the gamut with Nam, you'd better steel yourself •Jfcuna DeRier William G. for tills kind of telegram. It's gram received yesterday ex- he was arrested, for the crime,' (Sea MADISON, .Page 3) > rough," declared Mr. and Mrs. plained that his body Is being and repeated this • story which Oilman M. McKay, Bayshore flown to the states and will ar- claims David L. (Block) Corwin Mobile Manor. rive within the next two or three killed the DeRier girl: days. , Their son, Marine Lance Cor- Mr. Corwin went to his-House Erhard's Party Chooses poral Gllman W. McKay was Want Humane Policy on the morning of Aug. 3, ajidthe killed in action Nov. 2 la Dang The McKays* said they, wanted two drove to the Avon Knitting Yang. to make the facts' kn^wn 4n hopes Mills plant, Farmingdale, where the government would adopt a Doss worked, to try to get.Mr. Mr. McKay reported, that the Ex-Nazi for ChanceHor more humane policy ot notifying Corwin a job. BONN, Germany (AP) - Ex- 1 first telegram, delivered Wednes- parents of death, adding: majority needed" for election by The socialist leadership wail Later they drove around the Sfazi Kurt Georg Kiesinger, the the Bundestag.
Load more

Recommended publications
  • Elizabeth Taylor: Screen Goddess
    PRESS RELEASE: June 2011 11/5 Elizabeth Taylor: Screen Goddess BFI Southbank Salutes the Hollywood Legend On 23 March 2011 Hollywood – and the world – lost a living legend when Dame Elizabeth Taylor died. As a tribute to her BFI Southbank presents a season of some of her finest films, this August, including Giant (1956), Cat on a Hot Tin Roof (1958) and Who’s Afraid of Virginia Woolf? (1966). Throughout her career she won two Academy Awards and was nominated for a further three, and, beauty aside, was known for her humanitarian work and fearless social activism. Elizabeth Taylor was born in Hampstead, London, on 27 February 1932 to affluent American parents, and moved to the US just months before the outbreak of WWII. Retired stage actress Sara Southern doggedly promoted her daughter’s career as a child star, culminating in the hit National Velvet (1944), when she was just 12, and was instrumental in the reluctant teenager’s successful transition to adult roles. Her first big success in an adult role came with Vincente Minnelli’s Father of the Bride (1950), before her burgeoning sexuality was recognised and she was cast as a wealthy young seductress in A Place in the Sun (1951) – her first on-screen partnership with Montgomery Clift (a friend to whom Taylor remained fiercely loyal until Clift’s death in 1966). Together they were hailed as the most beautiful movie couple in Hollywood history. The oil-epic Giant (1956) came next, followed by Raintree County (1958), which earned the actress her first Oscar nomination and saw Taylor reunited with Clift, though it was during the filming that he was in the infamous car crash that would leave him physically and mentally scarred.
    [Show full text]
  • The Creative Process
    The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis­ cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • To Academy Oral Histories Marvin J. Levy
    Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410
    [Show full text]
  • University International
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Daniel Mann Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8fb549k No online items Daniel Mann papers Special Collections Margaret Herrick Library© 2013 Daniel Mann papers 209 1 Descriptive Summary Title: Daniel Mann papers Date (inclusive): 1919-1992 Date (bulk): 1945-1985 Collection number: 209 Creator: Mann, Daniel Extent: 18 linear feet of papers.2 linear feet of photographs. Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Daniel Mann papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Acquisition Information Gift of Erica Mann Ramis, Michael Mann, and Alex Mann, 1996 Biography Daniel Mann was an American director active in film from 1952 to 1978. Mann arrived in Hollywood in the early 1950s. His directing credits include COME BACK, LITTLE SHEBA (1952), THE ROSE TATTOO (1955), and BUTTERFIELD 8 (1960). Collection Scope and Content Summary The Daniel Mann papers span the years 1919-1992 (bulk 1945-1985) and encompass 20 linear feet. The collection consists of production files, scripts, and film-related correspondence for some 20 of Mann's films. There are also clippings, casting requests from actors, teaching projects, and fan mail from around the world. The photograph series consists of 1,798 items, and contains primarily scenes and off- camera photographs from films directed by Mann.
    [Show full text]
  • Scaurs. Car W - - Caro O and Newcomers
    Sunday, April 7, 1968 3 rm JO- 11- (&ett scaurs. car W - - caro o and newcomers. Two hoped-fo- r 0 Bv HAUVEY 0 To Eternity years ago, appearance, the ELLIOTT True. For the past seven something extra is added for From Here their of The who had Dally Tar Heel Staff or eight years, nominees have Oscar's 40th birthday. Last On The Waterfront. Other ever heard of Faye presenters of the awards are It's Oscartime again! year, a segment spotlighting Oscar-winne- rs shown will be: Runaway, Michael J. Pollard, culled from all areas of been almost exclusively Dustin After months of arguing British. Filmgoers were begin- the Oscar-winne- rs for Best Audrey Hepburn in Roman Hoffman, or Katharine Hollywood stardom. Some of whether Ross? And who Hollywood's brightest lights The Graduate was a ning to wonder if the American Song throughout the years was Holiday would ever I-- V t V suspect Oscar-winni- ng well-receive- The better film that Bonnie d. year, the Humphrey Bogard in that will be giving out Oscars this and film industry had any future. This performances r Clyde, wondering where five This year, however, the entire history of the Awards African Queen could ever be year. Best Song Ingred Bergman in Anas-tas- ia brought out of pretty-bo-y War- Wood whatever nominees were tables are turned. Only three is reviewed, using film clips r . ren Natalie - . going actor-nomine- Beatty or George to come from try to out of 20 es from 33 Oscar winners.
    [Show full text]
  • SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
    CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 [email protected] Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more.
    [Show full text]
  • Los Angeles City Planning Department
    JOHN O’HARA TOWNHOUSE 10733-10735 ½ Ohio Avenue CHC-2015-1979-HCM ENV-2015-2185-CE Agenda packet includes 1. Final Staff Recommendation Report 2. Categorical Exemption 3. Letter from John O’Hara’s daughter, Lylie O’Hara Doughty 4. Under Consideration Staff Recommendation Report 5. Nomination Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-1979-HCM ENV-2015-2185-CE HEARING DATE: August 6, 2015 Location: 10733-10735 ½ Ohio Avenue TIME: 9:00 AM Council District: 5 PLACE: City Hall, Room 1010 Community Plan Area: Westwood 200 N. Spring Street Area Planning Commission: West Los Angeles Los Angeles, CA Neighborhood Council: Westwood 90012 Legal Description: TR 7803, Block 28, Lot 14 PROJECT: Historic-Cultural Monument Application for the JOHN O’HARA TOWNHOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Thomas Berry 986 La Mesa Terrace Unit A Sunnyvale, CA 94086 Caribeth LLC c/o John Ketcham 626 Adelaide Drive Santa Monica,CA 90402 APPLICANT: Marlene McCampbell 10634 Holman Ave. Apt 1 Los Angeles, CA 90024 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. MICHAEL J. LOGRANDE Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Consequences of Supreme Court Decisions Upholding Individual Constitutional Rights
    Michigan Law Review Volume 83 Issue 1 1984 Consequences of Supreme Court Decisions Upholding individual Constitutional Rights Jesse H. Choper University of California, Berkeley Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the Constitutional Law Commons, Jurisprudence Commons, Legal History Commons, and the Supreme Court of the United States Commons Recommended Citation Jesse H. Choper, Consequences of Supreme Court Decisions Upholding individual Constitutional Rights, 83 MICH. L. REV. 1 (1984). Available at: https://repository.law.umich.edu/mlr/vol83/iss1/2 This Article is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. CONSEQUENCES OF SUPREME COURT DECISIONS UPHOLDING INDIVIDUAL CONSTITUTIONAL RIGHTS Jesse H. Choper* TABLE OF CONTENTS INTRODUCTION .•••...••••••••.••••.••• •'. • • • • • • • • . • • • • • • • • • . 4 I. COMPLEXITIES OF MEASUREMENT • • • • . • • . • • . • • • • . 7 II. SOME ILLUSTRATIONS PRIOR TO 1935.................. 12 A. The Post-Civil War Period . 12 B. The "Lochner" Era . 13 III. THE HUGHES, STONE, AND VINSON COURTS........... 14 A. Rights of the Accused. 15 1. Coerced Confessions . 15 2. Appointed Counsel . 15 a. Federal prosecutions . 15 b. State prosecutions. 16 B. Free Speech: Labor Picketing . 17 C. Religious Freedom: Jehovah's Witnesses............. 18 D. Company Towns................................... 19 E. Racial Discrimination . 19 1. Voting......................................... 19 2. Housing....................................... 21 3. Education . 22 IV. THE WARREN COURT................................... 25 A. Racial Separation . 25 1. Segregation . 25 2. Miscegenation . 28 * Dean and Professor of Law, University of California, Berkeley.
    [Show full text]
  • 1961-62 Year Book Canadian Motion Picture Industry
    e&xri-i METRO-GOLDWYN-MAYERtl WITH THESE CURRENT AMD CANADIAN OPENING! TORO NTO—October 2t UNIVERSITY THEATRE MONTREAL—November 2 ALOUETTE THEATRE Metro-Golduyn-Mayer present. VANCOUVER-Dec. 21 Samuel Bronston's Proaua STANLEY THEATRE IRAMA TECHNICOLOR JEFFREY HUNTER'■ SIOBHAN McKENNA • HURD HATFIELD-RON RANDELL • VIVECA LINDFORS-RITA GAM • CARMEN SEVILLA • BRIGID BAZLEN HARRY GUARDINO • RIP TORN • FRANK THRING • GUY ROLFE • MAURICE MARSAC • GREGOIRE ASLAN • ROBERT RYAN^n,^. Screen Play by PHILIP YORDAN * Directed by NICHOLAS RAY • Produced by SAMUEL BRONSTON METRO GOLDWYN MAYER PRESENTS METRO GOLDWYN MAYER presents a JULIAN BLAUSTEIN production <cMy\KMFY HI</\NI)C) Starring AS FLETCHER CHRISTIAN ri<i-\OR Howard GLENN FORD AS CAPTAIN BUGH INGRID THULIN CHARLES BOYER RICHARD HARRIS AS JOHN mills IN AN ARCOLA PRODUCTION LEE J. COBB PAUL HENREID co starring QMUTluvy qjvT ui'HTt BcyujViy PAUL LUKAS YVETTE MIMIEUX KARL BOEHN co-sTunim HUGH GRIFFITH RICHARD HAYDN »»»TARITA screen play by ROBERT ARDREY and JOHN GAY BASED ON THf NOVEL BVCHARLES NOROHOff AND JAMS S NORMIN HAH based on the novel by directed by omcnm.LEWIS MILESTONE PRODUCE 0 BY AARON ROSENBERG VICENTE BLASCO IBANEZ • VINCENTE MINNELLI TECHNICOLOR • FILMED IN ULTRA PANAVISION in CINEMASCOPE and METROCOLOR 19 CONTINUES ITS SUCCESS STORY COMING BOX-OFFICE ATTRACTIONS! BRIDGE TO THE SUN BACHELOR IN PARADISE CARROLL BAKER, James Shigeta, BOB HOPE, LANA TURNER, James Yagi, Emi Florence Hirsch, Janis Paige, Jim Hutton, Paula Prentiss, Nori Elizabeth Hermann. Don Porter, Virginia Grey, Agnes Moorehead. A Cite Films Production. A Ted Richmond Production. ★ In CinemaScope and Metrocolor SWEET BIRD OF YOUTH ★ PAUL NEWMAN, GERALDINE PAGE, TWO WEEKS IN ANOTHER TOWN Shirley Knight, Ed Begley, Rip Torn, KIRK DOUGLAS, Mildred Dunnock.
    [Show full text]