Geografie E Storie Letterarie. Studi Per William Spaggiari
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The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
Raffaello Barbiera Carlo Porta E La Sua Milano
Raffaello Barbiera Carlo Porta e la sua Milano www.liberliber.it Questo e-book è stato realizzato anche grazie al so- stegno di: E-text Web design, Editoria, Multimedia (pubblica il tuo libro, o crea il tuo sito con E-text!) http://www.e-text.it/ QUESTO E-BOOK: TITOLO: Carlo Porta e la sua Milano AUTORE: Barbiera, Raffaello TRADUTTORE: CURATORE: NOTE: Il testo è tratto da una copia in formato im- magine presente sul sito Internet Archive (https://www.archive.org/). Realizzato in collaborazione con il Project Guten- berg (https://www.gutenberg.net/) tramite Distributed proofreaders (https://www.pgdp.net/). CODICE ISBN E-BOOK: n. d. DIRITTI D'AUTORE: no LICENZA: questo testo è distribuito con la licenza specificata al seguente indirizzo Internet: http://www.liberliber.it/online/opere/libri/licenze/ COPERTINA: n. d. TRATTO DA: Carlo Porta e la sua Milano / Raffaello Barbiera - Firenze : G. Barbera, 1921 - XI, 423 p., [1] c. di tav. : ritr. ; 20 cm. 2 CODICE ISBN FONTE: n. d. 1a EDIZIONE ELETTRONICA DEL: 29 maggio 2018 INDICE DI AFFIDABILITÀ: 1 0: affidabilità bassa 1: affidabilità standard 2: affidabilità buona 3: affidabilità ottima SOGGETTO: FIC004000 FICTION / Classici DIGITALIZZAZIONE: Distributed proofreaders, https://www.pgdp.net/ REVISIONE: Claudio Paganelli, [email protected] IMPAGINAZIONE: Claudio Paganelli, [email protected] PUBBLICAZIONE: Claudio Paganelli, [email protected] 3 Liber Liber Se questo libro ti è piaciuto, aiutaci a realizzarne altri. Fai una donazione: http://www.liberliber.it/online/aiuta/. Scopri sul sito Internet di Liber Liber ciò che stiamo realizzando: migliaia di ebook gratuiti in edizione inte- grale, audiolibri, brani musicali con licenza libera, video e tanto altro: http://www.liberliber.it/. -
A History of Italian Literature Should Follow and Should Precede Other and Parallel Histories
I. i III 2.3 CORNELL UNIVERSITY LIBRARY C U rar,y Ubrary PQ4038 G°2l"l 8t8a iterature 1lwBiiMiiiiiiiifiiliiii ! 3 1924 oim 030 978 245 Date Due M#£ (£i* The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030978245 Short Histories of the Literatures of the World: IV. Edited by Edmund Gosse Short Histories of the Literatures of the World Edited by EDMUND GOSSE Large Crown 8vOj cloth, 6s. each Volume ANCIENT GREEK LITERATURE By Prof. Gilbert Murray, M.A. FRENCH LITERATURE By Prof. Edward Dowden, D.C.L., LL.D. MODERN ENGLISH LITERATURE By the Editor ITALIAN LITERATURE By Richard Garnett, C.B., LL.D. SPANISH LITERATURE By J. Fitzmaurice-Kelly [Shortly JAPANESE LITERATURE By William George Aston, C.M.G. [Shortly MODERN SCANDINAVIAN LITERATURE By George Brandes SANSKRIT LITERATURE By Prof. A. A. Macdonell. HUNGARIAN LITERATURE By Dr. Zoltan Beothy AMERICAN LITERATURE By Professor Moses Coit Tyler GERMAN LITERATURE By Dr. C. H. Herford LATIN LITERATURE By Dr. A. W. Verrall Other volumes will follow LONDON: WILLIAM HEINEMANN \AU rights reserved] A .History of ITALIAN LITERATURE RICHARD GARNETT, C.B., LL.D. Xon&on WILLIAM HEINEMANN MDCCCXCVIII v y. 1 1- fc V- < V ml' 1 , x.?*a»/? Printed by Ballantyne, Hanson &* Co. At the Ballantyne Press *. # / ' ri PREFACE "I think," says Jowett, writing to John Addington Symonds (August 4, 1890), "that you are happy in having unlocked so much of Italian literature, certainly the greatest in the world after Greek, Latin, English. -
Milan Celtic in Origin, Milan Was Acquired by Rome in 197 B.C. an Important Center During the Roman Era (Mediolânum Or Mediola
1 Milan Celtic in origin, Milan was acquired by Rome in 197 B.C. An important center during the Roman era (Mediolânum or Mediolanium), and after having declined as a medieval village, it began to prosper as an archiepiscopal and consular town between the tenth and eleventh centuries. It led the struggle of the Italian cities against the Emperor Frederick I (Barbarossa) at Legnano (1176), securing Italian independence in the Peace of Constance (1183), but the commune was undermined by social unrest. During the thirteenth century, the Visconti and Della Torre families fought to impose their lordship or signoria. The Viscontis prevailed, and under their dominion Milan then became the Renaissance ducal power that served as a concrete reference for the fairy-like atmosphere of Shakespeare’s The Tempest. Meanwhile, Milan’s archbishopric was influential, and Carlo Borromeo (1538-1584) became a leading figure during the counter-Reformation. Having passed through the rule of the Sforzas (Francesco Sforza ruled until the city was captured by Louis XII of France in 1498) and the domination of the Hapsburgs, which ended in 1713 with the war of the Spanish Succession, Milan saw the establishment of Austrian rule. The enlightened rule of both Hapsburg emperors (Maria Theresa and Joseph II) encouraged the flowering of enlightenment culture, which Lombard reformers such as the Verri brothers, Cesare Beccaria, and the entire group of intellectuals active around the journal Il caffè bequeathed to Milan during the Jacobin and romantic periods. In fact, the city which fascinated Stendhal when he visited it in 1800 as a second lieutenant in the Napoleonic army became, between the end of the eighteenth century and the beginning of the nineteenth century, a reference point in the cultural and social field. -
Europe (In Theory)
EUROPE (IN THEORY) ∫ 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by C. H. Westmoreland Typeset in Minion with Univers display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. There is a damaging and self-defeating assumption that theory is necessarily the elite language of the socially and culturally privileged. It is said that the place of the academic critic is inevitably within the Eurocentric archives of an imperialist or neo-colonial West. —HOMI K. BHABHA, The Location of Culture Contents Acknowledgments ix Introduction: A pigs Eye View of Europe 1 1 The Discovery of Europe: Some Critical Points 11 2 Montesquieu’s North and South: History as a Theory of Europe 52 3 Republics of Letters: What Is European Literature? 87 4 Mme de Staël to Hegel: The End of French Europe 134 5 Orientalism, Mediterranean Style: The Limits of History at the Margins of Europe 172 Notes 219 Works Cited 239 Index 267 Acknowledgments I want to thank for their suggestions, time, and support all the people who have heard, read, and commented on parts of this book: Albert Ascoli, David Bell, Joe Buttigieg, miriam cooke, Sergio Ferrarese, Ro- berto Ferrera, Mia Fuller, Edna Goldstaub, Margaret Greer, Michele Longino, Walter Mignolo, Marc Scachter, Helen Solterer, Barbara Spack- man, Philip Stewart, Carlotta Surini, Eric Zakim, and Robert Zimmer- man. Also invaluable has been the help o√ered by the Ethical Cosmopol- itanism group and the Franklin Humanities Seminar at Duke University; by the Program in Comparative Literature at Notre Dame; by the Khan Institute Colloquium at Smith College; by the Mediterranean Studies groups of both Duke and New York University; and by European studies and the Italian studies program at the University of North Carolina at Chapel Hill. -
The Simulacrum Precedes the Truth: Padre Onofrio Branda's Linguistic Counterfeit Jason M Collins Giambattista Vico in His Aptl
The Simulacrum Precedes the Truth: Padre Onofrio Branda’s Linguistic Counterfeit Jason M Collins Giambattista Vico in his aptly titled Principi di scienza nuova d’intorno alla commune natura delle nazioni, or simply The New Science, presents the axiom “Men of limited ideas take for law what the words expressly say” (Vico 93). Vico’s assessment is not one meant to be a caveat isolated to one event in time. Vico’s work attempts to align facts, erroneous and exaggerated as they may be due to inaccurate or limited resources, so as to fashion not only an original approach to historiography, but also a theory and methodology. He does so by presenting history and its structures as corsi e ricorsi; it is a theory that recognizes history is not the linear history bar on the wall of classrooms marked with pertinent historical dates, undeviating in its appearance as unique events, but rather as a configuration that is cyclical in nature, and therefore with a repetitive schema. Vico’s axiom’s relevance lies in the theory he sets forth that owing to corsi e ricorsi, history (in its recurrent quality with the obvious supposition of man using ostentatiously dubious observations and contestations subjective in nature to fashion consent through misinformation) will repeat as a function of humanity to persistently be examined. This ostensible barrage of falsehoods obtains realization even in the Enlightenment era, clouded with its cliché of adages on truth and knowledge from Immanuel Kant’s Sapere aude1 to Cesare Beccaria’s La massima felicità divisa nel maggior numero.2 Padre Onofrio Branda, a Milanese scholar, educator, and cohort to members of Il Caffè including Beccaria, endeavored to further his own renown by creating a simulacrum fashioned as a Socratic dialogue that addresses the Tuscan language as a primary didactic and social commodity to be diffused. -
Z|Tvéåé Xéñtüw| Vtçà|? Äxààxüx X Ñxçá|Xü| ‹ Åéütä|
VÄtâw|É XáÑÉá|àÉ Z|tvÉÅÉ _xÉÑtÜw| VtÇà|? ÄxààxÜx x ÑxÇá|xÜ| ‹ ÅÉÜtÄ| e|àÜtààÉ w| Z|tvÉÅÉ _xÉÑtÜw| ;DKEI< w| _â|z| _ÉÄÄ|? ctÄtééÉ _xÉÑtÜw|? exvtÇtà|? `tÜv{xA VÄtâw|É XáÑÉá|àÉ Z|tvÉÅÉ _xÉÑtÜw| VtÇà|A ÄxààxÜx x ÑxÇá|xÜ| ‹ ÅÉÜtÄ| |Ç vÉÄÄtuÉÜté|ÉÇx vÉÇ Ät u|uÄ|Éàxvt ÑÜÉä|Çv|tÄx ÂctáÖâtÄx TÄu|ÇÉÊ w| VtÅÑÉutááÉ “Fu di statura mediocre, chinata ed esile, di colore bianco che volgeva al pallido, di testa grossa, di fronte quadra e larga, d’occhi cilestri e languidi, di naso proffilato, di lineamenti delicatissimi, di pronunziazione modesta e alquanto fioca, e d’un sorriso ineffabile e quasi celeste”. da “Sette anni di sodalizio con Giacomo Leopardi” (1880) di Antonio Ranieri. O patria mia, vedo le mura e gli archi e le colonne e i simulacri e l’erme torri degli avi nostri, ma la gloria non vedo … … … … All’Italia … Canti, I ZZZiacomo ___eopardi. Biografia. Giacomo Leopardi, al battesimo conte Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi, nasce a Recanati, un piccolo paesino situato su un rilievo del Subappennino marchigiano, in provincia di Macerata, Marche, (all’epoca appartenenti allo Stato Pontificio), il 29 giugno del 1798. Figlio del conte-letterato Monaldo (Recanati 1776-1847), un nobile colto che nutrì in ambito politico idee reazionarie, e da madre, la marchesa Adelaide Antici Mattei (Recanati 1778-1857). Primo di dieci figli, il piccolo Giacomo ricevette un educazione molto severa e rigida soprattutto da parte della madre, che a causa di problemi economici e familiari legati ai titoli nobiliari, resero al giovane poeta, un’infanzia molto infelice e priva di ogni affetto. -
GIOVAN PIETRO VIEUSSEUX Pensare L’Italia Guardando All’Europa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Macerata LAURA MELOSI VIEUSSEUX E IL GIORNALISMO LETTERARIO E CIVILE ESTRATTO da GABINETTO SCIENTIFICO LETTERARIO G.P. VIEUSSEUX PENSARE L’ITALIA GUARDANDO ALL’EUROPA Atti del Convegno di studi Firenze, 27-29 giugno 2011 A CURA DI MAURIZIO BOSSI Leo S. Olschki Editore Firenze G.S.L.V. GABINETTO SCIENTIFICO LETTERARIO G.P. VIEUSSEUX 23 STUDI 23 GIOVAN PIETRO VIEUSSEUX Pensare l’Italia guardando all’Europa Atti del Convegno di studi Firenze, 27-29 giugno 2011 A cura di MAURIZIO BOSSI GIOVAN PIETRO VIEUSSEUX LEO S. OLSCHKI Leo S. Olschki ISBN 978 88 222 6264 6 2013 GABINETTO G.P. VIEUSSEUX GABINETTO SCIENTIFICO LETTERARIO G.P. VIEUSSEUX STUDI 23 GIOVAN PIETRO VIEUSSEUX Pensare l’Italia guardando all’Europa Atti del Convegno di studi Firenze, 27-29 giugno 2011 A cura di MAURIZIO BOSSI Leo S. Olschki 2013 Tutti i diritti riservati CASA EDITRICE LEO S. OLSCHKI Viuzzo del Pozzetto, 8 50126 Firenze www.olschki.it Il volume e` pubblicato con il determinante contributo di ISBN 978 88 222 6264 6 INDICE GLORIA MANGHETTI, Premessa . Pag. VII MAURIZIO BOSSI, Un’Europa in viaggio. Gli orizzonti di Vieusseux » XI LUIGI MASCILLI MIGLIORINI, Orizzonti politico-istituzionali euro- pei per la Toscana della Restaurazione . » 3 LUCIA TONINI, Nuove frontiere dell’Europa moderna nella Russia postnapoleonica. I viaggi di Vieusseux, Serristori, Pucci . » 11 ALESSANDRO VOLPI, Mercanti e mercato. Dalle merci alla cultura nell’esperienza dei Vieusseux . » 25 FRANCESCA SOFIA, Sismondi e Vieusseux: le stagioni di un’amicizia » 41 MARCO MANFREDI, Religiosita` civile nell’Europa di Vieusseux . -
Le ''Cœur, Le Talent Et La Doctrine'' De Pietro Giordani Dans La Formation De Giacomo Leopardi
Le ”cœur, le talent et la doctrine” de Pietro Giordani dans la formation de Giacomo Leopardi Mario Fernando Franco To cite this version: Mario Fernando Franco. Le ”cœur, le talent et la doctrine” de Pietro Giordani dans la formation de Giacomo Leopardi. Littératures. Université Paul Valéry - Montpellier III; Université de la Manouba (Tunisie), 2014. Français. NNT : 2014MON30076. tel-01241290 HAL Id: tel-01241290 https://tel.archives-ouvertes.fr/tel-01241290 Submitted on 17 Dec 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ! Délivré par UNIVERSITÉ PAUL-VALÉRY MONTPELLIER 3 Préparée au sein de l’école doctorale ED 58 (Langues, Littératures, Cultures, Civilisations) Et de l’unité de recherche LLACS (Langues, Littératures, Arts et Cultures des Suds) Spécialité : DOCTORAT ÉTUDES ROMANES, Spécialité Études italiennes Présentée par Mario Fernando FRANCO TITRE DE LA THESE Le «cœur, le talent et la doctrine» de Giacomo Leopardi dans la formation de Pietro Giordani Soutenue le Mardi 9 décembre 2014 devant le jury composé de : Mme Myriam CARMINATI, Professeur, Université Paul-Valéry Montpellier 3, Co-directrice Mme Rawdha RAZGALLAH, Professeur, Université de Carthage, Tunis, Logo !établissement ! Co-directrice M. Ahmed SOMAI, Professeur, Université La Manouba, Tunis, Président Mme Silvia FINZI, Professeur, Université La Manouba, Tunis, Rapporteur M. -
Journal of Italian Translation
Journal of Italian Translation JIT24.indb 1 2/22/2018 12:27:54 PM Journal of Italian Translation is an international Editor journal devoted to the translation of literary works Luigi Bonaffini from and into Italian-English-Italian dialects. All translations are published with the original text. It also publishes essays and reviews dealing with Associate Editors Gaetano Cipolla Italian translation. It is published twice a year. Michael Palma Submissions should be in electronic form. Joseph Perricone Translations must be accompanied by the original texts, a brief profile of the translator, and a brief profile of the author. Original texts and transla- Assistant Editor tions should be on separate files. All submissions Paul D’Agostino and inquiries should be addressed to l.bonaffini@ att.net Book reviews should be sent to Paolo Spedi- Editorial Board Adria Bernardi cato: [email protected]. Geoffrey Brock Franco Buffoni Website: www.jitonline.org Barbara Carle Peter Carravetta Subscription rates: John Du Val U.S. and Canada. Individuals $30.00 a year, Luigi Fontanella $50 for 2 years. Anna Maria Farabbi Institutions $35.00 a year. Rina Ferrarelli Single copies $18.00. Irene Marchegiani Francesco Marroni For all mailing abroad please add $15 per Sebastiano Martelli issue. Payments in U.S. dollars. Make checks Anthony Molino payable to Journal of Italian Translation, Dept. of Stephen Sartarelli Modern Languages and Literatures, 2900 Bedford Cosma Siani Ave. Brooklyn, NY 11210 . Marco Sonzogni Joseph Tusiani Journal of Italian Translation -
Count Giacomo Leopardi - Poems
Classic Poetry Series Count Giacomo Leopardi - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Count Giacomo Leopardi(29 June 1798 – 14 June 1837) Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian poet, essayist, philosopher, and philologist. Although he lived in a secluded town in the ultra-conservative Papal States, he came in touch with the main thoughts of the Enlightenment, and, by his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. <b>Biography</b> Giacomo Leopardi was born of a local noble family in Recanati, in the Marche, at the time ruled by the papacy. His father, the count Monaldo Leopardi, was a good-hearted man, fond of literature but weak and reactionary, who remained bound to antiquated ideas and prejudices; his mother, the marquise Adelaide Antici Mattei, was a cold and authoritarian woman, obsessed over rebuilding the family's financial fortunes, which had been destroyed by Monaldo's gambling addiction. At home, a rigorous discipline of religion and savings reigned. However, Giacomo's happy childhood, which he spent with his younger brother Carlo Orazio and his sister Paolina, left its mark on the poet, who recorded his experiences in the poem Le Ricordanze. Leopardi, following a family tradition, began his studies under the tutelage of two priests, but his innate thirst for knowledge found its satisfaction primarily in his father's rich library. Initially guided by Father Sebastiano Sanchini, Leopardi quickly liberated himself by vast and profound readings. He committed himself so deeply to his "mad and most desperate" studies that, within a short time, he acquired an extraordinary knowledge of classical and philological culture—he could fluently read and write Latin, Greek and even Hebrew— but he suffered from the lack of an open and stimulating formal education. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR ....