Porpentine Charity Heartscape, Neotenomie, and Sloane Psycho

Total Page:16

File Type:pdf, Size:1020Kb

Porpentine Charity Heartscape, Neotenomie, and Sloane Psycho Porpentine Charity Heartscape, Jacolby Satterwhite Neotenomie, and Sloane Reifying Desire 6: Island of Treasure, 2014 Psycho Nymph Exile, 2016 HD digital video Novella, 40 sticky eyes, CG poem 00:24:15 Probiotics River Therapy Courtesy of the artist and Moran CG poem courtesy of Porpentine Bondaroff, Los Angeles Charity Heartscape, Neotenomie Novella courtesy of Porpentine Charity Heartscape, Neotenomie (layout), and Sloan (cover art) In this video, Satterwhite’s digital avatar has Sticky Eyes courtesy of Porpentine sex with his partner, performs choreographed Charity Heartscape, Neotenomie dance sequences, practices martial arts, and vogues. The full range of Satterwhite’s physicality is brought to bear as a way of In the words of the artists, Psycho Nymph Exile is, negotiating the ephemeral world of images and “A post-anime gurowave trauma-romance memories in this animated utopian story. novella about a disgraced biomech pilot and her girlfriend, an ex-magical girl.” This work requires the viewer to explore and assemble the story from media fragments. Chitra Ganesh Edie Fake Pussy Riot, 2015 Sugar in the Tank, 2015 Acrylic, faux flower petals, textiles, tinted plastic, Ink and gouache on paper rope, broken mirror, faux fur, leather, glitter, glass Courtesy of Western Exhibitions Freese Family Collection Collection of Shannon Stratton, Queens, NY The feminist punk band and masked protest “Sugar in the Tank” is slang for queer people, group, Pussy Riot, was made famous by sometimes meant sweetly, often not. Fake’s their political imprisonment in Putin’s drawing focuses the unruly energy of that Russia. This painting, created as part of term to power this image resembling a Ganesh’s “Protest Fantasies” series, fantastic circuit or Rube Goldberg machine. re-imagines the Caucasian members of Pussy Riot as women of color sitting on a lotus in relaxed solidarity. Zanele Muholi Celeste Dupuy-Spencer Zibuyile I, Syracuse, 2015, 2015 Celebrity, 2012 Silver gelatin print Oil on canvas Courtesy of Yancey Richardson and the artist Courtesy of the artist and MIER GALLERY, Los Angeles Photographer Zanele Muholi’s portraits document the LBGTQ communities of South Africa. Her The nuclear family has not always been the cradle latest series turns the camera on herself. These of queer identity and is all-too-often a hostile images mix ethnographic tropes with improvised environment. Queer people often find home in futuristic elements that lampoon stereotypes “families of choice” – communes, clubs, friends while simultaneously creating new personas. – where solidarity can come from something as humble as playing a party game like “celebrity.” Sameer Farooq Tseng Kwong Chi Speculative Archives: An Index, 2014 Brasilia, Brasil, 1984, 1984 Bookwork, hardcover, perfect From the East Meets West a.k.a bound, 148pp., photo inserts The Expeditionary Self-Portrait Series: 1979-1989 Silver gelatin print Courtesy of the artist Courtesy of Muna Tseng Dance Projects As much as a place or even a destination, utopia is the activity of stepping outside of regular Brasilia, capital of Brazil, was planned as a society to imagine alternatives. Recasting the shining utopia built on a mountain. Today it is past or reinventing how history is recorded ringed with shantytowns. Chinese-American can be a powerful way to imagine the future. photographer, Tseng Kwong Chi appears in Brasilia dressed in a Mao suit, colliding and queering two Modernist utopian visions. Tejal Shah David Gremard Romero Between the Waves – Secret, 2013 The Creation of the First Men, 2016 Digital print on archival paper Giclée print Courtesy of the artist, Barbara Gross Galerie, Courtesy of the artist Munich, and Project 88, Mumbai Romero moved from L.A. to Mexico City and Sometimes utopia cannot be doled out in immersed himself in studying the Tonalamatl, a small increments; it explodes fully formed Pre-Columbian book of divination and numerology. like a world being born. Shah’s world uses Romero’s artworks are not historic reproductions, classical aesthetic strategies – a crowded but re-imagined and queered renderings of composition of quasi-figurative scenes mythological reality. This drawing shows Xolotl, unfolding - to suggest a narrative. But their the creator/trickster, at the dawn of humanity. epic story is like nothing we’ve seen before. Kevin McCarty Harmony Hammond Catch One, 2004 Erasure #2, 2002 C-print Mixed media on archival board ONE National Gay & Lesbian Archives at the Courtesy of the artist and USC Libraries, University of Southern California Alexander Grey Associates, New York, NY McCarty’s photographic series, Chameleon Several artists declined the invitation of Harmony Club, depicts stages from queer spaces, Hammond to appear in her book Lesbian Art in particularly drag bars, in Los Angeles. The America: A Contemporary History. Reading these hubcap banners in this image typify the as acts of self-censorship that contribute to the improvisation and humor that nuance the more larger erasure of lesbian art, Hammond turns their radical aspects of the stage as drag-utopia. letters into oversized spaces for making a mark. Arch Connelly Deborah Kass Leaf, 1984 Nobody Puts Baby In The Corner, 2006 Acrylic, pearls, costume jewelry, wood, Formica Oil and acrylic on canvas Collection of Jimmy Wright Private collection In Connelly’s evocative Pop Art, everyday “Nobody puts baby in the corner,” a line from objects are smothered in lustrous, rococo the 1987 straight romantic movie Dirty Dancing surfaces of cheap, faux pearls and gems for has become a coded queer catchphrase of an effect that has been described as both emancipation. Kass inscribes the wry defiance aspirational and abject – or “flashy and trashy.” of this line on a painting in the canonical style of (straight, male-dominated) Modernism. Andy Warhol Vanessa German Ladies and Gentlemen, 1975 My migrating soul with the prize blue ribbon Screenprint on Arches paper or kick push kick push, 2014 2 decorative ship models, doll parts, cloth, twine, Samek Art Museum Collection fear, hair grease, tar, love, skateboard, white Gift of The Andy Warhol Foundation beads, homewood beads, rhinestones for the eyes, for the Visual Arts, Inc. mirror, antique blue ticking, the ocean, slavery on 2014.1.3 an everyday basis as made real and present by the reality of white supremacy, righteous clarity, keys, coffee tins, stomach mirror, old jr. navigators This print series depicts gender-fluid New York flashlight, white porcelain doll heads from the drag queens. Warhol’s use of repetition (repeated bombed out doll factories in Germany, the journey images, reproduced prints) has been described as from rage to understanding, the journey from a cynical response to mass culture. Seen through compassion for everyone else to compassion Warhol’s own queerness, however, repetition for myself, the journey from lies to truth, the is not numbing sameness, but iteration — actualization of justice as national migration, old the do-over as a chance for something new. natty quilt parts, pain, and horror and how it feels to know that no one is actually on your side, being blamed for it, pure lard tin, red skateboard Courtesy of the artist and Pavel Zoubok Gallery, New York Dave Kube SUPERM (Slava Mogutin + Brian Kenny) Responsibility/Discourse, 2015 MOTHERFUCKERS, 2011 Print Found text, tape, cardboard, frame Courtesy of the artist Courtesy of the artist Pennsylvania artist Dave Kube’s print interweaves Slava Mogutin was exiled from Russia for his queer two quotes (from Michel Foucault’s History activism and became the first Russian granted of Sexuality and Samuel Delany’s Some political asylum in the U.S. on the grounds of Queer Notions About Race) through which homophobic persecution. He joined forces with you glimpse the hairy skin of the bodies American Brian Kenny to form the art duo SUPERM. that bear the consequences of both. METROPOLARITY Abdu Ali You Have Four Messages Keep Movin’ [Negro Kai] 2014 2015 Zine, 3 audio messages Video 00:03:36 Courtesy of the artist Courtesy of the artist and Ghost Drank Utopia is often a geographic allegory, but it can also alter our sense of time and history. Keep Movin’, by Baltimore-based Abdu Ali, Sent by Metropolarity, the Philadelphia- features the artist’s vocal anthem behind a torrent based Afrofuturist artist collective, this sound of hallucinogenic images. The psychological artwork is comprised of messages sent from energy and unyielding forward momentum the future flowing backward into the past. suggest that utopia is not a fixed point on a map but rather a perpetual state of becoming. Amir Nikravan Rep/Set 3, 2014 Acrylic on fabric over aluminum Courtesy of the artist and Various Small Fires, Los Angeles Nikraven’s Rep/Set 3 does not depict a queer or utopian subject in the figurative sense but those sensibilities are at work in the use of materials and other aesthetic strategies. For instance, the crowded concentric lines suggest Warhol’s use of repetition or the power of the collective. Daniel Nicoletta Ugo Rondinone Tattoo Mike Wilson, September 23, 1985 The Stillness, 2014 1985, printed 2016 Acrylic on wood, plexiglass Inkjet print Courtesy of the artist and Gladstone Courtesy of the artist Gallery, New York and Brussels Daniel Nicoletta began as a photography Translated from Greek literally, utopia means “no intern for Advocate Magazine and chronicled place,” emphasizing its fictional or unreachable the queer sub-cultures of San Francisco in status. Painting has been referred to as a portal the 1970-80s. He later became involved in or window. When the “window” of art is painted Harvey Milk’s campaign to become one of over, are we left to our imagination? Or are we left the first openly gay elected politicians. in the stillness of nowhere? Caroline Wells Chandler Diego Montoya Simone, 2016 Portal, 2016 Hand crocheted assorted wool Mixed media Kathy, 2016 Courtesy of the artist Hand crocheted assorted wool Stacey, 2016 The stage represents a critical social space Hand crocheted assorted wool in queer culture.
Recommended publications
  • Since 2017 Bezalel Academy for Art and Design, MFA
    Hadas Maor Curiculum Vitae Professional Experience: Since 2017 Bezalel Academy for Art and Design, MFA Program, lecturer 2017 Bait LeOmanut Israelit, lecturer 2017 French Institute Focus Program 2016 Sculpture Quadrennial Riga 2016 Invited guest Lecture: Conservatism and Liberalism, appearances in contemporary culture 2015 Curator of the Israeli Pavilion, the 56th International Art Exhibition – la Biennale di Venezia 2014 Artist Mentor Artport, Tel Aviv 2012 The 2nd Ural Industrial Biennial of Contemporary Art Intellectual platform, invited guest Lecture: Contemplating the possibility of criticality within the field of visual art 2012 Lecturer of curatorial studies, School of Arts, Kibbutzim College of Education, Tel Aviv 2011 ARCOmadrid 2011, Professional Meetings, invited guest 2010 Professional visit to LA, organized by the LA-TLV partnership and The Jewish Federation of Los Angeles 2009 Study visit to Poland, organized by Adam Mickiewicz Institute, Warsaw 2007 Art Basel 2007, 7db platform for art professionals, invited guest Since 2006 Consultant to Bank Hapoalim Collection of Israeli Art 2006-2009 Consultant to the Angel Collection of Contemporary Art Since 2001 Curator of the Geny and Hanina Brandes Art Collection, Tel Aviv Since 1998 Independent contemporary art curator (The Tel Aviv Museum of Art, The Haifa Museum of Art, The Herzliya Museum of Contemporary Art, The Petach Tikva Museum of Art, The Ramat Gan Museum of Israeli Art, The Ein Harod Museum of Art, The Tel Aviv University Gallery and more) 1997 - 2005 Senior Lecturer
    [Show full text]
  • RAM FW Catalog 2015 FINAL.Indd
    RAM publications + distribution, Inc. 2525 Michigan Ave., Bldg. #A2 Santa Monica, CA 90404 USA publications + distribution fall/winter 2015 publications + distribution rampub.com fall/winter 2015 w FALL/WINTER 2015 Frontlist 3 New Publisher Backlist 58 Backlist 63 Index 81 Order & Trade Information 86 rampub.com Architecture + Spatial Arts Architecture DISPLAYED SPACES New Means of Architecture Presentation through Exhibitions Roberto Gigliotti (Ed.) Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret—little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it possible to build an intense relationship between the audience and the content on display. The result of a research project organized in 2013 by the faculty of Design and Art of the Free University of Bozen Bolzano, Displayed Spaces focuses on the question of how spaces might communicate architectural ideas in a redevelopment project and its accompanying exhibition proposed for the city of Bolzano, Italy. The book is organized into two sections—the first introduces project criteria and the curatorial considerations on content and its presentation; the second begins with an analysis of the public, with particular attention to the different types of visitors—and demonstrates how spatial engagement can generate a personal relationship between visitor and exhibition. Bringing together essays by theoreticians, curators and practitioners involved in exhibition production, this analysis of contemporary architecture exhibitions concludes by asking what is more important: the experience of the exhibition or its effect on the debate on architecture and its history.
    [Show full text]
  • Blast-Zone Hiking Raptor Viewing Wild Streaking
    High Country ForN people whoews care about the West March 6, 2017 | $5 | Vol. 49 No. 4 | www.hcn.org 49 No. | $5 Vol. March 6, 2017 Raptor Viewing Blast-Zone Hiking Wild Streaking CONTENTS High Country News Editor’s note EXECUTIVE DIRECTOR/PUBLISHER Paul Larmer MANAGING EDITOR There and back again Brian Calvert SENIOR EDITOR Many years ago, I traveled Jodi Peterson abroad for the first time, to ART DIRECTOR visit a high school friend from Cindy Wehling DEPUTY EDITOR, DIGITAL Rock Springs, Wyoming, who Kate Schimel had been stationed by the U.S. ASSOCIATE EDITORS Tay Wiles, Army in Germany. On that trip, Maya L. Kapoor I nearly froze to death in the ASSISTANT EDITOR Paige Blankenbuehler Bavarian Alps, lost my passport D.C. CORRESPONDENT at a train station, and fell briefly in love with a Elizabeth Shogren woman I met in a Munich park. I spent the next WRITERS ON THE RANGE two decades traveling, as a student and journalist, EDITOR Betsy Marston learning about other places and people in an effort ASSOCIATE DESIGNER Brooke Warren to better understand myself. COPY EDITOR Every year, High Country News puts together Diane Sylvain a special travel issue. We do this because, in the CONTRIBUTING EDITORS Cally Carswell, Sarah pages of a typical issue, we are primarily concerned Gilman, Ruxandra Guidi, with the facts and forces that shape the American Glenn Nelson, West: the landscapes, water, people and wildlife Michelle Nijhuis, that make this region unique. In most stories, we try Jonathan Thompson FEATURES CORRESPONDENTS our best to serve as experienced guides, bringing Krista Langlois, Sarah our readers useful analysis and insight.
    [Show full text]
  • SF/SF #146! 1!November 2013 Science Fiction / San Francisco
    Science Fiction/San Francisco Issue 146 November 2013 Connie Willis Virginia City Lightsaber Class Japantown Anime Festival Stark Nova SF Mermaids Swim Hallow Be Thy Game Renaissance Faire SF/SF #146! 1!November 2013 Science Fiction / San Francisco Issue 146 Editor-in-Chief: Jean Martin October 30, 2013 Managing Editor: Christopher Erickson email: [email protected] Compositor: Tom Becker Contents Editorial ......................................................................................Christopher Erickson.............. ........................................................................................ 3 Interview with Connie Willis ....................................................Jean Martin............................. Photo by Jean Martin .....................................................5 The 3rd Annual Virginia City..................................................... Cpt. Archibald ‘Lucky’ Peddycord Victorian Steampunk Ball ................................................................................................... Photos by Scott London and Art Koch......................... 12 Learn to use the Force: Lightsaber class .................................Christopher Erickson.............. Photos by Christopher Erickson................................... 15 Japantown Anime Festival ........................................................Robbie Pleasant...................... Photos by Robbie Pleasant........................................... 19 Interview with Chris Mark, Author of “Stark Nova” ............Yvette
    [Show full text]
  • Night Papers V on the Labyrinthitis Stuff By: —Joanna Fiduccia State of Curating Aaron Wrinkle • Brad Phillips • I
    LOS ANGELES | 2014 NIGHT GALLERY | 2276 E . 16TH ST. NIGHT PAPERS V ON THE LABYRINTHITIS STUFF BY: —JOANNA FIDUCCIA STATE OF CURATING AARON WRINKLE • BRAD PHILLIPS • I. RADIO HOUR M. CAY CASTAGNETTO • TODAY P6. JPW3 • coutez... Faites silence. Robert Desnos bids you listen — BOB NICKAS & ALLANA DEL RAY SAMANTHA COHEN • and be still, for the evening of Fantômas is beginning. It ZACH HARRIS • is November 3, 1933, and your rhapsode is as far away & MORE Eand near at hand as any voice on the radio — in this case, Radio Paris, which has marshaled its resources to present Desnos’s I MAY BE CRAZY BUT I’M NOT STUPID “Complainte de Fantômas.” A lyrical account of the crimes of the — JOHNNIE JUNGLEGUTS vagabond Fantômas, scheduled to coincide with the release of a P12. new episode in the popular series by Marcel Allain and Pierre Souvestre, Desnos’s poem is an advertisement with an outsize avant-garde pedigree (Kurt Weill composed the background music; Antonin Artaud directed and read the role of Fantômas) that would induct him into minor radio personality fame. The poet had been initiated into the blind art some three years earlier by a young entrepreneur and radio enthusiast by the name of Paul Deharme. Deharme, perhaps more than any of the other lapsed Surrealists that would follow in his path, was devoted to the radio’s novel artistic possibilities. In March 1928, he published “Proposition pour un art radiophonique,” a strangely matter-of-fact manifesto on the potentials of this new “wireless art,” combining a semi-digested Freud with a list of techniques to produce visions in the listener — the use of the present indicative, background music, adherence to chronology, and so forth.
    [Show full text]
  • Intimate Discoveries: Nature and Poetry in the Art of Mayme Kratz by Julie Sasse, Curator of Contemporary Art Tucson Museum of Art May, 2002
    Intimate Discoveries: Nature and Poetry in the Art of Mayme Kratz by Julie Sasse, Curator of Contemporary Art Tucson Museum of Art May, 2002 When French philosopher Gaston Bachelard wrote The Poetics of Space (1958), an investigation of space, poetry and metaphor, he stimulated a new awareness of external and internal environments by using poetry to illustrate how such realms can be articulated. His seminal work subsequently influenced countless visual artists to explore art and poetics in new and profound ways. Fascinated by both nature and poetry, Mayme Kratz has fashioned cast resin sculpture and two-dimensional works that provide an intimate look at the external world and the internal world with poetic grace and grandeur. Her art, capturing the essence of the interconnectedness of nature and space and the creative spirit, is at once haunting and beautiful. Of course, exalting nature through art is not a new development in America. In the 1800s, for example, the Hudson River School artists portrayed nature in all its sublime splendor as a means of nourishing the soul. The use of visual, abstracted expressions of nature, however, is a later phenomenon, examined well by John Baur of the Whitney Museum of American Art. In 1958 he organized an exhibition, “Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in Twentieth-Century American Art,” which included fifty-seven artists. Ranging from Louise Bourgeois, Louise Nevelson, and Helen Frankenthaler to Philip Guston, Hans Hoffman and Willem deKooning, these artists appear to have been chosen more for their abstraction than for their conscious examination of the essence of nature.
    [Show full text]
  • The Figure and Environmental Forms in Jewelry
    Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1969 The Figure and Environmental Forms in Jewelry Sophie Sheppard Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Metal and Jewelry Arts Commons Recommended Citation Sheppard, Sophie, "The Figure and Environmental Forms in Jewelry" (1969). All Master's Theses. 1246. https://digitalcommons.cwu.edu/etd/1246 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. THE FIGURE AND ENVIRONMENTAL FORMS IN JEWELRY A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Arts by Sophie Sheppard July, 1969 ao1J11p-11v M ';iinqvua113 a~uo:::> a1v1s UOPiU!t{llVM 1vi1ua;:> AJWJq!1 APPROVED FOR THE GRADUATE FACULTY ________________________________ Donald P. Tompkins, COMMITTEE CHAIRMAN _________________________________ Margaret M. Sahlstrand _________________________________ Louis A. Kollmeyer ACKNOWLEDGMENTS I would like to express my appreciation for the help and encouragement given by Donald P. Tompkins, Dr. Louis A. Kollmeyer, and Margaret M. Sahlstrand in the preparation of this thesis. TABLE OF CONTENTS CHAPTER PAGE I . THE PROBLEM 1 Introduction 1 The Problem 1 Statement of the problem 1 Importance of the study 2 Limitations of the study .. 2 II. REVIEW OF LITERATURE . 3 Introduction 3 The Works of Rico Lebrun and Ernest Trova 3 III. DEVELOPMENT AND ANALYSIS OF THE SERIES 8 Introduction 8 The Figure and Environmental Forms in Jewelry .
    [Show full text]
  • 2016-17 Newsletter
    2016-17 NEWSLETTER Dear Friends and Colleagues: office staff and posted on our website, I encourage you to have a look. It is my pleasure to highlight some of Programming in the form of lectures, the past year’s accomplishments in the exhibitions, and symposia this year was Department of Art History and invite robust and often entailed cross-institu- you to enjoy a fuller summation in the tional collaboration, especially via the pages that follow. Among many faculty Andrew W. Mellon Foundation-funded honors, kudos go first to Huey Copeland, Chicago Objects Study Initiative (COSI), recipient of the 2017 Absolut Art Writing now entering its fourth year. This year’s Award. Also, Christina Normore was newsletter highlights undergradu- awarded the E. Leroy Hall Award for ate initiatives in partnership with the Excellence in Teaching, the highest Block Museum, collaborations with the teaching honor given by Weinberg Northwestern University/Art Institute of College of Arts and Sciences. The de- Chicago Center for Scientific Studies in partment conducted a search for a new the Arts (NU-ACCESS), and ongoing ben- faculty member in architectural history efits to the department made possible and looks forward to welcoming Ayala by the Elizabeth and Todd Warnock Gift. Levin to campus in Winter 2018. It was the department’s great fortune to Our newsletter reports many outstand- see Mel Keiser promoted to the position ing achievements of undergraduate of Department Assistant. As always, and graduate students. To mention a her work—including the design of this few, five students completed the Ph.D. newsletter—has been exemplary.
    [Show full text]
  • Master Dialogue for Defiance
    DEFIANCE #101 - “Pilot” Votan Language Translations 6 David J. Peterson Revised 5/9/12 * 15 INT. CRASHED ARK - ENTRANCE - MOMENTS LATER 15 (s1e1sc15_1.mp3) NOLAN <money> TRANSLATION Jaja PHONETIC JA-ja money 16 INT. CRASHED ARK - ENTRANCE - MOMENTS LATER 16 (s1e1sc16_8.mp3) SPIRIT RIDERS <Very nice, very nice.> TRANSLATION Nimi kima. Nimi kima. PHONETIC NI-mi KI-ma. NI-mi KI-ma. Very nice, very nice. PLEASE NOTE: This was called in to set (used as the Spirit Riders were picking through Nolan’s belongings from the roller). ---------------------------------------------------------------------------------------------------------------- (s1e1sc16_1.mp3) (CONTINUED) DEFIANCE 101 "Pilot" Languages 6 05/09/12 2. 16 CONTINUED: 16 NOLAN <At ease, friends. We don’t want trouble.> TRANSLATION Susú, zmáányu. Naabéme eléisa tizéru. PHONETIC su-SU, ZMAA-nyu. naa-BE-me el-EI-sa · ti-ZE-ru. At ease, friends. We don't want · trouble. ---------------------------------------------------------------------------------------------------------------- (s1e1sc16_2.mp3) SUKAR <Little one. Why do you partner with this human? Why not ride with your own kind?> TRANSLATION Tihíshaa. Aalégna égra thaa hígya tishúmaa gyi nááza? Aaléme thaa thwírlaa lílaa gyi nááza? PHONETIC ti-HI-shaa. aa-LEG-na EG-ra · thaa HI-gya ti-SHU-maa · gyi NAA-za? Little one. Go riding · with this human · why? aa-LE-me · thaa THWIR-laa LI-laa · gyi NAA-za? You don't go · with your own kind · why? ---------------------------------------------------------------------------------------------------------------- (s1e1sc16_7.mp3) IRISA <shit>. TRANSLATION shtáko PHONETIC SHTA-ko Shit. ---------------------------------------------------------------------------------------------------------------- (CONTINUED) DEFIANCE 101 "Pilot" Languages 6 05/09/12 3. 16 CONTINUED: (2) 16 (s1e1sc16_4.mp3) SUKAR <Such fire. You are Irathient to be sure.> TRANSLATION Sááza sáázri. Zrááthe thaa thíri ílaa.
    [Show full text]
  • 2020 Convention Program.Pdf
    aseees Association for Slavic, East European, & Eurasian Studies 2020 ASEEES VIRTUAL CONVENTION Nov. 5-8 • Nov. 14-15 ASSOCIATION FOR SLAVIC, EAST EUROPEAN, & EURASIAN STUDIES 52nd Annual ASEEES Convention November 5-8 and 14-15, 2020 Convention Theme: Anxiety & Rebellion The 2020 ASEEES Annual Convention will examine the social, cultural, and economic sources of the rising anxiety, examine the concept’s strengths and limitations, reconstruct the politics driving anti- cosmopolitan rebellions and counter-rebellions, and provide a deeper understanding of the discourses and forms of artistic expression that reflect, amplify or stoke sentiments and motivate actions of the people involved. Jan Kubik, President; Rutgers, The State U of New Jersey / U College London 2020 ASEEES Board President 3 CONVENTION SPONSORS ASEEES thanks all of our sponsors whose generous contributions and support help to promote the continued growth and visibility of the Association during our Annual Convention and throughout the year. PLATINUM SPONSORS: Cambridge University Press GOLD SPONSOR: East View information Services SILVER SPONSOR: Indiana University, Robert F. Byrnes Russian and East European Institute BRONZE SPONSORS: Baylor University, Modern Languages and Cultures | Communist and Post-Communist Studies by University of California Press | Open Water RUSSIAN SCHOLAR REGISTRATION SPONSOR: The Carnegie Corporation of New York FILM SCREENING SPONSOR: Arizona State University, The Melikian Center: Russian, Eurasian and East European Studies FRIENDS OF ASEEES:
    [Show full text]
  • Distributed Art Publishers Art Distributed Artbook Spring 
    artbook Spring SPRING 2014 NEW BOOKS ON ART & CULTURE & distributed art publishers artbook distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com Ray Johnson, from Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Featured releases 2 Journals 82 sprIng HIgHlIgHts 90 CATALOGUE EDITOR Thomas Evans photography 92 ART DIRECTION art 108 Stacy Wakefield group exhibitions 136 IMAGE PRODUCTION Ranya Asmar Writings 142 DATA PRODUCTION design 150 Alexa Forosty COPY WRITING Film 158 Jarrod Annis, Thomas Evans, Tyler Fields, Annabelle Maroney, Seamus Mullarkey architecture 159 PRINTING limited editions 168 Sonic Media Solutions, Inc. Front Cover Image speCIalty Books 170 5 7 Robert Heinecken, Recto/Verso #2, 1988. Silver dye bleach print, 8 ⁄8 x 7 ⁄8''. The Museum of Modern Art, New York. Mr. and Mrs. Clark Winter Fund. art 172 © 2013 The Robert Heinecken Trust. From Robert Heinecken: Object Matter, photography 196 published by The Museum of Modern Art, New York. See page 36. BaCk Cover Image Backlist Highlights 201 Ray Johnson © Ray Johnson Estate, courtesy Richard L. Feigen & Co. From Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Index 207 © Ray Johnson Estate, courtesy Richard L. Feigen & Co & Feigen L. Richard courtesy Estate, Johnson Ray © ​Show​Time:​The​50​Most​ “a fascinating survey of Influential​Exhibitions of​Contemporary​Art​ groundbreaking exhibitions from Edited and with text by Jens Hoffman. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria the 1980s through to now . the Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob.
    [Show full text]
  • Octavio Zaya: Politics and 'The Political': the 29 Sao Paulo Bienal 28/10/10 5.10
    CENTRE FOR THE AESTHETIC REVOLUTION: OCTAVIO ZAYA: POLITICS AND 'THE POLITICAL': THE 29 SAO PAULO BIENAL 28/10/10 5.10 Del Rapporter misbrug Næste blog» C E N T R E F O R T H E A E S T H E T I C R E V O L U T I O N TUESDAY, 5 OCTOBER 2010 PAGES OCTAVIO ZAYA: POLITICS AND 'THE POLITICAL': THE 29 Home SAO PAULO BIENAL SOME RECENT PROJECTS, SOME NOT SO RECENT ABOUT ME PABLO LEON DE LA BARRA [email protected], LONDON, UNITED KINGDOM "At the end of the fifteenth of his 'Letters on the Aesthetic Education of Mankind' Schiller states a paradox and makes a promise. He declares that ‘Man is only completely human when he plays’, and assures us that this paradox is capable ‘of bearing the whole edifice of the art of the beautiful and of the The 29 Sao Paulo Bienal curatorial team. From left to right: Fernando Alvim, Agnaldo Farias, Rina Carvajal, Chus Martínez, Yuko Hasegawa, Sarat Maharaj still more difficult art of living’. We could and Moacir dos Anjos. reformulate this thought as follows: there Politics and "The Political" at the 29th São Paulo Biennial exists a specific sensory experience—the Sep 25 – Dec 12, 2010 aesthetic—that holds the promise of both a by Octavio Zaya new world of Art and a new life for How do you follow, and what do you do after "The Void," the so-dubbed 28th individuals and the community. There are edition of the São Paulo Biennial (2008)? Its Artistic Director, the internationally different ways of coming to terms with this known and experienced curator Ivo Mesquita, left the huge second floor of the Oscar Niemeyer building entirely empty as a comment on the intricate bureaucratic statement and this promise.
    [Show full text]