DOCSLIB.ORG

WHERE? Court Bench

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WHERE? Court Bench T H e: OH I CAPO EAGL, I SOCIETY NEWS (Two Phones) & Miss Susnnim t'ocroft, chairman of Main 4711 Phone Auto 32-4- 33 Lubliner Trinz the now woman's committee of tho Franklin 1822 WHERE TO EAT Owning and Operating the Following High Class Theatres National Security league, presided nt n luncheon at the Union League club, All Over the City: whore plans for a loyalty meeting for TRY IT NOW Devon women of all nationalities In Chicago ARTCRAFT THEATRE, and Clark Streets were discussed. 2433 Lincoln BIOGRAPH THEATRE, Avenue A committee was appointed to wait COVENT GARDEN THEATRE, 2655 North Clark Street upon thoso In charge of tho building CORSIGLIA BROTHERS KEG AND KETTLE, the latest and most KNICKERBOCKER THEATRE, 6225 Broadway of the Hilly Sunday tabernacle and THE oE Chicago's refectories, is located in the MICHIGAN THEATRE, 55th and Michigan reiiuest that the Boulevard tabernacle bo kept Otis Building the southwest of Hallo OAK PARK THEATRE, Oak Park, Illinois for a time for any largo public gath- Famous Italian Restaurant at corner La PARAMOUNT THEATRE, 2648 Milwaukee Avenue erings of vital Interest to Chicago. and Madison Streets. The entrance is from the VITAGRAPH THEATRE, 3133 Lincoln Avenue Tho following were appointed on the Special attention to banquets and main corridor beyond the elevators. committee: Mrs. .1. .?. WEST END THEATRE, No. Cicero and West End Avenues Mitchell, Mrs. dinner parties on short notice. Henton Owsley, Mrs. C. O. Friable, 3 Here arc served tho finest of vintages, brews and Mrs. Charles I.. Derlng, and Mrs. It. HARRY M. LUBLINER JOSEPH TRINZ II. Merrick. HOME COOKING. SPAGHETTI A SPECIALTY. mixtures at modest prices. 510 Westminster Building "Good Every I There is also a luncheon Mrs. Frederick II Hammond, 101G for Taste." service for business men. Horwyn avenue, announces tho en- Everything First Class. 1 Vogelsang gagement of her daughter, Koth-orln- o Every detail measures up to the Standard. Miss Fine Imported and Domestic Wines, Liquors and Cigars Margaret Hammond, to K. Chat-Hol- d Kooglo, son of Mr. and Mrs. Selected Home Alade Wine. Samuel Iredalo Kooglo of Kvanston. 341-343-- ASCHER THEATRES 446-4- 48 Orleans Street W. Illinois Street " f CHICAQO PRESENTING THE UTMOST IN PHOTOPLAYS The Women's Athletic club w 111 have OAKLAND SQUARE THEATRE Drexel and Blvds. charge of a dance on Saturday even- Oakwood ing for which the guests of honor will METROPOLITAN THEATRE Grand Blvd. and 47th St. bo mnn In training at (Ireat Lakes. 521, 41630 Open Until I M. CHATEAU THEATRE Broadway and Grace St. Phones: Ccntrall Automatic A. 4730 Palmer House LAKESIDE THEATRE Shtridan Road. Announcement Is tho en- TERMINAL THEATRE Lawrence and Spaulding Avcs. made of gagement of Miss Agnes Marlon The Old Reliable CALO THEATRE Clark and Balmoral Sts. Daley, daughter of Mr. and Mrs. H, MILFORD New Roma Italian Restaurant THEATRE Milwaukee and Crawford Aves. .1. Daley, U'M St. Lawrence avenue, European Plan Exclusively LANE COURT THEATRE Lane Court and Center St. to Austin 13. Walsh of Camp Grant, COSMOPOLITAN THEATRE Halsted and 79th Sts. Itockford. COLUMBUS THEATRE Ashland Ave. and 63rd St. Second Floor, One Door South of Grand Opera House Our restaurant on parlor floor, for ladies FROLIC THEATRE 55th St. and Ellis Ave. Mr. and Mrs, John A. Spoor ex- and gentlemen, is perfection in every ADELPHI THEATRE Clark and Estes Sts. pect to proceed south In about a fort- 1 17 North Clark Street night. They will make a brief sojourn detail of cuisine and service. Direction ASCHER BROS., 220 South State Street at .lekyll Island, On. Mr. and Mrs. John Kvans Cornell Best Table D'Hote of tho Hyde Park hotel announco the f&PMPiiWT 1 iYa-- - .ST. 7L.T State and Monroe Streets PRODUCTION CIRCULATION engagement of their daughter, Miss Katherlna Spear Cornell, to l.ylo Dinner Harper. Including Wine ADVERTISING VALUE'S CLIMAX Thero will bo n fancy dress party 75 Cents MOVING Saturday evening In tho winter club A?F.DBRUCHMAN Mana Dlrcctors PICTURES nt Lako Forest. Lunch 50 Cents MADE TO ORDER MIbs Klorcnco Lowdcn has returned to Springfield after n fortnight's visit For Churches, Schools, Clubs, Societies with her grahdmothcr, Mrs. George I. Pellegrini, Mgr. vLJm. and for any kind of business for advertising M. Pullman. M Prima Gardens and pleasure. Yourself and your friends put Mrs. Martin A. Ityerson, 1851 Drex- Operated by the Ricnzi Co. into thrillersfor business and social purposes. el boulevard, with hor mother, Mrs. FRED. H. MARX Phone Central 4403 AUG. F. MARX WRITE FOR INFORMATION Charles I.. Hutchinson, will leave Saturday for Arizona to remain until 626 DIVERSEY PARKWAY spring. American Commercial Film Co. Corner Broadway and 110 South Dearborn Street, CHICAGO Mr. and Mrs. A. H. Carquovillo of Marx Beer Tunnel Clark Street Highland Park plan to remain In Cali- fornia until early next month. Telephones And RESTAURANT Lake View III and 806 CHICAGO J. D. CLARK, Pro. W. F. HOEFT, S.c'y and Treat. EAGLETS. Perfection Bedding Co. William H. Weber always made a Sea Food a Specialty Illinois Felt Co., Inc. good public record. Sterlized Hair Mattresses Judge John K. pnnatrllle it miklsi N. W. COR. DEARBORN and MADISON STS. CHICAGO Upholstered Box Springs a iplendld record on the Municipal broad-aalnde-d WHERE? Court bench. He Is aa able, the Loop' Cotton' Felt Mattresses Judge. "All Over Feather Pillows and Juit 2501 WEST 48TH STREET, Near Western Ave. John Z. Vogelsang, tnn great res taurateur, deservedly stands In the Tl.phn HoKtnler 8117 CHICAGO front rank of the restaurant and hotel NICK DOHRN Chas. Weeghman's en of Chicago. Manufacturer of Fine Cigara HARRISON 622 ' PHONES ' HARRISON 623 Rivers McNeill, the popular and eff- and Hazen LUNCH ROOMS icient Collector of Customs, reflects El Cordia Gen. Perfectos great credit on President Wilson's witmmmAComplete line! of 531 North Claremont Avenue John J. Qoraghty, tho well known Phone West 4436 LOOK FOR THEM OFFICE button and badgo manufacturer, now makos his headquarters at his big The Standard for Purity and Quality of Food QUICK SERVICE FURNITURE factory, 3035 West Lako stroot. I 410 S.Dearborn SUB? Chicago ALL PHONES CANAL 2948 BUSINESjJOPICS NEW and USED Established I860 Phones Superior 2793 Care of the Feet. Superior 671 The LeQrand Foot Parlor. Auto 33327 Powolla-Grlo- r, T. P. HENDERSON. President and Trcaturer ESTABLISHED Madamo Floroncia A. T. JULIAN J. PLEAS, Secretary 1899 who owns The Le Grand Foot Lawrence Ice Cream Co. Parlor at 1311 North Clark street, haB CHICAGO UNION LIME WORKS CO. for hor patrons tho best pcoplo on tho North Sldo. Sho Is tho original Dis- Ice Cream QUALITY and Ices Thomas J. Sauerman (MANUFACTURERS PRODUCERS DEALERS coverer of Comparative Scientific Woodless Chiropody. Tho Lo Grand QUICK-LIM-E CHICAOO and CRUSHED STONE Foot Parlor has boon at 1314 and 1348 COMMON and PORTLAND CEMENT N. Clark St. for tho past ten years and AND BUILDINQ MATERIALS Twenty-Fir- st twonty-olgh- t Sangamon (Si years on tho North Sldo. Street, Street Buffet QUARRIES AT OENERAL , Restaurant OFFICES: Madamo Powella-Grior- M, C, S. C, 19th and Lincoln Sti ., CHICAOO 19th and LINCOLN STREETS Doctor of Chiropody, successfully Canalport Avenue and Peoria Street and McCook, Illinois Telephone Canal 388 soro good. makes foot Soro feet aro 548-55- 0 N. CLARK ST CHICAOO mado Good Feet at tho Le Grand Foot Parlor, 1314 N. Clark street. Tele- CHICAGO phones: Suporior 5991, Automatic Corner Ohio CHICAGO Dr. Abraham Sogolow, n licensed chiropodist, (EL and a mombor of tho ITALIAN GREEK State and National Chiropody Associa- tions, is now employed as assistant In tho Lo annul Foot Parlor, 1311 N. PRODUCTS CO. 11 JQL II AtSBBmJ Clark street. Kloctrlcnl and com-pi'osso- d EMILIO LONGHI. Prop. air treatments aro given In connection with tho conipnruttvo sci- entific method of removing callous skin from tho foot. Drexel Cafe What the Bell System Northeast Corner Is Doing Out of Focus. Cottage Grove Ave. 39th St. If you havo head aches your oyos and aro possibly out of focus. essential element of the times is the If your oyos smart and, burn or tho SPISBD hour. movlos blurr, your oyes aro out of The telephone operator is n trained public focus. servant. Before she is allowed to take her place at If tho lottors run whilo you nro After Dinner DANCING for our Patrons systematic course the switchboard she undergoes a reading or If you don't seo all things AT OUR ANNEX of instruction, so arranged as to develop alertness clearly your oyes aro out of focus. of thought, concentration on the work in hand, re- If your child is palo and norvous Every Evening from 8:30 till 12:30. sourcefulness in emergency, and speed of action. tho chancos aro its oyos aro out of To handle the great volume of business pass- focus. ing over its long distance lines alone, the Hell Duck & Itnynor's main storo at System has specially trained 12,000 operators in Stato and Madison has an oxport who long distance methods and practices. will gludly oxamlno your oyos with- out cost or obligation and frankly ESTABLISHED 1863 handling messages, de- Upon the speed in toll you if you neod to wear glasses WJ veloped by these thousands of operators, depends or not. Thoso of our readers who aro , "C.ll.f.NO' mwtm Wm the usefulness of the Bell System to the Govern- now wearing glasses aro invltod to 4V MX. A tt f efeH-w-Tra- r w'Wtoii) ment and to the public.
Load more

Recommended publications
  • Musical Landmarks in New York
    MUSICAL LANDMARKS IN NEW YORK By CESAR SAERCHINGER HE great war has stopped, or at least interrupted, the annual exodus of American music students and pilgrims to the shrines T of the muse. What years of agitation on the part of America- first boosters—agitation to keep our students at home and to earn recognition for our great cities as real centers of musical culture—have not succeeded in doing, this world catastrophe has brought about at a stroke, giving an extreme illustration of the proverb concerning the ill wind. Thus New York, for in- stance, has become a great musical center—one might even say the musical center of the world—for a majority of the world's greatest artists and teachers. Even a goodly proportion of its most eminent composers are gathered within its confines. Amer- ica as a whole has correspondingly advanced in rank among musical nations. Never before has native art received such serious attention. Our opera houses produce works by Americans as a matter of course; our concert artists find it popular to in- clude American compositions on their programs; our publishing houses publish new works by Americans as well as by foreigners who before the war would not have thought of choosing an Amer- ican publisher. In a word, America has taken the lead in mu- sical activity. What, then, is lacking? That we are going to retain this supremacy now that peace has come is not likely. But may we not look forward at least to taking our place beside the other great nations of the world, instead of relapsing into the status of a colony paying tribute to the mother country? Can not New York and Boston and Chicago become capitals in the empire of art instead of mere outposts? I am afraid that many of our students and musicians, for four years compelled to "make the best of it" in New York, are already looking eastward, preparing to set sail for Europe, in search of knowledge, inspiration and— atmosphere.
    [Show full text]
  • In Nineteenth-Century American Theatre: the Image
    Burlesquing “Otherness” 101 Burlesquing “Otherness” in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). Zoe Detsi-Diamanti When John Brougham’s Indian burlesque, Met-a-mora; or, The Last of the Pollywogs, opened in Boston at Brougham’s Adelphi Theatre on November 29, 1847, it won the lasting reputation of an exceptional satiric force in the American theatre for its author, while, at the same time, signaled the end of the serious Indian dramas that were so popular during the 1820s and 1830s. Eight years later, in 1855, Brougham made a most spectacular comeback with another Indian burlesque, Po-Ca-Hon-Tas; or, The Gentle Savage, an “Original, Aboriginal, Erratic, Operatic, Semi-Civilized, and Demi-savage Extravaganza,” which was produced at Wallack’s Lyceum Theatre in New York City.1 Both plays have been invariably cited as successful parodies of Augustus Stone’s Metamora; or, The Last of the Wampanoags (1829) and the stilted acting style of Edwin Forrest, and the Pocahontas plays of the first half of the nineteenth century. They are sig- nificant because they opened up new possibilities for the development of satiric comedy in America2 and substantially contributed to the transformation of the stage picture of the Indian from the romantic pattern of Arcadian innocence to a view far more satirical, even ridiculous. 0026-3079/2007/4803-101$2.50/0 American Studies, 48:3 (Fall 2007): 101-123 101 102 Zoe Detsi-Diamanti
    [Show full text]
  • Broadside Read- a Brief Chronology of Major Events in Trous Failure
    NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 17, Number 1/Volume 17, Number 2 SPECIAL DOUBLE ISSUE Summer/Fa111989 EXHIBITION SURVEYS MANHATTAN'S EARLY THEATRE HISTORY L An exhibition spotlighting three early New York theatres was on view in the Main I Gallery of The New York Public Library at Lincoln Center from February 13, 1990 through March 31, 1990. Focusing on the Park Theatre on Park Row, Niblo's Garden on Broadway and Prince Street, and Wal- lack's, later called the Star, on Broadway and 13th Street, the exhibition attempted to show, through the use of maps, photo- graphic blowups, programs and posters, the richness of the developing New York theatre scene as it moved northward from lower Manhattan. The Park Theatre has been called "the first important theatre in the United States." It opened on January 29, 1798, across from the Commons (the Commons is now City Hall Park-City Hall was built in 1811). The opening production, As You Like It, was presented with some of the fin- est scenery ever seen. The theatre itself, which could accommodate almost 2,000, was most favorably reviewed. It was one of the most substantial buildings erected in the city to that date- the size of the stage was a source of amazement to both cast and audience. In the early nineteenth century, to increase ticket sales, manager Stephen Price introduced the "star sys- tem" (the importation of famous English stars). This kept attendance high but to some extent discouraged the growth of in- digenous talent. In its later days the Park was home to a fine company, which, in addition to performing the classics, pre- sented the work of the emerging American playwrights.
    [Show full text]
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • 3. New York City's Theater
    Diplomarbeit Titel der Diplomarbeit Stage New York City Verfasserin Katja Moritz Angestrebter akademischer Grad Magistra der Philosophie (Mag. phil) Wien, im Oktober 2008 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin/Betreuer: Ao. Univ.- Prof. Dr. Brigitte Marschall INDEX__________________________________________ 1. PREFACE AND INTRODUCTION …………………………………. Seite 4 2. INTRO: BIG CITY LIFE ……………………………………………... Seite 6 2.1. Introduction New York …………………………………………. Seite 8 3. NEW YORK CITY‘S THEATER ……………………………………. Seite 12 3.1.1. Broadway, Off And Off-Off Broadway: Differences ...………….. Seite 13 4. BROADWAY …………………………………………………………... Seite 16 4.1. New York City’s Broadway – What Is It About? ……………….. Seite 18 4.2. Broadway History: Changes …………………………………….. Seite 21 4.2.1. Early Attraction ……………………………………………………... Seite 21 4.2.2. Broadway 1900 – 1950 ……………………………………………… Seite 24 4.2.3. Broadway 1950 – 2008 ……………………………………………… Seite 26 4.3. Commercial Production: Broadway ……………………………... Seite 27 4.3.1. Broadway Producer: Money Makes The (Broadway) World Go Round ………………….. Seite 29 4.3.2. Critics: Thumbs Up? ………………………………………………… Seite 32 4.3.3. Musical ……………………………………………………………… Seite 33 4.4. Competition Calls For Promotion ……………………………….. Seite 35 4.4.1. Federal Theatre Project 1935 – 1939 ………………………………... Seite 36 4.4.2. Theatre Development Fund TDF ……………………………………. Seite 37 4.4.3. I Love NY …………………………………………………………… Seite 38 4.5. Reflection ………………………………………………………... Seite 39 5. OFF AND OFF-OFF BROADWAY DEVELOPMENT ……………. Seite 41 5.1. Showplace Greenwich Village And East Village ……………….. Seite 41 5.2. Showplace Williamsburg, Brooklyn …………………………….. Seite 45 1 6. OFF BROADWAY AND OFF-OFF BROADWAY – WHAT IS IT ABOUT? ………………………………………………... Seite 47 6.1. First Steps Into Off Broadway …………………………………… Seite 48 6.2. The Real Off Broadway – The 1950s …………………………….
    [Show full text]
  • 1920 Patricia Ann Mather AB, University
    THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • National Register of Historic Places Multiple Property Documentation Form
    NPS Form 10-900-b OMB No. 1024-0018 (March 1992) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items. X New Submission _ Amended Submission A. Name of Multiple Property Listing Historic Theaters and Opera Houses of Kansas B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) The Historical Development of Public Entertainment in Kansas, 18 54-1955 C. Form Prepared by name/title Elizabeth Rosin. Partner, assisted by Dale Nimz, Ph.D., Historian and Kristen Ottesen. Architectural Historian company Historic Preservation Services. LLC street & number 323 West 8th Street, Suite 112___________ telephones 16-221-5133 city or town Kansas City___________________________________ state MO zip code 64105 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR Part 60 and the Secretary of the Interior's Standards and Guidelines for Archeology and Historic Preservation.
    [Show full text]
  • Broadway Theatre
    Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.
    [Show full text]
  • Park Theatre Fanny's First Play Program
    CHARLES FROHMAN, RICH S^tARRIS LESSEES <5< MANAGERS PARK THBATRB PROGRAM Tango Gowns Cleansed or Dyed LEWANDOS . SPRING COLOR BOOKS Contain all the latest Tango Shades CLEANSING of the Most Delicate Fabrics of Personal Wear , > 1 lfie'iTnC\C\(c\ )» P P or Household Use BOSTON SHOPS 17 TEMPLE PLACE-248 HUNTINGTON AVENUE-284 BOYLSTON STREET Telephone Oxford 555 Telephone Back Bay 3881 Telephone Back Bay 3900 WATERTOWN 1 Galen Street CAMBRIDGE 1274 Massachusetts Avenue (Newton Deliveries) Telephone Cambridge 945 Telephone Newton North 300 ROXBURY 2206 Washington Street BROOKLINE 1310 Beacon Street Telephone Roxbury 92 Telephone Brookline 5030 DORCHESTER 319 Washington Street MALDEN 30 Pleasant Street Telephone Dorchester 4700 Telephone 13 LYNN 70 Market Street SALEM 187 Essex Street Telephone Lynn 1860 Telephone Salem 1800 WALTHAM 193 Moody Street LOWELL 37 Merrimac Square Telephone 1519 Telephone Lowell 1648 BRIDGEPORT WATERBURY HARTFORD NEW HAVEN SPRINGFIELD WORCESTER FALL RIVER PORTLAND NEW YORK PHILADELPHIA ROCHESTER ALBANY WASHINGTON PROVIDENCE NEWPORT FITCHBURG “You Can Rely On Lewandos J9 PARK THEATRE PROGRAM McVITIE Doesn’t this REAL & PRICE English Biscuit look good to you? Rich Cream between Butter Shortened Cake Tear this out and take it to your grocer; he •will show you this new Imported Delicacy ACADEMY and many other Me Vitie 6° Trice's Biscuits. CREAM JOHNSON EDUCATOR FOOD CO. Sole Agents for United States The Crawford House — Scollay Square — Invites your patronage for Lunch or Dinner with specialties that will please the most fastidious person. There are 4 dining rooms each arranged with differ- ent ideas, booths, etc. Twelve o’clock privilege. Platinum ^“0* Jewels We take great pride in producing original designs and arrangements in our own workrooms, equal to any in the world.
    [Show full text]
  • BTW.C.Schedule2017(MH Edit)
    Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers.
    [Show full text]
  • Elizabeth A. Schor Collection, 1909-1995, Undated
    Archives & Special Collections UA1983.25, UA1995.20 Elizabeth A. Schor Collection Dates: 1909-1995, Undated Creator: Schor, Elizabeth Extent: 15 linear feet Level of description: Folder Processor & date: Matthew Norgard, June 2017 Administration Information Restrictions: None Copyright: Consult archivist for information Citation: Loyola University Chicago. Archives & Special Collections. Elizabeth A. Schor Collection, 1909-1995, Undated. Box #, Folder #. Provenance: The collection was donated by Elizabeth A. Schor in 1983 and 1995. Separations: None See Also: Melville Steinfels, Martin J. Svaglic, PhD, papers, Carrigan Collection, McEnany collection, Autograph Collection, Kunis Collection, Stagebill Collection, Geary Collection, Anderson Collection, Biographical Sketch Elizabeth A. Schor was a staff member at the Cudahy Library at Loyola University Chicago before retiring. Scope and Content The Elizabeth A. Schor Collection consists of 15 linear feet spanning the years 1909- 1995 and includes playbills, catalogues, newspapers, pamphlets, and an advertisement for a ticket office, art shows, and films. Playbills are from theatres from around the world but the majority of the collection comes from Chicago and New York. Other playbills are from Venice, London, Mexico City and Canada. Languages found in the collection include English, Spanish, and Italian. Series are arranged alphabetically by city and venue. The performances are then arranged within the venues chronologically and finally alphabetically if a venue hosted multiple productions within a given year. Series Series 1: Chicago and Illinois 1909-1995, Undated. Boxes 1-13 This series contains playbills and a theatre guide from musicals, plays and symphony performances from Chicago and other cities in Illinois. Cities include Evanston, Peoria, Lake Forest, Arlington Heights, and Lincolnshire.
    [Show full text]