Dear Friend, Table of Contents Sometimes Shakespeare asks STC Board of Trustees us to take a leap of faith. For Feature Article 6 our final mainstage show Board of Trustees W. Mike House Emeritus Trustees of the 2012-2013 Season, Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, Title Page 9 The Winter’s Tale, we leave Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman John Hill, Treasurer Jeffrey M. Kaplan James B. Adler About the Playwright 10 you with an intimate story of Pauline Schneider, Secretary Scott Kaufmann Heidi L. Berry* mistakes, hope and second Michael Kahn, Artistic Director Abbe D. Lowell David A. Brody* Synopsis 11 chances. This ambitious play Eleanor Merrill Melvin S. Cohen* Trustees Melissa A. Moss Ralph P. Davidson Cast 13 spans 16 years, two nations and more than one Nicholas W. Allard Robert S. Osborne James F. Fitzpatrick instance of possible divine intervention, yet at its Ashley M. Allen Stephen M. Ryan Dr. Sidney Harman* Cast Biographies 14 core, it speaks of trust and belief in other people. Stephen E. Allis George P. Stamas Lady Manning Rebecca Taichman, an STC Affiliated Artist who Anita M. Antenucci Bill Walton Kathleen Matthews Direction and Design Biographies 17 Jeffrey D. Bauman Lady Westmacott William F. McSweeny previously directed Cymbeline, Twelfth Night and Afsaneh Beschloss Rob Wilder V. Sue Molina About STC 20 The Taming of the Shrew here at the Shakespeare Landon Butler Suzanne S. Youngkin Walter Pincus Theatre Company, has found a way to incorporate Dr. Paul Carter Eden Rafshoon Support 22 Chelsea Clinton Ex-Officio Emily Malino Scheuer* all of these elements into one transformative story. Dr. Mark Epstein Chris Jennings, Lady Sheinwald For STC 30 Andrew C. Florance Managing Director Mrs. Louis Sullivan Rebecca has cast a first rate ensemble of actors Miles Gilburne Daniel W. Toohey STC Staff 34 to double—and sometimes triple—the parts in Barbara Harman Sarah Valente John R. Hauge Lady Wright Audience Services 35 this play. Every actor in this production straddles Stephen A. Hopkins the worlds of Sicilia and Bohemia and helps the Lawrence A. Hough * Deceased audience compare characters from both societies. Rebecca’s versatile group of actors includes STC favorites Nancy Robinette, Tom Story and Ted van Griethuysen, along with new faces such as Mark Harelik and Hannah Yelland. I look forward to excellent performances from the entire cast.

STC has produced this play in association with our friends at the McCarter Theatre Center. We are STC’s Artistic Leadership Fund grateful to McCarter for help rehearsing, refining and supporting Rebecca’s vision. As you examine The Shakespeare Theatre Company is pleased to acknowledge its the set, costumes, sights and sounds of this Artistic Leadership Fund Members whose generosity provides production, remember that every decision in theatre sponsorship support for this production of The Winter’s Tale. is a leap of faith. If we believe in Shakespeare’s message and come together in the spirit of For more information on the Artistic Leadership Fund, please contact friendship, magic can happen in this very room. Amy Gardner, Associate Director of Development, 202.608.6332. • We hope to see you in our theatres again next Anonymous (4) Jeffrey M. Kaplan season. Anne and Ronald Abramson Michael R. Klein and Joan I. Fabry Nick and Marla Allard Mr. and Mrs. Robert P. Kogod Warm regards, Stephen E. Allis Abbe David Lowell and Molly A. Meegan Anita M. Antenucci Jacqueline B. Mars Beech Street Foundation Robert and Martha Osborne Afsaneh Beschloss Alan and Marsha Paller Mr. and Mrs. Landon Butler Stephen and Lisa Ryan Dr. Paul and Mrs. Rose Carter Vicki and Roger Sant Michael Kahn Dr. Mark Epstein and Ms. Amoretta Hoeber Clarice Smith Artistic Director Mr. and Mrs. Steven B. Epstein Fredda Sparks and Kent Montavon Shakespeare Theatre Company Ms. Stefanie Erkiletian George P. Stamas Mr. and Mrs. Robert Falb Sam Turner James A. Feldman and Natalie Wexler Bill Walton John and Meg Hauge Tom and Cathie Woteki HRH Foundation Suzanne and Glenn Youngkin Mr. and Mrs. Stephen A. Hopkins Nina Zolt and Miles Gilburne

Cover photo by S. Christian Low. 2 • 3 a Funny Thing on Happened

the Way

to the Forum Part of the 2013-2014 Season Burt Shevelove and Larry Gelbart Book by Stephen Sondheim Music and Lyrics by Originally Produced on Broadway by Harold S. Prince Alan Paul Directed by COMEDY TONIGHT!

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Subscribe Today! ShakespeareTheatre.org Call 202.547.1122, option 2

4 5 Doublings Shakespearean &Triplings

Most scholars agree that the Lord Chamberlain’s Men, Shakespeare’s company, had a core of about nine shareholding actors, with three additional musicians. Doubling roles Anonymous, The Dance of Death, Paris, 1486. was an essential fact of life, especially when the theatres were closed for plague, and actors were forced to tour the provinces with smaller ensembles.

Toward the end of his career, however, Shakespeare began to use doubling in a new way. At other moments, characters appear to function as negative images of each other. His late plays, more than ever before, stretch the limits of theatrical illusion, and in them One scholar, Stephen Booth, argues that Shakespeare’s leading actor, Richard Burbage, doubling becomes a structural preoccupation rather than a professional necessity. Often played two contrasting roles in Cymbeline—the romantic lead Posthumus, as well as called “romances” for their defiance of genre, these plays are defined by oppositions. the grotesque villain Cloten. Similarly, in The Winter’s Tale the leading role of Leontes In them, the comic intermingles with the tragic, nature vies with art for supremacy and is paralleled by the anarchic Bohemian clown Autolycus. Whereas Leontes is possessed life is haunted by the specter of death. In The Winter’s Tale, the play is literally divided by paranoid delusions and searches for the truth, Autolycus possesses a frank view of into two worlds which mirror each other in ways large and small—the winter court of the world’s realities and is a master of lies. As far as I know, no major company has Sicilia and the springtime pastoral of Bohemia. Almost all of the characters have shadow ever attempted to double the two roles with one actor, making this production unique, selves in these other worlds, doppelgängers who suggest underlying symmetries and perhaps with the exception of Shakespeare’s own. contradictions. Of all the characters in The Winter’s Tale, there is only one who cannot be doubled. The theme in these plays is invariably of family and personal ties, the characters I speak of course of Hermione, who appears in the play, ironically, in three different forming a constellation of parents and children, husbands and wives. Sometimes two forms: as a living human being in Sicilia, as a ghost in Bohemia and as a statue at characters will appear to be twin manifestations of the same identity, such as Leontes play’s end. The question of how to understand Hermione’s true essence, of how to and Polixenes, the two kings of Sicilia and Bohemia. “They were trained together in their distinguish between reality and illusion, is one that has tormented thinkers since the childhoods,” Shakespeare writes, emphasizing the characters’ twinned natures, as well as time of Plato. “The poet,” Plato writes, “is thrice removed from the gods and the truth,” their deep bond of love. “Since their more mature dignities and royal necessities made just as Hermione’s statue is one level removed from the truth of her human existence separation of their society,” Shakespeare continues, they “shook hands as over a vast, and and another from the divine truth of her ghost. Shakespeare asks us to reconcile three embraced as it were from the ends of opposed winds” (act 1, scene 1). In other words, impossibilities—that a character can be alive, dead and a work of art at the same time. though time and the responsibilities of life pull us apart from those we love, we will And yet, in dramatic practice, this apparent impossibility is really nothing of the sort. This always feel the deeply human need to connect. It is a theme Shakespeare will return to final scene of Shakespearean doubling is in fact a tripling which both echoes and rebuts in this play again and again, the savage breaches that life creates and the ways in which Plato’s writings. Nowhere else does Shakespeare so forcefully ask us to confront the we knit ourselves back together. phantasmal power of the theatre, the manner in which it can bridge that wide, unseen gap between the worlds of art (Hermione’s statue), nature (Hermione as queen) and the divine (Hermione’s ghost). At the end of The Winter’s Tale, Paulina says the statue will not move until all “awake their faith” (act 5, scene 3). She is speaking directly, not only to Leontes and the court of Sicilia onstage, but for those in the audience as well, those living the triple life along with the poet and his creations.

It is a divine synthesis, a dream that is real, the kind of ending too impossible for real life and too real to ever be forgotten.

Drew Lichtenberg, Literary Associate

6 7 Recipient of the 2012 Regional Theatre Tony Award®

Artistic Director Michael Kahn Managing Director Chris Jennings

in association with McCarter Theatre Center presents

By William Shakespeare Performances Begin May 9, 2013 Opening Night May 14, 2013 Lansburgh Theatre

Director Vocal Coach Rebecca Taichman Gillian Lane-Plescia

Set Designer Head of Voice and Text Christine Jones Ellen O’Brien LAIB WAX ROOM Costume Designer Casting Director David Zinn Laura Stanczyk, CSA

Visit the only beeswax chamber designed by Lighting Designer Resident Casting Director Wolfgang Laib for a museum. Fragrant and Christopher Akerlind Daniel Neville-Rehbehn meditative, it is the first permanently installed Composer Production Dramaturgs artwork at the Phillips in over 50 years. Nico Muhly Carrie Hughes Drew Lichtenberg Sound Designer Matt Tierney Assistant Director Jenny Lord Music Director Stephen Feigenbaum Production Stage Manager Alison Cote* Choreographer Camille A. Brown Assistant Stage Manager Elizabeth Clewley*

The Winter’s Tale is sponsored by the Artistic Leadership Fund.

Additional Support: KPMG and The Share Fund of The Community Foundation for www.phillipscollection.org · 1600 21st Street, NW (Dupont Circle Metro, Q Street Exit) the National Capital Region

Supported by The Phillips Collection Dreier Fund for Acquisitions; gifts in memory of trustee Caroline Macomber; Restaurant Partner: District Chophouse Brian Dailey and Paula Ballo Dailey; a community of online contributors; and a partial gift of the artist. Wax donated by Sperone Westwater, New York. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

8 9

shakespeare theater ad april 2013.indd 1 4/18/2013 4:31:45 PM About the Playwright Synopsis

No man’s life has been the subject of more speculation than William In the royal court of Sicilia, King Leontes, with his expectant wife Hermione and son Mamillius, prepares Shakespeare’s. While Shakespearean scholars have dedicated their lives to say farewell to Leontes’ visiting boyhood friend, King Polixenes of Bohemia. When Hermione is able to to the search for evidence, the truth is that no one really knows what persuade Polixenes to remain in Sicilia after her husband cannot, Leontes convinces himself that Hermione the truth is. Scholars agree that a William Shakespeare was baptized and Polixenes are having an affair. Consumed with irrational jealousy, Leontes confides his suspicions to his at Stratford-upon-Avon on April 26, 1564. Tradition holds that he was trusted courtier Camillo and orders Polixenes to be poisoned. Instead of obeying his king’s orders, Camillo born three days earlier, on April 23—the same date on which, 52 years escapes with Polixenes to Bohemia instead. later, he was recorded to have died. On November 27, 1582, a marriage license was granted to 18-year-old William and 26-year-old Anne While imprisoned and awaiting trial for her supposed crime, Hermione gives birth to a daughter. Paulina, Hathaway. A daughter, Susanna, was born to the couple six months a loyal noblewoman, brings the newborn to Leontes, hoping that the child will move him to release later. We know that twins, Hamnet and Judith, were born soon after and Hermione from her imprisonment. Instead, Leontes becomes further enraged and commands Antigonus, were baptized. What we do not know is how the young Shakespeare Paulina’s husband, to take the infant into the wild and abandon it there while her mother stands trial. came to travel to London and how he first came to the stage. Whatever the truth may be, it is clear that in the years between 1582 and 1592 Pleading not guilty, Hermione begs her husband to relent. As the sentence is about to be announced, a someone calling himself William Shakespeare became involved in the London theatre scene and was a post returns from Apollo’s Oracle at Delphos, bringing a scroll proclaiming Hermione’s innocence. Leontes, principal actor with one of several repertory companies. determined to punish his wife, disregards the Oracle. Immediately, news of Prince Mamillius’s death is brought to the chamber. Shocked over the death of her son, Hermione faints and is escorted out by her By 1592 Shakespeare had become prominent enough as a playwright to engender professional jealousy. women. Finally recognizing his foolishness, Leontes repents, but he is too late. Paulina returns to announce A rival playwright, Robert Greene, wrote snidely of an “upstart crow, beautified with our feathers, that with that Queen Hermione also is dead. Grief-stricken, Leontes dedicates himself to a life of penitence and his tiger’s heart wrapped in a player’s hide supposes he is as well able to bombast out a blank verse as remembrance. the best of you, and being an absolute Johannes-factotum is in his own conceit the only Shakescene in a country.” In the years between 1591 and 1593, the theatres of London were temporarily shut down due Meanwhile, Antigonus brings the newborn royal daughter to Bohemia, where he reports that Hermione to an outbreak of plague; Shakespeare turned his considerable talents to sonnet writing and acquired a appeared to him in a dream, bidding that he name the child Perdita. He leaves the baby on the Bohemian patron, the young Lord Southampton, to whom two of his poems, Venus and Adonis and The Rape of shore with a bag of gold and documents that reveal her name, high birth and unfortunate fate, before he is Lucrece, are dedicated. killed by a bear. Perdita is rescued by a good shepherd and his son who vow to care for her.

In 1594 Shakespeare was listed as a stockholder in the Lord Chamberlain’s Men; he was a member of Sixteen years pass. Perdita grows into a young woman. Raised as the shepherd’s daughter, she is courted this company for the rest of his career, which lasted until approximately 1611. When James I came to by King Polixenes’ son Florizel, who is unaware of her real parentage. At a sheep-shearing feast, Polixenes the throne in 1603, he issued a royal license to Shakespeare and his fellow players, inviting them to call discovers his son’s conduct and attempts to separate the two lovers, but, with the help of Camillo, the themselves The King’s Men. The King’s Men leased the Blackfriar’s Theatre in London in 1608. This theatre, couple is able to escape to Leontes’ court in Sicilia. which had artificial lighting and was probably heated, served as their winter playhouse. The famous Globe Theatre was their summer performance space. Leontes welcomes the young lovers, not realizing that the beautiful maiden is the daughter he abandoned long ago. Polixenes and Camillo soon arrive, bringing information of Perdita’s background and causing In the years since Shakespeare’s death, he had fallen to the depths of obscurity only to be resurrected more truths to be revealed, bringing a happy and miraculous conclusion to the trials of both royal families. as the greatest writer of English literature and drama. In the 1800s, his plays were so popular that many refused to believe that an actor from Stratford had written them. To this day some believe that Sir Francis Bacon was the real author of the plays; others argue that Edward DeVere, the Earl of Oxford, was the man. Still others contend that Sir Walter Raleigh or Christopher Marlowe penned the lines attributed to Shakespeare. Whether the plays were written by Shakespeare the man or Shakespeare the myth, it is clear that no other playwright has made such a significant and lasting contribution to the English language.

Mario Cantone Rachel Dratch Carla Hall Lainie Kazan Eugene Pack Dayle Reyfel Steve Schirripa ONE NIGHT ONLY! celebrity Monday, June 10 at 8:00 p.m. Sidney Harman Hall autobiography ShakespeareTheatre.org 10 For more information about the show: celebrityautobiography.com Cast

The Winter’s Tale

Mark Harelik*...... Leontes, King of Sicilia Autolycus, a rogue Hannah Yelland*...... Hermione, Queen of Sicilia Sean Arbuckle*...... Polixenes, King of Bohemia Heather Wood*...... Mamillius, Prince of Sicilia Time Perdita, Princess of Sicilia Brent Carver*...... Camillo, a Sicilian Lord Ted van Griethuysen*...... Antigonus, a Sicilian Lord Old Shepherd Nancy Robinette*...... Paulina, a Sicilian Lady Drunken Shepherdess Tom Story*...... Cleomenes, a Sicilian Lord Young Shepherd (Clown) Todd Bartels*...... Dion, a Sicilian Lord Florizel, Prince of Bohemia $32.00 Understudies Colleen Delany* (Hermione), Kelsey Meiklejohn (Mamillius/Perdita/Time), Max Reinhardsen+ (Cleomenes/Young Shepherd), Michael Rudko* (Leontes/Autolycus/Polixenes), Anne Stone* (Paulina/Old Shepherdess), Harry A. Winter* (Camillo/Antigonus/Old Shepherd), Kevin Woods (Dion/Florizel)

Musicians: Stephen Feigenbaum, Anne Ament, Douglas Dubé

Dance Captain: Hannah Yelland*

Production Assistant: Maria Tejada

THERE WILL BE ONE 15-MINUTE INTERMISSION.

The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative.

Copyright laws prohibit the use of cameras and recording equipment in the theatre.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

+Acting Fellow of the Shakespeare Theatre Company. +

PENN QUARTER • WEST END

12 13 Tom Story* Heather Wood* Cleomenes/Young Shepherd Mamillius/Time/Perdita (Clown) NEW YORK: Off-Broadway: New Cast Biographies STC: Affiliated Artist,The Government York Classical Theatre: King Lear. Inspector, The Merry Wives of REGIONAL: McCarter Theater Sean Arbuckle* The Citadel (Edmonton): Cyrano, Richard III. FILM/ Windsor, Cymbeline, Sir Andrew Center: The Winter’s Tale, Phaedra Polixenes TELEVISION: Ararat, The Event, Sleepy Hollow, Deeply, Aguecheek in Twelfth Night (2010 (workshop), When We Were Free For All and mainstage, Helen Young and Unafraid (reading); STC: The Merchant of Venice, King Lilies, The Wars (Genie, Gemini Awards). OTHER: CD: Hayes Award nomination), Richard II, Henry V, Yale Repertory Theatre/Berkeley Repertory Theatre: John, All’s Well That Ends Well (Free Walk Me to the Corner. Design for Living, Major Barbara, The Rivals, Twelfth Three Sisters; Goodman Theatre: The Seagull, A True For All). NEW YORK: Broadway: Night (1995 Free For All), Measure for Measure. History of the Johnstown Flood; Old Globe: Romeo The Importance of Being Earnest; Mark Harelik* REGIONAL: Arena Stage: The Book Club Play; Ford’s and Juliet, The Merry Wives of Windsor; Shakespeare Off-Broadway: The Waverly Leontes/Autolycus Theatre: Our Town, Sabrina Fair, A Christmas Carol, Festival Saint Louis: Othello; Cincinnati Playhouse in Gallery, Henry VI. NATIONAL TOUR: NEW YORK: Broadway: The Light in 1776; Berkshire Theater Festival: The Book Club Play, the Park: Travels of Angelica (Acclaim Award Best Copenhagen. REGIONAL: McCarter Theatre Center: The the Piazza, Mrs. Warren’s Profession, The Glass Menagerie, Amadeus, Secret Lives of the Supporting Performance); Trinity Repertory Company: Winter’s Tale; A.C.T., Berkshire Theatre Festival, Denver The Normal Heart; Off-Broadway: Sexists, The Heidi Chronicles, The Misanthrope, Moby Our Town; Publick Theatre Boston: Misalliance; Guerilla Center Theater, George Street Playhouse, Walnut Street Old Money, The House in Town, The Dick–Rehearsed, Camelot, Life’s a Dream; Studio Shakespeare Company: Two Gentlemen of Verona; Theatre, Indiana Repertory, Pioneer Theatre Company. Beard of Avon. NATIONAL TOUR: Theatre: POP! (Helen Hayes nomination), Legends!, Stray Dog Theatre: Agnes of God. TRAINING: Brown INTERNATIONAL: Stratford Festival of Canada: 11 The Heidi Chronicles. REGIONAL: The Invention of Love (Helen Hayes nomination), University/Trinity Repertory Company: MFA. seasons, roles included Orsino in Twelfth Night, The McCarter Theatre Center, South Coast Repertory, Prometheus, The York Realist, Ivanov, A Number (Helen Pirate King in Pirates of Penzance, Tuzenbach in Three Williamstown Theatre Festival, Mark Taper Forum, A.C.T., Hayes nomination), The Pillowman; Folger Theatre: The Sisters, Bassanio in The Merchant of Venice, Julian Seattle Repertory Theatre, Intiman Theatre, Denver Hannah Yelland* School for Scandal, Henry IV, Part 1; Eugene O’Neill Marsh in 42nd Street, Saturninus in Titus Andronicus, Center Theater, La Jolla Playhouse, Old Globe. FILM: Hermione Theater Center; McCarter Theatre Center: The Winter’s Talthybius in Trojan Women, Alcibiades in Timon of 42, For Your Consideration, Election, The Job, Meeting NEW YORK: Broadway: Laura Tale; Kansas City Repertory; Provincetown Repertory; Athens, Dazzle in London Assurance, Cliff in Cabaret, Spencer, Timer, Eulogy, Watching the Detectives, in Brief Encounter (Tony Award Great Lakes Theatre Festival; Seattle Repertory. AWARD: Nick in Who’s Afraid of Virginia Woolf?. TELEVISION: Barbarians at the Gate. TELEVISION: Vegas, Awake, nomination, Best Leading Actress Fox Foundation Fellowship. TRAINING: Duke University; Law & Order, Sex and the City, Hope and Faith. Family Tree, The Good Wife, Breaking Bad, Lie to 2011). REGIONAL: McCarter Theatre The Juilliard School. TRAINING: Duke University, Juilliard. Me, Monk, The Big Bang Theory, Eli Stone, Pushing Center: The Winter’s Tale; A.C.T./ Daisies, Grey’s Anatomy, ER, Dirt, Sleeper Cell, Prison Guthrie Theater/St. Ann’s Warehouse: Todd Bartels* Break, Heroes, Medium, The Closer, Bones, Desperate Ted van Griethuysen* Brief Encounter. INTERNATIONAL: West End/Chichester Dion/Florizel Housewives, Will and Grace, Seinfeld, Star Trek Antigonus/Old Shepherd Festival Theatre/UK tour/Toronto: Kate Nickleby in The STC: Affiliated Artist; roles since 1987 Life and Adventures of Nicholas Nickleby (with her NEW YORK: Off-Broadway: The Flea: Voyager. OTHER: Author of (and appeared in) The include King of France in All’s Well father David Yelland); London: Daisy in Daisy Pulls it Adam Rapp’s Bingo with the Indians; Immigrant, The Legacy, Hank Williams–Lost Highway. That Ends Well (mainstage and Free Off; Gate Theatre (Dublin): Rachel in My Cousin Rachel; The Public: Young Jean Lee’s Church; For All), Henry Leeds in Strange Abbey Theatre (Dublin): Nora in A Doll’s House; Vivie Theatre Row: Melanie Marnich’s Nancy Robinette* Interlude, Mr. Praed in Mrs. Warren’s in Mrs. Warren’s Profession (dir. Sir Peter Hall); French Quake. REGIONAL: McCarter Theatre Paulina/Drunken Shepherdess Profession, Malvolio in Twelfth Night, Without Tears; Bedroom Farce; The Linden Tree. FILM: Center: The Winter’s Tale; Denver STC: Affiliated Artist,The Government Andrew Undershaft in Major Barbara, Holofernes in Method, AKA. TELEVISION: Modern Love; Dinotopia, Center Theater: Michael Mitnick’s Ed, Downloaded Inspector, The Heir Apparent, An Love’s Labor’s Lost (mainstage and RSC), Falstaff in Poirot, A Touch of Frost, The Secret, Ahead of the Class, (workshop). INTERNATIONAL: Edinburgh Fringe: Ideal Husband, Twelfth Night, Henry IV, Philip II in Don Carlos, Apemantus in Timon Micawber, Ultimate Force, Dalzell and Pascoe, The George Bernard Shaw’s Candida. FILM: Whit Stillman’s The Beaux’ Stratagem, Lady of Athens, Lear in King Lear, Prospero in The Tempest. Project, Holby City. TRAINING: Cambridge University, Damsels in Distress, American Girl. TELEVISION: The Windermere’s Fan, Henry IV, NEW YORK: Broadway: Romulus, Inadmissible England. Americans (FX). OTHER: NYU: Richard III, Orpheus Part 1 and Part 2, The Rivals, Evidence. REGIONAL: McCarter Theatre Center: The Descending, The Emperor Antony, boom. TRAINING: The Silent Woman, The Little Foxes, Sweet Bird of Winter’s Tale; Folger Theatre: Clandestine Marriage; NYU Graduate Acting Program: MFA; Harvard: BA. Youth. NEW YORK: Off-Broadway: New York Theatre Studio Theatre: The Steward of Christendom, Life of Workshop: Trestle at Pope Lick Creek, Finally Flannery; Galileo, Rock ‘n’ Roll, A Number, The Habit of Art. Roundabout Theatre Company: Give Me Your Answer, Brent Carver* INTERNATIONAL: Battersea Arts Center, London: Life of Do!. REGIONAL: McCarter Theatre Center: The Winter’s Camillo Galileo; Arcola, London: Broadway from the Shadows; Tale; Old Globe: The Savannah Disputation; Arena NEW YORK: Broadway: King Lear, Trafalgar Studios: Mr. Paradise in Lovely and Misfit. Stage: Ah, Wilderness!, Death of a Salesman, Well, Parade (Drama Desk Award), Kiss AWARDS: Six Helen Hayes Awards, the Will Award, and The Women; Round House Theatre: Better Living, of the Spider Woman (Tony, Drama Drama Critics Award (NYC). INSTRUCTOR: Aesthetic Who’s Afraid of Virginia Woolf?; Studio Theatre: Desk Awards); Off-Broadway: Realism of Eli Siegel; Columbia University; Mount Souvenir, Frozen, The Play about the Baby, Afterplay; Playwrights Horizons: My Life With Vernon College; University of South Carolina. Albertine. REGIONAL: McCarter Williamstown Theatre Festival: Philadelphia, Here Theatre Center: The Winter’s Tale; Mark Taper Forum: I Come!; Folger Theatre: Romeo and Juliet; Scena The Tempest. INTERNATIONAL: Stratford Festival of Theatre: Mother Courage; Papermill Playhouse: The Canada: Hamlet, Much Ado About Nothing, Jesus Diary of Anne Frank. FILM: Ashpet, Soldier Jack, Serial Christ Superstar, As You Like It, Jacques Brel, Elizabeth Mom. TELEVISION: Louie, Homicide, Telegrams from Rex, Fiddler on the Roof, Foxfire; Crow’s Theatre the Dead, The Hunley, The Day Lincoln Was Shot. (Toronto): High Life; Canadian Stage (Toronto): The AWARDS: 1998 Fox Fellow; Helen Hayes Award, STC Elephant Man, The Story of My Life, Vigil, Larry’s Party; Will Award (Company).

14 15 Direction and Design Biographies

Rebecca Taichman Christopher Akerlind Director Lighting Designer STC: Affiliated Artist,Cymbeline, Twelfth Night, The STC: Cymbeline, Twelfth Night, Julius Caesar (1993), Taming of the Shrew. NEW YORK: Off-Broadway: The Silent Woman. NEW YORK: Broadway: The Playwrights Horizons: Sarah Ruhl’s Stage Kiss Gershwins’ Porgy and Bess (Tony Award nomination), (upcoming), Kirsten Greenidge’s Milk Like Sugar; Superior Donuts, Top Girls, 110° in the Shade (Tony Lincoln Center Theatre’s LCT3: Kirsten Greenidge’s Luck Award nomination), Talk Radio, Shining City, Awake of the Irish; Gotham Opera/MTG/OCP: Nico Muhly and Sing (Tony Award nomination), Well, Rabbit Hole, and Stephen Karam’s Dark Sisters (world premiere In My Life, The Light in the Piazza (Tony Award, Drama opera); CSC: Sarah Ruhl’s Orlando; Second Stage: Desk Award, Outer Critics Circle Award), Reckless, Theresa Rebeck’s The Scene Ohio Theater: Menopausal The Tale of the Allergist’s Wife, Seven Guitars (Tony Gentleman. REGIONAL: The Old Globe: JB Priestly’s Award nomination), among others. REGIONAL: recent Time and The Conways (upcoming); McCarter Theater credits include McCarter Theatre Center: The Winter’s Center: Twelfth Night; Sleeping Beauty Wakes; Woolly Tale; A.R.T.: Marie Antoinette. INTERNATIONAL: recent Mammoth Theatre Company: Sarah Ruhl’s Dead Man’s credits include Hamburg, Germany: Rocky the Musical; Cell Phone (world premiere), The Clean House; Yale Athens and Epidaurus Festival: Kafeneion: OPERA: Repertory Theatre: David Adjmi’s Marie Antoinette recent credits include Washington National Opera: and The Evildoers (world premieres); A.R.T.: Marie Norma (dir. Anne Bogart); San Francisco Opera: Philip Antoinette; creating Vengeance with Paula Vogel on Glass’ Appomattox. AWARDS: Obie Award for Sustained commission through OSF and YRT. INSTRUCTOR: Excellence, Michael Merritt Award for Design and National Theater Institute, Yale, University of Maryland. Collaboration. TRAINING/AFFILIATIONS: TCG New Generations Grant / Woolly Mammoth, Drama League Directing Fellowship, Nico Muhly Yale School of Drama graduate. Composer DATE: 3/27/13 Z0914003 SIZE: 4.875 X 3.875 DO NOT PRINT SLUG REGIONAL: McCarter Theatre Center: The Winter’s Christine Jones Tale. OPERA: Two Boys, a co-commission by C-18706 SHAKESPEARE THEATRE COMPANY AD MECH Set Designer the Metropolitan Opera and the Lincoln Center NEW YORK: Broadway: Hands on a Hardbody, Theater Opera/Theater Commissions Program, in American Idiot (Tony Award), Everyday Rapture, Spring a co-production with the English National Opera. Awakening (Tony nomination), The Green Bird (dir. OTHER: Music played by Britten Sinfonia, New York Julie Taymor, Drama Desk nomination); Off-Broadway: Philharmonic, sung by soloists Mark Padmore, Jessica Lucille Lortel Theatre: Coraline; Lincoln Center Festival: Rivera; numerous recordings available on Decca, The Book of Longing (music by Philip Glass, based on Bedroom Community Records; collaborations with the poems of Leonard Cohen). REGIONAL: McCarter Antony and the Johnsons, Grizzly Bear, Jónsi of Sigur Theatre Center: The Winter’s Tale; Theatre for One: Rós, Teitur Lassen. artistic director. OPERA: Metropolitan Opera: Rigoletto. INSTRUCTOR: NYU’s Tisch School of the Arts: adjunct Matt Tierney faculty member. Sound Designer NEW YORK: Off-Broadway: LCT3: Luck of the Irish; David Zinn Playwrights Horizons: Detroit, Kin, This; Soho Repertory Costume Designer Theatre: Uncle Vanya, The Ugly One, Blasted (Hewes NEW YORK: Broadway: sets and costumes: Seminar, Award); Manhattan Theatre Club: That Face; Elevator costumes: Picnic, The Other Place, Other Desert Cities, Repair Service’s The Select (The Sun Also Rises) (2012 Good People, Bengal Tiger at the Baghdad Zoo, In Lortel, Obie Awards); New York Theatre Workshop: the Next Room or the Vibrator Play (Tony and Drama Elevator Repair Service’s The Sound and the Fury (April Desk nominations), A Tale of Two Cities, Xanadu; Off- Seventh, 1928) (2009 Lortel nomination); The Public Broadway: sets and costumes: Playwrights Horizons: Theater: Hamlet (2008 Lortel nomination). REGIONAL: The Flick, Completeness; Circle Mirror Transformation; McCarter Theatre Center: The Winter’s Tale, The Select Second Stage Theatre: Dogfight;Elevator Repair (The Sun Also Rises); American Repertory Theater: Service: The Select (The Sun Also Rises); Theatre for Ajax, Futurity; Alley Theatre: Red; Woolly Mammoth a New Audience: Notes from Underground, Chair, Theatre Company: House of Gold; BAM, Center Theatre Orpheus X; Manhattan Theatre Club: That Face, Back Group; The Wooster Group: former member, Hamlet Back Back, The Four of Us. REGIONAL: McCarter (The Public Theater, 2008 Lortel nomination), Who’s Theatre Center, Yale Repertory Theatre, Guthrie Theater, Your Dada?! (Museum of Modern Art), The Emperor A.R.T, Berkeley Repertory Theatre, La Jolla Playhouse, Jones; Young Jean Lee’s Theater Company: Lear, The Actors Theatre of Louisville, Mark Taper Forum, many Shipment, Church. others. OPERA: sets and costumes: New York City Opera, Glimmerglass, Santa Fe Opera, Los Angeles Opera, Lyric Opera of Chicago.

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C_18706_RMS_Z0914003_MR1.indd 1 3/27/13 12:04 PM Stephen Feigenbaum Ellen O’Brien Argonautika, Tartuffe, A Midsummer Night’s Dream, McCarter Theatre Center Music Director Head of Voice and Text Polk County, Candida, Fräulein Else, Fiction, Sorrows Under the leadership of Artistic Director Emily Mann NEW YORK: Off-Broadway: Theater 80, the SoHo See For STC (page 31). and Rejoicings, The Cherry Orchard, Lackawanna and Managing Director Timothy J. Shields, along with Playhouse, the 2012 New York International Fringe Blues, The Importance of Being Earnest; The Old Producing Director Mara Isaacs, McCarter Theatre Festival: Independents (music composer). REGIONAL: Laura Stanczyk, CSA Globe, Paper Mill Playhouse, Kennedy Center, Long Center is recognized as one of the nation’s premier Yale Dramat at the Yale University Theater: Hair (music Casting Director Wharf Theatre, Mark Taper Forum, Berkeley Repertory theatre companies. Renowned for major contributions Theatre, Bard Summerscape, The Shakespeare Theatre director); independent experimental production in STC: Strange Interlude, Old Times. NEW YORK: to the theatrical canon, McCarter premieres include of New Jersey, Pittsburgh Public Theater, Williamstown New Haven: Abyss. TELEVISION: The Martha Stewart Broadway, Off-Broadway, National Tours: Follies, Cotton Tarell Alvin McCraney’s The Brother/Sister Plays; Will Theatre Festival, Westport Country Playhouse. Show (a cappella singer); NBC’s The Sing-Off (a Club Parade, Lombardi; Ragtime; Impressionism; The Power’s Fetch Clay, Make Man; Edward Albee’s Me, cappella singer), From the Top (NPR) (featured Seafarer; Radio Golf; Coram Boy; The Glorious Ones, Myself & I; Emily Mann’s Mrs. Packard and Having composer). AWARDS: Charles Ives Scholarship for Flight, Translations, Tryst; Dirty Dancing, Atlantic Theater Elizabeth Clewley* Our Say; Danai Gurira’s The Convert; Beth Henley’s music composition from the American Academy of Company: The Cripple of Inishmaan (also national tour), Assistant Stage Manager Ridiculous Fraud; Christopher Durang’s Vanya and Arts and Letters, two ASCAP Morton Gould Young Encores! Summer Stars: Damn Yankees, Urinetown STC: Wallenstein, The Government Inspector, The Sonia and Masha and Spike and Miss Witherspoon; Composer Awards. OTHER: Recording by the Cincinnati (also national tour), Lincoln Center Festival: Gate/ Servant of Two Masters, The Two Gentlemen of Verona, Regina Taylor’s Crowns; Dael Orlandersmith’s Pops for Telarc, compositions performed at Lincoln Beckett. REGIONAL: Center Theatre Group: Harps and Much Ado About Nothing, Julius Caesar (Free For All), Yellowman; Athol Fugard’s Valley Song; and Stephen Center and (le) Poisson Rouge in New York, Jordan Angels; Alley Theatre: Gruesome Playground Injuries, Old Times, Cymbeline, Twelfth Night (Free For All), The Wadsworth’s Marivaux trilogy. McCarter has also Hall and the Hatch Shell in Boston, the Green Room in The Monster at the Door; Kennedy Center: Follies, Liar (ASM), Richard II, The Alchemist, The Taming of produced major new productions of Brian Friel’s San Francisco, in international venues. TRAINING: Yale Master Class, The Lisbon Traviata, Ragtime, Broadway the Shrew (Free For All), King Lear, Ion, Twelfth Night, Translations, directed by Garry Hynes; Nilo Cruz’s Anna School of Music MM in music composition; Yale: BA Three Generations; Philadelphia Theatre Company: Romeo and Juliet, 2008 Harman Center for the Arts in the Tropics and Edward Albee’s All Over, directed by in music. Golden Age; Royal George Theatre: Don’t Dress for Annual Gala (Production Assistant), Julius Caesar, Emily Mann; and Electra, directed by David Leveaux. Dinner; six seasons of casting for McCarter Theatre Antony and Cleopatra, Argonautika, The Taming of McCarter is supported by Princeton University, the New Camille A. Brown Center. INTERNATIONAL: Druid Theatre Company: My the Shrew, On the Eve of Friday Morning (SM Intern). Jersey State Council on the Arts, and more than 3,000 Choreographer Brilliant Divorce; The Gaiety Theatre, Dublin/West End: REGIONAL: Theater of the American South: Driving individuals, corporations and foundations. NEW YORK: Broadway: A Streetcar Named Desire; The Shawshank Redemption; Druid Theatre Company/ Miss Daisy (Stage Manager); Cape Fear Regional Off-Broadway: Soul Doctor, Pins & Needles. REGIONAL: Dublin Theatre Festival: Long Day’s Journey into Night. Theatre: Thoroughly Modern Millie, Rodgers and McCarter Theatre Center: The Winter’s Tale, Alvin Ailey Has consulted for The Lyric Theatre in Belfast, Rough Hammerstein’s Cinderella, Tuesdays with Morrie (Stage American Dance Theater, Complexions, Hubbard Street Magic Theatre Company in Dublin, The Gate Theatre in Manager). INTERNATIONAL: International Festival of II, Ballet Memphis, Philadanco, Urban Bush Women. Dublin, The Druid Theatre in Galway. Arts and Ideas (Stage Manager); International VSA AWARDS: Princess Grace Award in Choreography; Festival (Stage Manager). TRAINING: East Carolina Founders Award (International Association of Daniel Neville-Rehbehn University: BFA in Stage Management. Blacks in Dance); The Mariam McGlone Emerging Resident Casting Director Choreographer Award (Wesleyan University); City See For STC (page 31). College of New York Women & Culture Award; Bessie nomination for “Best Performance” in her work, The Evolution of a Secured Feminine; Best Choreography Carrie Hughes nomination from the Black Theater Arts Alliance for Production Dramaturg REGIONAL: McCarter Theatre Center: Literary Director, her first work on AAADT,The Groove To Nobody’s The Winter’s Tale, Danai Gurira’s The Convert, Sarah Business. OTHER: Ronald K. Brown/Evidence, AAADT Expand. Explore. Engage. Treem’s The How and the Why; Eugene O’Neill (guest), New York Fashion Week (Saverio Palatella’s Theater Center/Magic Theatre: Another Way Home; WholeGarment 3D). TRAINING: University of North Actors Theatre of Louisville: The Kite Runner, When Carolina School of the Arts: BFA. CREATIVE CONVERSATIONS Something Wonderful Ends; Women’s Project: Victoria Martin: Math Team Queen. TRAINING: Amherst The Winter’s Tale Gillian Lane-Plescia College, Yale School of Drama. FREE Vocal Coach Page and Stage STC: Five by Tenn, The Country Wife. NEW YORK: (formerly Windows) Broadway: War Horse, Priscilla Queen of the Desert; Drew Lichtenberg Sunday, May 19, 5–6 p.m. Off-Broadway: Classic Stage Company, Clurman Production Dramaturg Lansburgh Theatre Lobby See For STC (page 31). Theatre. REGIONAL: McCarter Theatre Center: The Hear insights on creating the production from the artistic team and local scholars during this lively event. Winter’s Tale, Loot, Ridiculous Fraud, A Christmas Bookends FREE Carol; Goodspeed: Carousel; Hartford Stage: A Jenny Lord Wednesday, May 22, pre-show 5:30 p.m. and post-show Gentleman’s Guide to Love and Murder; Arena Stage, Assistant Director Lansburgh Theatre Lobby American Players, Centerstage, Goodman Theatre, The See For STC (page 31). Explore the production with this immersive discussion event. Pre- and post-show discussions give complete Guthrie Theater, Huntington Theatre Company, Long access into the world of the play. Wharf Theatre, Milwaukee Repertory Theatre, The Alison Cote* Shakespeare Theatre of New Jersey, The Old Globe, Production Stage Manager Classics in Context FREE PlayMakers Repertory Company, Seattle Repertory NEW YORK: Off-Broadway: Playwrights Horizons: Saturday, June 8, 5–6 p.m. Theatre, Steppenwolf Theatre Company, Yale Repertory Edward Albee’s Me, Myself & I, Miss Witherspoon; The Lansburgh Theatre Lobby Theatre, Actors Theatre of Louisville, Banff Center Public Theater: Tarell Alvin McCraney’s The Brother/ Respond to the onstage production in a roundtable format with savvy theatre panelists. for Fine Arts. OPERA: Lyric Opera of Chicago: English Sister Plays; Second Stage Theatre. REGIONAL: Diction coach for five seasons. OTHER: Series of McCarter Theatre Center: 17th season, The Winter’s Post-Performance Cast Discussion FREE self-teaching dialect CDs for actors used worldwide. Tale, A Delicate Balance, The Convert (including its Wednesday, June 19, post-show INSTRUCTOR: The Juilliard School. transfer to Goodman Theatre/Center Theatre Group), Lansburgh Theatre The How and the Why, Fetch Clay, Make Man, Extend your theatre experience. Talk with the acting company after viewing the production. Twelfth Night, Mrs. Warren’s Profession, Talley’s Folly, For more information about these events, visit ShakespeareTheatre.org/Education. 18 19 About STC

STC is the recipient of the 2012 Regional Theatre Academy for Classical Acting, a one-year master’s Tony Award® as well as 81 Helen Hayes Awards and program at The George Washington University. 322 nominations. Beyond the classroom, educational opportunities like Creative Conversations are available to all in Presenting Classic Theatre the community. The mission of the Shakespeare Theatre Company Supporting the Community is to present classic theatre of scope and size in an imaginative, skillful and accessible American style STC has helped to revitalize both the Penn Quarter that honors the playwrights’ language and intentions and Capitol Hill neighborhoods and to drive an while viewing their work through a 21st-century lens. artistic renaissance in Washington, D.C. Each season programs such as Free For All and Happenings at the Promoting Artistic Excellence Harman present free performances to residents and visitors alike, allowing new audiences to engage with STC’s productions blend classical traditions and the performing arts. modern originality. Hallmarks include exquisite sets, elegant costumes, leading classical actors and, above Playing a Part all, an uncompromising dedication to quality. STC is profoundly grateful for the support of Fostering Artists and Audiences those who are passionately committed to classical theatre. This support has allowed STC STC is a leader in arts education, with a myriad of to reach out and expand boundaries, to inform user-friendly pathways that teach, stimulate and and inspire the community and to challenge its encourage learners of all ages. Meaningful school audiences to think critically and creatively. Learn programs are available for middle and high school more at ShakespeareTheatre.org/Support or call students and educators, and adult classes are 202.547.1122, option 7. held throughout the year. Michael Kahn leads the

New Spain.

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20 21 $5,000 to $9,999 Time Warner, Inc. Dorothy and Bill McSweeny 1616 Anonymous (4) TPG Capital Mehlman Vogel Castagnetti Aflac Mr. and Mrs. Jay Velasquez Rajesh and Radhika Murari Shawn J. Chen and Alexis K. Albion Verizon Foundation Patricia Sherman and Terry Murphy Support Mark Tushnet and Elizabeth Alexander Vulcan Materials Company Foundation Ralph and Gwen Nash Alston & Bird LLP The Washington Post Company National Association of Realtors Mark G. Anderson Consultants, Inc. Marvin F. Weissberg Madeline Nelson Peter and Joan Andrews Wells Fargo Philanthropy Louisa and Bill Newlin We gratefully acknowledge the following donors that currently support the work of the 2012-2013 season. Drs. Hilda and William O. Bank Westfield Lawrence and Melanie Nussdorf This list is current as of March 13, 2013. Kyle and Alan Bell Carolyn L. 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Penelope Payne Bettina L. Gregory and Diana Flannery Carol A. Ball KATHLEEN MARSHALL RODRIGUEZ ROBERT BY ILLUSTRATION Pamela Peabody Merle Haberman Mr. Joel Balsham Scott Pearson and Diane Farrell BA Mr. and Mrs. Harr Dan and Nancy Balz Robert and Lillian Philipson Foundation BA John W. Hill T Jonathan H. Barber Lloyd and Claudia Randolph BA Cheryl R. Hodge Barrett and Beauchamp Robert and Nan Ratner Mr. Henry H. Holcomb Joan Barron and Paul Lang Steven and Anne Reed Fran and William Holmes Charles and Linda Bartlett Steve and Diane Rothman AMB David H. Holtzman R. Joseph Barton and Tricia Placido Kimberly and Norman Sandridge BA in memory of Daniel Honig Rev. John P. Beal, III James and Madeleine Schaller BA William L. Hopkins, Richard B. Anderson 1616 Julianne Beall june 11–July 7, 2013 | opera house Richard and Rochelle Schwab Mr. and Mrs. Timothy Howard Peter Mathers and Bonnie Beavers Lee Goodwin and Linda Schwartzstein Michael Kades Dr. and Mrs. James E. Bernhardt Musical Theater at the Kennedy Center is made possible through the generosity of the Adrienne Arsht Musical Theater Fund. Christine Scott Stephanie Kanwit Sue E. Berryman The Kennedy Center Theater Season is sponsored by Altria Group. Shakespeareances.com BA Daniel Kaplan and Kay Richman Gift Fund Vaughn and Marian Bishop Kannon and Victoria Shanmugam BA Rick Kasten William D. Blair Charitable Foundation Dickstein Shapiro Dr. Andrea and Mr. Joseph Kerr John Blandford Margaret Sheer BA Melinda Kimble James Blum Kelly S. Shoop BA Polly Kraft Harriet and Bruce Blum Mark and Joan Siegel Mr. and Mrs. William Kristol Constance Bohon, M.D. Patricia L. Sims, Esq. Lynne Stephens and Kenneth Larson Jody Bolcik and David M. Sims, Esq. BA Karen Leider Ronald Bottomly Tickets on sale now! (202) 467-4600 kennedy-center.org Ed and Andy Smith James J. Lombardi The Honorable Susan G. Braden and | | Jean E. Simons and Steven P. Solow Steven M. Rosenberg and Stewart C. Low III Thomas M. Susman Tickets also available at the Box Office Groups (202) 416-8400 TTY (202) 416-8524 George and Elizabeth Stevens Amanda Machen Dr. Ronald Brady Paul Schott Stevens BA Hardee Mahoney and Juan Vegega Jill and Jay Brannam

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Ives Maygene and Stephen Daniels Maryellen Trautman and Darrell Lemke Randall Speck and Samantha Nolan Donald J. and Carol L. Bobby Marjorie and Anthony Elson Rachel R. Jaffe Mr. and Mrs. Scott W. Davis Mrs. Sandra Levenbook Mr. and Mrs. William Spellbring Rick and Burma Bochner Sarah G. Epstein and Donald A. Collins Lorna Jaffe Matthew and Michel Dazé Shirley and Bill Levine Cecile and James Srodes Andrew and Kaye Boesel William Erdmann Judson James Michael Deane Bianca and Michael Levy Dr. William and Vivienne R. Stark Mr. and Mrs. Stephen Bonwich William Erickson Edward and Victoria Jaycox Anthony and Nancy DeCrappeo George Linnemeier Andy Steinem Thomas Booth Connie Ericson Mark Srere and Jayne Jerkins Osborne Mackie and Morgan Delaney Marcia Litwack Edward Steinhouse Jennifer Boulanger and Bruce Schillo Joseph Eyles Linda Johnson Tom Gusdorff and Ed Dennison Hamilton and Bonnie Loeb Robert and Virginia Stern Douglas Bowers William Faragher George and Ayah Johnson Ms. D. Chris Downey Joan Lorr Dorothy and Donald Stone Cindy and Dennis Brack Jill Feasley and Joan Lawson In loving memory of Mary Roberta Jones Jean and Paul Dudek Roye Lowry Richard and Judith Sugarman Drs. James and Jean Braden Jane and James Feather Mark Joseph Dutch and Brenda Dunham Howard Lykins Maureen Sullivan Bill Brewer and Collot Guerard Anne and Marc Feinberg Stephen Kaiser Susan and Dorsey Dunn Donald and Julianna Mahley Linda Griggs and Bill Swedish Paul S. Bridge David Furth and Martha Finnemore Madeleine and Marvin Kalb Sayre Ellen Dykes David and Claire Maklan Mrs. Richard Sziede Adrianne B. Brooks Anne and Al Fishman Timothy Kamas EastBanc Alice Mandanis Drs. Steven and Sheila Taube Christopher Brown James Fitzwilliam Maryanne and David Kane Stephen and Magda Eccles Judith Mangubat John Taylor Mr. and Mrs. Douglas Brown Donald Flanders 1616 Patricia Karhause Stanley Edinger and Vitalina Zakharova in honor of Sidney Moore Margolis Peter Threadgill in memory of Arthur J. Brown, Esq. Robert and Carole Fontenrose Kathleen Karr Victoria Elliott and J. Michael Shanahan John and Liza Marshall Lynn Trundle Perry L. Brown Richard L. Forstall Ms. Andrea H. Kasarsky Will Guthrie and Ellen Epstein Patrick Martyn Michael Tubbs Candice C. Bryant V. Lee Fortna Nancy Kasler Anne K. Farrell Winton E. Matthews, Jr. Mr. and Mrs. Alvin Tucker Buckley/Palmore/Hind Family Elizabeth France Colleen and Jack Katz Ms. Janice Faucett Mr. Michael S. Maurer and David Turner Janet Burchard Nadra Franklin Dr. Ashok Kaveeshwar David Webber and Joelle Faucher Ms. Rachel L. Sher Dr. Kazuko Uchimura Deeanna Burleson Molly M. Frantz Mr. and Mrs. Robert Keatley Col. and Mrs. Charles Feldmayer Robert McAllister Rod and Marilyn Uveges Susan and Dixon Butler Dr. Helene C. Freeman Thomas Keenan, Dr. Joel Shapiro and Gary and Naomi Felsenfeld Cynthia and Richard McConnell Arina van Breda Thomas Calhoun and Thelma Triche Mike and Pati Froyo-McCarty Elizabeth Lane Shapiro Dorothy E. 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26 27 Dr. Frances Litrenta Alfred S. Raider Kathryn Wood Official 2012–2013 Sponsors Dr. Richard F. Little Jennifer and Harry Rand Dr. Maria Wood Mr. and Mrs. Joseph Livingston Julie and Sam Rea Susan Yamada Air Transportation Hotel Make-Up Wine Costume & Shoe Repair Michael M. Aphibal and David A. Lojkovic Marcia Reecer Julie and David Zalkind Garment Care Dr. and Mrs. Dan L. Longo John and Sue Renaud Mr. and Mrs. John J. Zeugner Ken and Joan Lorber Ms. Catherine Ribnick Mr. Robert J. Macintosh Richard J. Ricard and John B. Young Permanent support through the Chris and Ellie Maginniss Tiffany Rider establishment of endowment funds JoAnn Mican and Skip Mahon Mac and Michelle-Anne Riley The Leading National Theatres Program, Key to Symbols Patrick and Liam Shannon and Gita Maitra Drs. Jeanne and Markley Roberts a joint initiative of the Doris Duke Jack Malgeri David and Sandy Robinson Charitable Foundation and the Andrew W. 1616 Members of the Society of 1616, the Theatre’s BA Members of the Bard Association, dedicated Wm Gary and Phoebe Mallard Gail A. Robinson Mellon Foundation planned giving society supporters of the Theatre who are members of the Mrs. Maureen Malone Dwight and Laurie Rodgers Helen Harris Spalding and Herman Bernard legal community. To join, please contact Emily Lynn at ACA Supporters of the Academy for Classical Acting Robert and Ida May Mantel Audrey Roh Meyer Shakespeare Memorial Fund 202.547.3230 ext. 2325. Ms. Estelle Marlor Warren Romine Gizella Moskovitz Fund AMB Ambassadors of the Theatre, generous donors who help John Marshall Marcia and Robert Rosenberg to develop and enhance our patrons’ relationship with T Members of the Board of Trustees the Theatre. To join, please contact Tony Wagener at Rita and Paul Marth Shirley and Eugene Rosenfeld Additional Members of Charlotte and Abbott Martin Paul and Katy Rosenzweig the Society of 1616 202.547.3230 ext. 2312. * Deceased Don Martin and Tammy Wiles Margaret L. Ryan Anonymous Dr. and Mrs. Robert Martin David N. Ryder Helen Alexander and Roland Weiss Every effort has been made to ensure that this list is accurate. If your name is misspelled or omitted, please accept our apologies John B.K. Martinec Elizabeth and Noel Safford Sheryl Baldwin and inform the Development Department at 202.547.3230 ext. 2323 or email [email protected]. Mr. Paul Mavromihalis and Betty H. Sams Lorraine E. Chickering Dr. Rebecca Ocampo Mr. and Mrs. Stephen Sanborn Anne Coventry Thomas McAuliffe Pat Sandall Peter and Linda Parke Gallagher* Mr. and Mrs. James W. McBride Mr. Charles B. Saunders, Jr. Ms. Claudia J. Greer Catherine McClave Phillip and Diane Savage Michael Kahn T Brian McCormack Mr. and Mrs. Lyle Schauer Arthur Katz and Sima Osdoby Dan McCormack and Yee-Ning Soong Bob and Patricia Schieffer Lt. Col. and Mrs. William K. Konze William A. McDaniel, Jr. Jennifer Schlener Estate of Gwenneth Lavin* Anna Theresa McGowan Sharon Schoeller Mrs. R. Robert Linowes William and Allison McIntosh Steve and Rhonda Schonberg Shirley Loo David and Sarah McMeans Jane Schubert and Robert Woolfolk Marian Mlay Michael and Kimberly Mehalick Geane and Richard Schubert Judith E. Moore Beverly Melani and Bruce Walker Joyce and Richard Schwartz Susana and Roberto Morassi* Ms. Marjory Melnick Ellen Seidman and Walter Slocombe Mr. and Mrs. Richard J. Park* Nancy Merreot Seema Shah Suzy Platt* . . Susan and Harry Meyers Dean V. Shahinian Jennie Rose The Winters Tale The Summer s Match M. Elaine Mielke Louise I. Shelley Henry J. Schalizki Ben Miller Catherine M. Sheppard Anne and Daniel Toohey Iris and Lawrence Miller Ms. Anne Shine The perfect time to join STC. Jack and Barbara Miller In honor of Claire Shipman In Kind Margaret I. Miller Frank Short American Airlines Nicole and Stephen Minnick Judith L. Shulman Asia Nine Bobbe and Herb Mintz Joyce Simmons British Airways Ryland and Mary L. Mitchell E. Leo Slaggie Cafe Camille KPMG will match all new membership Ruth Mitchell Steve Sleigh Carmine’s Andy and Janice Molchon Sherwood Smith Cedar Restaurant contributions through July 31, 2013! Rosemary Monagan Nick and Robbie Snow Constellation Brands, Inc. Jessine A. Monaghan Susan Snyder The Creative Coalition Dr. Allen Mondzac Steve and Diane Sockwell D.C. Scots4Tots Join for as low as $60 and enjoy exclusive benefits like: Margaret and Richard Moose Richard Spear and Athena Tacha District Chophouse & Brewery Judie and Fred Mopsik Ms. Nellie Pena and FUEL Pizza • Member-only priority ticketing to sell-out productions, presentations John and Livezey More In Memory of Mr. C. Donald Speer Gordon Biersch Brewery Barbara and Robert Munford James and Sue Sprague The Hill and special events Elisabeth Murawski Helene and Michael Stein Hill Country • The Bard Card: STC gift shop and restaurant discounts Martin G. Murray Harold and Lana Steinberg Homewood Suites by Hilton Washington DC Mr. and Mrs. Robert W. Mustain Jr. Betsy and Ralph Stephens Knightsbridge, Inc. • Invitations to Meet the Cast receptions Anne Mytych Janice Sterling MAC Cosmetics • And for Artistic Circle Members, concierge service, access to the Patrons Carl and Undine Nash Dr. and Mrs. Louis Sullivan Matchbox Food Group Lounge and invitations to Technical Rehearsals and Opening Nights Elizabeth Neblett Elizabeth A. Taylor 1616 Moet & Chandon Winkle Williams Nemeth Miller and Virginia Taylor MOM’s Organic Market Jo-Ann Neuhaus Cynthia Terrell National Law Journal & Legal Times Mr. Wayne Nicolosi John A. Terry Old Town Shoe & Luggage Repair At the Shakespeare Theatre Company, ticket sales cover just 60% Eugene Nojek Carol Thayer PAUL Bakery & Cafe of the production expenses and operating costs for the plays and Ms. Kathleen J. Norvell Alice W. Thomas Red Velvet Cupcakery Paul and Beth Nyhus Jill and Scott Thompson Rosa Mexicana programs you love. In honor of Oliver Ocean Elizabeth Trangsrud Social Reform Kitchen & Bar/ Dr. Edward and Susan Oldfield Silvia B. Trumbower Private Caucus Rooms Make your gift by July 31, 2013 to help support STC’s artistic and Joseph and Margot Onek Mr. and Mrs. Jonathan Tuck Tangysweet A. Orza Stewart Umphrey Teaism education endeavors through The Winter’s Tale, The Summer’s Match Mr. and Mrs. Ernest T. Oskin Drs. Stephen and Susan Ungar ThinkFoodGroup challenge by KPMG. Rodney and Deborah Page Eli and Zahava Velder U Street Cleaners Merrillee Pallansch James M. Verdier Urban Essentials Thomas and Yates Palmer Mindi and Philip Walker Washington Metropolitan Susan Papp-Lippman Martha Wallach Area Transit Authority Visit ShakespeareTheatre.org/NewMatch Joseph A. Pardo Linda Walsh The Washington Post Company In memory of Michael Patten Jennifer A. Warren West Wing Writers Rebecca Patton In memory of Marjorie Hecht Watson Philomena Paul Mr. Peter Q. Weeks - ElderCaring Matching Gifts Thomas Pauls and Eleanor Pelta Robert and Isabel Wein Bank of America Mary Frances Jetton Sally B. Weinbrom-Kram Computer Associates International, Inc. “My deed shall match thy deed.” All’s Well That Ends Well Robert Colby Perkins, Jr. Barbara Wells ExxonMobil Foundation Col. Sandra Perry Jack and Ruth Ellen Wennersten Freddie Mac Foundation Join the Bard Association! Rick Peters Dr. Karl Western and Aileen Worthington IBM International Foundation Ms. Mary I. Pett Ms. Carla Wheeler International Monetary Fund Elizabeth Piotrowski Ashley M. White T. Rowe Price Foundation, Inc. Member of the legal community? Join now Posner-Wallace Foundation Mr. Donald White and Ms. Betty Good-White Verizon Foundation and double your impact while enjoying Lisa Poulin Kevin R. Gowen and Robert P. Wilkinson Wiley Rein LLP BARD additional exclusive benefits for as little as Mr. and Mrs. Bruce F. Press and Family Michael Williams YourCause, LLC ASSOCIATION Diana L. Preston Paul Wilson $100 per month. Visit ShakespeareTheatre. Julie and Navarro Pulley Ms. Anita Woehler org/BardAssociation for more information. 28 29 Alan Paul The Voice and Speech Review, Shakespeare in the Associate Director Twentieth Century, Shakespearean Illuminations, STC: Director: numerous galas, readings and special Shakespeare Survey, Shakespeare Quarterly, For STC events, The Boys From Syracuse, Twelfth Night (Free Shakespeare and the Arts; The Voice and Speech For All); Assistant Director: 13 shows. THEATRE Review: Associate Editor for Heightened Text, Verse DIRECTING: Signature Theatre: I Am My Own Wife; and Scansion. TRAINING: Yale University: MA, MPhil, PhD (English); Central School of Speech and Drama/ Carmen for Houston and Washington Operas; Carousel Catholic University: Man of La Mancha; Apex Theatre Michael Kahn The Open University (London): Advanced and Post- Artistic Director for Miami Opera; Julius Caesar for San Francisco Company: Richard II; Northwestern University: Six Degrees of Separation; readings for The Studio Theatre, Graduate Diplomas in Voice Studies. TEACHING: STC: Wallenstein, The Government Spring Opera. INTERNATIONAL: Love’s Labor’s Lost at Arena Stage, Woolly Mammoth Theatre Company, The Academy for Classical Acting; University of California, Inspector, Strange Interlude, The the Royal Shakespeare Company’s Complete Works National Academy of Sciences, The Phillips Collection, Santa Cruz; Guilford College; Kirkland College. Heir Apparent, Old Times, All's Well Festival; The Oedipus Plays at the Athens Festival; The Goethe Institut, Georgetown University. OPERA That Ends Well, The Liar, Richard Five by Tenn for The Acting Company’s tour of DIRECTING: Urban Arias: Blind Dates, Before Breakfast, II, The Alchemist, Design for Living, Eastern Europe; Show Boat for the National Cultural Daniel Neville-Rehbehn The Filthy Habit, Photo-Op; The In Series: Dido and The Way of the World, Antony Center Opera House in Cairo; The White Devil for the Resident Casting Director Aeneas, El Amor Brujo; Strathmore: Butterfly/Saigon, and Cleopatra (2008), Tamburlaine, Hamlet (2007), Adelaide Festival. BOARD MEMBERSHIPS: Theatre STC: Coriolanus, Wallenstein, Hughie, A Midsummer Blind Dates. Finalist for the 2013 European Opera Richard III (2007), The Beaux’ Stratagem, Love’s Communications Group; New York State Council on Night’s Dream, The Government Inspector, All’s Directing Prize, for directors under 35. Labor’s Lost, Othello, Lorenzaccio, Macbeth (2004), the Arts; D.C. Commission on the Arts and Humanities; Well That Ends Well (Free For All), The Merry Wives Cyrano, Five by Tenn (at the Kennedy Center), The National Endowment for the Arts; Opera America’s of Windsor, The Servant of Two Masters, Strange Silent Woman, The Winter’s Tale (2002), The Duchess 80s and Beyond. AWARDS: Honorary Commander Deborah Vandergrift Interlude, The Two Gentlemen of Verona, Much Ado of Malfi, The Oedipus Plays, Hedda Gabler, Don of the British Empire; Theater Hall of Fame; seven Director of Production About Nothing, The Heir Apparent, The Merchant of Carlos, Timon of Athens, Camino Real, Coriolanus, Helen Hayes Awards for Outstanding Director; 2011 REGIONAL: Sixth season at STC, Production Manager at Venice, Old Times, An Ideal Husband, Cymbeline, King Lear (1999), The Merchant of Venice, King John, CAGLCC Excellence in Business Award; 2010 WAPAVA Hartford Stage for six seasons; Stage Manager for more Candide. REGIONAL: The Studio Theatre: Assistant A Woman of No Importance, Sweet Bird of Youth, Peer Richard Bauer Award; 2007 Mayor’s Arts Award than 30 shows at Hartford Stage working with directors Production Management and Casting for several Gynt, Mourning Becomes Electra, Henry VI, Volpone, Special Recognition for Shakespeare in Washington; including Mark Lamos, Michael Wilson, Michael productions including American Buffalo, Reasons to be Henry V, Henry IV, The Doctor’s Dilemma, Richard II, 2007 Stephen and Christine Schwarzman Award for Langham, JoAnne Akalaitis, Richard Foreman and Anne Pretty, In the Red and Brown Water, Adding Machine: Much Ado about Nothing (also at McCarter Theatre Excellence in Theatre; 2007 Sir John Gielgud Award Bogart; Stage Manager for La Jolla Playhouse, Georgia A Musical, Grey Gardens, Rock ‘n’ Roll, Blackbird, Center), Mother Courage and Her Children, Hamlet, for Excellence in the Dramatic Arts; 2005 Person of Shakespeare Festival, New Jersey Shakespeare Festival, Shining City, The History Boys, Jerry Springer: The Measure for Measure, King Lear (1991), Richard III the Year from the National Theatre Conference; 2004 Phoenix Theatre and other theatres. INTERNATIONAL: Opera; Centerstage: Production Management Intern, (1990), The Merry Wives of Windsor, Twelfth Night, Shakespeare Society Medal; 2002 William Shakespeare Pearls for Pigs international tour (dir. Richard 2006–2007 Season. TRAINING: Towson University: BS As You Like It, Antony and Cleopatra (1988), Macbeth Award for Classical Theatre; 2002 Distinguished Foreman), International Production Associates. OTHER: in Theatre Design. (1988), All’s Well That Ends Well, The Winter’s Tale Washingtonian Award from The University Club; 2002 Project Manager: Arts Festival Atlanta, International (1987), Romeo and Juliet. NEW YORK: Broadway: GLAAD Capitol Award; 1997 Mayor’s Arts Award for Festival of Arts and Ideas; Stage Manager for 1996 Jenny Lord Show Boat (Tony nomination), Cat on a Hot Tin Excellence in an Artistic Discipline; 1996 Opera Music Olympic Games, Glimmerglass Opera, New York City Resident Assistant Director Roof, Whodunnit, Night of the Tribades, Death of Theater International’s Bravo Award; 1990 First Annual Opera. TRAINING: Oberlin College: BA in English and STC: Assistant Director: 13 productions from Bessie Smith, Here’s Where I Belong, Othello, Henry Shakespeare’s Globe Award; 1989 Washingtonian Theatre; UC San Diego: MFA in Stage Management. 2010–2013; as Director: All’s Well That Ends Well (Free V; Off-Broadway: Manhattan Theatre Club: Five By Magazine Washingtonian of the Year; 1989 For All), Dream a Little Dream (2011 Fellows Project); Tenn, Sleep Deprivation Chamber; Funnyhouse of Washington Post Award for Distinguished Community Drew Lichtenberg several ReDiscovery readings. NEW YORK: NYMF: Going a Negro, The Rimers of Eldritch, Three by Thornton Service; 1988 John Houseman Award. HONORARY Literary Associate Down Swingin’, Don Imbroglio; Manhattan Opera Wilder, A Month in the Country, Hedda Gabler, The DOCTORATES: University of South Carolina; Kean STC: Coriolanus, Wallenstein, Hughie, A Midsummer Theatre: The Filthy Habit. REGIONAL: Dallas Theater Señorita from Tacna, Ten by Tennessee; New York College; The Juilliard School; The American University. Night’s Dream, The Government Inspector, All’s Center: A Christmas Carol; New Century Theatre: Bee- Shakespeare Festival: Measure for Measure (Saturday Well That Ends Well (Free For All), The Merry Wives luther-hatchee; 42nd Street Moon: By Jupiter; several Review Award). Artistic Director: The Acting Company, Chris Jennings of Windsor, The Servant of Two Masters, Strange operas including favorites Così fan tutte and Eugene 1978–1988. TEACHING: Richard Rodgers Director of Managing Director Interlude, The Two Gentlemen of Verona, Much Onegin. As choreographer: California Shakespeare Juilliard Drama Division July 1992–May 2006, faculty STC: Joined the Company in Ado About Nothing, The Heir Apparent. REGIONAL: Theater, San Francisco Shakespeare Festival, 42nd member 1967–; Shakespeare Theatre Company 2004. ADMINISTRATION: General Centerstage: Caroline, or Change, Cyrano; Street Moon, etc. EDUCATIONAL: NYU/Stella Adler Academy for Classical Acting at the George Washington Manager: Trinity Repertory Company Centerstage/Lookingglass Theatre Company: Around Conservatory: The Cherry Orchard, Angels in America: University. Previously: New York University; Circle in (1999–2004), Theatre for a New the World in 80 Days; Yale Repertory Theatre: Lulu Perestroika; San Francisco State University: Street the Square Theatre School; Princeton University; British Audience (1997–1999); Associate (adapted by Mark Lamos and Drew Lichtenberg); Scene. OTHER: Assistant to directors at Geva Theatre American Drama Academy; founder of Chautauqua Managing Director: Yale Repertory Williamstown Theatre Festival: The Front Page, The Center, Encores!, Mint Theatre Company, California Theatre Conservatory. REGIONAL: Arena Stage: A Touch Theatre; Assistant to the Executive Producer: Manhattan Physicists, The Corn is Green; New York Shakespeare Shakespeare Theater, Music-Theatre Group. TRAINING: of the Poet; Signature Theatre: Otabenga; Guthrie Theater Club; Founder/Producing Director: Texas Young Festival: Macbeth (associate dramaturg; dir. Moisés Yale University: BA. Theater: The Duchess of Malfi; American Repertory Playwrights Festival; Manager: Dougherty Arts Center. Kaufman). OTHER: Yale School of Drama: American Theatre: ‘Tis Pity She’s a Whore; American Shakespeare MEMBERSHIPS: Currently serves on the Board of the premiere of Tarell McCraney’s In the Red and Brown Joseph Smelser* Theatre: Artistic Director for 10 years, more than 20 Theatre Communications Group, DC Downtown BID, Water. TRAINING: Yale School of Drama. Resident Production Stage Manager productions; McCarter Theatre Center: Artistic Director THE ARC, DC Arts Collaborative, the Penn Quarter STC: Coriolanus, Wallenstein, A Midsummer Night’s for five seasons, includingBeyond the Horizon, filmed Neighborhood Association, Theatre Washington, and is Ellen O’Brien Dream, The Government Inspector, The Merry Wives of for PBS; Chautauqua Theatre: Artistic Director, including a member of the League of Resident Theatres (served Head of Voice and Text Windsor, Strange Interlude, Much Ado About Nothing, The Glass Menagerie with Tom Hulce; Goodman on AEA and SSDC Negotiating Committees); has served STC: More than 50 productions during 11 seasons. The Heir Apparent, All’s Well That Ends Well. REGIONAL: Theatre: Old Times (MacArthur Award), The Tooth of as a panelist for the NEA, DC Commission on the Arts, ACADEMY FOR CLASSICAL ACTING: 22 productions of Arena Stage: Let Me Down Easy; Resident positions Crime (Jefferson nomination); Ford’s Theatre: Eleanor. Mid Atlantic Arts Foundation and Humanities, and Shakespeare and Jacobean plays. REGIONAL: Ford’s at Seattle Repertory Theatre, American Conservatory OPERA: Romeo and Juliette for Dallas Opera; Vanessa Pew Theatre Initiative. AWARDS: Arts Administration Theatre, Arena Stage, Charlotte Repertory Company, Theatre and Berkeley Repertory Theatre. REGIONAL for the New York City Opera (2007); Lysistrata or The Fellowship: National Endowment for the Arts. TRAINING: Aurora/Magic Theaters, People’s Light and Theatre TOUR: Let Me Down Easy, Twilight: Los Angeles, 1992 Nude Goddess for Houston Grand Opera and New University of Miami: BFA in Theatre/Music; Yale School of Company, Shakespeare Santa Cruz, North Carolina (both with Anna Deavere Smith). TRAINING: Oberlin York City Opera; Vanessa for Washington Opera and Drama: MFA in Theatre Management. Shakespeare Festival. PUBLICATIONS: Articles in College: BA. Dallas Opera; Show Boat for Houston Grand Opera;

30 31 A New “Witty and full of  Kennedy Center  Production clever contrivance”  —The New York Times (1924)

  Daily Command Performances.  900 F Street NW · Washington, DC 20004 (202)783.5454  Reservations online at www.opentable.com

As proud supporters of the Shakespeare Theatre Company,

Gordon Biersch gladly honors   FOLGER “If music be the food THEATRE of love, play on.” 2012/13 SeaSon

A new adaptation by Richard Nelson Based on THE CLASSIC PLAY BY FERENC MOLNÁR Directed by Gregory Mosher

TogeTher on sTage They make magic, buT behind closed doors The drama is all Too real! For TheaTer’s FavoriTe newlywed acTing Team, where does The acTing end and True emoTion begin? ShakeSpeare’S MAY 25–JUN. 23, 2013 | EISENHOWER THEATER

Tickets on sale now! The Kennedy Center Theater Season is sponsored by Altria Group. (202) 467-4600 kennedy-center.org twelfth night Tickets also available at the Box Office. now on stage thru june 9   Groups (202) 416-8400 | TTY (202) 416-8524 www.folger.edu/theatre 202.544.7077 201 E. Capitol Street, SE • Washington, DC 20003 32 33

FOLTWL2739_STCad_4.indd 1 4/18/13 11:15 AM PRODUCTION Scene Shop Administrator Margaret Tratta Director of Production Deborah Vandergrift Carpenters Carrie Cox, Kevin Oleksy, Matt Wolfe Associate Production Manager Tim Kaufmann Charge Scenic Artist Sally Glass STC Staff Bookings Production Manager Genevieve Cooper Scenic Artist Jose Ortiz Production Administrator Tim Bailey Overhire Scenic Painters Jamie Kumpf, Sam Shelton, Resident Production Stage Manager Joseph Smelser Jessica Wade Artistic Director Michael Kahn MARKETING AND COMMUNICATIONS Assistant Stage Managers Elizabeth Clewley, Hannah R. O’Neil Prop Shop Director Chester Hardison Managing Director Chris Jennings Marketing Director Martin Drobac Production Assistants Christopher Kee Anaya-Gorman, Associate Props Director Eric Reynolds Executive Assistant to the Associate Marketing Director Austin Auclair Maria Tejada Lead Props Artisan Chris Young Artistic Director and Managing Director Ray Bracken Marketing Manager Becca Gurganious Stage Management Interns Staci Battista, Jessica Skelton Props Artisan Eric Dixon Audience Services Manager Joy Johnson Costume Shop Director Wendy Stark Prey Props Painter/Sculptor Eric Hammesfahr ARTISTIC Ticket Managers Danielle Cox, Tim Helmer Resident Design Assistant Lynda Myers Hand Props Artisan Jaime Bagley Associate Director Alan Paul Sales Associates Zindzi Ali, Benjamin Chase, Drapers Denise Aitchison, Randall Exton, Soft Goods Artisan Rebecca Williams Resident Assistant Director Jenny Lord Evelyn Chester, Holly Cobb, Hannah Folger, Eric Frederic, Sally Kessler, Tonja Petersen Props Intern Hillarie Shockley Heather Hart, Michel Higgs, Christopher Hunt, KC Johnson, Head of Voice and Text Ellen O’Brien First Hands Jennifer Biehl, Tessa Lew, Master Electrician Sean R. McCarthy Jessica Kaplan, Jennifer Ketcham, Emmy Landskroener, Sandra Thomas, Sara Trebing Assistant Master Electrician Lauren A. Hill Resident Casting Director Daniel Neville-Rehbehn Andre McBride, Katherine McCann, Izetta Mobley, Kristin Nam, Stitchers C. Layton Kuchinski, Michele Ordway, Harman Electrician Erin Teachman Literary Associate Drew Lichtenberg Pat Nixon, Christopher Pearson, Monica Powell, Carmelitta Riley, Jennifer Rankin, Donna Sachs, Artistic Fellow Jacob Janssen Marie Riley, Charles W. Rohlfs, Crystal Stewart, Lansburgh Electrician Jacob Moriarty-Stone Alaina Venditti, Pamela Wilcox Assistant Director Gus Heagerty Julia Thompson, Michael Wharton, Genevieve Williams Electrician Micah Manning Lead Crafts Artisan Joshua Kelley Affiliated Artists Keith Baxter, Avery Brooks, Call Center Director Monte Hostetler Electrics Intern Jeremy Owens KC/ACTF Costume Design Intern Caitlin Rain Helen Carey, Veanne Cox, Aubrey Deeker, Teleservices Associates Thomas Brennan, Kelly Carson, Assistant to the Lighting Designer Brian Jones Costume Interns Jenny O’Donnell, Edwin Schiff Colleen Delany, Franchelle Stewart Dorn, Nicholas Feeney, Rockwell Flint, Eric Garvanne, Audio/Video Supervisor Jason Tratta Wardrobe Supervisors Jeanette Lee Porter, Monica Speaker Cameron Folmar, Adam Green, Edward Gero, Cheryl Kempler, Jill McAfee, Sohna Millar, Joanna Morgan, Resident Sound Engineer Jessica Murphy Wig Master Dori Beau Seigneur Philip Goodwin, Jane Greenwood, Michael Hayden, Burton Napper, Colin O’Bryan, Cynthia Perdue, Jasmine Simon, Live Mix Engineer Brian Burchett Tana Hicken, Simon Higlett, Christopher Innvar, George Sitter, Amy Sloane, Kirk Sobell, Nancy Tyson Overhire Design Assistant Erin Nugent Lansburgh Board Operator Andrew Smith Stacy Keach, Floyd King, Andrew Long, Ethan McSweeny, Theatre Services Manager Dora Hoyt Overhire Crafts Artisan Kathleen Stack Audio/Video Engineer Geoff Moore Jennifer Moeller, David Muse, James Noone, Patrick Page, House Manager Amanda Loerch Overhire Stitchers Claire Cantwell, Sandy Smoker-Dureas Stage Operations Supervisor Louie Baxter Robert Perdziola, Nancy Robinette, David Sabin, Assistant House Managers Melissa Adler, Quintin Cary, Overhire Wardrobe Alina Gerall Assistant Stage Operations Supervisor Mic Murphy Miriam Silverman, Derek Smith, Walt Spangler, Tom Story, Julia Curry, Kurt Elfmann, Technical Director Mark Prey Stage Carpenters Nick Custer, Katherine Lucibella Addie Gayoso, Kirsten Gregory, Aaron Lewis, Rebecca Bayla Taichman, Ted van Griethuysen, Adam Wernick Assistant Technical Directors Michael Bagley, Run Crew Laura Downes, Catherine Russell Stephanie McLean, Carissa Milliken, Laura H. Moore, Kelly Dunnavant Ali Peterson, Bach Polakowski, Marie Riley, Kelly Rubin, ADMINISTRATION Justin Silverman, Caitlin Staebell Director of Administration James Roemer Retail Manager Christopher Levy Associate Managing Director Anne S. Kohn Assistant Retail Manager Sue Fraser Human Resources Manager Lindsey Morris Harman Reception Meaghan McFadden Human Resources Coordinator Danielle Mohlman Associate Communications Director Diane Metzger Accounting Manager Mary Margaret Finneran Publicist Lindsay Tolar Accounting Assistant Marco Dimuzio Marketing and Communications Interns Kate Colwell, Audience Services Company Manager Jeanne Hosler Alison Ehrenreich Company Management Intern Shelly Cohen Web and Media Programmer Brien Patterson Lansburgh Theatre Accessibility Receptionist Ursula David Senior Graphic Designer Chris Low Junior Graphic Designer Elayna Speight 450 7th Street NW Our theatres are accessible to persons with disabilities. Director of Operations Timothy Fowler Graphic Design Intern Chris Booth Please request special seating at time of ticket purchase Operations/IT Assistant Melissa Adler Sidney Harman Hall Photographers Kevin Allen, Margot Schulman, and arrive 30 minutes before curtain for priority seating. Theatre Building Engineer Dave F. Henderson Scott Suchman 610 F Street NW Theatre Monitors Milton Garcia, Jeff Whitlow Sign-interpreted performances The Winter’s Tale: Ticket sales and subscriber exchanges: Maintenance Technician Al Sanders Tuesday, June 11, at 7:30 p.m. EDUCATION PROGRAMS Tickets: 202.547.1122 Custodian Trent Holland The Academy for Toll-free: 877.487.8849 Audio-described performances The Winter’s Tale: Harman Porters Dennis Fuller, Roderick Proctor, Classical Acting Director Gary Logan Group sales: 202.547.1122, option 6 Saturday, June 8, at 2:00 p.m. Jorge Ramirez ACA Program Coordinator Sloane A. L. Spencer TTY: 202.638.3863 Lansburgh Porters Mirna Guzman, Agustin Hernandez Director of Education Samantha K. Wyer Box office fax: 202.608.6350 An audio-enhancement system is available for all performanc- Director of Associate Director of Education Dat Ngo Bookings: 202.547.3230 ext. 2206 es. Both headset receivers and neck loops (to use with hearing Information Technology Brian McCloskey Audience Enrichment Manager Hannah J. Hessel aids outfitted with a “T” switch) are available at the coat check Systems Administrator David Harvey Community Engagement Manager Marcy Spiro Box Office phone hours (both theatres): on a first-come basis. Database Administrator Brian Grundstrom School Programs Manager Vanessa Hope Monday–Friday: 10 a.m.–6 p.m. Saturday–Sunday: noon–6 p.m. Program notes in Braille and large print are available at the IT Help Desk Deanna Gonzalez Training Programs Coordinator Sara Jameson coat check. Education Coordinator Laura Henry Buda (Box Office window open until curtain time) DEVELOPMENT Education Intern Kevin Collins Lansburgh Box Office only open weekdays and on Support for the Shakespeare Theatre Company’s Chief Development Officer Ed Zakreski Resident Teaching Artist Jim Gagne performance weekends. Accessibility Program provided by Associate Director of Development Amy Gardner Affiliated Teaching Artists Carolyn Agan, Wyckham Avery, Dan Crane, George Grant, Paul Hope, Rachel Hynes, Concessions and Gift Shops: Individual Campaigns Officer Emily Lynn Naomi Jacobson, Mark Jaster, Jessica Jung, Matthew Kacergis, Food and beverages are available one hour before each Individual Campaigns Coordinator Norah Quinn Casey Kaleba, Floyd King, Jessica Lefkow, Andrew Long, performance. Pre-order before curtain for immediate pick-up Special Events Manager Eric C. Bailey Sabrina Mandell, Nafeesa Monroe, George Page, at intermission. Lansburgh Theatre and Sidney Harman Hall gift The video and/or audio recording of this performance by any Associate Director of Development Operations Meridith Young Matthew Pauli, Victoria Reinsel, Lorraine Ressegger, shops are open before curtain, at intermission and for a short means whatsoever are strictly prohibited. As a courtesy, turn off Development Operations Coordinator Kristina Williams Melissa Richardson, Nancy Robinette, Amie Root, Oran Sandel, time after each performance. pagers, telephones, watch alarms and all other electronic devices Corporate Giving Manager Ali Peterson Brent Stansell, Craig Wallace, Eva Wilhelm during the performance. Major Gifts Officer Tony Wagener Connect with us: Facebook.com/ShakespeareinDC Audience members may be reached during a performance by Membership Coordinator Katie Burns-Yocum Twitter.com/ShakespeareinDC calling house management at 202.547.3230 ext. 2517. Specify Manager of Foundation and YouTube.com/ShakespeareTheatreCo seat location. Government Relations Meghann Babo Flickr.com/ShakespeareTheatreCompany Development Intern Alison Goldberg Latecomers will be seated at management’s discretion.

34 35 SHAKESPEARE THEATRE COMPANY ACADEMY FOR CLASSICAL ACTING AT THE GEORGE WASHINGTON UNIVERSITY The future of classical theatre is here.

The Academy for Classical Acting (ACA) at The George Washington University is the only full-time MFA program in the country focused exclusively on classical acting. The Emerging Classical Artists Fund provides much-needed scholarship funds for MFA candidates at the ACA. Your support is crucial to our goal of providing financial aid to 100% of our students. You are invited to name a scholarship through the Emerging Classical Artists Fund. “My year at the ACA Donors of $5,000 or more to the ACA at The was one of the best George Washington University may name a years of my life. scholarship to fund one of our talented actors I would not have and connect with a recipient. been able to attend the ACA without scholarship support.” Gene Gillette, ACA Class of 2007

To make a gift or for more information, please contact Tony Wagener of the Shakespeare Theatre Company at 202.547.3230 ext. 2312, or Kimberly Portis of The George Washington University at 202.994.9909. You can also donate online at ShakespeareTheatre.org/Support or gwu.edu/give. Photo of Gene Gillette and Nick Dillenburg in STC’s The Two Gentlemen of Verona by Scott Suchman.