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Artie Shaw, 1910-2004: Last Great Musician of the Big Band Era
12 May 2012 | MP3 at voaspecialenglish.com Artie Shaw, 1910-2004: Last Great Musician of the Big Band Era AP Artie Shaw playing the clarinet in 1941 DOUG JOHNSON: I'm Doug Johnson with PEOPLE IN AMERICA in VOA Special English. Today we tell the story of a musician who led one of the most popular American bands during the nineteen thirties and forties. His name was Artie Shaw. Listen for a few minutes to one of his many hit songs. This one is called "Frenesi." Artie Shaw plays the clarinet. (MUSIC) On December thirtieth, two thousand four, Artie Shaw died after a long sickness. He was ninety-four years old. He was the last great musician and bandleader of what has been called the "Big Band Era." Some of the others were Benny Goodman and Glenn Miller. In the nineteen thirties and nineteen forties Artie Shaw was one of the most popular musicians and bandleaders in the United States. Just a few notes from his clarinet could start people dancing. His music sold millions of records. It still is difficult to listen to an old Artie Shaw recording and not tap your foot in time with the music. Or want to dance. Or sing along with his great sound. 2 Listen to Shaw on the clarinet and his band play part of a song recorded in Hollywood, California in nineteen forty. It is called "Summit Ridge Drive." (MUSIC) Artie Shaw was born in New York City in nineteen ten. His name was Arthur Arshawsky. His parents were poor immigrants who had come to the United States from Eastern Europe. -
Soundies Research
Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Timothy Bonenfant CV 2020-21
Timothy Bonenfant, D.M.A., Clarinetist Carr Education Fine-Arts Building, Room 217 ASU Station #10906; San Angelo, TX 76909-0906 (325) 486-6029 | [email protected] TEACHING EXPERIENCE 2005-present Professor of Music Angelo State University: San Angelo, TX Teach single reed studio (clarinet and saxophone) and advise students within the studio. Direct ASU Jazz Ensemble. Teach classes in Improvisation, Woodwind Methods, Jazz History, Introduction to Music and Survey of Rock and Roll. Direct/coach small woodwind ensembles (saxophone quartet, clarinet choir). 2017-2018 Adjunct Professor of Music Hardin Simmons University: Abilene, TX Taught saxophone studio while a search for a permanent replacement was conducted. 1996-2005 Instructor Las Vegas Academy for the Fine and Performing Arts: Las Vegas, NV Taught private lessons, fundamentals of music, and coached woodwind sectionals. 1993-2005 Lecturer University of Nevada, Las Vegas Taught Jazz Appreciation, Music Appreciation, History of Rock and Roll, History of American Popular Music, Finale: An Introduction, Music Fundamentals (for non-majors), Remedial Music Theory/Ear-Training. Also taught private lessons for clarinet and saxophone students. Developed new courses for the department; History of American Popular Music, and Finale: An Introduction. UNIVERSITY CLASSES TAUGHT Applied Music: Clarinet/Saxophone Woodwind Chamber Music Jazz Ensemble Improvisation Survey of Rock and Roll History of Jazz History of American Popular Music Introduction to Music Woodwind Methods Senior Recital Finale™ -
TENTH ANNUAL CHARITY DAY SEPTEMBER 11, 2014 • NEW YORK Thursday, September 11, 2014 Marked BGC’S Tenth Annual Charity Day
TENTH ANNUAL CHARITY DAY SEPTEMBER 11, 2014 • NEW YORK Thursday, September 11, 2014 marked BGC’s Tenth Annual Charity Day. BGC Partners, together with its affiliate Cantor Fitzgerald, raised approximately $12 million globally on this single day for dozens of charities around the world. To date, Charity Day has raised approximately $113 million for hundreds of charitable causes. Held in commemoration of the 658 Cantor employees and 61 Eurobrokers employees lost in the 9/11 World Trade Center attacks, each anniversary is a poignant occasion for us. Every year, BGC Partners and our affiliate Cantor Fitzgerald, in conjunction with the Cantor Fitzgerald Relief Fund, strive to turn a tragic day into one that is positive and uplifting by distributing 100% of our global revenues on Charity Day to the Cantor Fitzgerald Relief Fund and dozens of charities around the world. The Cantor Fitzgerald Relief Fund, initially created to assist families of Cantor employees who were lost on 9/11, has since broadened its mission to provide aid to victims of terrorism, natural disasters, emergencies, direct service charities and wounded members of the military. We are thankful to all our celebrity guests who joined us in New York on Charity Day and raised money for tremendous causes. In addition, many thanks to our clients, brokers and charities whose commitment, support, enthusiasm and graciousness made Charity Day a spectacular success. Louis Scotto Executive Managing Director, General Manager, North America BGC Partners, Inc. Miss USA 2012, Nana Meriwether, Front cover: Model, Damaris Lewis, representing the Meriwether Foundation representing the Garden of Dreams Foundation Musician Darryl “DMC” McDaniels, HRH Princess Eugenie of York, representing the Garden of Dreams Foundation representing Children in Crisis Actor, Tony Sirico, Media Personality, Jenny McCarthy, representing Wounded Warrior Project representing Generation Rescue THE CHARITIES AND CAUSES BGC SUPPORTS The mission of Able Community Services, Inc. -
Artie Shaw Orchestra in Concert
E V E N T S C A L E N D A R Date Event Time Location Fri., 3/1 JSU Flute Festival 6-9 p.m. MH/PC 10 a.m. – Sat., 3/2 JSU Flute Festival 4 p.m. MH/PC Sat., 3/2 JSU Flute Festival Gala Concert 3-4 p.m. MH/PC Junior Recital-Jessica Lister, First Presby. Sun., 3/3 Soprano 3:00 p.m. Anniston Jr. Recital-Dillon Connell, FUMC Thurs., 3/7 Trombone 7:30 p.m. Anniston Fri., 3/8 C & R Student Performance Hour 1:45 p.m. MH/PC ΣAI Spring Musicale “Music in Sat., 3/9 our Schools Month” 5:00 p.m. MH/PC L’Heure Exquise, A Concert by 1st Presby. and Sat., 3/9 Dr. Nathan Wight, Baritone 7:30 p.m. Anniston Sun., 3/10 Roman Festival Brass Concert 3:00 p.m. MH/PC A Cappella Choir/Civic Chorale The College of Arts and Sciences Spring Concert: FUMC Sun., 3/10 Mozart’s “Requiem” 3:00 p.m. Anniston Kaleidoscope Festival of the Arts Tues., 3/12 Steel Band Concert 7:00 p.m. MH/PC Thurs., 3/14 Percussion/Mallet Ens. Concert 7:30 p.m. MH/PC Fri., 3/15 C & R Student Performance Hour 1:45 p.m. MH/PC Soph. Recital-Kristen Balschi, First Presby. presents Fri., 3/15 Clarinet 6:30 p.m. Anniston 1st Baptist Sat., 3/16 Jr. Recital-Jacob Tweedell, Sax. 2:00 p.m. Jacksonville Sat., 3/16 Soph. Recital-Olivia Brown, Flute 5:00 p.m. -
Title Arranger / Composer Arranger / Composer
Title Arranger / Composer Arranger / Composer (Back Home Again In) Indiana FULL Big Band Barduhn+ (I Got You) Under My Skin FULL Big Band Vocal (I Love You) For Sentimental Reasons FULL Big Band Osser (Shes) Sexy + 17 FULL Big Band Lowden Stray Cats (Up A) Lazy River FULL Big Band Sy Zentner (Up A) Lazy River FULL Big Band (Vocal) Wess Bobby Darin 1237 On A Saturday Afternoon FULL Big Band Persons 2 At A Time FULL Big Band Persons 2 Bone BBQ FULL Big Band Cobine 20 Nickles FULL Big Band Beach 21st Century Schizoid Man FULL Big Band 23 Chuckles FULL Big Band Paul Clark 23 Red FULL Big Band Bill Chase Woody Herman Orchestra 23o N 82oW Full Big Band 25 Or 6 To 4 FULL Big Band Blair Chicago+ 25 Or 6 To 4 FULL Big Band Lamm Chicago 42nd Street Medley FULL Big Band Lowden 5 Foot 2 FULL Big Band (Trombone Feature) Amy 50's Medley FULL Big Band Unk 61st & Rich' It FULL Big Band Thad Jones+ 7 Come 11 FULL Big Band Henderson Benny Goodman 720 In The Books FULL Big Band Wolpe 720 In The Books FULL Big Band (Vocal) Mason 88 Basie Street Sammy Nestico 88 Basie Street Full Big Band Nestico 920 Special FULL Big Band Bunton 920 Special FULL Big Band Collins Count Basie+ 920 Special FULL Big Band Murphy A That's Freedom FULL Big Band Thad Jones A Beautiful Friendship FULL Big Band Nestico A Big Band Christmas FULL Big Band Strommen A Big Band Christmas II FULL Big Band Strommen A Brazilian Affair FULL Big Band Mintzer A Change Of Pace FULL Big Band Unk A Child Is Born FULL Big Band Thad Jones A Childrens Song FULL Big Band Mintzer A Cool Shade Of Blue -
Stories That Matter — More Often
Chelsea Clinton on women’s rights. New York City Schools Chancellor Carmen Fari ~n a on successful principals. A special report on the Eric Garner decision. These are just OCTOBER 2015 a few of the extraordinary stories that have aired on MetroFocus, THIRTEEN’s award- winning weekly news and public affairs series. Starting October 19, MetroFocus will air every day on NJTV. That means more stories that matter to you about the issues, people, and events in your own neighborhood and MORE STORIES across the metropolitan region, from New York City, New Jersey, and Connecticut to Long Island, Westchester, and Albany. THAT MATTER — Rafael Pi Roman, Jack Ford, and Jenna Flanigan will host the series, which has been honored with awards from the New York State Broadcasters Association, the Press Club of MORE OFTEN Long Island, and City & State, as well a New York State Emmy Award for Pi Roman. Matt Ryan will be contributing from Albany, and Mary Alice Williams will do the same from Newark. MetroFocus will continue to bring you in-depth reporting, interviews, and solutions-oriented stories on timely topics such as poverty, education, infrastructure, media, healthcare, and more. Celebrities, lawmakers, newsmakers, and other notable New Yorkers will share their favorite metropolitan memories in My MetroFocus segments. Listening In will feature conversations from across the region, while Giving Back will spotlight stories on philanthropy. American Graduate Day segments will keep you up to date on the education champions who inspire students to complete their education and stay on the path to success. “My hope is that MetroFocus becomes appointment viewing WEEKNIGHTS AT 5:30PM for the tri-state audience and becomes known as a ‘go to’ Learn more at JENNA FLANIGAN destination for programming that enlightens, informs, reflects, thirteen.org/metrofocus entertains, and impacts our entire community. -
ARTIE SHAW NEA Jazz Master (2005)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ARTIE SHAW NEA Jazz Master (2005) Interviewee: Artie Shaw (May 23, 1910- December 30, 2004) Interviewer: Bruce Talbot Date: October 7 and 8, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 100 pp. Note: Expletives have been deleted from this Web version of the transcript, and are marked thus: [expletive deleted]. An unaltered transcript is available for use by researchers at the Archives Center, National Museum of American History. Talbot: This is October the 7th [1992], and this is day . the first of two days’ interviews with Artie Shaw. Shaw: Are we o.k.? [recording engineer:] Yeah, we got a great level. Shaw: Before we get into this, or maybe as a way of getting into it, I showed you this material on the book I’ve been working on on-and-off since about 1978. What is it now? This is . It’s been 12 years. I’ve published another book in between. I’ve done some CDs. I’ve done a lot of other stuff. But this one . I’ll tell you the point of it. I wanted to do a trilogy. I had at one time . I don’t know. You’re a reader, so you may know the book. Most people don’t even know of it. Romain Rolland wrote a book called Jean- Christophe. Did you ever read it or hear of it? For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Talbot: Heard of it. -
Artie Shaw Died December 29, 2004 at the Age of 94
http://www.jazzhot.bigstep.com/generic15.html Original source of this page with musical excerpts http://www.npr.org/programs/morning/features/2002/mar/shaw/#hear NPR has several-recorded audio interviews with Shaw as well as music clips of his most well-known recordings Artie Shaw died December 29, 2004 at the age of 94. ARTIE SHAW -- JOURNEY OF SELF DISCOVERY J JAZZ RHYTHM / Dave Radlauer BEFORE HIS HUGE SUCCESS OF THE LATE 30s ARTIE SHAW WAS JUST ANOTHER HARDWORKING, VERY TALENTED MUSICIAN. MUSIC WAS ACTUALLY HIS SECOND CAREER CHOICE WHICH HE INTITIALLY ENTERED ONLY TO MAKE ENOUGH MONEY TO FOLLOW HIS REAL ASPIRATION, WHICH WAS TO BECOME A WRITER. ON HIS WAY TO SIMPLY EARNING A LIVING, DEEPER INVOLVEMENT IN MUSIC SEIZED ARTHUR JACOB ARSHAWSKY’S FERTILE MIND AND WILLING HEART. DURING SHAW’s NEARLY TWO DECADES IN THE ENTERTAINMENT BUSINESS, THE MUSIC ALWAYS CAME FIRST. FOR HIM FAME, FORTUNE AND BECOMING AN AMERICAN ICON WERE HARMFUL TO HIS PRIMARY DRIVE: WHICH WAS TO CREATE MUSIC. [SHAW ON PLAYING A HORN:] “SO YOU'RE TRYING TO PLAY A HORN, AND HERE'S THIS CLUMSY SERIES OF KEYS ON A PIECE OF WOOD AND YOU'RE TRYING TO MANIPULATE THEM WITH THE REED AND THE THROAT MUSCLES, AND WHAT THEY CALL AN EMBOUCHURE. YOU'RE TRYIN' TO MAKE A SOUND THAT NO ONE EVER GOT BEFORE, OR A COMBINATION OF SOUNDS CREATING . AN EMOTION FINALLY. IT'S LIKE ASKING A POET HOW DO YOU GET THIS COMBINATION, HOW DID YOU GET THESE WORD? WELL YOU DO THAT IN MUSIC. -
Glenn Miller Archives
Glenn Miller Archives ARTIE SHAW INDEX Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents 2.1 Recording Sessions 3 2.2 Broadcasts (Recordings) 4 2.3 Additional Broadcasts (Data Only) 8 2.4 Personal Appearances 13 2.5 Music Library 16 2.6 On The Record 82 2.6.1 Analog Media 83 2.6.2 Digital Media 143 2.7 Glenn Miller Archives 162 2.7.1 Analog Media 163 RTR Edward Burke Collection 163 2.7.2 Digital Media 164 EHD Columbia Broadcasting System (CBS) 164 EHD Mutual Broadcasting System (MBS) 165 EHD National Broadcasting Company (NBC) 165 2.8 Star Spangled Radio Hour 167 Cover: Artie Shaw 1940 Paramount Publicity Photo P-2744-6 (Glenn Miller Archives) 2 2.1 Recording Sessions 38-07-24 Bluebird Recording Session, Victor Studio #2, New York 38-09-27 Bluebird Recording Session, Victor Studio #2, New York 38-11-17 Bluebird Recording Session, Victor Studio #2, New York 38-11-28 Vitaphone Melody Master (Film), Warner Brothers, New York 38-12-19 Bluebird Recording Session, Victor Studio #2, New York 39-01-17 Bluebird Recording Session, Victor Studio #2, New York 39-01-23 Bluebird Recording Session, Victor Studio #2, New York 39-01-31 Bluebird Recording Session, Victor Studio #2, New York 39-03-00 Vitaphone Melody Master (Film), Warner Brothers, New York 39-03-12 Bluebird Recording Session, Victor Studio #2, New York 39-03-17 Bluebird Recording Session, Victor Studio #2, New York 39-03-19 Bluebird Recording Session, Victor Studio #2, New York 39-06-05 Bluebird Recording Session, Victor Studio, Hollywood 39-06-12 Bluebird Recording Session, Victor Studio, Hollywood 39-06-22 Bluebird Recording Session, Victor Studio, Hollywood 39-06-00 Paramount Headliner (Film), Paramount Studios, Hollywood 39-07-15 MGM Prerecording Session, MGM Studio, Culver City, Cal. -
156 Winning Song Titles Radio Station WQEW-AM, 1560 on The
156 Winning Song Titles Radio Station WQEW-AM, 1560 on the dial, a New York City station, recently held a listener’s contest to determine the songs that were most popular with it’s listeners. Here are ”The 156 Winners on Radio Station WQEW-AM, 1650KC, Contest.” 1. I Can’t Get Started Bunny Berigan 2. Stardust Nat King Cole 3. Stardust Artie Shaw 4. Begin the Beguine Artie Shaw 5. Moonlight Serenade Glenn Miller 6. Green Eyes J. Dorsey/B., Eberly/H. O’Connell 7. In the Mood Glenn Miller 8. Sing, Sing, Sing Benny Goodman 9. My Way Frank Sinatra 10. You Belong to Me Jo Stafford 11. I’ve Got You Under My Skin Frank Sinatra 12. Because of You Tony Bennett 13. Unforgettable Nat King Cole 14. I Left My Heart in San Francisco Tony Bennett 15. Theme from: New York, New York Frank Sinatra 16. When Your Old Wedding Ring Was New Jimmy Roselli 17. Over the Rainbow Judy Garland 18. Tangerine J. Dorsey/B. Eberly/H. O’Connell 19. Mack the Knife Bobby Darin 20. Night and Day Frank Sinatra 21. I’ll Never Smile Again T. Dorsey/Pied Pipers/F Sinatra 22. I Understand Jimmy Dorsey 23. Summer Wind Frank Sinatra 24. White Christmas Bing Crosby 25. On the Sunny Side of the Street T Dorsey/Sentimentalists 26. A String of Pearls Glenn Miller 27. All the Things You Are Artie Shaw/Helen Forest 28. Mona Lisa Nat King Cole 29. Mala Femmena Jimmy Roselli 30. Wind Beneath My Wings Bette Midler 31.