Honors Concerts 2015
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Gershwin, from Broadway to the Concert Hall SONGS
Gershwin, from Broadway to the Concert Hall americaSONGS | RHAPSODY IN BLUE | CONCERTO IN F | SUMMERTIME . ! Volume 1 Volume 2 GEORGE GERSHWIN (1898-1937) ORCHESTRAL MUSIC PIANO SOLO 1 “I Got Rhythm” Variations for Piano and Orchestra (1934) 8’29 Original orchestration by George Gershwin Song Book (18 hit songs arranged by the composer) 2 4’05 1 The Man I Love. Slow and in singing style 2’25 Summertime George Gershwin, DuBose Heyward. From Porgy and Bess, 1935 2 I’ll Build a Stairway to Paradise. Vigorously 0’44 3 ‘s Wonderful. Liltingly 1’00 3 Rhapsody in Blue (1924) 15’31 4 I Got Rhythm. Very marked 1’05 Original ‘jazz band’ version 5 Do It Again. Plaintively 1’38 © Warner Bros. Music Corporation 6 Clap Yo’Hands. Spirited (but sustained) 0’56 Lincoln Mayorga, piano (1-3) 7 Oh, Lady Be Good. Rather slow (with humour) 1’04 8 Fascinating Rhythm. With agitation 0’51 Harmonie Ensemble / New York, Steven Richman 9 Somebody Loves Me. In a moderate tempo 1’17 10 My One and Only. Lively (in strong rhythm) 0’51 11 That Certain Feeling. Ardently 1’36 Piano Concerto in F 12 Swanee. Spirited 0’38 4 I. Allegro 13’18 13 Sweet and Low Down. Slow (in a jazzy manner) 1’05 5 II. Adagio 12’32 14 Nobody But You. Capriciously 0’53 6 III. Allegro agitato 6’48 15 Strike Up the Band. In spirited march tempo 0’56 7 Cuban Overture 10’36 16 Who Cares? Rather slow 1’30 © WB Music Corp. -
Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
9 Concert Presentations During the Innovation Series at Ironworks
FOR IMMEDIATE RELEASE 32nd Annual TD Vancouver International Jazz Festival Announces INNOVATION SERIES AT THE IRONWORKS & ROUNDHOUSE PERFORMANCE CENTRE Tickets on sale now at www.coastaljazz.ticketfly.com Telephone 1.888.732-1682 Choose any 3 shows from Innovation Series- Ironworks & Ironworks Late Night $46 All In. Available by telephone at 1.888.438.5200 9 Concert Presentations during the Innovation Series at Ironworks DÁLAVA June 23 Innovation Series – The Ironworks at 9:30pm $30 All In Led by vocalist Julia Úlehla and guitarist Aram Bajakian (Lou Reed, John Zorn, Diana Krall), the “utterly captivating” (Vancouver Sun) Dálava takes Czech folk melodies transcribed over 100 years ago by Úlehla’s botanist/ethnomusicologist great-grandfather, Dr. Vladimir Úlehla, and places them in a compelling contemporary context. Cinematic and wide- ranging, the music of Dálava is beautifully rendered and hauntingly expressive. With Peggy Lee cello, Colin Cowan bass, Tyson Naylor keys, and Dylan van der Schyff drums, the groundbreaking Dálava offers a “stunning fusion of Middle European melody, rock energy, and scratchy avant-jazz textures” (Georgia Straight). Songlines recording artist- celebrating 25 years! DONNY MCCASLIN GROUP June 24 Innovation Series- The Ironworks at 9:30 pm $40 All In Three-time GRAMMY-nominated saxophonist/composer Donny McCaslin’s group collaborated on David Bowie’s masterful final album, Blackstar, matching its rugged, versatile, and “relentlessly intriguing” (NME) sound to Bowie’s immense artistry, generosity of spirit, and outright fearlessness. McCaslin’s “powerful left-field New York jazz band” (The Guardian) features Jason Lindner on keys, bassist Nate Wood, and Mark Guiliana, “a drummer around whom a cult of admiration has formed” (New York Times). -
Neglected Literature: an Experimental Curriculum Resource Bulletin for Secondary Schools
DEPARTMENT OF HEALTH. EDUCATION, AND WELFARE . OE FORM 6000, 2/69 OFFICE OF EDUCATION fr-cd-Utt ERIC ACC. NO. tallt.... I. FCC.UMt. ED 032 315 IS DOCUMENTCOPYRIGHTED? YES 0 NOEl CH ACC. NO. P.A.PUBL. DATEno 7`EPICREPRODUCTIONRELEASE? YESIIINOEa TE 001 546 56r ILEVELOF AVAILABILITY I I I I I AUTHOR TITLE Neglected Literature: An Experimental Curriculum Resource Bulletin for Secondary Schools. SOURCECODEINSTITUTION(SOURCE) FGK22275 SP. AG. CODESPONSORING AGENCY EDRS PRICE CONTRACT NO. GRANT NO. 0.25;2.55 REPORT NO. BUR EAU NO. AVAILABILITY JOURNAL CITATION DESCRIPTIVE NOTE 49p. DESCRIPTORS *Negro Literature; *English Instruction; *Instructional Materials; *Teaching Guides; Literature Appreciation; Negro History; Negro Culture; Negroes; African American Studies; Novels; Short Stories; Poetry; Drama; Essays; Biographies; American Literature; Chronicles . IDENTIFIERS 1 ABSTRACT The materials presented in this teaching guide for Negro literature, prepared under an ESEA Title 3 grant, were collected for inclusion into the traditional English . curriculum "to enable students to regard the works of .Negro writers as a' sharing of diversified human experiences." Sample units on the novel, slave narration, short story,' poetry, drama,'essay, biography; and argumentation and debate illustrate how literature of the Negro may be used in planning lessons. One or more literary works are reviewed in each unit which also lists questions and activities for class discussion. Following each unit are short bibliographies that suggest alternatives , to the units presented. (LH) . We acknowledge with appreciation theservice of Mr. James E. Taylor, Deputy Director Educational Resources Center and. Staff in duplicating and collating thispamphlet. 59 77". ^It U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE LC1 PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS r-4 STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION 141 POSITION OR POLICY. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
A Successful Season--So Far a P a PLACE for JAZZ O R
A P A PLACE FOR JAZZ O R J Website: http://www.timesunion.com/communities/jazz/—Updated daily A Successful Season--so far by Tim Coakley The 2005 season is rolling Dan Levinson and his along, and so far the con- Summa cum Laude Or- certs have been as suc- chestra re-created some cessful as they have been Bud Freeman Chicago- Inside this issue: varied. In addition, we style classics with verve attracted reviewers from and precision. Dan played Metroland and the Times both clarinet and sax, and M and M’s 3 Union, as well as The Daily Randy Reinhart led the Gazette. Here's a brief run- way with some sparkling down of the series to date: Calendar 4-5 cornet. Features 9 & 11 Dynamic pianist Hilton Ruiz and his Quintet pro- vided a mixture of Latin Jazz Times 6-7 music and bebop that got some members of the audi- Who IS this youthful drum- ence mer? (see page 3 for his dancing. Drummer Sylvia identity) Cuenca captured every- one's attention with her percussionistic pyrotech- nics. John Bailey & Gregg August VOLUNTEER HELP with kids at HHAC WANTED Hilton also worked with (photo by Jody Shayne) student musicians at SCCC, and showed We need help: Hamilton Hill youngsters Labeling newsletters (1 hour every how different styles of jazz 3 months…can be done at home) Bassist Gregg August and his sextet challenged us piano sounded. Musician John Bailey shows his Writing music reviews horn to young people at HHAC with some original and pro- Working on a young people’s (photo by Jody Shayne) project at the Hamilton Hill Art vocative compositions, At press time, we were get- Center along with fiery solos by ting ready to enjoy the vo- Check out our update monthly saxophonists Myron Wal- cal stylings of Roseanna calendar. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
158 Kansas History the Hard Kind of Courage: Labor and Art in Selected Works by Langston Hughes, Gordon Parks, and Frank Marshall Davis
Gordon Parks’s American Gothic, Washington, D.C., which captures government charwoman Ella Watson at work in August 1942. Photograph courtesy of the Library of Congress, Prints and Photographs Division, Washington, D.C. Kansas History: A Journal of the Central Plains 36 (Autumn 2013): 158–71 158 Kansas History The Hard Kind of Courage: Labor and Art in Selected Works by Langston Hughes, Gordon Parks, and Frank Marshall Davis by John Edgar Tidwell hen and in what sense can art be said to require a “hard kind of courage”? At Wichita State University’s Ulrich Museum, from September 16 to December 16, 2012, these questions were addressed in an exhibition of work celebrating the centenary of Gordon Parks’s 1912 birth. Titled “The Hard Kind of Courage: Gordon Parks and the Photography of the Civil Rights Era,” this series of deeply profound images offered visual testimony to the heart-rending but courageous sacrifices made by Freedom Riders, the bombing victims Wat the Sixteenth Street Baptist Church in Birmingham, the energized protesters at the Great March on Washington, and other participants in the movement. “Photographers of the era,” the exhibition demonstrated, “were integral to advancing the movement by documenting the public and private acts of racial discrimination.”1 Their images succeeded in capturing the strength, fortitude, resiliency, determination, and, most of all, the love of those who dared to step out on faith and stare down physical abuse and death. It is no small thing that all this was done amidst the challenges of being a black artist or writer seeking self-actualization in a racially charged era. -
El Sistema Around the World
EL SISTEMA AROUND THE WORLD Programs inspired on the National Network of Youth and Children’s Orchestras of Venezuela A MODEL OF PEACE AND PROGRESS FOR THE WORLD The National Network of Youth and choirs are social and personal life Children’s Orchestras and Choirs of schools, where children can culti- Venezuela, commonly known as El vate positive abilities and attitudes, Sistema, is a state-funded social and and ethic, aesthetic and spiritual cultural program created in 1975 values. All members acquire qual- by the Venezuelan maestro José ities like self-concept, self-esteem, Antonio Abreu. The Simon Bolivar self-confidence, discipline, patience, Music Foundation is the governing and commitment. They learn to be body of El Sistema and is attached to perseverant and to perform a healthy the Ministry of People’s Power for the professional competition, and lead- President’s Office and Government ership; working constantly to achieve Management Follow-Up of the their goals and excellence, while Bolivarian Republic of Venezuela, coexisting in a tolerant and friendly aimed at teaching children from environment, which stimulates them an early age to become upright towards a peace culture. members of the society. The international reputation of El Through individual and collective Sistema’s ensembles and musicians music practice, el Sistema has taken them to appear at the most incorporates children from all levels prestigious venues in the world, as of social stratification: 66% come from peace ambassadors, and has earned low income homes or live in adverse them many awards such as the 2008 conditions and vulnerable areas, while Prince of Asturias Award for the Arts the remaining 34% come from urban and the UNESCO International Music areas with better access possibilities, Award. -
Nuveen Investments Emerging Artist Violinist Julia Fischer Joins the Cso and Riccardo Muti for June Subscription Concerts at Symphony Center
For Immediate Release: Press Contacts: June 13, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] NUVEEN INVESTMENTS EMERGING ARTIST VIOLINIST JULIA FISCHER JOINS THE CSO AND RICCARDO MUTI FOR JUNE SUBSCRIPTION CONCERTS AT SYMPHONY CENTER June 16 – 21, 2016 CHICAGO—Internationally acclaimed violinist Julia Fischer returns to Symphony Center for subscription concerts with the Chicago Symphony Orchestra (CSO) led by Music Director Riccardo Muti on Thursday, June 16, at 8 p.m., Friday, June 17, at 1:30 p.m., Saturday, June 18, at 8 p.m., and Tuesday, June 21, at 7:30 p.m. The program features Brahms’ Serenade No. 1 and Beethoven’s Violin Concerto in D Major with Fischer as soloist. Fischer’s CSO appearances in June are endowed in part by the Nuveen Investments Emerging Artist Fund, which is committed to nurturing the next generation of great classical music artists. Julia Fischer joins Muti and the CSO for Beethoven’s Violin Concerto. Widely recognized as the first “Romantic” concerto, Beethoven’s lush and virtuosic writing in the work opened the traditional form to new possibilities for the composers who would follow him. The second half of the program features Brahms’ Serenade No. 1. Originally composed as chamber music, Brahms later adapted the work for full orchestra, offering a preview of the rich compositional style that would emerge in his four symphonies. The six-movement serenade is filled with lyrical wind and string passages, as well as exuberant writing in the allegro and scherzo movements. German violinist Julia Fischer won the Yehudi Menuhin International Violin Competition at just 11, launching her career as a solo and orchestral violinist. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
The Playlist!
THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel.