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Two Steps Forward, One Step Back: a Brief History of Corporate Citizenship and Corporate Social Responsibility
Two Steps Forward, One Step Back: A Brief History of Corporate Citizenship and Corporate Social Responsibility Stephen Jordan with B.J. Parker BCLC’s mission is to promote better business and society relations and improve long-term social and economic conditions by: • Communicating the U.S. private sector’s unique and valuable contributions • Cultivating strategies and practices that achieve positive results • Coordinating public-private partnerships and coalitions 2 TABLE OF CONTENTS CHAPTER ONE: DEFINING CORPORATE CITIZENSHIP AND CORPORATE SOCIAL RESPONSIBILITY . .1 CHAPTER TWO: THE ORIGINS OF CAPITALISM AND CORPORATE CITIZENSHIP . .6 CHAPTER THREE: THE RISE OF THE INDUSTRIAL REVOLUTION AND PATERNALISM . 9 CHAPTER FOUR: THE GILDED AGE AND PERSONAL PHILANTHROPY . .12 CHAPTER FIVE: THE FIRST ETHICAL CORPORATIONS . 15 CHAPTER SIX: THE COMMUNITY CHEST MOVEMENT, THE GREAT DEPRESSION, AND WORLD WAR II . 20 CHAPTER SEVEN: THE 1950s - 1970s . .26 CHAPTER EIGHT: 1980 AND THE DAWN OF THE MODERN CORPORATE CITIZENSHIP MOVEMENT . 31 CHAPTER NINE: THE VIEW FROM OUTSIDE . .35 CHAPTER TEN: THE CONTINUING EVOLUTION OF CORPORATE CITIZENSHIP . 41 CHAPTER ELEVEN: DIFFERENT WAYS THE HISTORY OF CORPORATE CITIZENSHIP COULD BE TOLD . 46 Cover photos (clockwise): Andrew Carnegie, Henry Ford, Indra Nooyi (courtesy of PepsiCo), Thomas J. Watson (courtesy of IBM), Robert Wood Johnson II, Bill and Melinda Gates (Wikipedia Commons User Kjetil Ree). About the Authors Stephen Jordan is the founder and executive director of the Business Civic Leadership Center (BCLC), the corporate citizenship affiliate of the U.S. Chamber of Commerce. He is married and has two children. B.J. Parker is a professional writer and editor with more than 10 years’ experience writing business education materials for leading educational publishers. -
Fertile Land for Art
fertile land for art ike all places with a rich historical heritage, Bassa L Romagna is bursting with art, and we are not only referring to ancient buildings, sculptures and paintings. In the past as well as in the present Bassa Romagna has been the cradle and the adopted country of numerous painters, writers, musicians, opera singers, composers and poets, whose work has been influential on a national level, but also on an international one. It's no wonder then that this tradition is still on. Bassa Romagna has a wide and varied artistic community of creative people who prefer to live in this area, instead {19} of large cities that could give them more visibility, because here they find a powerful source of inspiration and a sense of respect for their sensibility. This corner of Romagna has nourished the creativity of several writers, musicians, actors and directors. This somehow "enchanted" land can also claim to have hosted in its mist the poet George Gordon Byron (in the picture), hero and symbol of Romanticism. · FERTILE LAND FOR ART · reading bassa romagna: landscapes of literature landscape of Bassa Romagna has can be found in the parsonage of the church of The been the inspiration for outstanding San Francesco, in Bagnacavallo, and the local poets such as Dante and Byron. This is also Museo Civico delle Cappuccine has dedicated the birthplace of remarkable protagonists of a part of its collection to the illustrious writer. past and present literature. Several writers Vincenzo Monti (Passetto, 1754 - Milan, 1828) from other regions and countries have found was born in a tiny village near Alfonsine inspiration here for their essays about Romagna and is one of the most important figures of and for the evocative settings of their novels. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Intervista a Giuliano Montaldo, Protagonista Nella
GIOVEDì 11 MAGGIO 2017 Autorevole regista di capolavori come "Sacco e Vanzetti", "Giordano Intervista a Giuliano Montaldo, Bruno" e "Marco Polo" l'87enne vitalissimo Giuliano Montaldo è tornato protagonista nella commedia sul set nei mesi scorsi soltanto come attore per interpretare come "Tutto quello che vuoi", al cinema protagonista "Tutto quello che vuoi", una nuova commedia scritta e dall'11 maggio diretta da Francesco Bruni, prodotta da Beppe Caschetto per IBC Movie e Rai Cinema e lanciata nei cinema da 01 Distribution dall'11 maggio. "Che cosa l'ha convinta a recitare in questo nuovo film di Francesco Bruni?" "Conoscevo bene da tempo Francesco, che è una persona simpatica, ANTONIO GALLUZZO gagliarda e piena di vitalità, idee e proposte. Qualche anno fa siamo stati entrambi docenti al Centro Sperimentale di Cinematografia di Roma; lì ho iniziato a capire la sua capacità innata di comunicare e di inventare che si è rivelata tanto preziosa per le sue sceneggiature scritte per i film di Paolo Virzì e per le fiction tv sul Commissario Montalbano. Quando [email protected] venne da me per propormi di recitare in questo suo film rimasi SPETTACOLINEWS.IT interdetto, molto di più rispetto alla prima volta in cui, nel lontano 1950, Carlo Lizzani mi chiamò a recitare come protagonista nel suo primo film "Achtung! Banditi!". Francesco iniziò a descrivermi il personaggio che aveva pensato per me e lo vidi molto emozionato, capii che stava vivendo quella storia di un anziano piuttosto segnato dalla vita e alle prese con dei vuoti di memoria attraverso il reale disagio di suo padre che all'epoca aveva problemi analoghi. -
Ci Ne Ma & Sto Ria a Nar Ni
1995 > 2019 Venticinque anni dedicati al Cinema, alla sua storia, ai suoi maestri CI e al restauro NE di capolavori italiani. MA & STO RIA A NAR NI Sono solo un narratore, e il cinema sembra essere il mio mezzo. Mi piace perché ricrea la vita in movimento, la esalta. Per me è molto più vicino alla creazione miracolosa della vita che, per esempio, un libro, un quadro o la musica. Non è solo una forma d’arte, in realtà è una nuova forma di vita, con i suoi ritmi, cadenze, prospettive e trasparenze. È il mio modo di raccontare una storia. ~ Federico Fellini (1920-1993) 1995 > 2019 CI NE Venticinque anni MA dedicati al Cinema, & alla sua storia, ai suoi maestri STO e al restauro RIA di capolavori italiani. A NAR NI SOMMARIO Direttore artistico Segreteria organizzativa Progetto grafico Alberto Crespi Comune di Narni Bonifacio Pontonio Piazza dei Priori, 1 Comunicazione sui social Organizzazione 05035 Narni (TR) Alessandro Carlaccini Mirella Pioli Telefono 0744 747282 Stampa Grafiche Celori Terni Comunicazione [email protected] Narni, giugno 2019 Lucrezia Viti, Livia Delle Fratte www.leviedelcinema.it INTRODUZIONE TUTTO COMINCIÒ CON UN VIAGGIO A NARNI / GIULIANO MONTALDO 3 PRESENTAZIONE LA STORIA DI “LE VIE DEL CINEMA” COMINCIATA 24 ANNI FA / ALBERTO CRESPI 5 SINDACI I SINDACI DI NARNI PER IL CINEMA 9 VOLONTARIATO AMARE IL CINEMA! 13 MEMORIA STORICA CINEMA STORIA EUROPA 14 TOPONOMASTICA D’AUTORE COME NASCONO LE VIE DEL CINEMA 16 APPELLO DEL COMUNE DI NARNI ADOTTA UN FILM! 17 RESTAURARE CON ARTE IL CONTRIBUTO DEL COMUNE DI NARNI -
Cinema and Landscape, Italian Heritage and Widespread Museum Marcello Zeppi Montecatini Cinema Association, Italy
AVANCA | CINEMA 2020 Cinema and landscape, Italian heritage and widespread museum Marcello Zeppi Montecatini Cinema Association, Italy Abstract landscape appears to be a mirror of the inner otherness and mystery that a person, a family, a country can hide. “Historical and artistic beauty is pervasive, it enters The regional landscape and the consciousness of the every corner of the territory.” anthropological gaze prove to be a great keystone of The landscape is a fundamental identity factor for the new Italian cinema. Italy. The landscape has long been considered a Genesis of the Italian landscape at the multiplier of the value of The Italian historical-artistic cinema and architectural heritage. Over time the way you tell the landscape changes. To reconstruct the transformations of our Writers and travelers with their stories have helped landscape, cinema is a formidable tool until now to create the myth of the Italian landscape by retracing little used. From Romanticism, when the current the narrative matrix back in time of the “great tours” idea of landscape arrives in our Peninsula, until the in the 18th and 19th centuries, often describing it as early twentieth century, Italians have looked at our “garden of Europe”, or “beautiful country “. landscape through the history of art. From Giotto In the twentieth century the history of the landscape to the squares of De Chirico and the suburbs of used different forms of artistic expression. Painters, Sironi, it was painting that taught us to look at the poets, artists, musicians use the landscape to give transformations of our territory. At some point in the value to their works. -
Historische Rundschau-12-E-Korr.Indd
Bank and History Historical Review No. 38 February 2018 La bella banca 100 years ago Banca d’America e d’Italia was founded. Deutsche Bank acquired it in 1986, and since 1994 it has been called “Deutsche Bank SpA”. Origins and founder The first four years of BAI‘s existence, following its foundation in Naples on 14 November 1917, already gives a clue as to the strongly international char- acter that the bank was to develop during the coming years. It was founded by a group of Italian businessmen under the name ‘Banca dell‘Italia Meridionale’, and already in August of its second year of operations the bank was appoint- ed as representative in Italy for two US banks: Bank of Italy and East River National Bank. The first chairman, Giuseppe Caravita, Prince of Sirignano (died in 1920), was one of the prime movers behind the initiative. The deputy chairman was Giuseppe Di Luggo, the managing director was Carlo Caprioli. The bank opened for business on 15 June 1918 in what would prove to be a difficult period immediately after the end of the Great War. Its capital was immediately increased from 3 million lire to 15 million lire and premises were rented in Naples at 11 Via Santa Brigida, in the same street where Deutsche Bank still has its main Naples office. The bank opened to the public even though building work on the premises was not finished until early 1920. In its 1919 annual report the bank writes, with charming sincerity, that „all shareholders, who know in what conditions our beloved officers and staff have to work, will want to thank them warmly, and will also want to extend their thanks to the customers, who have, perforce, to be received in cramped and unsuitable premises but who have never complained and have always praised the speed Banca dell‘Italia Meridionale in Naples with which the bank works and the politeness and competence of our staff“. -
Millionaires and Managers
CONTENTS Page Preface to the English Edition .................................................. 5 Chapter I. EVOLUTION OE CAPITAL AND OF THE CAPITALIST ............................................................. 7 Chapter II. THE VERY RICH.................................................. 25 1. American Plutocracy in the 1960s .... 25 2. The Old Fortunes............................................................ 42 3. Replenishment of the Plutocracy .... 54 4. "Diminishing Social Inequality" and "People's Capitalism"..................................................................... 69 Chapter III. MANAGERS AT THE TOP ... SO 1. Social Nature of the Managerial Top Echelon 80 2. The Formation of the Managerial Elite . 91 3. The "Market" of Top Executives .... 100 4. Various Interpretations of the Social Position of Top Management ...................................................... 116 Chapter IV. DEVELOPMENT OF BANK MONOP- OLIES AND BANK GROUPS ....................................... 135 1. Further Evolution of Capitalist Property . 135 2. The Bank Monopoly System......................................... 139 Chapter V. FINANCE CAPITAL. ITS FORMS AND COMPONENTS.................................................................. 158 1. Intertwining of the Capital or the "Partici- pation System" ............................................................... 160 2. Long-Standing Financial Ties......................................... 171 3. Personal Union ............................................................. 184 4. Self-Financing -
Specters of Violence
POLITICAL VIOLENCE AND NATIONAL IDENTITY: TRAUMA, SPECTRALITY AND ALLEGORY IN CONTEMPORARY ITALIAN FILM AND LITERATURE VIOLENZA POLITICA E IDENTITÀ NAZIONALE: TRAUMA, SPETTRALITÀ E ALLEGORIA NELLA LETTERATURA E NEL CINEMA CONTEMPORANEI By Federica Colleoni A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy (Romance Languages and Literatures: Italian in the University of Michigan 2010 Doctoral Committee: Professor Vincenzo A. Binetti, chair Associate Professor Alina M. Clej Lecturer Romana Capek-Habekovic Assistant Professor Elena M. Past, Wayne State University POLITICAL VIOLENCE AND NATIONAL IDENTITY: TRAUMA, SPECTRALITY AND ALLEGORY IN CONTEMPORARY ITALIAN FILM AND LITERATURE By Federica Colleoni A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy (Romance Languages and Literatures: Italian in the University of Michigan 2010 Doctoral Committee: Professor Vincenzo A. Binetti, chair Associate Professor Alina M. Clej Lecturer Romana Capek-Habekovic Assistant Professor Elena M. Past, Wayne State University © Federica Colleoni All rights reserved 2010 Alla mia famiglia ii Ringraziamenti Sono molte le persone che devo ringraziare e menzionare, dopo questi sei anni intensi passati ad Ann Arbor. Innanzitutto, ringrazio i quattro membri del dissertation committee per il sostegno, la pazienza e la fiducia dimostrati nei miei confronti, i professori: Vincenzo Binetti, Romana Habekovic, Elena Past e Alina Clej. Ringrazio anche gli altri docenti dei dipartimenti di Lingue Romanze e di Film Studies che con i loro suggerimenti, sia nei corsi da me seguiti sia nelle conversazioni che hanno avuto luogo in questi anni, hanno contribuito a indirizzare le mie ricerche. Per la parte italiana delle mie ricerche devo menzionare il Centro Sperimentale di Cinematografia di Roma, la Biblioteca Braidense e la Cineteca Brera di Milano, la Fondazione Alasca di Bergamo (in particolare la Dott.ssa Chiara Borroni). -
Giuliano Montaldo
Comunicato stampa 27 aprile 2011 Venerdì 29 serata speciale con Giuliano Montaldo Il programma di iniziative predisposto dal Comune di Cadoneghe per celebrare la ricorrenza del 25 aprile, Festa della Liberazione, prosegue con un appuntamento di eccezione: venerdì 29 aprile in Sala Consiliare (dalle ore 20.30) il sindaco Mirco Gastaldon e la Giunta incontrano il regista Giuliano Montaldo. Intervengono il prof. Vincenzo Milanesi (Università di Padova) e il prof. Giorgio Tinazzi (Università di Padova). Ingresso libero. Nel corso della serata Montaldo parlerà anche della sua ultima fatica. Il regista proprio in questi giorni sta ultimando il montaggio del suo nuovo film, L’industriale, girato a Torino con protagonisti Pierfrancesco Favino e Carolina Crescentini. La pellicola, il cui soggetto prende spunto dalla attuale crisi economica ed è stato scritto a 4 mani da Montaldo con il giornalista e scrittore Andrea Purgatori, uscirà nei prossimi mesi. A seguire, proiezione del film L’Agnese va a morire, film di Giuliano Montaldo del 1976 con Michele Placido, Ingrid Thulin, Stefano Satta Flores, Dina Sassoli, tratto dal romanzo (1949) di Renata Viganò. Ucciso dai tedeschi il marito comunista, contadina analfabeta partecipa alla lotta partigiana, emancipandosi anche come donna. È il 1° (e l'unico) film italiano sulla Resistenza che ha per protagonista una donna. Dignitosamente illustrativo, privilegia gli intenti informativi su quelli celebrativi e ha un salto di qualità nella parte finale, grazie a un'ottima Thulin e alla fotogenia delle valli di Comacchio. (Morando Morandini) SCHEDA GIULIANO MONTALDO Giuliano Montaldo esordisce nel cinema come attore in film come Achtung Banditi e Cronache di poveri amanti di Carlo Lizzani, Gli Sbandati di Citto Maselli. -
Bank of America
Bank of America From Wikipedia, the free encyclopedia Jump to: navigation, search Not to be confused with First Bank of the United States, Second Bank of the United States, or Bank of United States. Bank of America Corporation Bank of America logo since January 1, 2002 - now Type Public company NYSE: BAC Dow Jones Industrial Average Traded as Component S&P 500 Component Industry Banking, Financial services Bank America Predecessor(s) NationsBank Founded 1998 (1904 as Bank of Italy)[1] Bank of America Corporate Center Headquarters 100 North Tryon Street Charlotte, North Carolina, U.S. Area served Worldwide Charles O. Holliday (Chairman) Key people Brian T. Moynihan (President & CEO) Credit cards, consumer banking, corporate banking, finance and Products insurance, investment banking, mortgage loans, private banking, private equity, wealth management Revenue US$ 83.33 billion (2012)[2] Operating US$ 3.072 billion (2012)[2] income [2] Net income US$ 4.188 billion (2012) [2] Total assets US$ 2.209 trillion (2012) [2] Total equity US$ 236.95 billion (2012) Employees 272,600 (2012)[2] Bank of America Home Loans, Divisions Bank of America Merrill Lynch Merrill Lynch, U.S. Trust Subsidiaries Corporation Website BankofAmerica.com References: [3] Bank of America Corporation (NYSE: BAC) is an American multinational banking and financial services corporation headquartered in Charlotte, North Carolina. It is the second largest bank holding company in the United States by assets.[4] As of 2010, Bank of America is the fifth- largest company in the United States by total revenue,[5] and the third-largest non-oil company in the U.S. -
Los Angeles Department of City Planning RECOMMENDATION REPORT
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2008 -43 94 -HCM HEARING DATE: November 6, 2008 Location: 1572 W. Sunset Blvd. TIME: 10:00 AM Council District: 1 PLACE : City Hall, Room 1010 Community Plan Area: Silverlake-Echo Park- 200 N. Spring Street Elysian Valley Los Angeles, CA Area Planning Commission: East Los Angeles 90012 Neighborhood Council: Greater Echo Park Elysian Legal Description: Lot FR 13 of Block 1, South Part of the Montana Tract PROJECT: Historic-Cultural Monument Application for the BANK OF AMERICA -ECHO PARK BRANCH REQUEST: Declare the property a Historic-Cultural Monument OWNER: Merchants National Realty Corporation Corporate Real Estate Assets 101 N. Tryon Street Charlotte, NC 28522 APPLICANT: Echo Park Historical Society APPLICANT’S Charles J. Fisher REPRESENATIVE: 140 S. Avenue 57 Los Angeles, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation do not suggest the submittal may warrant further investigation. 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: August 28, 2008 Historic-Cultural Monument Application ZIMAS Report Bank of America- Echo Park Branch CHC-2008-4394-HCM Page 2 of 2 SUMMARY Built in 1908 and extensively remodeled in 1926, this one-story commercial building exhibits character-defining features of Beaux-Arts style architecture.