Bellarmine's Music Technology Program Helps Define the Genre Todd Hildreth Stands up for the Accordion PLUS
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Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
Indians in the American System: Past and Present, Student Book. the Lavinia and Charles P
DOCUMENT RESUME ED 129 694 SO 009 474 AUTHOR Westbury, Ian; Westbury, Susan TITLE Indians in the American System: Past and Present, Student Book. The Lavinia and Charles P. Schwartz Citizenship Project. INSTITUTION Chicago Univ., Ill. Graduate School of Education. PUB nAT7 75 NOTE 80p.; For related documents, see SO 009 469-473 7,,DRS PRICE MF-$0.83 HC-$4.67 Plus Postage. DESCRIPTORS *American Indian Culture; *American Indians; Anthropology; *Citizenship; Cultural Differences; Culture Conflict; Ethnic.Groups; Ethnic Stereotypes; Life Style; Pol'tical Science; Political Socialization; Reservations (Indian) ;Secondary Educa+ion; Social Studies; *United States History; War ABSTRACT The purpose of this curriculum unit on citizenship education is to enrich the way students think about AmericanIndians by presenting the history of American Indians and their relationship with white Americans. The first chapter discusses the kindsof ideas people have about Indians, especially stereotypes of Indians being wild, red-colored, and uncivilized. The second chapterlooks at the prehistory of Indian culture to see the ways in which Indianpeoples learned to exploit the land. The excavations ofan Indian camp site at Green Point, Michigan, are described, including discussionof the dig, findings, and changes in Indian life from S00-1700A.D. Chapter three recounts Indian-white relations during 1600-1900 inorder to explore what happened when a stone-age culture facedan acquisitive white culture that was more highly developed and hadmore resources. The Iroquois Indians in the northeastserve as an example of how Indian life patterns were destroyed by European, occupationof America. The last chapter examines the Indian-whitecontact and the way it has caused recent problems for Indians. -
Half Fanatics August 2014 Newsletter
HALF FANATICS AUGUST 2014 NEWSLETTER Angela #8730 NEWSLETTER CONTENTS Race Photos ...…………….. 1 Featured Fanatic…………... 2 Expo Schedule………………3 Fanatic Poll…………………..3 Sporty Diva Half Marathon Upcoming Races…………… 5 HF Membership Criteria…... 7 Jamila #3959, Loan #4026, Alicia, and BustA Groove #3935 Half Fanatic Pace Team…. ..7 Meghan #7202 New HF Gear……………….. .8 New Moons………………….. 8 Welcome to the Asylum…... 9 Shaun #7485 & Cathy #1756 Meliessa #8722 1 http://www.halffanatics.com 1 HALF FANATICS AUGUST 2014 NEWSLETTER Featured Fanatic Yvette Todd, Half Fanatic #5517 “50 in 50” and Embracing the Sun The idea of my challenge was borne in June 2011. I met a fellow camper/runner at the Colworth Marathon Challenge running event - 3 races, 3 days, 26.2 miles. The runner was extremely pleased to be there as he was able to bag 3 races in one weekend for what he called his “50 in 50 challenge” - 50 running events in his 50th year. Inspired, I decided to cele- brate this landmark age by doing 50 half marathons as a 50 year old - my own version of the “50 in 50” and planned to start the challenge right after I ran a mara- thon on my 50th birthday! Two challenges? Well the last one, I have been dreaming about for a few years, in fact, ever since I did the New York Marathon back in 2006 where I met a fellow lady runner staying in the same hotel as me. She was ecstatic the whole weekend as she was running the New York marathon on her actual 50th birthday. -
The Not-So-Reality Television Show: Consumerism in MTV’S Sorority Life
The Not-So-Reality Television Show: Consumerism in MTV’s Sorority Life Kyle Dunst Writer’s comment: I originally wrote this piece for an American Studies seminar. The class was about consumption, and it focused on how Americans define themselves through the products they purchase. My professor, Carolyn de la Pena, really encouraged me to pursue my interest in advertising. If it were not for her, UC Davis would have very little in regards to studying marketing. —Kyle Dunst Instructor’s comment:Kyle wrote this paper for my American Studies senior seminar on consumer culture. I encouraged him to combine his interests in marketing with his personal fearlessness in order to put together a somewhat covert final project: to infiltrate the UC Davis- based Sorority Life reality show and discover the role that consumer objects played in creating its “reality.” His findings help us de-code the role of product placement in the genre by revealing the dual nature of branded objects on reality shows. On the one hand, they offset costs through advertising revenues. On the other, they create a materially based drama within the show that ensures conflict and piques viewer interest. The ideas and legwork here were all Kyle; the motivational speeches and background reading were mine. —Carolyn de la Pena, American Studies PRIZED WRITING - 61 KYLE DUNST HAT DO THE OSBOURNES, Road Rules, WWF Making It!, Jack Ass, Cribs, and 12 seasons of Real World have in common? They Ware all examples of reality-MTV. This study analyzes prod- uct placement and advertising in an MTV reality show familiar to many of the students at the University of California, Davis, Sorority Life. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
CNIS FRANCOPHONE COURSES EXPANDED Essential Surgical Skills to Haiti It Has Been Over a Year Since the Catastrophic Earthquake in Haiti
Canadian Network Réseau Canadien Pour for International Surgery La Chirurgie Internationale SPRING 2011 CNIS FRANCOPHONE COURSES EXPANDED Essential Surgical Skills to Haiti It has been over a year since the catastrophic earthquake in Haiti. The country’s four medical schools lost their facilities and human resources, getting significantly behind in training the young doctors the country urgently needed. Canadians were requested to assist with surgical skills training, which was realized in April, as a collaboration between the Haitian medical schools, University of Sherbrooke doctors, the Ca- nadian government, the University of Calgary and CNIS. Twenty-four faculty members from Haiti’s medical schools were selected by the deans to take the 3-day ESS Instructors course, taught by Dr. Robert Taylor of CNIS and French sur- geon Dr. Olivier Armstrong. Students were enthusiastic and all expressed readiness to be involved as instructors for the © R.H. Taylor © R.H. providers courses to follow. The deans and faculty were deep- Drs. Olivier Armstrong and Robert Taylor with the twenty ly encouraged and look forward to ongoing collaboration. four Haitian faculty members who became certified ESS The course was historic, as this was the first time the four medi- instructors during the first CNIS ESS instructors course in cal schools have cooperated on any project. Let us celebrate Port-au-Prince, Haiti. with them and hope that the encouragement and cooperation will continue as this country moves forward in its recovery. Injury Epidemiology to Bamako, Mali epidemiology experts from the Gendarmerie, Protection Ci- vile, Mali national police, Road Traffic Commission and the Ministry of Health. -
“My Son the Fanatic” by Hanif Kureishi
video tapes, new books and fashionableW clothes the boy had bought just a few months before. Also without explanation, Ali had parted from the English girlfriend who used to come often to the house. His old friends had stopped ringing. For reasons he didn't himself understand, Parvez wasn't able to bring up the subject of Ali's unusual behaviour. He was aware that he had become slightly afraid of his son, who, between his silences, was developing a sharp tongue. One remark Pawez did make, 'You don't play your guitar any more,' elicited the mysterious but conclu- sive reply, 'There are more important things to be done.' Yet Parvez felt his son's eccentricity an injustice. He had al- ways been aware of the pitfalls that other men's sons had fallen into in England. And so, for Ali, he had worked long hours and spent a lot of money paying for his education as an accountant. He had bought him good suits, all the books he required and a computer. And now the boy was throwing his possessions out! - - The TV, video and sound system followed the guitar. Soon the room was practically bare. Even the unhappy walls bore marks where Ali's pictures had been removed. Parvez couldn't sleep; he went more to the whisky bottle, even when he was at work. He realised it was imperative to discuss the matter with someone sympathetic. HANIF KUREISHI My Son the Fanatic Surreptitiously, the father began going into his son's bedroom. He would sit there for hours, rousing himself only to seek clues. -
Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson a Dissertation S
Mothers in the Family of Saints: Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in the University of Michigan 2020 Doctoral Committee: Professor Paul Christopher Johnson, Chair Associate Professor Paulina Alberto Associate Professor Victoria Langland Associate Professor Gayle Rubin Jamie Lee Andreson [email protected] ORCID iD: 0000-0003-1305-1256 © Jamie Lee Andreson 2020 Dedication This dissertation is dedicated to all the women of Candomblé, and to each person who facilitated my experiences in the terreiros. ii Acknowledgements Without a doubt, the most important people for the creation of this work are the women of Candomblé who have kept traditions alive in their communities for centuries. To them, I ask permission from my own lugar de fala (the place from which I speak). I am immensely grateful to every person who accepted me into religious spaces and homes, treated me with respect, offered me delicious food, good conversation, new ways of thinking and solidarity. My time at the Bate Folha Temple was particularly impactful as I became involved with the production of the documentary for their centennial celebrations in 2016. At the Bate Folha Temple I thank Dona Olga Conceição Cruz, the oldest living member of the family, Cícero Rodrigues Franco Lima, the current head priest, and my closest friend and colleague at the temple, Carla Nogueira. I am grateful to the Agência Experimental of FACOM (Department of Communications) at UFBA (the Federal University of Bahia), led by Professor Severino Beto, for including me in the documentary process. -
Brands, Markets and Charitable Ethics: MTV's EXIT Campaign
Brands, Markets and Charitable Ethics: MTV’s EXIT Campaign Jane Arthurs Abstract: This case study of MTV‟s EXIT campaign to raise awareness about the trafficking of women highlights the difficulties faced by charitable organisations when using audience research to evaluate the effectiveness of their media campaigns. If they were to follow the advice to connect with audiences whose ethical and political commitments have been shaped within a media saturated, capitalist culture, they risk reinforcing the positioning of women‟s bodies as consumable products in a pleasure-oriented service economy and further normalisation of the practices the campaigners are seeking to prevent. To be effective in the longer term charities require an ethical approach to media campaigns that recognises their political dimension and the shift in values required. The short term emotional impact on audiences needs to be weighed against these larger ethical and political considerations to avoid the resulting films becoming too individualistic and parochial, a mirror image of their audience‟s „unreconstructed‟ selves. Key Words: Human trafficking, sexual exploitation, media charity campaigns, film, ethics, aesthetics, consumerism, empathy, authenticity, cosmopolitanism Introduction This article examines the ethical implications of the aesthetic decisions that charities make when they commission films for their campaigns against human trafficking and the role that audience research can play in informing those decisions. There has been a large growth in the media attention given to this issue since the late 1990s. The use of short films in campaigns to raise public awareness has also increased during this period as new distribution outlets have become available with firstly DVD extras and then video downloads on the web making it much easier to find an audience outside the more restrictive advertising slots on television. -
From Calypsos to Careers: Post Dance Life of the Texas
FROM CALYPSOS TO CAREERS: POST DANCE LIFE OF THE TEXAS STATE UNIVERSITY STRUTTERS ALUMNAE by Anne Marie Callahan, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Sociology May 2019 Committee Members: Joseph A. Kotarba, Chair Bob Price Susan Morrison COPYRIGHT by Anne Marie Callahan 2019 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Anne Marie Callahan, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION To my loving and patient family, Mom, Dad, and RJ. I could not have done this without you. I will be forever grateful for everything you have done for me. Love, Murry. ACKNOWLEDGEMENTS I would like to thank my wonderful professors, Dr. Joseph A. Kotarba, Dr. Bob Price, and Dr. Susan Morrison, for their extraordinary support during my undergraduate and graduate careers. Thank you to my family, who were there for me during the times when I did not think I could succeed, and every time when I did. Thank you to my supportive friends for sticking by my side in the most exciting and stressful years of my life. -
Video Artists As Citizen Scientists
European Scientific Journal May 2014 /SPECIAL/ edition ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 MAKING NATURE’S VALUE VISIBLE: VIDEO ARTISTS AS CITIZEN SCIENTISTS Sarah Van Borek, (MFA) Emily Carr University of Art + Design, Canada Abstract Rewilding vancouver community projects was a community mapping, storytelling & visioning project designed to reconnect residents in the Metro Vancouver region of British Columbia, Canada with the city’s “wild side” (the historical natural environment) and to help “make visible” the different forms that nature takes in Vancouver as ways to inspire the valuing, protection and potential “rewilding” of nature.. The project was developed through a two-semester cross-disciplinary studio-based community projects course in the Faculty of Culture + Community at one of Canada’s leading post-secondary art institutions, the Emily Carr University of Art + Design (Vancouver), in partnership with one of Canada's leading environmental organizations, the David Suzuki Foundation (DSF), and the bold, contemporary Museum of Vancouver (MOV). Postsecondary art students across a variety of levels and disciplines were facilitated in producing a media arts-based “virtual urban safari” as part of the MOV’s Rewilding Vancouver exhibit running February 27-September 1, 2014. This exhibit is believed to be the first of its kind in Canada to feature the historical ecology of a major city. Many of the students, by their own self-description, came into the course feeling disconnected from the natural world themselves. The course was structured in a way that encouraged students to reconnect with nature in the city through their creative process. The course culminated in a public screening and dialogue, offering the students the opportunity to see the effects of their work on a public audience and feel like their input could have an impact.