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Clones Stick Together
TVhome The Daily Home April 12 - 18, 2015 Clones Stick Together Sarah (Tatiana Maslany) is on a mission to find the 000208858R1 truth about the clones on season three of “Orphan Black,” premiering Saturday at 8 p.m. on BBC America. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 12, 2015 — Sat., April 18, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING Friday WBIQ 10 4 10 10 10 10 6 p.m. FS1 St. John’s Red Storm at Drag Racing WCIQ 7 10 4 Creighton Blue Jays (Live) WVTM 13 13 5 5 13 13 13 13 Sunday Saturday WTTO 21 8 9 9 8 21 21 21 7 p.m. ESPN2 Summitracing.com 12 p.m. ESPN2 Vanderbilt Com- WUOA 23 14 6 6 23 23 23 NHRA Nationals from The Strip at modores at South Carolina WEAC 24 24 Las Vegas Motor Speedway in Las Gamecocks (Live) WJSU 40 4 4 40 Vegas (Taped) 2 p.m. -
Drop Radio Wants Its Audiences to Dance by DEBBIE WILLIS Beyond Salt Spring
SECTION WEDNESDAY, AUGUST 27, 2003 Page 81 Drop Radio wants its audiences to dance By DEBBIE WILLIS beyond Salt Spring. pie's reactions to Canadian Staff Writer "We really want to start and Peruvian-born musi Drop Radio has what branching out and tapping cians playing reggae, seems like a simple goal: back into the Vancouver fan Meaghar said they have met when the band plays, they base," said Meaghar. "We're nothing but open minds. want people to dance. open to playing anything." "I haven't encountered According to guitar play Part of Drop Radio's any objections to us playing er Dave Campbell, when an appeal could be due to the reggae music. You've just audience gets down, there's fact that each show is differ got to play the music that a real connection between ent. comes from your soul. If it the band and the listeners. "We never play the same comes from your heart, you "It's a giving and receiv way twice," said Campbell, can do no wrong." ing: we spit music out and who mentioned the Eventually the band they give it right back when impromptu country version wants to record, and they they dance," he said. of Redemption Song they hope to produce a full "Everybody' s participat once performed. "There's a length album by next ing." high level of spontaneity." spring. Their only stipula When everyone in the The three members of the tions are that the recording _ room is grooving to the band bring varied back be "high quality" and pro same beat, lead singer and grounds to the creative pro duced on-island. -
A Case for Political Reform in Michigan Michigan Campaign Finance Network
A Case for Political Reform in Michigan MICHIGAN CAMPAIGN FINANCE NETWORK BOARD OF DIRECTORS John Chamberlin Jan Dolan Patricia Donath Andy Draheim H. Lynn Jondahl John M. Koval Lynne Martinez John P. Mayer Susan Grimes Munsell Rich Robinson, executive director The work of the Michigan Campaign Finance Network is sustained by contributions from concerned Michigan citizens and the generous support of the Joyce Foundation of Chicago. ©2007 Michigan Campaign Finance Network Michigan Campaign Finance Network 200 Museum Drive, Lansing, MI 48933 Phone: (517) 482-7198 • Email: [email protected] • Web: www.mcfn.org Introduction and Executive Summary....................................................1 Campaign Finance – Failures of Limits and Accountability..............3 Too.infrequent.reporting Contribution.limits:.Some.committees.have.them,.some.don’t Extraordinary.self-funding Limits.for.lame.ducks Table.of. Late.independent.expenditures.are.reported.too.late Contents Issue.advocacy:.A.convenient.fiction Public.financing.of.gubernatorial.campaigns Public.financing.of.Supreme.Court.campaigns Public.financing.for.all.State.campaigns Lobbying – Insufficient Disclosure........................................................16 Insufficient.disclosure Slowing.the.revolving.door Ethics – High Standards for All..............................................................19 Standards.of.conduct.for.all Disclosure.of.personal.financial.interests Term Limits – The High Cost of Inexperience....................................21 Redistricting – Competition -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
Assignment 3 1/21/2015
Assignment 3 1/21/2015 The University of Wollongong School of Computer Science and Software Engineering CSCI124/MCS9124 Applied Programming Spring 2010 Assignment 3 (worth 6 marks) • Due at 11.59pm Thursday, September 9 (Week 7). Aim: Developing programs with dynamic memory and hashing. Requirements: This assignment involves the development of a database for a cinema. The program is designed to look up past movie releases, determining when the film was released, the rating it received from the Classification Board and its running time. To accelerate the lookup, a hash table will be used, with two possible hash functions. The program will report how efficiently the table is operating. Storage will be dynamic, enabling the space used by the program to be adjusted to suit the datafile size. The program must clean up after memory usage. During development, the program may ignore the dynamic nature until the program is working. As an addendum, the assignment also involves the use of compiler directives and makefiles. Those students who use a platform other than Linux/Unix will be required to ensure that their programs comply with the specifications below. The program is to be implemented in three files: ass3.cpp contains the simplest form of main function, hash.h contains the function prototypes of the publicly accessible functions, where the implementations of these functions will be placed in the file hash.cpp. The first two files should not be altered, although you may write your own driver programs to test your functions during development. The third file contains the stubs of the four public functions, plus a sample struct for holding the records, usable until they are changed for dynamic memory. -
State Senator Richard Posthumus: a Profile
State Senator Richard Posthumus: A Profile by David Kimball, Senior Consultant for Public Policy At age 40 Senator Dick Posthumus regularly is heralded as one of the brightest stars of Michigan's Republican Party. His star still is rising: The election that just gave Posthumus his third Senate term also propelled his close, longtime friend John Engler to the governorship, and in the Senate Republican caucus last week Posthumus won the majority leader's post, a position formerly held by Engler. Respected by his colleagues and widely considered a born politician with uncanny tactical instincts, Posthumus is unassumingly self-confident and wears an easy smile on a youthtd, untroubled countenance. He credits much of this interpemnal ease to the fact that he punctuates his time at the capitol with the daiIy commute to his AIto (near Grand Rapids) home where he grows cash crops on a 600-acre family farm. "You can get so deeply into politics that everything else becomes secondary and family life tends to be destroyed," he says. "When I first decided to xun I made a commitment that I was not going to let that happen-that my family was going to come first no matter what. One of the ways I accomplish that is by going home every night." Although Posthumus occasionally stays in Lansing after a late session, these exceptions are relatively rare. "When I get home, there are four kids dngaround hollering, and all of a sudden I'm back to reality. There's no lobbyist taking me out to dinner telling me what a great legislator I am." "I can honestly say," he muses, "that I could walk away from this job tomorrow-not without some feeling of loss-but with no regret. -
1 Production Information in Just Go with It, a Plastic Surgeon
Production Information In Just Go With It, a plastic surgeon, romancing a much younger schoolteacher, enlists his loyal assistant to pretend to be his soon to be ex-wife, in order to cover up a careless lie. When more lies backfire, the assistant's kids become involved, and everyone heads off for a weekend in Hawaii that will change all their lives. Columbia Pictures presents a Happy Madison production, Just Go With It. Starring Adam Sandler and Jennifer Aniston. Directed by Dennis Dugan. Produced by Adam Sandler, Jack Giarraputo, and Heather Parry. Screenplay by Allan Loeb and Timothy Dowling. Based on ―Cactus Flower,‖ Screenplay by I.A.L. Diamond, Stage Play by Abe Burrows, Based upon a French Play by Barillet and Gredy. Executive Producers are Barry Bernardi, Allen Covert, Tim Herlihy, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson-Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Just Go With It has been rated PG-13 by the Motion Picture Association of America for Frequent Crude and Sexual Content, Partial Nudity, Brief Drug References and Language. The film will be released in theaters nationwide on February 11, 2011. 1 ABOUT THE FILM At the center of Just Go With It is an everyday guy who has let a careless lie get away from him. ―At the beginning of the movie, my character, Danny, was going to get married, but he gets his heart broken,‖ says Adam Sandler. -
ABCDQ: Which Is Iraq?*
MARCH 23, 2007 | WWW.REPORTERMAG.COM Q: Which is Iraq?* AB CD CHECK YOUR ANSWER PG. 23 *Not to scale. Editorial Not an Exit EDITOR IN CHIEF Casey Dehlinger Tucked beneath the belly of the SAU, hiding in a tangle of pipes below Ingle Auditorium, rests one SENIOR EDITORS Jen Loomis, J.S. Ost of the most unsightly places you could imagine. This acoustic nightmare of perpetually exhaling ventilation ducts, white-painted concrete, and a raked ceiling has become an adopted home of sorts, NEWS EDITOR David Spiecker for myself and many before me. LEISURE EDITOR Laura Mandanas FEATURES EDITOR Adam Botzenhart You wouldn’t think they’d come back, but they do. The former editors always fi nd their way to the SPORTS/VIEWS EDITOR Chad Carbone offi ce when I’m around, and the fi rst thing out of their mouths when they reenter unannounced, after hiatuses spanning upwards of 20 years, is “this place really doesn’t change.” Sure, the furniture is WRITERS Tony Castillo, Chris Cesarano, Veena Chatti, different, the darkroom is now home to archives spanning back over 55 years, and the layout tablets Casey Dehlinger, Laura Mandanas, Evan McNamara, have been replaced by iMacs, but there’s something inherently the same in its harsh fl uorescent Ryan Metzler, Govind Ramabadran, Alex Salsberg, lighting and its reclusive subterranean location. Geoff Shearer There are no windows here, so there is no time. I’ve had instances where 9 p.m. quickly became Art 4 a.m. There have been times when I’ve watched 2007 become 1969 as former editors point and narrate; storytellers, one and all. -
DOCUMENT RESUME ED 390 434 IR 055 781 TITLE a Manual For
DOCUMENT RESUME ED 390 434 IR 055 781 TITLE A Manual for Michigan State Documents Deposi,tory Libraries. INSTITUTION Michigan Library, Lansing. PUB DATE 94 NOTE 65p. PUB TYPE Guides Non-Classroom Use (055) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Depository Libraries; *Government Publications; *Library Administration; Library Materials; Library Networks; Library Role; Library Services; *Library Technical Processes; State Programs IDENTIFIERS Historical Background; Library of Michigan; *Michigan ABSTRACT This manual contains information about the Michigan Documents Depusitory Library Program as administered by the Library of Michigan, a brief history of the program, the types of publications distributed, and guidance on handling and processing depository shipments. The first section briefly outlines the history of the Michigan documents depository library program. Section 2, "Library of Michigan Administration of the Depository Program," contains details about the role the Library of Michigan plays in overseeing the program, a profile of the member libraries, some general procedures, and information about how depository documents are distributed. The third section, "Guidelines for Managing a Michigan Documents Depository," explains how depository documents should be dealt with after their arrival at the depository, including technical processing, claim procedures, and retention and weeding policies. "Resources for Effective Public Services," the fourth section, serves as an introduction to document acquisition and to some online search tools; it includes a suggested core list of Michigan state documents. Seven appendices contain laws pertaining to the depository library program, a directory of the depository library system, a sample shipping list, classification scheme, filing rules, a bibliographic aid for locating pre-1952 documents, and a document price list.(BEW) Reproductions supplied by EDRS are the best that can be made from the original document. -
Social Program Spending and State Fiscal Crises
Finegold, Schardin, Maag, Steinbach, Merriman, and Weil Occasional Paper The Urban Institute http://www.urban.org E-mail: [email protected] Fax: 202.429.0687 Phone: 202.833.7200 Washington, DC 20037 2100 M Street, NW SocialSocial ProgramProgram SpendingSpending andand StateState FiscalFiscal CrisesCrises Social Program Spending and State Fiscal Crises KennethKenneth FinegoldFinegold StephanieStephanie SchardinSchardin ElaineElaine MaagMaag RebeccaRebecca SteinbachSteinbach DavidDavid MerrimanMerriman AlanAlan WeilWeil Occasional Paper Number 70 Permit No. 8098 Nonprofit Org. Assessing U.S. Postage Mt. Airy, MD PAID the New Federalism An Urban Institute Program to Assess Changing Social Policies Social Program Spending and State Fiscal Crises Kenneth Finegold Stephanie Schardin Elaine Maag Rebecca Steinbach David Merriman Alan Weil Occasional Paper Number 70 The Urban Institute 2100 M Street, NW Washington, DC 20037 Assessing Phone: 202.833.7200 the New Fax: 202.429.0687 Federalism E-mail: [email protected] An Urban Institute http://www.urban.org Program to Assess Changing Social Policies Copyright © November 2003. The Urban Institute. All rights reserved. Except for short quotes, no part of this paper may be reproduced in any form or used in any form by any means, electronic or mechanical, including photocopying, recording, or by information storage or retrieval system, without written permission from the Urban Institute. This report is part of the Urban Institute’s Assessing the New Federalism project, a multiyear effort to monitor and assess the devolution of social programs from the federal to the state and local levels. Alan Weil is the project director. The project analyzes changes in income support, social services, and health programs. -
BEDTIME STORIES Bobbi
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/BedtimeStories WALT DISNEY PICTURES Unit Production Manager . GARRETT GRANT Presents First Assistant CREDITS Director . DANIEL SILVERBERG A Second Assistant Director . CONTE MATAL HAPPY MADISON Creatures Designed by. CRASH MCCREERY Production Production Supervisor . ROBERT WEST A CAST CONMAN & IZZY Skeeter Bronson. ADAM SANDLER Production Jill . KERI RUSSELL Kendall . GUY PEARCE An Mickey. RUSSELL BRAND OFFSPRING Barry Nottingham . RICHARD GRIFFITHS Production Violet Nottingham. TERESA PALMER Aspen. LUCY LAWLESS Wendy . COURTENEY COX Patrick . JONATHAN MORGAN HEIT BEDTIME STORIES Bobbi . LAURA ANN KESLING Marty Bronson . JONATHAN PRYCE Engineer . NICK SWARDSON A Film by Mrs. Dixon . KATHRYN JOOSTEN ADAM SHANKMAN Ferrari Guy. ALLEN COVERT Hot Girl . CARMEN ELECTRA Young Barry Nottingham . TIM HERLIHY Directed by . ADAM SHANKMAN Young Skeeter . THOMAS HOFFMAN Screenplay by . MATT LOPEZ Young Wendy . ABIGAIL LEONE DROEGER and TIM HERLIHY Young Mrs. Dixon. MELANY MITCHELL Story by. MATT LOPEZ Young Mr. Dixon . ANDREW COLLINS Produced by. ANDREW GUNN Donna Hynde. AISHA TYLER Produced by . ADAM SANDLER Hokey Pokey Women. JULIA LEA WOLOV JACK GIARRAPUTO DANA MIN GOODMAN Executive Producers . ADAM SHANKMAN SARAH G. BUXTON JENNIFER GIBGOT CATHERINE KWONG ANN MARIE SANDERLIN LINDSEY ALLEY GARRETT GRANT Bikers. BLAKE CLARK Director of BILL ROMANOWSKI Photography . MICHAEL BARRETT Hot Dog Vendor . PAUL DOOLEY Production Designer . LINDA DESCENNA Birthday Party Kids . JOHNTAE LIPSCOMB Edited by. TOM COSTAIN JAMES BURDETTE COWELL MICHAEL TRONICK, A.C.E. Angry Dwarf . MIKEY POST Costume Designer . RITA RYACK Gremlin Driver . SEBASTIAN SARACENO Visual Effects Cubby the Supervisor. JOHN ANDREW BERTON, JR. Home Depot Guy . -
Grown-Ups Film Production Notes
PRODUCTION NOTES Release Date: June 24 th , 2010 Running time: 102 min Rating: PG 1 Grown Ups , Starring Adam Sandler, Kevin James, Chris Rock, David Spade, and Rob Schneider, is a full-on comedy about five men who were best friends when they were young kids and are now getting together with their families on the Fourth of July weekend for the first time in thirty years. Picking up where they left off, they discover that growing older doesn’t mean growing up. Columbia Pictures presents in association with Relativity Media a Happy Madison production, a film by Dennis Dugan, Grown Ups . The film stars Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek, Maria Bello, and Maya Rudolph. Directed by Dennis Dugan. Produced by Adam Sandler and Jack Giarraputo. Written by Adam Sandler & Fred Wolf. Executive Producers are Barry Bernardi, Tim Herlihy, Allen Covert, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson- Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Credits are not final and subject to change. 2 ABOUT THE FILM Adam Sandler, Kevin James, Chris Rock, David Spade, and Rob Schneider head up an all-star comedy cast in Grown Ups , the story of five childhood friends who reunite thirty years later to meet each others’ families for the first time. When their beloved former basketball coach dies, they return to their home town to spend the summer at the lake house where they celebrated their championship years earlier.