Creative England 50 a Book About England's Creativity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Meaningful Choice As Expression of Creativity in Gameplay
Meaningful Choice as Expression of Creativity in Gameplay A Preliminary Typology of Creative Gameplay in Videogames Abstract Gamification guru Yu-Kai Chou positions creativity as the ultimate motivational drive as it both addresses intrinsic motivation as well as positive emotions. Creativity and play have long been linked together and, despite many attempts to grasp them, have maintained elusive concept because their expressions have an enormous variety. Yet, creative gameplay has rarely been analyzed as a whole, research often lingering on a single variant of it, mostly tangible player production in videogames. This thesis offers a framework based on Chou’s concept of meaningful choices for identifying varieties of creative gameplay and offers a preliminary typology of creative gameplay in videogames. By Wesley Smit 3781410 Supervisor Jasper van Vught TABLE OF CONTENTS INTRODUCTION .............................................................................................. 3 IN THE BEGINNING… .................................................................................... 9 CREATIVITY AND MEANINGFUL PLAY ..................................................... 14 METHODOLOGY ........................................................................................... 26 CREATIVE PLAY IN LITTLEBIGPLANET 2 ................................................. 29 CREATIVE PLAY IN NBA 2K15 ................................................................... 39 DISCUSSION ................................................................................................ -
European Premiere of Breathe to Open the 61St Bfi London Film Festival New Official Trailer and Poster Released
EUROPEAN PREMIERE OF BREATHE TO OPEN THE 61ST BFI LONDON FILM FESTIVAL NEW OFFICIAL TRAILER AND POSTER RELEASED Andrew Garfield and Claire Foy star in Andy Serkis’ BREATHE, STXInternational. Embargoed until 9.30am GMT, Thursday 29 June, 2017 LONDON – Thursday 29 June, 2017: The 61st BFI London Film Festival in partnership with American Express® is delighted to announce that this year’s Opening Night gala will be Andy Serkis’ feature directorial debut, BREATHE. Based on the true story of Robin Cavendish, BREATHE is a heart-warming and highly emotional celebration of bravery and human possibility, a love story about living every breath as though it’s your last. The film stars Andrew Garfield (Hacksaw Ridge) as Cavendish and Claire Foy (The Crown) as his wife Diana. BREATHE will receive its European premiere on Wednesday 4 October at the Odeon Leicester Square. Director Andy Serkis, producer Jonathan Cavendish and lead actors Andrew Garfield and Claire Foy are expected to attend along with other members of the cast and crew. There will be a live cinecast of all the excitement from Leicester Square and simultaneous screenings taking place at cinemas across the UK. From a script by twice Academy Award-nominated screenwriter William Nicholson (Everest, Les Misérables and Gladiator), Andy Serkis (globally known for his performances including, Rise of the Planet of the Apes, Star Wars: The Force Awakens) delivers a hugely impressive directorial debut with this inspirational true story of love without limits. Adventurous and charismatic, Robin Cavendish has his whole life ahead of him when he is paralysed by polio whilst in Africa and given just months to live. -
A Level Music
A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music. -
CE50 – 2018 Foreword Caroline Norbury MBE
CE50 – 2018 Foreword Caroline Norbury MBE Creative England Chief Executive It is my pleasure to introduce to you the CE50 industry tool. Previous CE50 companies have 2018. The people and businesses featured in this gone on to receive BAFTA nominations, opened book are at the very forefront of creativity. Through international offices, revolutionised the way western their work – be it games, film or TV productions, products are sold to the Chinese market, and interactive platforms or immersive experiences – received the prestigious Nora Ephron prize at the they produce the original ideas, the entertaining Tribeca Film Festival. This year’s cohort highlights content and the innovations which make this the move towards technology and creativity country truly world-leading in the creative industries. merging to create meaningful solutions to real-world problems, with many of the companies championing The creative sectors are a cornerstone of the UK’s diversity, giving a platform to unheard voices and economy and key to driving future growth and benefitting the wider industry. prosperity. They are worth £92bn in GVA and are outgrowing the wider economy by twice the rate. This year we have also included businesses that They employ 2m people – over 3m in the wider focus on improving the environment for creative creative economy when we count non-creative businesses – such as Platform in Stoke-on-Trent roles – and make over £21bn in service exports. who are building a cluster programme for creative entrepreneurs and InnovateHer who seek to improve Those exceptional statistics are being driven the gender balance of the tech sector. by the talented creative minds like those included in this year’s CE50 – those who continue to look Our job at Creative England is to ensure that at new ways of doing things, whether that’s the voices of our country’s creators and innovators bringing fresh ideas and perspective into the craft have the opportunity to be heard, and that they of storytelling, designing platforms that adopt are given the right support to build their businesses. -
Creative England's Filming Partnership Toolkit
Creative England’s Filming Partnership Toolkit Flamborough, East Yorkshire © VisitEngland, Iain Lewis Why is Filming Important? In 2014, film production was worth £1.47 billion to UK GDP and created thousands of full-time equivalent jobs. Creative England’s involvement includes bringing together England-wide world-class locations, studios, facilities and crew to support this thriving industry. Our work ensures production companies can deliver Creative England is able to calculate the average amount Contents a successful shoot in the English regions. We deliver production spends when filming on location. With a professional on-the-ground support and a film friendly television production’s estimated spend of £17,000 - welcome to attract high profile production to England. £19,000 per day on local employment and services, and a 2 About Creative England & our Filming Partners These interventions also deliver long term benefits from major feature film around £32,000, the benefit to the local 3 Why is Filming Important? profiling England around the globe as a premier visitor economy is clear. destination. 3 Why do we gather statistics from Filming Partners? 4 A Case Study – ITV’s Broadchurch 5 Promoting Locations “In 2014, film production was worth 6 Facilitating Filming About our Filming 6 Consent vs Permits £1.47bn to UK GDP and created 6 Road Closures, Temporary Traffic Regulations Orders Partners and Parking Bay Suspensions. thousands of full-time equivalent jobs.” 6 Costs vs Fees Creative England’s Filming Partners are made up of Local Authority and other public sector organisations 7 Ways to Maximise Returns from Productions committed to supporting the facilitation of filming in the Why do we gather statistics from Filming Partners? 7 Contracts regions. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Creating Games ART & CS 107 Spring 2013 Schedule Revised April 24, 2013; the Schedule Adapts to Your Interests and Ideas Throughout the Semester
Creating Games ART & CS 107 Spring 2013 Schedule Revised April 24, 2013; the schedule adapts to your interests and ideas throughout the semester. Morning: TR 8:30 – 9:45am Hyperlinks are underlined. Chapter Afternoon: Thu. 1 – 4 pm reading is in McGuire and Jenkins, Office hours: (TCL 308) By appointment Creating Games, A K Peters 2008 + (I’m generally accessible–let me know when is best for you) errata TA hours: See website “Homework” is independent work due at the beginning of the following class session. I encourage you to discuss ideas with other students but your work product should solely be your own. When a written response is appropriate, note that scholarly writing includes citations to primary sources, terse style, appropriate vocabulary and tone, and proper English style. The writing center and my office hours are great resources to improve your writing. “Read” and “Play” material has no specific deadline, but should be done close to that day so that we have a common base for discussion. For games, spend at least two hours in actual gameplay, and try to play with other students in the class. Having played a game (i.e., a social and intellectual activity) with someone will help you to know if you can work together effectively on a project. Unless explicitly noted, you are welcome to play a game on a different (equivalent) platform or with your own copy instead of using the library resource. If you make a reasonable attempt to play a game and it is not available, then you can substitute a different game listed on the course web page. -
Guidelines for Applicants 2019
GUIDELINES FOR APPLICANTS 2019 SUBMISSION DEADLINE 9am on Friday 29 March 2019 1 These guidelines are to assist submissions to iFeatures. They should be read in conjunction with our FAQs, available for download at ifeatures.co.uk/apply-now WHAT IS iFEATURES? iFeatures is a premier UK filmmaking programme, driving the development of low- budget high-quality debut features and realising the talent of the next generation of filmmakers. Our aim is to produce the most outstanding, daring and distinctive storytellers in the UK, by giving them the tools and the support to experiment, develop their voice, and create contemporary films that speak to a world audience. iFeatures is run by Creative England and supported by the BFI, awarding funds from the National Lottery, BBC Films and the ScreenSkills Film Skills Fund with contributions from UK film productions. iFeatures offers a unique opportunity to explore and realise your vision. In addition to funding the development of projects, selected teams will take part in an intensive, exploratory Lab programme which will include dedicated support, access to industry and networks, as well as mentoring and high-level training with established industry professionals. The programme has evolved to focus on a dedicated period of development for 12 projects and teams, with each receiving bespoke support as they work towards market engagement. Following the programme, BFI and BBC Films have committed to ensuring that at least three of the projects progress to production. The 2019 round opened for applications on Friday 8 March 2019; the submission process will close on Friday 29 March at 9am. -
Embargoed Until 4 November 2011
16th December 2011 EMBARGOED UNTIL 17th December 2011 THE GENIUS OF HITCHCOCK CELEBRATING CINEMA’S MASTER OF SUSPENSE BFI PRESENTS RESTORED, RARELY SEEN HITCHCOCK FILMS WITH NEW SCORES FOR LONDON 2012 FESTIVAL TICKETS ON SALE NOW 2012 is the year that the BFI brings the master of suspense to audiences on a truly Olympian scale, with gala events of rarely seen early films and a major season at BFI Southbank. As part of the London 2012 Festival, the BFI is staging a series of spectacular one-off screenings of Hitchcock’s British silent films from the 1920’s, restored by the BFI National Archive, and brought to life for audiences with newly commissioned scores from the best of British contemporary musical talent. Tickets for the first two of these events are now on sale via www.bfi.org.uk. The BFI will also be holding a full retrospective of Hitchcock’s work from his entire career at BFI Southbank from August - October 2012. Nitin Sawhney, one of the world’s most distinctive and versatile musical voices, is writing a score to accompany The Lodger: A Tale of the London Fog (1926) at the Barbican Hall, 7.30pm, Saturday 21st July 2012. The score will be performed by the London Symphony Orchestra and is commissioned by independent film distributor Network Releasing in partnership with the BFI. Ticket prices from £15. Early booking is recommended as tickets sold out very quickly for The Pleasure Garden (1925) which will have a new score from promising young composer and recent graduate from the Royal Academy of Music Daniel Patrick Cohen to be performed by The Royal Academy of Music’s Manson Ensemble at Wilton’s Music Hall, E1, on Thursday 28 June and Friday 29 June, 7.30pm both nights. -
Sackboy Planet: Connected Learning Among Littlebigplanet 2 Players
WELCOME TO SACKBOY PLANet: Connected Learning Among LittleBigPlanet 2 Players by Matthew H. Rafalow Katie Salen Tekinbaş CONNECTED LEARNING WORKING PAPERS April 8, 2014 Digital Media and Learning Research Hub This digital edition of Welcome to Sackboy Planet: Connected Learning Among LittleBigPlanet 2 Players is licensed under a Creative Commons Attribution Unported 3.0 License (CC BY 3.0) http://creativecommons.org/ licenses/by/3.0/ Published by the Digital Media and Learning Research Hub. Irvine, CA. March 2014. A full-text PDF of this report is available as a free download from www.dmlhub.net/publications Suggested citation: Rafalow, Matthew H., and Katie Salen Tekinbaş. 2014. Welcome to Sackboy Planet: Connected Learning Among LittleBigPlanet 2. Irvine, CA: Digital Media and Learning Research Hub. This report series on connected learning was made possible by grants from the John D. and Catherine T. MacArthur Foundation in connection with its grant making initiative on Digital Media and Learning. For more information on the initiative visit www.macfound.org. For more information on connected learning visit www.connectedlearning.tv. 2 | WELCOME TO SACKBOY PLANET CONTENTS 5 INTRODUCTION 9 DESCRIPTION OF RESEARCH STUDY 10 Background: LittleBigPlanet 2 13 Youth StorY: Chris (AKA, GAdget42) 14 ANALYSIS: CONNECTED LEARNING AMONG LITTLEBIGPLANET 2 PLAYERS 15 Interest-Powered 16 Peer-Supported 19 Academically Oriented 22 Production-Centered 25 Openly Networked 29 Shared Purpose 32 DEVeloper StorY: AleX 33 REFLECTIONS 33 Barriers Tied to Gender 35 Gamification and Reputation Systems 37 Attention Scarcity: Challenges and Opportunities 41 CONCLUSION 42 REFERENCES 43 ACKNOWLEDGMENTS 3 | WELCOME TO SACKBOY PLANET So people build a lot of things and it’s interesting because people build a lot of things in the game but they also build a lot of things outside the game … people are building everything. -
Ps3 Little Big Planet Iso Download
Ps3 little big planet iso download LittleBigPlanet 3 + DLC (USA) PS3 ISO Download for the Sony PlayStation 3/PS3/RPCS3. Game description, information and ISO download. Ps3 iso games download, Ps3 games, free download ps3 iso, fix , eboot fix , jailbreak, True blue games, iso game download, ps3 iso, iso. Ps3 iso games download, Ps3 games, free download ps3 iso, fix , eboot fix , jailbreak, True blue games, iso game download. PS3ISO Games | Free Download | TB Games PS3 ISO | Eboot Fix - Jailbreak: Little Big Planet 3 PS3 ISO | Free Download. Little Big Planet 2 PS3 Free Download You can download this game full for free with direct link download or single link with full speed. PS3 Games LITTLE BIG PLANET 2 «4PLAYERs Games Direct Download IXtreme JTAG RGH DVD ISO XBLA ARCADES DLC []. Download page for Little Big Planet (USA) ISO for PSP PSP. Get LittleBigPlanet™ 2, Adventure, Action, Family game for PS3 console from the LittleBigPlanet™ 2. PS3. Buy Download. Buy Disc. Release Date: Out Now. Get LittleBigPlanet 3, Adventure,Platformer game for PS3 console from the official PS3; Also on PS4. Buy Download. Buy Disc. Release Date: Out Now; Genre. PS VITA VPK GAMES PSP ISO PS3 ISO WII ISO 3DS CIA Game Download · Home · PS LittleBigPlanet [USA] + (DLC) PSP ISO DOWNLOAD. 3D, Platformer, PSP GAME,. download LittleBigPlanet psp. name: LittleBigPlanet format: ISO. ISO download page for the game: LittleBigPlanet (PSP) - File: LittleBigPlanet (USA) (PSN).torrent - Developed by Media Molecule, LittleBigPlanet™ is a new PlayStation®3 (PS3™) computer entertainment system community-based game with a hugely. “PlayStation”, “PS3”, “” and “” are trademarks or registered trademarks of Sony Computer Entertainment Inc. -
« Woodlands and Beyond... » Hélène Grimaud / Mat Hennek Mercredi 25 Octobre 2017 – 20H30
« Woodlands and beyond... » Hélène Grimaud / Mat Hennek Mercredi 25 octobre 2017 – 20h30 GRANDE SALLE PIERRE BOULEZ – PHILHARMONIE PROGRAMME Luciano Berio Piano aquatique Nitin Sawhney Water - Transition 1 Toru Takemitsu Rain Tree / Sketch II Nitin Sawhney Water - Transition 2 Gabriel Fauré Barcarolle n° 5 Nitin Sawhney Water - Transition 1 Maurice Ravel Jeux d’eau Nitin Sawhney Water - Transition 4 Isaac Albéniz Almeria Nitin Sawhney Water - Transition 5 Franz Liszt Les Jeux d’eau de la villa d’Este Nitin Sawhney Water - Transition 6 Leoš Janácek Dans les brumes – 1. Andante Nitin Sawhney Water - Transition 7 Claude Debussy La Cathédrale engloutie Hélène Grimaud, piano Mat Hennek, installation photo FIN DU CONCERT VERS 21H30 L’infini, et au-delà… Après avoir donné le tout premier récital de l’histoire de la Philharmonie de Paris, Hélène Grimaud revient seule sur scène, mais dans une toute autre configuration. Avec « Woodlands and beyond… », elle repense le récital, ce concept créé par Franz Liszt dans les années 1840 et qu’il est peut-être temps d’envisager sous un jour nouveau. La musicienne a souhaité avec « Woodlands and beyond… » mêler les arts, faire se percuter les sens, en une symbiose apte à favoriser la rêverie et ces fameuses correspondances chères à Baudelaire. La juxtaposition de la musique, qui reprend celle de l’album Water, et des photographies de la nature de l’artiste allemand Mat Hennek, rend possible l’éclosion d’un nouveau champ imaginaire. Des strates de conscience, des rapproche- ments inattendus se dévoilent pour les auditeurs/spectateurs. Et pour l’artiste elle-même. Rappelons que pendant certaines périodes de sa vie, Hélène Grimaud n’a pas travaillé sur l’instrument mais mentalement, par associations d’images, de couleurs.