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European Premiere of Breathe to Open the 61St Bfi London Film Festival New Official Trailer and Poster Released
EUROPEAN PREMIERE OF BREATHE TO OPEN THE 61ST BFI LONDON FILM FESTIVAL NEW OFFICIAL TRAILER AND POSTER RELEASED Andrew Garfield and Claire Foy star in Andy Serkis’ BREATHE, STXInternational. Embargoed until 9.30am GMT, Thursday 29 June, 2017 LONDON – Thursday 29 June, 2017: The 61st BFI London Film Festival in partnership with American Express® is delighted to announce that this year’s Opening Night gala will be Andy Serkis’ feature directorial debut, BREATHE. Based on the true story of Robin Cavendish, BREATHE is a heart-warming and highly emotional celebration of bravery and human possibility, a love story about living every breath as though it’s your last. The film stars Andrew Garfield (Hacksaw Ridge) as Cavendish and Claire Foy (The Crown) as his wife Diana. BREATHE will receive its European premiere on Wednesday 4 October at the Odeon Leicester Square. Director Andy Serkis, producer Jonathan Cavendish and lead actors Andrew Garfield and Claire Foy are expected to attend along with other members of the cast and crew. There will be a live cinecast of all the excitement from Leicester Square and simultaneous screenings taking place at cinemas across the UK. From a script by twice Academy Award-nominated screenwriter William Nicholson (Everest, Les Misérables and Gladiator), Andy Serkis (globally known for his performances including, Rise of the Planet of the Apes, Star Wars: The Force Awakens) delivers a hugely impressive directorial debut with this inspirational true story of love without limits. Adventurous and charismatic, Robin Cavendish has his whole life ahead of him when he is paralysed by polio whilst in Africa and given just months to live. -
Tedde, Adriano Antonio
The Other America of Paul Auster, Jim Jarmusch and Tom Waits Author Tedde, Adriano Antonio Published 2019-10-23 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2054 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/388986 Griffith Research Online https://research-repository.griffith.edu.au The Other America of Paul Auster, Jim Jarmusch and Tom Waits Adriano Tedde, PhD candidate School of Humanities, Languages and Social Sciences Griffith University. Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2019 0 ABSTRACT This thesis employs popular culture texts (works of literature, film, and popular music) as companions to the understanding of contemporary America. It is about artworks that form a cultural resistance that enables the appreciation of social issues and cultural decline in the United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim Jarmusch, and musician Tom Waits. Born between the late 1940s and the early 1950s, in different parts of the United States, Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In their novels, films, and songs, they portray an imagined “Other America” that is in stark contrast with the idyllic vision of the American Dream. Their America does not coincide with conventional middle-class values and goals of success, money and social upward mobility. It is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who never escape from poverty and failure. -
Than Digital Makeup: the Visual Effects Industry As Hollywood Diaspora
More Than Digital Makeup: The Visual Effects Industry as Hollywood Diaspora By Sarah K. Hellström Department of Cinema Studies Master’s Thesis 15 hp Master Course 30 hp, VT 2013 Supervisor: Dr. Patrick Vonderau If I hear one more person who comes up to me and complains about [how]‘computer-music has no soul’ then I will go furious, you know. ‘Cause of course the computer is just a tool. And if there is no soul in computer-music then it's because nobody put it there and that's not the computers role, it's the role of the songwriter. He puts down his soul in the song if he wants to. A guitar will never write a song and a computer will never write a song, these are just tools.i - Björk Title: More Than Digital Makeup: The Visual Effects Industry as Hollywood Diaspora Author’s name: Sarah K. Hellström Supervisor: Dr. Patrick Vonderau Abstract This thesis assesses the marginal field (niche unit) of visual effects while taking into account visible and invisible vfx in virtual and actual geographies in Hollywood movies as part of industry-level studies, all the while seeking to bridge the gap between traditional, theoretical approaches of cinema studies and practitioner experience in the context of production culture. The focus of this essay remains on the many temporal aspects of production processes that identify vfx film production as chief, and vfx for television as subsequential. Encouraging scholars to consider a previously limited and repeatedly mislabeled area by demonstrating the pandemic presence of effects and its workers as a form of Hollywood diaspora, this thesis also seeks to demonstrate the need for involvement by means of scholar-practitioner methodologies. -
Catalogue Film-Making Process
21 23 WHEN 01 EAST 18 MEETS WEST organized by with the support of 21 23 0118 under the patronage of in partnership with 2018 partners QENDRA KOMBETARE E KINEMATOGRAFISE ALBANIAN NATIONAL CENTER OF CINEMATOGRAPHY FCL partner LST partners in collaboration with database with the technical support of Savoia Excelsior Palace WHEN EAST MEETS WEST Film Centre of Montenegro FCL partner JANUARY 21/23, 2018 Film Center Serbia Polish Film Institute Finnish Film Foundation organized by Greek Film Centre In collaboration with Icelandic Film Centre Fondo Audiovisivo Friuli Venezia Giulia Confartigianato Udine Kosovo Cinematography Center Trieste Film Festival/Alpe Adria Cinema Estonian Film Institute Macedonian Film Agency EWA European Women’s Audiovisual Nordic Film & TV Fund with the support of Network Norwegian Film Institute Creative Europe - MEDIA Programme Festival Scope Slovenian Film Centre MiBACT - Direzione Generale per il Flow Postproduction Swedish Film Institute Cinema Heretic Asterisk Creative Europe Desk Bulgaria CEI (Central European Initiative) Hot Docs Creative Europe Desk Croatia Regione Autonoma del Friuli Venezia Laser Film Creative Europe Desk Denmark Giulia Lithuanian Film Centre Creative Europe Desk Finland MIA Creative Europe Desk Italia under the patronage of National Film Centre of Latvia Creative Europe Desk Norway OLFFI Eurimages Creative Europe Desk Serbia Producers Network - Marché du Film Creative Europe Desk Slovenia in partnership with Creative Europe Desk Sweden database EAVE Maia workshops LST partners Eventival Midpoint -
Stars Including Idris Elba, Tilda Swinton and Steve Mcqueen Come out in Support of Bfi’S “Back the Future” Fundraising Campaign
STARS INCLUDING IDRIS ELBA, TILDA SWINTON AND STEVE MCQUEEN COME OUT IN SUPPORT OF BFI’S “BACK THE FUTURE” FUNDRAISING CAMPAIGN Oscar®-winning actor Tilda Swinton, Guest Speaker at this year’s LUMINOUS gala at the BFI National Archive, August 2017. LUMINOUS CHARITY AUCTION - BIDDING OPENS TODAY FOR: PRIVATE TOUR OF THE BFI NATIONAL ARCHIVE BY MARTIN SCORSESE’S OSCAR®- WINNER EDITOR THELMA SCHOONMAKER SET VISIT TO BBC DRAMA ‘A VERY ENGLISH SCANDAL’, STARRING HUGH GRANT PRIVATE SCREENING WITH ‘BABY DRIVER’ DIRECTOR EDGAR WRIGHT EXCLUSIVE BOOK READING BY DAVID WALLIAMS PERSONAL TOUR WITH ANDY SERKIS OF HIS IMAGINARIUM STUDIO DINNER AND A CHELSEA MATCH WITH SEBASTIAN COE AND MUCH, MUCH MORE… All proceeds to support BACK THE FUTURE, raising vital funds to ensure the talent of tomorrow is inspired and given the opportunities to succeed in film bfiLuminousAuction.com 12PM, London, Monday 18 September 2017: Idris Elba, Tilda Swinton and Steve McQueen are among the leading lights from the world of film lending their support to the BFI’s ambitious new fundraising campaign, BACK THE FUTURE, which will ensure it can invest in the talent of tomorrow through film education. The BFI LUMINOUS online auction is now available to bidders across the globe, offering exclusive, bespoke and truly money-can’t-buy experiences and unique prizes. Open now at www.bfiLuminousAuction.com, the online auction closes at noon on 3 October 2017. LUMINOUS, the BFI’s biennial fundraising gala presented in partnership with IWC Schaffhausen, welcomes Tilda Swinton as its special Guest Speaker and will again be hosted by Jonathan Ross in the Gothic splendor of the Guildhall in London on 3 October 2017. -
1. Introduction Everyone Likes Going to the Movies, Many of Which Play A
1. Introduction Everyone likes going to the movies, many of which play a major cultural role in the modern world. This talk is all about the role that maths plays in the movies, and hence indirectly, on the culture of the modern world. At one level it may not appear to play much if a role at all, as the vast majority of movies do not seem to mention mathematics at all. This is not always the case of course. Maths does figure in the plot of such blockbusters. One of these is Jurassic Park, with Jeff Goldblum playing the mathematician concerned with the stability of the park and how this can be explained by using ‘chaos theory’. Another is Sherlock Holmes, in which (in the film Sherlock Holmes: a game of shadows) the great mathematician Professor Moriaty can be seen in front of a blackboard (designed by the genuine mathematician Prof Alain Goriely at the University of Oxford), which gives away the entire plot in mathematical form. Anyone who went to my last lecture will also have seen the role played by the maths of Big Data in the film Bridget Jones’s Baby. Some recent films have even featured real or fictional mathematicians as the central character, notable amongst these are The Imitation Game, about Alan Turing, A Beautiful Mind about John Nash, The Man Who Knew Infinity about Ramanujan (and others) and Good Will Hunting. Whilst it is very good (in my opinion) that mathematics is seen in the plot of these films (and I hope that we will see many more such films, for example a film about Galois would have it all in my opinion), it is not that aspect of maths which I will be discussing in this lecture. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
UK-Producers-At-TIFF-2017.Pdf
Toby Hill AI Film Vince Holden Paul Higgins Altitude William Clarke [email protected] Joe Oppenheimer BBC Films Rowan Woods Black Camel Pictures Arabella Page-Croft [email protected] Blazing Griffin Nic Crum [email protected] Blueprint Pictures Graham Broadbent British Film Company Steve Milne [email protected] Caravan Cinema Irune Gurtubai [email protected] Catalyst Global Media Keith Potter [email protected] Cloudscape Studios Robyn Laliberte [email protected] Counterpoint Partnership Jane Wright [email protected] Dreamscape Films Jasper Graham [email protected] Edge City Films Ltd Paul Welsh [email protected] Encaptivate Magnus Wake [email protected] Daniel Battsek Film4 Sam Lavender [email protected] Guy de Beaujeu [email protected] Fluidity Films Simon Reade [email protected] Flying Tiger Ma Paul Brett [email protected] Focus Features UK Isabelle Stewart [email protected] Formosa Films Neil Thompson [email protected] Frank & Lively Marcie MacLellan Globalgate Entertainment Meg Thomson [email protected] Hindsight James Scott [email protected] TIFF 2017: UK Producers at TIFF 1 Holdings Ecosse Bob Last [email protected] Human Film Isabelle Stead [email protected] Hurricane Films Roy Boulter [email protected] Ida Rose Shantelle Rochester-henry [email protected] Ingenious Media Andrea Scarso Kaleidoscope Film Michael Chapman Distribution [email protected] Khando Entertainment Ajay Nayyar [email protected] Mighty Atom Entertainment Nicole Carmen-Davis Moonriver Content Xavier Marchand Moonspun Films Tracy O'Riordan [email protected] Elizabeth Karlsen Number 9 Films Stephen Woolley Oiffy Jorg Tittel [email protected] Open Palm Films Alexandra Breede [email protected] Over The Fence Films Susan Simnett [email protected] Parallel Films Ruth Coady Passion Pictures John Battsek Phix Simon Haycock Pinball London Ltd. -
Francesca Jaynes Choreographer/ Movement Director
Francesca Jaynes Choreographer/ Movement Director Agents Lynda Mamy Assistant Eliza McWilliams [email protected] 020 3214 0999 Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes BLACK WIDOW Marvel Studios / Walt Disney Pictures Dir: Cate Shortland 2020 D Prod: Kevin Feige DUMBO Tim Burton Productions/ Walt Disney Dir: Tim Burton 2019 Studios Motion Pictures Prods: Katterli Frauenfelder, Derek Frey, Ehren Kruger, Justin Springer BREATHE The Imaginarium / BBC films Dir: Andy Serkis 2016 Prod: Jonathan Cavendish, Phil Robertson DARLING Zentrope Dir: Birgitte Staermose 2016 WILL Ninth Floor Productions Dir. Shekhar Kapur 2016 Prod. Alison Owen United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ALLIED GK Films Dir. Robert Zemeckis with Brad Pitt, Marion Prods. Graham King, Steve Cotillard, Jared Harris, Starkey & Robert Zemeckis Lizzy Caplan 2016 MISS PEREGRINE'S Chernin Entertainment/Tim Burton Dir: Tim Burton HOME FOR PECULIAR Productions Prod: Peter Chernin & Jenno CHILDREN Topping 2016 OUR KIND OF TRAITOR The Ink Factory/ Potboiler Production Dir: Susanna White with Ewan McGregor, Prods: Gail Egan, Andrea Stellan Skarsgard, Calderwood, Simon Cornwell, Damian Lewis Stephen Cornwell 2014 AVENGERS: AGE OF Marvel Studios Dir: Joss Whedon ULTON Prod: Kevin Feige with Scarlett Johansson, Chris Hemsworth, Robert -
Vicon-Standard-2014.Pdf
VICON’S 30TH BIRTHDAY EDITION LIFE SCIENCE ENTERTAINMENT ENGINEERING VICON STANDARD VICON STANDARD from the start a global business and it is realised that motion capture, as it became A WALK DOWN interesting to recall that the primary means known, could also add nuance to the of communication with overseas customers performance. The first users of mocap and distributors was telegraphy (“Telex”) were pioneering CGI film facilities such MEMORY LANE running at about one word per second. as Industrial Light and Magic and Digital Domain but very soon afterwards computer From the start, the fledgling business had game developers began to use similar a small and lumpy revenue stream from techniques. Vicon benefited from an sales of Vicon systems which allowed it explosion of small game development start- to continue development of the product ups, many in the UK. In some cases, a Vicon and to increase staff from the initial five. It system was their first major investment. was largely unclear where the main growth Management meeting of Oxford Medical Systems opportunities lay. The terms “clinical gait Motion capture for animation quickly who formed Oxford Dynamics to exploit the analysis”, “motion capture”, and “CGI” had became a primary driver of new emerging technology, 1978/79. One entirely deliberate feature of this short history is that it makes no mention yet to be coined. But early Vicon customer developments in camera and software by name of any former and current employee. For a company that has always requirements included precursors of most technology to make Vicon systems larger, of today’s major markets and applications, faster, and more accurate. -
Pinball London Production Presents a Film by Aaron Brookner 2016 / USA
Pinball London Production presents A film by Aaron Brookner 2016 / USA, UK / Color / Documentary / 96 minutes / English Sundance Film Festival 2016 Screenings Monday, January 25, 3:30pm at Holiday Village Cinema 3 (Press & Industry) Tuesday, January 26, 3:00pm, at Temple Theatre (World Premiere) Wednesday, January 27, 9:00am at Yarrow Hotel Theatre Thursday, January 28, 9:45pm at Broadway Centre Cinema 3, Salt Lake City Friday, January 29, 6:00pm at Redstone Cinema 7 Saturday, January 30, 2:30pm at Egyptian Theatre For clips, images and press materials please visit our DropBox: http://bit.ly/1jKJYHN www.UncleHowardFilm.com Press Contacts RJ Millard Kory Mello 917.693.2869 978.761.1145 [email protected] [email protected] SHORT SYNOPSIS Uncle Howard is an intertwining tale of past and present, the story of filmmaker Howard Brookner whose work captured the late 70‘s and early 80’s cultural revolution – and his nephew’s personal journey 25 years later to discover his uncle’s films and the legacy of a life cut short by the plague of AIDS. LONG SYNOPSIS Howard Brookner was buried on his thirty-fifth birthday in 1989. He was gay; an Ivy League graduate; broke artist; rising Hollywood star; heroin user; jet-setter; bohemian; seedy nightlife lover; director of cult docs; an honest and devoted friend – he was many things to many people. To director Aaron Brookner, he was a loving and inspirational uncle who died of AIDS when Aaron was only seven, right when Howard was on the brink of a promising filmmaking career. William S. -
The Imaginarium of Doctor Parnassus
THE IMAGINARIUM OF DOCTOR PARNASSUS A TERRY GILLIAM FILM A SONY PICTURES CLASSICS RELEASE Production Notes *Official Selection: Cannes Film Festival *Official Selection: Toronto Film Festival Run Time – TBD; Rating – TBD Release Dated; TBD East Coast Publicity West Coast Publicity Distributor Donna Daniels PR. Block Korenbrot Sony Pictures Classics Donna Daniels Melody Korenbrot Carmelo Pirrone 20 West 22nd St., #1410 Judy Chang Lindsay Macik New York, NY 10010 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax Synopsis: The Imaginarium of Doctor Parnassus is a fantastical morality tale, set in the present-day. It tells the story of Dr. Parnassus and his extraordinary ‘Imaginarium’, a travelling show where members of the audience get an irresistible opportunity to choose between light and joy or darkness and gloom. Blessed with the extraordinary gift of guiding the imaginations of others, Doctor Parnassus is cursed with a dark secret. An inveterate gambler, thousands of years ago he made a bet with the devil, Mr. Nick, in which he won immortality. Centuries later, on meeting his one true love, Dr. Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his daughter reached her 16th birthday, she would become the property of Mr Nick. Valentina is now rapidly approaching this ‘coming of age’ milestone and Dr. Parnassus is desperate to protect her from her impending fate. Mr. Nick arrives to collect but, always keen to make a bet, renegotiates the wager.