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Fuwaku No Adagio] Friday 8 October at 9:30Pm
AUTUMN ADAGIO [FUWAKU NO ADAGIO] FRIDAY 8 OCTOBER AT 9:30PM A nun going through her menopause might sound like the punch-line of a joke you wouldn’t tell your mum, but Tsuki Inoue’s disarmingly beautiful film Autumn Adagio takes what could have so easily been a premise ripe for exploitation and makes from it a profoundly moving and utterly restrained masterpiece. Mariko, who is first seen absent-mindedly plucking the stamen from a bouquet of lilies, lives a cloistered, routine life. One day, confused by the way she is feeling, she takes a leap of faith and volunteers to play the piano for the local ballet school. Whilst working she becomes entranced by the instructor’s graceful movements in a scene that is both gently surreal and quietly erotic. Although she plays well, the instructor tries to encourage her to put more of herself into the music. Moriko, who has spent her life repressing her sexuality and emotions, decides to let them out for a short time before they are lost forever and we can’t help but be swept along with her new enthusiasm. From then on the film is by turns disturbing, tragic and uplifting as she learns to reengage with the world. More and more we start to see her without her habit, and the change is striking. The tension between religion and sexuality has been explored in many films, but rarely has it been handled with such sensitivity. DB Country Japan Running Time 70 mins Format HDCam Director/Producer/ Screenplay Tsuki Inoue DoP Yosuke Omori Cast Rei Shibakusa, Peyton Chiba, Takuo Shibuya Print Source Dongyu Email [email protected] 104 18TH RAINDANCE FILM FESTIVAL BOYS ON THE RUN [BOIZU ON ZA RAN] FRIDAY 1 OCTOBER AT 6:30PM Boys on the Run stars Kazunobu Mineta (frontman for punk-rock band Ging Nang Boyz) as Tanishi, a 29-year-old virgin stuck in a menial position at a failing company. -
Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11 SU 4/1/05 3:50 PM Page 4
4105-11_SU 4/1/05 3:50 PM Page 3 Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11_SU 4/1/05 3:50 PM Page 4 Copyright 2005© The Graduate School, Syracuse University. For more information about this publication, contact: The Graduate School Syracuse University 423 Bowne Hall Syracuse, New York 13244. 4105-11_SU 4/1/05 3:50 PM Page 5 v Contents Acknowledgements vii Chancellor’s Preface ix Editors’ Introduction xi I. Incorporating Disability in the Curriculum Mainstreaming Disability: A Case in Bioethics 3 Anita Ho Language Barriers and Barriers to Language: Disability 11 in the Foreign Language Classroom Elizabeth Hamilton and Tammy Berberi Including Women with Disabilities in Women and 21 Disability Studies Maria Barile Seeing Double 33 Ann Millett Cinematically Challenged: Using Film in Class 43 Mia Feldbaum and Zach Rossetti “Krazy Kripples”: Using South Park to Talk 67 about Disability Julia White Teaching for Social Change 77 Kathy Kniepmann II. Designing Instruction for Everyone Nothing Special: Becoming a Good Teacher for All 89 Zach Rossetti and Christy Ashby 4105-11_SU 4/1/05 3:50 PM Page 6 vi contents Tools for Universal Instruction 101 Thomas Argondizza “Lame Idea”: Disabling Language in the Classroom 107 Liat Ben-Moshe Learning from Each Other: Syracuse University 117 and the OnCampus Program Cheryl G. Najarian and Michele Paetow III. Students with Disabilities in the Classroom Being an Ally 131 Katrina Arndt and Pat English-Sand Adapting and “Passing”: My Experiences as a 139 Graduate Student with Multiple Invisible Disabilities Elizabeth Sierra-Zarella “We’re not Stupid”: My College Years 147 as a Mentally Challenged Student Anthony J. -
European Premiere of Breathe to Open the 61St Bfi London Film Festival New Official Trailer and Poster Released
EUROPEAN PREMIERE OF BREATHE TO OPEN THE 61ST BFI LONDON FILM FESTIVAL NEW OFFICIAL TRAILER AND POSTER RELEASED Andrew Garfield and Claire Foy star in Andy Serkis’ BREATHE, STXInternational. Embargoed until 9.30am GMT, Thursday 29 June, 2017 LONDON – Thursday 29 June, 2017: The 61st BFI London Film Festival in partnership with American Express® is delighted to announce that this year’s Opening Night gala will be Andy Serkis’ feature directorial debut, BREATHE. Based on the true story of Robin Cavendish, BREATHE is a heart-warming and highly emotional celebration of bravery and human possibility, a love story about living every breath as though it’s your last. The film stars Andrew Garfield (Hacksaw Ridge) as Cavendish and Claire Foy (The Crown) as his wife Diana. BREATHE will receive its European premiere on Wednesday 4 October at the Odeon Leicester Square. Director Andy Serkis, producer Jonathan Cavendish and lead actors Andrew Garfield and Claire Foy are expected to attend along with other members of the cast and crew. There will be a live cinecast of all the excitement from Leicester Square and simultaneous screenings taking place at cinemas across the UK. From a script by twice Academy Award-nominated screenwriter William Nicholson (Everest, Les Misérables and Gladiator), Andy Serkis (globally known for his performances including, Rise of the Planet of the Apes, Star Wars: The Force Awakens) delivers a hugely impressive directorial debut with this inspirational true story of love without limits. Adventurous and charismatic, Robin Cavendish has his whole life ahead of him when he is paralysed by polio whilst in Africa and given just months to live. -
Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Applying the Food–Energy–Water Nexus Concept at the Local Scale
ARTICLES https://doi.org/10.1038/s41893-021-00719-1 Applying the food–energy–water nexus concept at the local scale Henry P. Huntington 1 ✉ , Jennifer I. Schmidt2, Philip A. Loring 3, Erin Whitney4, Srijan Aggarwal 5, Amanda G. Byrd4, Subhabrata Dev6, Aaron D. Dotson7, Daisy Huang4, Barbara Johnson8, Justus Karenzi9, Henry J. F. Penn10, AlexAnna Salmon11, Daniel J. Sambor12, William E. Schnabel6, Richard W. Wies Jr9 and Michelle Wilber 4 The food–energy–water (FEW) nexus describes interactions among domains that yield gains or trade-offs when analysed together rather than independently. In a project about renewable energy in rural Alaska communities, we applied this concept to examine the implications for sustainability and resilience. The FEW nexus provided a useful framework for identifying the cross-domain benefits of renewable energy, including gains in FEW security. However, other factors such as transportation and governance also play a major role in determining FEW security outcomes in rural Alaska. Here, we show the implications of our findings for theory and practice. The precise configurations of and relationships among FEW nexus components vary by place and time, and the range of factors involved further complicates the ability to develop a functional, systematic FEW model. Instead, we suggest how the FEW nexus may be applied conceptually to identify and understand cross-domain interactions that contribute to long-term sustainability and resilience. ood, energy and water are essential components of sustain- and the remaining food are transported in by air or water. Part of ability, emphasized as three of the 17 Sustainable Development the initial impetus was to add to practical scholarly understanding FGoals of the United Nations1. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Than Digital Makeup: the Visual Effects Industry As Hollywood Diaspora
More Than Digital Makeup: The Visual Effects Industry as Hollywood Diaspora By Sarah K. Hellström Department of Cinema Studies Master’s Thesis 15 hp Master Course 30 hp, VT 2013 Supervisor: Dr. Patrick Vonderau If I hear one more person who comes up to me and complains about [how]‘computer-music has no soul’ then I will go furious, you know. ‘Cause of course the computer is just a tool. And if there is no soul in computer-music then it's because nobody put it there and that's not the computers role, it's the role of the songwriter. He puts down his soul in the song if he wants to. A guitar will never write a song and a computer will never write a song, these are just tools.i - Björk Title: More Than Digital Makeup: The Visual Effects Industry as Hollywood Diaspora Author’s name: Sarah K. Hellström Supervisor: Dr. Patrick Vonderau Abstract This thesis assesses the marginal field (niche unit) of visual effects while taking into account visible and invisible vfx in virtual and actual geographies in Hollywood movies as part of industry-level studies, all the while seeking to bridge the gap between traditional, theoretical approaches of cinema studies and practitioner experience in the context of production culture. The focus of this essay remains on the many temporal aspects of production processes that identify vfx film production as chief, and vfx for television as subsequential. Encouraging scholars to consider a previously limited and repeatedly mislabeled area by demonstrating the pandemic presence of effects and its workers as a form of Hollywood diaspora, this thesis also seeks to demonstrate the need for involvement by means of scholar-practitioner methodologies. -
Masahiro Hirakubo Editor
Masahiro Hirakubo Editor Agents Lynda Mamy Assistant Eliza McWilliams [email protected] 020 3214 0999 Credits Film Production Company Notes NOWHERE SPECIAL Picomedia Dir: Uberto Pasolini 2020 Prods: Chris Martin, Cristian Nicolescu, Uberto Pasolini & Roberto Sessa THE ART OF Rise Films / HBO Dir: Paul Taylor POLITICAL MURDER Documentary Films Prod: Teddy Leifer, Regina K. Scully 2019 ABOUT A WAR Iterations Film Dirs: Daniele Rugo, Abi Weaver 2018 Prods: Daniele Rugo, Abi Weaver Co-Producer: Masahiro Hirakubo EVELYN Grain Media Dir: Orlando Von Einsiedel 2018 Prod: Joanna Natasegara 2018 BIFA'S Best Documentary Award BREATHE The Imaginarium / BBC Dir: Andy Serkis 2016 films Prod: Jonathan Cavendish, Phil Robertson WHITE HELMETS Grain Media Dir: Orlando Von Einsiedel 2016 Prod: Joanna Natasegara THE PASS Toledo Productions Dir: Ben A. Williams 2015 Prod: Duncan Kenworthy UNCLE HOWARD Pinball London Ltd Dir: Aaron Brookner 2015 Prod: Paula Vaccaro United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes DESPITE THE FALLING Enlightenment Dir: Shamim Sarif SNOW Productions Prod: Hanan Kattan, Katherine Priestey 2014 VIRUNGA Grain Media Dir/Prod: Orlando Von Einsiedel 2013 THE LAND'S MUSIC Pacific Cinema Ventures Dir: Peter J. Kirby 2013 Prod: Deng Liwei, Laura Wu DAU Phenomen UK Ltd Dir: Ilya Khrzhanovsky 2012 Prod: Svetlana Dragayeva-Turovska, Fabian Massah BEL AMI 19 Entertainment/ Dir: Declan Donnellan, Nick Ormerod 2010 Redwave -
Download Your Free Digital Copy of the June 2018 Special Print Edition of Animationworld Magazine Today
ANIMATIONWorld GOOGLE SPOTLIGHT STORIES | SPECIAL SECTION: ANNECY 2018 MAGAZINE © JUNE 2018 © PIXAR’S INCREDIBLES 2 BRAD BIRD MAKES A HEROIC RETURN SONY’S NINA PALEY’S HOTEL TRANSYLVANIA 3 BILBY & BIRD KARMA SEDER-MASOCHISM GENNDY TARTAKOVSKY TAKES DREAMWORKS ANIMATION A BIBLICAL EPIC YOU CAN JUNE 2018 THE HELM SHORTS MAKE THEIR DEBUT DANCE TO ANiMATION WORLD © MAGAZINE JUNE 2018 • SPECIAL ANNECY EDITION 5 Publisher’s Letter 65 Warner Bros. SPECIAL SECTION: Animation Ramps Up 6 First-Time Director for the Streaming Age Domee Shi Takes a Bao in New Pixar Short ANNECY 2018 68 CG Global Entertainment Offers a 8 Brad Bird Makes 28 Interview with Annecy Artistic Director Total Animation Solution a Heroic Return Marcel Jean to Animation with 70 Let’s Get Digital: A Incredibles 2 29 Pascal Blanchet Evokes Global Entertainment Another Time in 2018 Media Ecosystem Is on Annecy Festival Poster the Rise 30 Interview with Mifa 71 Golden Eggplant Head Mickaël Marin Media Brings Creators and Investors Together 31 Women in Animation to Produce Quality to Receive Fourth Mifa Animated Products Animation Industry 12 Genndy Tartakovsky Award 72 After 20 Years of Takes the Helm of Excellence, Original Force Hotel Transylvania 3: 33 Special Programs at Annecy Awakens Summer Vacation Celebrate Music in Animation 74 Dragon Monster Brings 36 Drinking Deep from the Spring of Creativity: Traditional Chinese Brazil in the Spotlight at Annecy Culture to Schoolchildren 40 Political, Social and Family Issues Stand Out in a Strong Line-Up of Feature Films 44 Annecy -
Stars Including Idris Elba, Tilda Swinton and Steve Mcqueen Come out in Support of Bfi’S “Back the Future” Fundraising Campaign
STARS INCLUDING IDRIS ELBA, TILDA SWINTON AND STEVE MCQUEEN COME OUT IN SUPPORT OF BFI’S “BACK THE FUTURE” FUNDRAISING CAMPAIGN Oscar®-winning actor Tilda Swinton, Guest Speaker at this year’s LUMINOUS gala at the BFI National Archive, August 2017. LUMINOUS CHARITY AUCTION - BIDDING OPENS TODAY FOR: PRIVATE TOUR OF THE BFI NATIONAL ARCHIVE BY MARTIN SCORSESE’S OSCAR®- WINNER EDITOR THELMA SCHOONMAKER SET VISIT TO BBC DRAMA ‘A VERY ENGLISH SCANDAL’, STARRING HUGH GRANT PRIVATE SCREENING WITH ‘BABY DRIVER’ DIRECTOR EDGAR WRIGHT EXCLUSIVE BOOK READING BY DAVID WALLIAMS PERSONAL TOUR WITH ANDY SERKIS OF HIS IMAGINARIUM STUDIO DINNER AND A CHELSEA MATCH WITH SEBASTIAN COE AND MUCH, MUCH MORE… All proceeds to support BACK THE FUTURE, raising vital funds to ensure the talent of tomorrow is inspired and given the opportunities to succeed in film bfiLuminousAuction.com 12PM, London, Monday 18 September 2017: Idris Elba, Tilda Swinton and Steve McQueen are among the leading lights from the world of film lending their support to the BFI’s ambitious new fundraising campaign, BACK THE FUTURE, which will ensure it can invest in the talent of tomorrow through film education. The BFI LUMINOUS online auction is now available to bidders across the globe, offering exclusive, bespoke and truly money-can’t-buy experiences and unique prizes. Open now at www.bfiLuminousAuction.com, the online auction closes at noon on 3 October 2017. LUMINOUS, the BFI’s biennial fundraising gala presented in partnership with IWC Schaffhausen, welcomes Tilda Swinton as its special Guest Speaker and will again be hosted by Jonathan Ross in the Gothic splendor of the Guildhall in London on 3 October 2017. -
Routing in a New Dimension
Routing in a new Dimension Star Router on a distributed NEXUS Network • Routing Capacity: 4,096 Inputs to 4,096 Outputs • more than 16 Million Crosspoints • throughput > 12 Gbps • Supports Optical Lines of up to 100 Kilometres / 62 Miles on the NEXUS Network • supports all Standard Audio Formats • only 19", 6 Units in Height (even when fully equipped) • Fully Redundant Bus System NEXUS STAR Routing in a new Dimension The NEXUS STAR audio-router system was designed by Stage Tec for When it came to technical implementation, Stage Tec broke new the most extensive routing requirements typically found, in broad- ground: Instead of a bus confi guration as used on the NEXUS sys tem, cast centres, large production companies, and exhibition grounds. NEXUS STAR includes a dual matrix for routing inputs to out puts. The NEXUS STAR is a routing node serving as the core of a NEXUS in - This routing matrix allows for a very high clock rate and thus sup- stal la tion and interconnecting numerous NEXUS Base Devices scat- ports the reliable implementation of an accordingly large num ber of tered over separate studios and apparatus areas via optical ca bles. time- slots, resulting in an internal throughput of more than 12 Gbps. It is a versatile audio-network and routing system for controlling This is the secret behind the extremely large routing capacity. stu dio or mixing-desk resources, for apparatus-area and broadcast- com plex networking, for OB trucks, sound reinforcement, and for NEXUS STAR acts as a star router: Unlike the distributed struc- any other professional audio technology applications. -
1. Introduction Everyone Likes Going to the Movies, Many of Which Play A
1. Introduction Everyone likes going to the movies, many of which play a major cultural role in the modern world. This talk is all about the role that maths plays in the movies, and hence indirectly, on the culture of the modern world. At one level it may not appear to play much if a role at all, as the vast majority of movies do not seem to mention mathematics at all. This is not always the case of course. Maths does figure in the plot of such blockbusters. One of these is Jurassic Park, with Jeff Goldblum playing the mathematician concerned with the stability of the park and how this can be explained by using ‘chaos theory’. Another is Sherlock Holmes, in which (in the film Sherlock Holmes: a game of shadows) the great mathematician Professor Moriaty can be seen in front of a blackboard (designed by the genuine mathematician Prof Alain Goriely at the University of Oxford), which gives away the entire plot in mathematical form. Anyone who went to my last lecture will also have seen the role played by the maths of Big Data in the film Bridget Jones’s Baby. Some recent films have even featured real or fictional mathematicians as the central character, notable amongst these are The Imitation Game, about Alan Turing, A Beautiful Mind about John Nash, The Man Who Knew Infinity about Ramanujan (and others) and Good Will Hunting. Whilst it is very good (in my opinion) that mathematics is seen in the plot of these films (and I hope that we will see many more such films, for example a film about Galois would have it all in my opinion), it is not that aspect of maths which I will be discussing in this lecture.