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Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11 SU 4/1/05 3:50 PM Page 4
4105-11_SU 4/1/05 3:50 PM Page 3 Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11_SU 4/1/05 3:50 PM Page 4 Copyright 2005© The Graduate School, Syracuse University. For more information about this publication, contact: The Graduate School Syracuse University 423 Bowne Hall Syracuse, New York 13244. 4105-11_SU 4/1/05 3:50 PM Page 5 v Contents Acknowledgements vii Chancellor’s Preface ix Editors’ Introduction xi I. Incorporating Disability in the Curriculum Mainstreaming Disability: A Case in Bioethics 3 Anita Ho Language Barriers and Barriers to Language: Disability 11 in the Foreign Language Classroom Elizabeth Hamilton and Tammy Berberi Including Women with Disabilities in Women and 21 Disability Studies Maria Barile Seeing Double 33 Ann Millett Cinematically Challenged: Using Film in Class 43 Mia Feldbaum and Zach Rossetti “Krazy Kripples”: Using South Park to Talk 67 about Disability Julia White Teaching for Social Change 77 Kathy Kniepmann II. Designing Instruction for Everyone Nothing Special: Becoming a Good Teacher for All 89 Zach Rossetti and Christy Ashby 4105-11_SU 4/1/05 3:50 PM Page 6 vi contents Tools for Universal Instruction 101 Thomas Argondizza “Lame Idea”: Disabling Language in the Classroom 107 Liat Ben-Moshe Learning from Each Other: Syracuse University 117 and the OnCampus Program Cheryl G. Najarian and Michele Paetow III. Students with Disabilities in the Classroom Being an Ally 131 Katrina Arndt and Pat English-Sand Adapting and “Passing”: My Experiences as a 139 Graduate Student with Multiple Invisible Disabilities Elizabeth Sierra-Zarella “We’re not Stupid”: My College Years 147 as a Mentally Challenged Student Anthony J. -
Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Applying the Food–Energy–Water Nexus Concept at the Local Scale
ARTICLES https://doi.org/10.1038/s41893-021-00719-1 Applying the food–energy–water nexus concept at the local scale Henry P. Huntington 1 ✉ , Jennifer I. Schmidt2, Philip A. Loring 3, Erin Whitney4, Srijan Aggarwal 5, Amanda G. Byrd4, Subhabrata Dev6, Aaron D. Dotson7, Daisy Huang4, Barbara Johnson8, Justus Karenzi9, Henry J. F. Penn10, AlexAnna Salmon11, Daniel J. Sambor12, William E. Schnabel6, Richard W. Wies Jr9 and Michelle Wilber 4 The food–energy–water (FEW) nexus describes interactions among domains that yield gains or trade-offs when analysed together rather than independently. In a project about renewable energy in rural Alaska communities, we applied this concept to examine the implications for sustainability and resilience. The FEW nexus provided a useful framework for identifying the cross-domain benefits of renewable energy, including gains in FEW security. However, other factors such as transportation and governance also play a major role in determining FEW security outcomes in rural Alaska. Here, we show the implications of our findings for theory and practice. The precise configurations of and relationships among FEW nexus components vary by place and time, and the range of factors involved further complicates the ability to develop a functional, systematic FEW model. Instead, we suggest how the FEW nexus may be applied conceptually to identify and understand cross-domain interactions that contribute to long-term sustainability and resilience. ood, energy and water are essential components of sustain- and the remaining food are transported in by air or water. Part of ability, emphasized as three of the 17 Sustainable Development the initial impetus was to add to practical scholarly understanding FGoals of the United Nations1. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Download Your Free Digital Copy of the June 2018 Special Print Edition of Animationworld Magazine Today
ANIMATIONWorld GOOGLE SPOTLIGHT STORIES | SPECIAL SECTION: ANNECY 2018 MAGAZINE © JUNE 2018 © PIXAR’S INCREDIBLES 2 BRAD BIRD MAKES A HEROIC RETURN SONY’S NINA PALEY’S HOTEL TRANSYLVANIA 3 BILBY & BIRD KARMA SEDER-MASOCHISM GENNDY TARTAKOVSKY TAKES DREAMWORKS ANIMATION A BIBLICAL EPIC YOU CAN JUNE 2018 THE HELM SHORTS MAKE THEIR DEBUT DANCE TO ANiMATION WORLD © MAGAZINE JUNE 2018 • SPECIAL ANNECY EDITION 5 Publisher’s Letter 65 Warner Bros. SPECIAL SECTION: Animation Ramps Up 6 First-Time Director for the Streaming Age Domee Shi Takes a Bao in New Pixar Short ANNECY 2018 68 CG Global Entertainment Offers a 8 Brad Bird Makes 28 Interview with Annecy Artistic Director Total Animation Solution a Heroic Return Marcel Jean to Animation with 70 Let’s Get Digital: A Incredibles 2 29 Pascal Blanchet Evokes Global Entertainment Another Time in 2018 Media Ecosystem Is on Annecy Festival Poster the Rise 30 Interview with Mifa 71 Golden Eggplant Head Mickaël Marin Media Brings Creators and Investors Together 31 Women in Animation to Produce Quality to Receive Fourth Mifa Animated Products Animation Industry 12 Genndy Tartakovsky Award 72 After 20 Years of Takes the Helm of Excellence, Original Force Hotel Transylvania 3: 33 Special Programs at Annecy Awakens Summer Vacation Celebrate Music in Animation 74 Dragon Monster Brings 36 Drinking Deep from the Spring of Creativity: Traditional Chinese Brazil in the Spotlight at Annecy Culture to Schoolchildren 40 Political, Social and Family Issues Stand Out in a Strong Line-Up of Feature Films 44 Annecy -
Routing in a New Dimension
Routing in a new Dimension Star Router on a distributed NEXUS Network • Routing Capacity: 4,096 Inputs to 4,096 Outputs • more than 16 Million Crosspoints • throughput > 12 Gbps • Supports Optical Lines of up to 100 Kilometres / 62 Miles on the NEXUS Network • supports all Standard Audio Formats • only 19", 6 Units in Height (even when fully equipped) • Fully Redundant Bus System NEXUS STAR Routing in a new Dimension The NEXUS STAR audio-router system was designed by Stage Tec for When it came to technical implementation, Stage Tec broke new the most extensive routing requirements typically found, in broad- ground: Instead of a bus confi guration as used on the NEXUS sys tem, cast centres, large production companies, and exhibition grounds. NEXUS STAR includes a dual matrix for routing inputs to out puts. The NEXUS STAR is a routing node serving as the core of a NEXUS in - This routing matrix allows for a very high clock rate and thus sup- stal la tion and interconnecting numerous NEXUS Base Devices scat- ports the reliable implementation of an accordingly large num ber of tered over separate studios and apparatus areas via optical ca bles. time- slots, resulting in an internal throughput of more than 12 Gbps. It is a versatile audio-network and routing system for controlling This is the secret behind the extremely large routing capacity. stu dio or mixing-desk resources, for apparatus-area and broadcast- com plex networking, for OB trucks, sound reinforcement, and for NEXUS STAR acts as a star router: Unlike the distributed struc- any other professional audio technology applications. -
Monopoly of Force: the Nexus of Ddr and Ssr
Civic Civic Monopoly of Force and Monopoly of Force The Nexus of DDR and SSR Miklaucic The Nexus of DDR and SSR “The complex operations that characterize modern conflict and our contemporary national security challenges require new procedures, such as whole-of-government approaches, EDITED BY MELANNE A. CIVic AND MicHAEL MIKLAUcic and new attitudes that lead to better collaboration, cooperation, and coordination. What we cannot permit is the assumption that the end of war will take care of itself, and that [Disarmament, Demobilization, and Reintegration] is somebody else’s problem. Whether or not the United States takes a leading role in a specific DDR environment, it needs to take the challenges of DDR very seriously, develop better understanding of its dynamics, and above all establish institutional knowledge of DDR and the end of wars so it will be better prepared for the surprises of the future. Monopoly of Force is an important step in the right direction.” of Force Monopoly —from the Foreword by General James N. Mattis Disarmament, Demobilization, and Reintegration (DDR) and Security Sector Reform (SSR) have emerged in recent years as promising though generally poorly understood mechanisms for consolidating stability and reasserting state sovereignty after conflict. Despite the considerable experience acquired by the international community, the critical interrelationship between DDR and SSR and the ability to use these mechanisms with consistent success remain less than optimally developed. The chapters in this book reflect a diversity of field experience SSR and DDR of Nexus The and research in DDR and SSR, which suggest that these are complex and interrelated systems, with underlying political attributes. -
Unravelling the Food–Health Nexus Addressing Practices, Political Economy, and Power Relations to Build Healthier Food Systems
UNRAVELLING THE FOOD–HEALTH NEXUS ADDRESSING PRACTICES, POLITICAL ECONOMY, AND POWER RELATIONS TO BUILD HEALTHIER FOOD SYSTEMS OCTOBER 2017 DISCLAIMER This report was commissioned from IPES-Food by the Global Alliance for the Future of Food for use by Global Alliance members to stimulate an understanding of critical issues related to food system reform, inform individual member foundations, and guide Global Alliance collective action. The Global Alliance has chosen to make it available to the broader community to contribute to thinking and discussion about sustainable food systems reform. It constitutes the work of independent authors. Any views expressed in this report do not necessarily represent the views of the Global Alliance or of any of our members. Date of publication: October 2017 © IPES-Food. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. SUGGESTION FOR REFERENCING IPES-Food. 2017. Unravelling the Food–Health Nexus: Addressing practices, political economy, and power relations to build healthier food systems. The Global Alliance for the Future of Food and IPES-Food. REPORT AUTHORS Lead Coordinating Author: Cecilia Rocha Editorial Lead: Nick Jacobs IPES-FOOD WORKING GROUP Molly Anderson; Olivier De Schutter; Emile Frison; Corinna Hawkes; Desmond McNeill; Olivia Yambi. REVIEWERS Jessica Fanzo; Claire Fitch; Michael Hamm; James Hughes; Carolyn Hricko; Shiriki Kumanyika; Robert Martin; Maria Oria; Nadia Scialabba; Boyd Swinburn. ACKNOWLEDGEMENTS The Global Alliance for the Future of Food and IPES-Food would like to gratefully acknowledge the many people involved in the preparation of this report. First and foremost, the Global Alliance thanks IPES-Food for sharing the breadth and depth of their collective expertise throughout the development of the report, and for partnering with us to grapple with the complexity of the Food–Heath Nexus. -
Comics Studies in the Twenty-First Century
Dialogues between Media The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft Collected Papers of the 21st Congress of the ICLA Edited by Achim Hölter Volume 5 Dialogues between Media Edited by Paul Ferstl ISBN 978-3-11-064153-0 e-ISBN (PDF) 978-3-11-064205-6 e-ISBN (EPUB) 978-3-11-064188-2 DOI https://doi.org/10.1515/9783110642056 This work is licensed under the Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International Licence. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020943602 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2021 Paul Ferstl, published by Walter de Gruyter GmbH, Berlin/Boston The book is published open access at www.degruyter.com Cover: Andreas Homann, www.andreashomann.de Typesetting: Dörlemann Satz, Lemförde Printing and binding: CPI books GmbH, Leck www.degruyter.com Table of Contents Paul Ferstl Introduction: Dialogues between Media 1 1 Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-first Century Stefan Buchenberger, Kai Mikkonen The ICLA Research Committee on Comics Studies and Graphic Narrative: Introduction 13 Angelo Piepoli, Lisa DeTora, Umberto Rossi Unsettled Narratives: Graphic Novel and Comics -
The Nexus Between Science Literacy & Technical
The Nexus between Science Literacy & Technical Literacy: A State by State Analysis of Engineering Content in State Science Standards Catherine M. Koehler Elias Faraclas David Giblin David M. Moss Kazem Kazerounian Southern Connecticut State University National Instruments University of Connecticut Introduction ment, technology plays an essential role in this objec- Abstract In a rapidly changing technological world there is a fundamental shift in tive, and is specifically ad- This study explores how engineering the composition of the workforce America needs to compete in a global mar- dressed in the chapter, The concepts are represented in secondary ket (BHEF, 2002; NSB, 2004; Smalley, 2003; NSF, 2005; Friedman, 2005; NAE, Nature of Technology, where science standards across the nation by 2005; NAS, 2007). Our nation’s well being depends upon how well we educate technology and engineering examining how engineering and techni- our children in science, technology, engineering and math (STEM), because are discussed as means to cal concepts are infused into these frame- our economic and national security is derived from technological creativity and promote scientific literacy. works. Secondary science standards from global competition. A 2007 report by the National Academy of Science, Ris- In a second and an equally 49 states plus the District of Columbia ing Above the Gathering Storm, states, “the danger exists that Americans may important chapter titled, were analyzed and ranked based on not know enough about science, technology, or mathematics to contribute The Designed World, tech- how many engineering concepts were significantly to, or fully benefit from, the knowledge-based economy that is nology and human activity found. -
3D ANIMATION Stash Media Inc
3D ANIMATION STASH MEDIA INC. Editor: StePHen PRICE Publisher: GReg ROBins Associate editor: HEATHER GRIEVE Associate publisher: CHRISTINE STEAD Account manager: APRIL HARVEY Producer: BRANDON DEMARCO Submissions coordinator: ABBEY KERR Music editor: STEVE MARCHESE Proofing editor: MARILEE BOITSON Preview and montage editor: JEFF ZEMETIS Contributing producer: ERIC ALBA Technical guidance: IAN HASKIN Get your inspiration delivered monthly. 3D Every issue of Stash DVD magazine is packed with outstanding animation and VFX for design and advertising. Subscribe now: ANIMATION WWW.STASHMEDIA.TV ISSN 1712-5928 SUBSCRPTIONS: WWW.STASHMEDIA.TV. SUBMIssIONS: WWW.STASHMEDIA.TV/SUBMIT. CONTACT: STASH MEDIA INC. 484-1641 LONSDALE AVENUE, NORTH VANCOUVER, BC V7M 2J5 CANADA LEGAL THINGS: STASH MAGAZINE AND STASH DVD ARE PUBLISHED 12 TIMES PER YEAR BY STASH MEDIA INC. All RIGHTS RESERVED AND CONTENTS COPYRIGHT STASH MEDIA INC. NO PART OF THIS BOOKLET NOR THE STASH DVD MAY BE COPIED WITHOUT EXPREss WRITTEN PERMIssION FROM THE PUBLISHER. CURATED IN NEW YORK, PRINTED IN CANADA. stash 01.02 NIKE “EvOLUTION” TVC :30 (Director’s Cut) Agency: WIEDEN+KENNEDY USA Director: NEILL BLOMKAMP Production/animation/VFX THE EMBASSY www.theembassyvfx.com Building on the success of “Crab”, their previous Nike assignment, Vancouver-based director Neill Blomkamp and The Embassy crew unwrap the ancestral lineage of Nike’s Air Zoom Huarache 2K4 trainer via some technically grueling CG masquerading as stop motion. BTW, this is the director’s cut. For The Embassy For Wieden+Kennedy -
FEBRUARY 11, 2016 UNIVERSITY of CALIFORNIA, SANTA BARBARA 31St Santa Barbara Int’L Film Festival Coverage Begins on Page 11
DAILY NEXUS THURSDAY, FEBRUARY 11, 2016 www.dailynexus.com UNIVERSITY OF CALIFORNIA, SANTA BARBARA 31st Santa Barbara Int’l Film Festival Coverage Begins on page 11 PHOTOS CONTRIBUTED BY: LORENZO BASILIO, RILEY ESGUERRA, CAMERYN BROCK / DAILY NEXUS #10 VS FRIDAY I 7PM ROB GYM 2 Thursday, February 11, 2016 Daily Nexus DAILY NEXUS CALENDAR UNIVERSITY OF CALIFORNIA, SANTA BARBARA Free Public Lecture Marcy Darnovsky, Executive Director and co-founder of Center for Genetics and Society Ms. Lisa Fischer Thursday,March 3 at & Grand Baton 8:00pm at 1104 Harold Wed, Feb 17 Frank Hall, UCSB 8:00 PM IV LIVE presents Campbell Hall IMPROVABILITY’S ANTI- “It’s clear that she is deeply and internally VALENTINE’S DAY in love with the act of singing, utterly and Magic Lantern Films blissfully present in the welling up of each Friday, February 12 at presents note, in the zone of the sublime.” 8 pm TRIPLE HORROR NIGHT The Huffi ngton Post By any measure of talent and Embarcadero Hall, Isla It Follows at 7pm accomplishment, Lisa Fischer is a superstar. Vista Crimson Peak at 10pm Yet, if you do not know her name it is likely because Fischer has spent the last 20 years $3 Rocky Horror at Midnight as the backup singer for the Rolling Stones, Friday, February 12 Sting, Chris Botti and countless others. In the documentary fi lm 20 Feet from Stardom, David Makovsky & IV Theater, Isla Vista Botti raves, “Everyone knew who Lisa Ghaith al-Omari Marcy Darnovsky will unpack the Fischer was, she’s the talk of the town… an $4 controversies that have erupted in incredible artist that demands the room’s Israelis and Palestinians: recent months about how we should — and attention.