Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11 SU 4/1/05 3:50 PM Page 4
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Guidelines for the Assessment of Deaf and Hard-Of-Hearing Children In
Guidelines for the Assessment and Educational Evaluation of Deaf and Hard-of-Hearing Children in Indiana Based on 511 IAC Article 7, 2008 Effective Date: August 13, 2008 Revised Date: August 31, 2010 Updated Date: November 15, 2013 [1] This document is dedicated to all deaf and hard-of- hearing children in Indiana and their families. Since 1843, deaf and hard-of-hearing children have been educated in this state and many leave our schools, go out into the world, and become productive citizens. Some children in the past have not been so fortunate and may not have left the educational system with the knowledge and tools to maximize their potential. This guide was developed to help educators use assessment information and evaluations to assist parents and the case conference committees in determining how a child can reach their full potential. Advances in technology, as well as greater knowledge of how the brain functions and how language is acquired, have helped the professionals who work with this population provide information that will lead to informed decision making. This guide was made possible by the teamwork and collaboration of audiologists, psychologists, speech pathologists, language specialists, social workers, and parents. Special gratitude is extended to Linda Charlebois and Terri Waddell-Motter who took the lead in assembling this information. We also thank additional contributors, including (and not limited to) Carolyn Pimentel, Lorinda Bartlett, Pam Burchett, Debra Liebrich, Louise Fitzpatrick, Sheryl Whiteman, Carol Wild, Shannon Stafford, Jackie Katter, Janet Fuller, and Joyce Conner. Guidelines for the Assessment and Educational Evaluation of Deaf and Hard-of-Hearing Children in Indiana, based on the Article 7 changes of 2008, was developed by Outreach Services for Deaf and Hard-of-Hearing Children. -
Arts and Disability in Lebanon, the Occupied Palestinian Territories, and Jordan Literature and Practice Review Working Paper - January 2021
Arts and Disability in Lebanon, the Occupied Palestinian Territories, and Jordan Literature and Practice Review Working Paper - January 2021 Authors Supervisor and Mentor: Professor Anthony Downey Contributor: Dr Ruth Gilligan Research Assistants: Rhea Dagher, Yasmin, Foqahaa, Mostafa Attia, and Bobby Beaumont The Disability Under Siege Network+ is funded by the Arts and Humanities Research Council AH/T005440/1 Contents 1 Summary ............................................................................................................................................. 1 2 Introduction ....................................................................................................................................... 2 3 Methodology ...................................................................................................................................... 4 4 Research Questions ......................................................................................................................... 4 5 Overview of Terminologies: Collaboration and Knowledge Production in the Field of Visual Culture ............................................................................................................................................. 5 6 Literature and Art Practices Relating to Culture and Disability ............................................ 6 6.1 The Politics of Representing Disability in Contemporary Visual Culture .................... 6 6.2 Disability, Performance, and Self-Representation in the Arts ........................................ -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
South Park and Absurd Culture War Ideologies, the Art of Stealthy Conservatism Drew W
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Mass Communication Commons, and the Political Science Commons Recommended Citation Dungan, Drew W., "South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism" (2009). Open Access Theses & Dissertations. 245. https://digitalcommons.utep.edu/open_etd/245 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan Department of Communication APPROVED: Richard D. Pineda, Ph.D., Chair Stacey Sowards, Ph.D. Robert L. Gunn, Ph.D. Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © by Drew W. Dungan 2009 Dedication To all who have been patient and kind, most of all Robert, Thalia, and Jesus, thank you for everything... South Park and Absurd Culture War Ideologies. The Art of Stealthy Conservatism by DREW W. DUNGAN, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2009 Abstract South Park serves as an example of satire and parody lampooning culture war issues in the popular media. -
Fuwaku No Adagio] Friday 8 October at 9:30Pm
AUTUMN ADAGIO [FUWAKU NO ADAGIO] FRIDAY 8 OCTOBER AT 9:30PM A nun going through her menopause might sound like the punch-line of a joke you wouldn’t tell your mum, but Tsuki Inoue’s disarmingly beautiful film Autumn Adagio takes what could have so easily been a premise ripe for exploitation and makes from it a profoundly moving and utterly restrained masterpiece. Mariko, who is first seen absent-mindedly plucking the stamen from a bouquet of lilies, lives a cloistered, routine life. One day, confused by the way she is feeling, she takes a leap of faith and volunteers to play the piano for the local ballet school. Whilst working she becomes entranced by the instructor’s graceful movements in a scene that is both gently surreal and quietly erotic. Although she plays well, the instructor tries to encourage her to put more of herself into the music. Moriko, who has spent her life repressing her sexuality and emotions, decides to let them out for a short time before they are lost forever and we can’t help but be swept along with her new enthusiasm. From then on the film is by turns disturbing, tragic and uplifting as she learns to reengage with the world. More and more we start to see her without her habit, and the change is striking. The tension between religion and sexuality has been explored in many films, but rarely has it been handled with such sensitivity. DB Country Japan Running Time 70 mins Format HDCam Director/Producer/ Screenplay Tsuki Inoue DoP Yosuke Omori Cast Rei Shibakusa, Peyton Chiba, Takuo Shibuya Print Source Dongyu Email [email protected] 104 18TH RAINDANCE FILM FESTIVAL BOYS ON THE RUN [BOIZU ON ZA RAN] FRIDAY 1 OCTOBER AT 6:30PM Boys on the Run stars Kazunobu Mineta (frontman for punk-rock band Ging Nang Boyz) as Tanishi, a 29-year-old virgin stuck in a menial position at a failing company. -
Early Intervention: Communication and Language Services for Families of Deaf and Hard-Of-Hearing Children
EARLY INTERVENTION: COMMUNICATION AND LANGUAGE SERVICES FOR FAMILIES OF DEAF AND HARD-OF-HEARING CHILDREN Our child has a hearing loss. What happens next? What is early intervention? What can we do to help our child learn to communicate with us? We have so many questions! You have just learned that your child has a hearing loss. You have many questions and you are not alone. Other parents of children with hearing loss have the same types of questions. All your questions are important. For many parents, there are new things to learn, questions to ask, and feelings to understand. It can be very confusing and stressful for many families. Many services and programs will be available to you soon after your child’s hearing loss is found. When a child’s hearing loss is identified soon after birth, families and professionals can make sure the child gets intervention services at an early age. Here, the term intervention services include any program, service, help, or information given to families whose children have a hearing loss. Such intervention services will help children with hearing loss develop communication and language skills. There are many types of intervention services to consider. We will talk about early intervention and about communication and language. Some of the services provided to children with hearing loss and their families focus on these topics. This booklet can answer many of your questions about the early intervention services and choices in communication and languages available for you and your child. Understanding Hearing Loss Timing: The age when a hearing loss has occurred is known as “age of onset.” You also might come across the terms prelingual and postlingual. -
Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Final-Product-2.Pdf
After the New Kid (Douchebag) has completed his final battle he goes home with Professor Chaos (Butters) and sees his parents sitting on the couch. His parents started kissing and go upstairs. Douchebag and Butters talk about the evil side of being a villain. The New Kid as always doesn’t say anything, Butters ask ‘’New Kid let’s be villains or something else of a bad guy?’’ Douchebag nods yes. It’s really late in South Park it is bedtime for Douchebag he goes to bed and dreams about the days he already been through first Kingdoms and Elves and now Super- heroes he thinks about what he can do more with all of his new friends in South Park. He wakes up the next day and he receives on his phone a message from Cart- man and he writes ‘’Douchebag, Douchebag you need to come quick to my house we have a new idea to play with the boys come quick this is an emergency .’’ (Cart- man hangs up the phone) Douchebag doesn’t hesitate and runs to Cartman’s house. When he arrives at Cartman’s house he saw Cartman arguing with Kyle and Stan about what they are going to play next because, The New Kid had saved South Park twice now and the boys really want to play with Douchebag. But they knew that Douchebag had a name but he never talked he just played along with the other fourth graders. They began writing everything down that come up what they can play with all of town. -
Auditory-Verbal
*Communication Building Blocks A review of choices in communication A smile, a cry, a gesture, or a look – all can communicate thoughts or ideas. It can take many repetitions of a gesture, look, word, phrase, or sound before a child begins to “break the code” between communication attempts and real meaning. Communication surrounding the child in his or her natural environment is the basis for a child’s language development. Two-way communication, responding to your child and encouraging your child to respond to you, is the key to your child’s language development. When a child has a hearing loss, one avenue of communication input is impaired. With a mild hearing loss or hearing loss in just one ear, a child will not hear as well as normal when a person is speaking from another room or in a noisy car. Incidental conversations and snippets of language will not be overheard. The fullness of language and social skills may be affected even though the child appears to “hear”. Hearing aids can help, but not solve all of the child’s difficulties perceiving soft or distant speech. Children with greater degrees of hearing loss will have greater hearing limitations that require more intensive attention if they are to progress in learning language, either through visual or auditory means. No matter what the degree of a child’s hearing loss, parents need to decide how to adapt their normal communication style to meet the needs of their baby with hearing impairment. There are different ways to communicate and different philosophies about communication. -
Gallaudet Graduate Catalog 2008-2009
2008 - 2009 Graduate Catalog • Graduate School and Professional Programs • College of Liberal Arts, Sciences, and Technologies Gallaudet University 800 Florida Avenue, NE Washington, D.C. 20002 www.gallaudet.edu Table of Contents About Gallaudet University.............................................. 1 The 2008-2009 Gallaudet University Graduate Catalog was prepared by the Council on Graduate Education, the Provost's Of- Academics.......................................................................... 8 fice, the Graduate School and Professional Programs, and Enroll- Enrollment: Admissions, Leaves, Withdrawals, ment Management. Graduation ................................................................. 15 Every effort was made to print information accurately as of July 1, Academic Standards and Policies ................................... 23 2008. This catalog is not intended to serve as a contract between any student and Gallaudet University. University procedures, programs, Fees, Financial Aid, and Student Employment ............. 37 and courses are under constant review and revision. Gallaudet Uni- versity reserves the right to change any provision, regulation, or re- Campus Life ....................................................................... 47 quirement set forth within this document, and the right to withdraw Graduate School and Professional Programs ............... 52 or amend the content of any course. Please consult the department or appropriate office for possible changes and updated information. A dministration and -
DIS STD 10-1 Intersections of Art History And
DIS STD 10-1 Intersections of Art History and Disability Studies: Disability in Modern Art Disability Studies Minor, Undergraduate Education Initiatives University of California Los Angeles Spring 2020 COURSE SYLLABUS Instructor: Amanda Cachia, PhD E-mail: [email protected] Office Hour: by appointment on Skype Course website: https://ccle.ucla.edu Marc Quinn, Alison Lapper Pregnant, 2005 Marble, 355 x 180. x 260cm Course Description: This course seeks to provide a broad overview of the presence of disability and its manifestations through modern art in the 19th and 20th centuries. It provides an introduction of the historical development and fundamental intellectual and ethical issues associated with the representation of disability in the arts and humanities. We investigate the complex relations between artistic and humanistic expression within this major facet of society and culture. The class also introduces a new methodology and language to build a framework around how disability might fit into the discourse of modern art by way of a radical aesthetics of representation that challenges sociocultural norms. We will consider how disability aesthetics informs photography, performance art, outsider art and curatorial practices. Each week, we will examine readings from different periods of modern art in dialogue with writings about disability aesthetics to re-think art history as we know it. Text: All weekly readings will be provided as PDF documents. Course Objectives: 1. To identify a range of artworks and how they might form dialogue with disability produced during the modern period. 2. To understand the significance of works of art about disability within the broader context of nineteenth- and twentieth-century social, cultural, and political history. -
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