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Hinter Großen Augen Hinter großen Augen Die Form der Konstellation als Konstruktionsprinzip des Anime Dissertation zur Erlangung des akademischen Grades Dr.phil., genehmigt durch die Fakultät für Humanwissenschaften der Otto-von-Guericke-Universität Magdeburg von: Ina Draijer, M.A. geboren am 03.07.1990 in Kiel Gutachter: Prof. Dr. Winfried Marotzki Gutachter: Prof. Dr. Johannes Fromme Eingereicht am: 21.11.2018 Verteidigung der Dissertation am: 28.11.2019 Inhaltsverzeichnis 1 Einleitung ........................................................................................................................... 7 2 Forschungsstand ...............................................................................................................12 2.1 Nihonjinron..................................................................................................................12 2.2 Definition von Anime ...................................................................................................14 2.3 Definition von Manga ..................................................................................................18 2.4 Historische Entwicklung von Manga und Anime ..........................................................22 2.4.1 Entwicklung des Manga ........................................................................................22 2.4.2 Entwicklung des Anime ........................................................................................24 2.4.3 Anime außerhalb Japans ......................................................................................26 2.4.4 Verwestlichungen .................................................................................................27 2.4.5 Übersetzungen .....................................................................................................29 2.5 Medienmix und Fans ...................................................................................................32 2.6 Manga .........................................................................................................................35 2.6.1 Manga-Forschung ................................................................................................35 2.6.2 Shojo ....................................................................................................................36 2.6.3 Boys‘ Love ............................................................................................................37 2.7 Anime .........................................................................................................................39 2.7.1 Anime-Forschung .................................................................................................39 2.7.2 Pornografische Anime ..........................................................................................39 2.7.3 Krieg und Apokalypse ...........................................................................................40 2.7.4 Cyborgs und Mecha .............................................................................................41 2.7.5 Bekannte Titel ......................................................................................................42 2.7.6 Anime als postmodern ..........................................................................................44 2.8 Strukturmerkmale des Anime ......................................................................................45 2.8.1 Narrative Elemente ...............................................................................................45 2.8.2 Limited Animation .................................................................................................47 2.8.3 Charakterdesign ...................................................................................................51 2.8.4 Realismus ............................................................................................................52 2.8.5 Visuelle Konventionen ..........................................................................................53 2.8.6 Emotionsdarstellung .............................................................................................55 2.9 Ebenen .......................................................................................................................58 2.10 Forschungsfragen und Ziel der Arbeit .......................................................................66 3 Forschungsdesign .............................................................................................................68 3.1 Der Begriff der Motivation ...........................................................................................68 3.2 Fallauswahl .................................................................................................................71 3.2.1 Struktur des Anime ...............................................................................................71 3.2.2 Falldefinition .........................................................................................................75 3.2.3 Stichprobe ............................................................................................................78 4 Theoretischer Rahmen ......................................................................................................82 4.1 Konstellation ...............................................................................................................82 4.2 Montage ......................................................................................................................89 4.3 Pudowkins Montagetypen ...........................................................................................92 5 Ergebnisse ........................................................................................................................98 5.1 Typisierung .................................................................................................................98 5.1.1 Leitmotiv ...............................................................................................................98 5.1.2 Symbolismus ........................................................................................................98 5.1.3 Kontrast .............................................................................................................. 105 5.1.4 Parallele ............................................................................................................. 112 5.1.5 Dopplung ............................................................................................................ 120 5.1.6 Mischungen ........................................................................................................ 126 5.2 Typische Muster........................................................................................................ 131 5.3 Episodenanalysen ..................................................................................................... 136 5.3.1 Attack on Titan, Episode 21 ................................................................................ 136 5.3.2 Maid-sama, Episode 12 ...................................................................................... 137 5.3.3 Shigatsu wa Kimi no Uso, Episode 5 .................................................................. 139 5.3.4 Tokyo Ghoul, Episode 12 ................................................................................... 141 5.4 Konstellation im Anime.............................................................................................. 144 5.4.1 Verbindungen zwischen den Strukturmerkmalen ................................................ 144 5.4.2 Konstellation als Konstruktionsprinzip des Anime ............................................... 154 5.5 Die Form des Anime ................................................................................................. 165 5.5.1 Die Strukturmerkmale des Anime in anderen Formen ........................................ 165 5.5.2 Die Frage nach der Japanischkeit ...................................................................... 177 5.5.3 Anime als Stil ...................................................................................................... 182 6 Reflexion der Ergebnisse ................................................................................................ 188 7 Zusammenfassung und Ausblick ..................................................................................... 199 Literaturverzeichnis ............................................................................................................ 204 Weiterführende Literatur ..................................................................................................... 223 Stichprobe .......................................................................................................................... 225 Verzeichnis der weiteren Titel............................................................................................. 232 Anhang ............................................................................................................................... 243 Kurzfassung ....................................................................................................................... 249 Ehrenerklärung ................................................................................................................... 255 Erklärung zur strafrechtlichen Verurteilung ......................................................................... 256 Hinweis:
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