SHOOT Digital PDF Version, February 23, 2007, Vol. 48, Number 4
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Strategic Policy Statement 2014 Melinda Katz
THE OFFICE OF THE QUEENS BOROUGH PRESIDENT Strategic Policy Statement 2014 Melinda Katz Queens Borough President The Borough of Queens is home to more than 2.3 million residents, representing more than 120 countries and speaking more than 135 languages1. The seamless knit that ties these distinct cultures and transforms them into shared communities is what defines the character of Queens. The Borough’s diverse population continues to steadily grow. Foreign-born residents now represent 48% of the Borough’s population2. Traditional immigrant gateways like Sunnyside, Woodside, Jackson Heights, Elmhurst, Corona, and Flushing are now communities with the highest foreign-born population in the entire city3. Immigrant and Intercultural Services The immigrant population remains largely underserved. This is primarily due to linguistic and cultural barriers. Residents with limited English proficiency now represent 28% of the Borough4, indicating a need for a wide range of social service support and language access to City services. All services should be available in multiple languages, and outreach should be improved so that culturally sensitive programming can be made available. The Borough President is actively working with the Queens General Assembly, a working group organized by the Office of the Queens Borough President, to address many of these issues. Cultural Queens is amidst a cultural transformation. The Borough is home to some of the most iconic buildings and structures in the world, including the globally recognized Unisphere and New York State Pavilion. Areas like Astoria and Long Island City are establishing themselves as major cultural hubs. In early 2014, the New York City Council designated the area surrounding Kaufman Astoria Studios as the city’s first arts district through a City Council Proclamation The areas unique mix of adaptively reused residential, commercial, and manufacturing buildings serve as a catalyst for growth in culture and the arts. -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Kromag04.Pdf
Kromag 04 /:/ Automne-Hiver 2007 edito Duler Après bien des péripéties, le Kromag nouveau est arrivé. Ce qui nous vaut une parution à Noël là où l’on Equipe désespérait de voir arriver ce numéro d’automne (rappelons qu’à cet instant la saison reste d’actualité). Profitons d’emblée de ce hasard du calendrier pour vous souhaiter de bonnes fêtes de fin d’année. Quant à cette nouvelle fournée, aux habituelles rencontres avec des studios et des créatifs de la planète Rédaction et direction vient s’ajouter une rubrique du nom de ZoomArt. Conçue sous forme de portrait dédié à des artistes, qu’ils artistique soient seuls ou en équipe, cette rubrique à géométrie variable aura les atouts de ses défauts : une écriture Stéphane Zissu toujours passionnée pour une parution aléatoire. Bruno Aveillan ouvre le bal avec une oeuvre envoû- Sophie Malinge tante qu’on souhaitait vraiment vous présenter. Le reste de la distribution est à l’avenant : Duler nous livre ses impressions, entre design industriels et opportunités télévisuelles, Ben Morris nous ouvre grand les portes de Fulltank et enfin Umeric innove en nous offrant un Behind the scene des plus instructifs. Maquette Bref, ce numéro sera festif ou ne sera pas... Vos réactions sont donc toujours les bienvenues. Il nous reste Sophie Malinge qu’à vous souhaiter à nouveau d’excellentes fêtes, un bon réveillon et surtout une bonne année si on ne se revoie pas d’ici-là ! [email protected] After many events, new Kromag issue is finally launched. Even if this is a Christmas where one desperate www.kromotion.com to see this issue fall (note that the season is still effective). -
Proceedings 2020 International Summit Music & Entertainment Industry Educators Association
Proceedings of the 2020 International Summit of the Music & Entertainment Industry Educators Association – October 2 & 3, 2020 – Proceedings of the 2020 International Summit 1 Contents Academic Papers Presented at the 2020 International Summit of the Music & Entertainment Industry Educators Association October 2-3, 2020 Papers are listed alphabetically by author. 4 Integrating Audio Branding into the Marketing 40 Literature, Lemonade, and DAMN.: A Historical Curriculum: A Model Perspective on Popular Music Awards (abstract only) David Allan, Saint Joseph’s University Jason Lee Guthrie, Clayton State University 8 The Crossover: Evaluating Mainstream Consumption 41 Preparing Global-Ready, and Interculturally of Urban Music Concerts (abstract only) Competent Graduates for the Music and Morgan M. Bryant, Saint Joseph’s University Entertainment Industries Eric Holt, Belmont University Kristina Kelman, Queensland University of Technology 10 The Musician’s Profit Umbrella™ and Women as 48 Summer Camp: Developing a Recruiting Hotbed That Musician-Entrepreneurs (abstract only) Teaches High School Students Music Production Fabiana Claure, University of North Texas Steven Potaczek, Samford University 11 Measuring Folk 52 Skip, Burn, Seek & Scratch: Young Adults’ Compact Michelle Conceison, Middle Tennessee State University Disc Usage Experiences in 2020 (abstract only, full 23 Tools of the Craft: The Value of Practicums in Arts article available in the 2020 MEIEA Journal https:// and Music Management doi.org/10.25101/20.4) Mehmet Dede, The Hartt School, University of Hartford Waleed Rashidi, California State University, Fullerton 27 Dude, Where’s Your Phone?: Live Event Experience 53 Legends and Legacy: Musical Tourism in Muscle in a Phone-Free Environment (abstract only) Shoals (abstract only) Matthew Dunn, University of South Carolina Christopher M. -
Urban Design and Visual Resources
18.0 Urban Design and Visual Resources A. INTRODUCTION This chapter evaluates the effects of the Proposed Action on the urban form and visual resources of the Project Site and surrounding Study Area. Provided in this chapter is a description and analysis of the existing urban design and visual resources of the Project Site and Study Area, and descriptions of Future conditions with and without the Proposed Action in 2009. No significant adverse impacts to urban design or visual resources would result from the Proposed Action; the variations, all of which would be constructed according to the same site plan and building envelope as the Preferred Development Program, would likewise result in no significant adverse impacts to urban design or visual resources. The Proposed Action would result in development that differs substantially in height, bulk, form, scale, and arrangement compared to the uses currently found on the Project Site. These changes are identified in the CEQR Technical Manual as conditions suggesting that analyses of urban design and visual resources are appropriate. Based on guidance in the CEQR Technical Manual, the urban design analysis considers the potential impact of the Proposed Action related to building bulk, use, type, and arrangement, block form, street pattern and hierarchy, streetscape elements, and natural features. Also, based on guidance provided in the CEQR Technical Manual, the visual resources analysis considers the potential impact of the Proposed Action on important views of visual resources, such as the East River waterfront and the historic Queensboro Bridge and New York Architectural Terra Cotta Company building, from publicly accessible locations. -
39-15 SKILLMAN Ave 3-13-18.Indd
39-15 to 39-35 SKILLMAN AVENUE LONG ISLAND CITY, NEW YORK ONCE IN A LIFETIME LEASING OPPORTUNITY UP TO 110,000 SF LONG ISLAND CITY, NEW YORK LONG ISLAND CITY THE FASTEST GROWING 39-15 to 39-35 NEIGHBORHOOD SKILLMAN AVENUE IN QUEENS CREATIVE FLEX SPACE IN LONG ISLAND CITY 39-15 TO 39-35 SKILLMAN AVENUE - CONVENIENCE, CREATIVITY, AND PREMIER AMENITIES Up to 110,000 SF of unique flex space is available for lease with 75,000 SF on the ground floor and a 35,000 SF division on the middle level. The building’s creative layout allows all units to have multiple expsoure of natural light. Fully air conditioned, terrazzo floors in the lobby entrances and granite surrounds at all lobby entrances. Multiple loading docks and 18-foot ceilings make this space ideal for a number of users including post production film companies, fine art storage, photography studios, high-end record storage and showrooms, warehouse and distribution, last mile warehousing and shared office environment. The building is one block to the 7 subway line and walking distance to the E M F R at Queens Boulevard. It is also minutes to Manhattan via the 59th Street/Ed Koch Queensboro Bridge. PROPERTY FEATURES Located on the north east corner of Skillman Avenue at 39th Street, this property offers 500’ feet of frontage along Skillman Avenue. Its central location and close proximity to the Queens Midtown Tunnel, Long Island Expressway, 59th Street/Ed Koch Queensboro Bridge, and Brooklyn Queens Expressway make it perfect for any business that requires traveling throughout Manhattan, Queens, Brooklyn, Bronx and Long Island. -
LIC Comprehensive Plan Phase 1
LONG ISLAND CITY COMPREHENSIVE PLAN PHASE 1 LONG ISLAND CITY Phase Comprehensive Plan 1 SUMMARY REPORT 1 LONG ISLAND CITY COMPREHENSIVE PLAN PHASE 1 ACKNOWLEDGMENTS The Long Island City Comprehensive Plan has received pivotal support from public and private funders: NYS Senator Michael Gianaris NYC Economic Development Corporation NYS Assemblywoman Catherine Nolan Consolidated Edison Co. of N.Y., Inc. NYC Council Speaker Melissa Mark-Viverito Cornell Tech NYC Council Majority Leader Jimmy Van Bramer Ford Foundation Queens Borough President Melinda Katz TD Charitable Foundation Empire State Development Verizon Foundation NYC Regional Economic Development Council The LICP Board Comprehensive Plan Steering Committee provided invaluable input, feedback and support. Members include, Michelle Adams, Tishman Speyer Richard Dzwlewicz, TD Bank Denise Arbesu, Citi Commercial Bank Meghan French, Cornell Tech David Brause, Brause Realty John Hatfield, Socrates Sculpture Park Tracy Capune, Kaufman Astoria Studios, Inc. Gary Kesner, Silvercup Studios Mary Ceruti, SculptureCenter Seth Pinsky, RXR Realty Ebony Conely-Young, Long Island City YMCA Caryn Schwab, Mount Sinai Queens Carol Conslato, Consolidated Edison Co. of N.Y., Inc. Gretchen Werwaiss, Werwaiss & Co., Inc. Jenny Dixon, The Isamu Noguchi Foundation Jonathan White, White Coffee Corporation and Garden Museum Richard Windram, Verizon Patricia Dunphy, Rockrose Development Corp. Finally, thank you to the businesses and organizations who responded to our survey and to everyone who participated in our focus groups and stakeholder conversations. Your participation was essential to informing this report. Summaries and lists of participants can be found in the Appendices. 2 LONG ISLAND CITY COMPREHENSIVE PLAN PHASE 1 ABOUT THIS REPORT TABLE OF CONTENTS Phase 1 of the Comprehensive Plan and this report was completed by Long Island City Partnership with the assistance of Public Works Partners and BJH Advisors. -
PATRICK DUROUX, A.F.C. Director of Photography
PATRICK DUROUX, A.F.C. Director of Photography FEATURES THE SCAPEGOAT Nicolas Bary Pathé DIRECTORS & COMMERCIALS - Partial List TOMAS JONSGARDEN Game of Thrones JAN WENTZ Samsung JEAN PIERRE JEUNET Qualcomm BRUNO AVEILLAN Samsung, Asics, Audi, Visa, Peugeot, Peugeot 308, Sephora, Magnum, L’Odyssée de Cartier, L’oreal, Perrier, Peugeot 206 FRANK BUDGEN Levis – International Cannes Lions 2003- Bronze Lion Winner MARTIN WERNER Audi FRÈDÈRIC PLANCHON Hewlett Packard – International Cannes Lions 2003 - Shortlist Saturn – International Cannes Lions 2002 Jaguar – International Cannes Lions 2000 Nissan, Axe, Perrier, HSBC, Orange, Pepsi, Sprite, Volkswagen, Peugeot 307, Miller Light, Peugeot 607, Tetra Pack, American Airlines, Mastercard, Buick, Mercedes, DHL, SSE – International Cannes Lions 2016 - Shortlist CARL ERIK RINSCH Infiniti PETER THWAITES Wrigleys MATTHIEU MANTOVANI Mercedes JOACHIM BLACK Xfinity SEB EDWARDS British Army, Princess Trust SEBASTIAN STRASSER Mercedes Benz S-Class, Sparkasse FREDERIK BOND Philips – International Cannes Lions 1999 NE-O Axe, Golf GTI, Sony Ericsson NACHO GAYAN Volvo, Audi “Stendhal’s Syndrome” RINGAN LEDWIDGE VW Golf “Forever”-International Cannes Lions 2003 – Shortlist Virgin Media REYNALD GRESSET Mass Effect 3 JOHAN CAMITZ Diesel “Family”-International Cannes Lions 1999- Silver Lion Winner Dockers, Orangina Rouge, DSL- Jesus Lives, Cardinal “The Pole” CHRIS PALMER The Times “Banana” & “Bottle”-International Cannes 2003-Silver Lion Winner, Kronenbourg -International Cannes 2003- Shortlist PAUL GORE L’Oreal -
Bchs Newsletter 2.19-5.19
THE BRONX COUNTY THE BRONX HISTORIAN 7 Newsletter of The Bronx County Historical Society HISTORICAL SOCIETY February 2019 – May 2019 VOLUME 42 NUMBER 2 3309 BAINBRIDGE AVENUE THE BRONX, NEW YORK 10467 PHONE: (718) 881 - 8900 FAX: (718) 881 - 4827 The Birth of the Film Industry www.b ronxhistoricalsociety.org Hollywood wasn’t the only Tinseltown in the country. In fact, the birth of the Visit us on Facebook, Youtube, and film industry started right in our own backyard. Thomas Edison had Edison Twitter. Studios in West Orange, New Jersey in the 1890s and in New York City as early as 1901. When Edison realized the need for expansion, he moved production The Bronx County Historical Society, in 1908 to a warehouse in The Bronx, at the corner of Decatur Avenue and founded in 1955, is a private, non - profit educational and cultural Oliver Place. institution chartered by the New York Edison Studios was one of the finest of State Board of Regents. The Society is the era and in 1910 produced the first dedicated to the collection, film adaptation of Frankenstein in the preservation, documentation and Bronx studio. It took four days to film interpretation of the history and and was released three months later. heritage of The Bronx and its people The film was thought to be lost shortly from its earliest historical references DDDD after its release, however one in the 17th century to the present. surviving print was discovered in the The Society disseminates information 1970s in a farmhouse in Wisconsin. by utilizing its collections in Sadly, the first building was destroyed Edison Studios in The Bronx, 1909. -
HOWARD J. KESSELER JR. [email protected]
HOWARD J. KESSELER JR. [email protected] ADDRESS: Built in 1926 and originally used by Macy’s as a furniture warehouse, The Factory is one of Long Island City’s newest and most desirable workspaces. A hub for cultivating the growth of like-minded companies as they enter traditional sectors and turn them upside down – The Factory is driven by people's passion for their work. With new ownership, a historically sensitive renovation is underway to create large, flexible full-floors, as well as work-ready converted lofts. Exceptionally high ceilings and brand new mullioned steel casement windows on every floor provide unmatched views of the Manhattan skyline. The Factory restoration is founded on a design plan that celebrates an active and collaborative work envirionment. Tenants will enjoy thoughtfully assembled amenities including a newly designed lounge and food marketplace, parking and bike storage, along with the opportunity for private roof decks. With quick and easy access to Manhattan, Brooklyn, and Queens, the building is situated amidst the best of New York business, culture, and leisure. Pioneering entrepreneurs looking for an emerging commerce district, as well as an area with established museums, non-profits, and parks dedicated to the arts, can’t do better than Long Island City. The Factory is at the epicenter at what is quickly becoming New York’s most exciting neighborhood. The Factory ca 1930 as the former R.H. Macy and Co. warehouse 212.372.2110 HOWARD J. KESSELER JR. HOWARD J. KESSELER JR. [email protected] [email protected] ADDRESS: FULL OF LIGHT LARGE WINDOWS, HIGH CEILINGS CONVERTED LOFT WORKSPACES CONTACT: ADDITIONAL INFORMATION: HOWARD J. -
PRESENTS an AGI ORSI PRODUCTION in Association with KRASNOFF/FOSTER ENTERTAINMENT
PRESENTS AN AGI ORSI PRODUCTION in association with KRASNOFF/FOSTER ENTERTAINMENT LOST ANGELS: SKID ROW IS MY HOME A Film by Thomas Q. Napper Narrated by Catherine Keener Documentary| Unrated | 75 minutes DCP | 5.1 Sound **Shot on the RED** PRESS NOTES THEATRICAL VERSION FOR PUBLICITY: DISTRIBUTION: Beth Portello Richard Castro Cinema Libre Studio Cinema Libre Studio [email protected] [email protected] Ph: 818-349-8822 Ph: 818-349-8822 SYNOPSIS: LOST ANGELS: SKID ROW IS MY HOME takes an uncompromising yet life-affirming look at the lives of eight remarkable individuals, people who have found a way to make a life for themselves within the community of homelessness. The film shows how their descent into society’s basement has been exacerbated by the forces of gentrification and the increasing criminalization of homeless people, while exposing the draconian changes to the mental health care system that have brought us here. With the support of a vast array of advocates, especially the services of LAMP, the mission featured in the Jamie Foxx/ Robert Downey Jr. film, THE SOLOIST, many residents of Skid Row have found a way to stick together and fight back. Narrated by actress Catherine Keener, LOST ANGELS demonstrates how proactive approaches to homelessness–most specifically that of providing housing–are helping many to recover from mental illness and substance abuse and to find stability. For many, Skid Row is, improbably, the last place to find refuge and build a life of meaning…proving that sometimes home is where -
IL FUTURO DELLA SALUTE Come La Tecnologia Digitale Sta Rivoluzionando La Medicina (E La Nostra Vita)
Roberto Ascione IL FUTURO DELLA SALUTE Come la tecnologia digitale sta rivoluzionando la medicina (e la nostra vita) EDITORE ULRICO HOEPLI MILANO Copyright © Ulrico Hoepli Editore, S.p.A. 2018 via Hoepli 5, 20121 Milano (Italy) tel. +39 02 864871 – fax +39 02 8052886 e-mail [email protected] www.hoepli.it Seguici su Twitter: @Hoepli_1870 Tutti i diritti sono riservati a norma di legge e a norma delle convenzioni internazionali ISBN EBOOK 978-88-203-8494-4 Progetto e realizzazione editoriale: Maurizio Vedovati – Servizi editoriali ([email protected]) Copertina: Sara Taglialegne Realizzazione digitale: Promedia, Torino A mio padre, medico delle persone e maestro di vita SOMMARIO Introduzione UNA RIVOLUZIONE INARRESTABILE PARTE I RIFLESSIONI DIGITALI Capitolo 1 DEVICE Capitolo 2 DATA SCIENCE & ARTIFICIAL INTELLIGENCE Capitolo 3 OPEN INNOVATION & STARTUP Capitolo 4 INTERFACCE Capitolo 5 TELEMEDICINA E MONITORING A DISTANZA Capitolo 6 DO IT YOURSELF Capitolo 7 TERAPIE DIGITALI Capitolo 8 SERVIZI Capitolo 9 GENETICA Capitolo 10 SELF EMPOWERMENT PARTE II RIFLESSIONI UMANE Capitolo 11 MEDICO VS PAZIENTE Capitolo 12 VECCHIO VS NUOVO Capitolo 13 FIDUCIA VS PAURA Capitolo 14 ESPONENZIALE VS INCREMENTALE Conclusioni UNA RIVOLUZIONE POSITIVA Postfazione COME PROSEGUIRE L’autore Ringraziamenti Informazioni sul Libro INTRODUZIONE Una rivoluzione inarrestabile CHI È ROBERTO ASCIONE i occupo di medicina e tecnologia ormai da una ventina d’anni. Ho M studiato da medico, ma non ho mai praticato perché ero appassionato anche d’informatica. Ero quindi combattuto tra questi due elementi: la programmazione e la facoltà di medicina. In ambito sanitario mi resi conto che tutto era largamente analogico, e per molti versi lo è ancora.