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Questions of Fashion
http://www.jstor.org/stable/10.1086/677870 . Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Bard Graduate Center are collaborating with JSTOR to digitize, preserve and extend access to West 86th. http://www.jstor.org This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Questions of Fashion Lilly Reich Introduction by Robin Schuldenfrei Translated by Annika Fisher This article, titled “Modefragen,” was originally published in Die Form: Monatsschrift für gestaltende Arbeit, 1922. 102 West 86th V 21 N 1 This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Introduction In “Questions of Fashion,” Lilly Reich (1885–1947) introduces readers of the journal Die Form to recent developments in the design of clothing with respect to problems of the age.1 Reich, who had her own long-established atelier in Berlin, succinctly contextualizes issues that were already mainstays for the Werkbund, the prominent alliance of designers, businessmen, and government figures committed to raising design standards in Germany, of which she was a member. -
E in M Ag Azin Vo N
Ein Magazin von T L 1 Liebe Leserinnen und Leser, im Jahr 2019 feiert Deutschland 100 Jahre Bauhaus und wir fast vier Jahrzehnte TEcnoLuMEn. 140 Jahre Tradition – eine Vergan - genheit voller Geschichten, die wir Ihnen erzählen wollen. Die Wagenfeld-Leuchte ist ohne Eine davon beginnt 1919 in Weimar. Zweifel eine dieser zeitlosen Walter Gropius gründete das Designikonen und seit fast 40 Jahren Staatliche Bauhaus, eine Schule, is t sie ganz sicher das bekannteste in der Kunst und Handwerk Werkstück unseres Hauses. auf einzigartige Weise zusammen - Das ist unsere Geschichte. geführt wurden. Interdisziplinär, Weshalb TEcnoLuMEn autorisierter weltoffen und experimentierfreudig. Hersteller dieser Leuchte ist, wer ob Architektur, Möbel, Foto- das Bremer unternehmen gegründet grafie, Silberwaren – Meister und hat, welche Designleuchten wir Studierende des Bauhaus schufen neben diesem und anderen Klassi - viele Klassiker. kern außerdem im Sortiment haben und welche Philosophie wir bei TEcnoLuMEn verfolgen, all das möchten wir Ihnen auf den folgen - den Seiten unseres Magazins erzählen. Weil Zukunft Vergangenes und Gegenwärtiges braucht. und das Heute ohne Geschichten nicht möglich ist. Wir freuen uns sehr, Ihnen die erste Ausgabe unseres TEcnoLuMEn Magazins TL1 vorstellen zu können 4 und wünschen Ihnen eine interes - Die Idee des Bauhaus sante und erkenntnisreiche Lektüre. 6 Die TEcnoLuMEn Geschichte carsten Hotzan 8 Interview mit Walter Schnepel Geschäftsführer 12 Alles Handarbeit 14 Designikone im Licht der Kunst 16 „Junge Designer“ r e n g e i l F m i h c a o J Die von Wilhelm Wagenfeld 1924 entworfene und im Staatlichen Bauhaus Weimar hergestellte Metallversion der „Bauhaus-Leuchte“. Herbert Bayer „Eine solche Resonanz kann man nicht Max Bill Laszlo Moholy-nagy mit organisation erreichen und nicht mit Propaganda. -
Bauhaus 1919 - 1933: Workshops for Modernity the Museum of Modern Art, New York November 08, 2009-January 25, 2010
Bauhaus 1919 - 1933: Workshops for Modernity The Museum of Modern Art, New York November 08, 2009-January 25, 2010 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Upholstery, drapery, and wall-covering samples 1923-29 Wool, rayon, cotton, linen, raffia, cellophane, and chenille Between 8 1/8 x 3 1/2" (20.6 x 8.9 cm) and 4 3/8 x 16" (11.1 x 40.6 cm) The Museum of Modern Art, New York. Gift of the designer or Gift of Josef Albers ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Silk, cotton, and acetate 57 1/8 x 36 1/4" (145 x 92 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Wool and silk 7' 8 7.8" x 37 3.4" (236 x 96 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1926 Silk (three-ply weave) 70 3/8 x 46 3/8" (178.8 x 117.8 cm) Harvard Art Museum, Busch-Reisinger Museum. Association Fund Bauhaus 1919 - 1933: Workshops for Modernity - Exhibition Checklist 10/27/2009 Page 1 of 80 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Tablecloth Fabric Sample 1930 Mercerized cotton 23 3/8 x 28 1/2" (59.3 x 72.4 cm) Manufacturer: Deutsche Werkstaetten GmbH, Hellerau, Germany The Museum of Modern Art, New York. Purchase Fund JOSEF ALBERS German, 1888-1976; at Bauhaus 1920–33 Gitterbild I (Grid Picture I; also known as Scherbe ins Gitterbild [Glass fragments in grid picture]) c. -
Design Earth and Judith Raum Exhibit at Bauhaus Dessau
Bauhaus Dessau Design Earth and Judith Raum exhibit at Bauhaus Dessau Press release After a long Covid-19 break, the Bauhaus Dessau Foundation opens two exhibition projects in the context of the annual theme "Infrastructure" on Thursday, 24 June 2021: In the Intermezzo Design Earth. Climate Inher- itance at the Bauhaus Museum Dessau, the Design Earth team shows ten UNESCO World Heritage Sites as figures in the climate crisis. And under the title Textile territories, artist Judith Raum explores Otti Berger's textile works in her installations at the Bauhaus Museum Dessau and in the Bauhaus P r e s s c o n t a c t Building. Ute König P +49-340-6508-225 E x h i b i t i o n s [email protected] Bauhaus Dessau Foundation Design Earth. Climate Inheritance Gropiusallee 38 Intermezzo 06846 Dessau-Roßlau >> Bauhaus Museum Dessau Germany bauhaus-dessau.de 24 June – 3 Oct 2021 facebooK.com/bauhausdessau twitter.com/gropiusallee Corona has brought global tourism and its infrastructures to a near standstill. What has emerged is a moment that gives space for reflection: on ways to deal with the collective responsibility of inheriting a planet in climate crisis. El Dessau-Roßlau, Hadi Jazairy and Rania Ghosn of Design Earth look at ten UNESCO World 22 June 2021 Heritage Sites as figures in the climate crisis and try to concretely locate the abstract of climate change in these iconic places. The case studies show a broad spectrum of climate impacts: from rising sea levels to species extinc- tion and melting glaciers. -
Anni Albers and Lilly Reich in Barcelona 1929: Weavings and Exhibition Spaces
Laura Martínez de Guerenu˜ https://doi.org/10.3986/wocrea/1/momowo1.14 Anni Albers and Lilly Reich This paper examines the work of Anni Albers (1899–1994) to ascertain the impact that the visit to Barcelona International Exhibition during the summer of 1929 had on her later work. Albers was in Barcelona 1929: then a student of the Bauhaus weaving workshop and would graduate the following semester, in February 1930.1 Lilly Reich (1885–1947) would not join the Bauhaus until 1932.2 However, Reich’s Weavings and Exhibition Spaces work in the interior designs of the vast German exhibits in Barcelona 1929 is echoed in a building that was collectively designed by the various Bauhaus workshops under the directorship of Hannes Meyer (1889–1954), and in which Albers participated, also in 1929. Despite all that has been discussed in relation to the Barcelona International Exhibition, an important fact has remained undiscovered for scholarship in the fields of decorative arts, design history and material culture. In early 1929 the Bauhaus had already acquired many commitments to participate in several exhibitions throughout that year.3 Barcelona, together with Basel, Brussels, Leningrad The Bauhaus participated as an industry in the German section of the 1929 Barce- lona International Exhibition, sending objects to the Palaces of Textile Industries and Paris, was one of the many cities outside Germany, where the Bauhaus was planning to display and Decorative and Industrial Arts, two interiors (besides another thirteen) de- its objects. In fact, the Bauhaus participated as an industry in the German section of the 1929 signed by Lilly Reich and Mies van der Rohe. -
Israel a History
Index Compiled by the author Aaron: objects, 294 near, 45; an accidental death near, Aaronsohn family: spies, 33 209; a villager from, killed by a suicide Aaronsohn, Aaron: 33-4, 37 bomb, 614 Aaronsohn, Sarah: 33 Abu Jihad: assassinated, 528 Abadiah (Gulf of Suez): and the Abu Nidal: heads a 'Liberation October War, 458 Movement', 503 Abandoned Areas Ordinance (948): Abu Rudeis (Sinai): bombed, 441; 256 evacuated by Israel, 468 Abasan (Arab village): attacked, 244 Abu Zaid, Raid: killed, 632 Abbas, Doa: killed by a Hizballah Academy of the Hebrew Language: rocket, 641 established, 299-300 Abbas Mahmoud: becomes Palestinian Accra (Ghana): 332 Prime Minister (2003), 627; launches Acre: 3,80, 126, 172, 199, 205, 266, 344, Road Map, 628; succeeds Arafat 345; rocket deaths in (2006), 641 (2004), 630; meets Sharon, 632; Acre Prison: executions in, 143, 148 challenges Hamas, 638, 639; outlaws Adam Institute: 604 Hamas armed Executive Force, 644; Adamit: founded, 331-2 dissolves Hamas-led government, 647; Adan, Major-General Avraham: and the meets repeatedly with Olmert, 647, October War, 437 648,649,653; at Annapolis, 654; to Adar, Zvi: teaches, 91 continue to meet Olmert, 655 Adas, Shafiq: hanged, 225 Abdul Hamid, Sultan (of Turkey): Herzl Addis Ababa (Ethiopia): Jewish contacts, 10; his sovereignty to receive emigrants gather in, 537 'absolute respect', 17; Herzl appeals Aden: 154, 260 to, 20 Adenauer, Konrad: and reparations from Abdul Huda, Tawfiq: negotiates, 253 Abdullah, Emir: 52,87, 149-50, 172, Germany, 279-80, 283-4; and German 178-80,230, -
Warping the Architectural Canon
EXCERPT from “Thinking GENDER IN SPACE, PLACE, AND Dance,”TG 2012 PLENARY SESSION BY JAMIE ARON WARPING THE ARCHITECTURAL CANON EXTILES have long been a part of the manual skill rather than individual creativity intersected architecture at key moments in the canon of Western architecture—from the or intellectual drive. Eventually, through hard twentieth century, but also challenged the hier- Tfolds of draped female forms in ancient lobbying by Renaissance artists and humanists, archical position and cultural agency of architec- Greek temples to the abstract Mayan patterns the establishment of art academies dedicated ture. “knitted” together in Frank Lloyd Wright’s textile exclusively to the teaching of architecture, paint- In the early twentieth century, modern archi- block houses of the 1920s. Yet just as any façade ing and sculpture, and theoretical backing by tects and theorists reacted to broad social changes may conceal what’s inside, architecture’s shared Enlightenment philosophers, architecture sepa- brought about by Industrialization and social history with weaving is often obscured. Today rated from its mechanical compatriots to become and political upheaval by rejecting the historic architecture sits at the top alongside the “fine arts” one of the dominant “visual arts” of modernity, forms of the past. Partly due to theoretical build of painting and sculpture, while woven textiles leaving weaving behind as handicraft within the up from 19th century aesthetic debates on style occupy a less prominent position in the “applied” category of the “decorative arts.” It’s no secret that and the value of ornament, modern architects or the “decorative arts.” Appearing natural now, women have been generally left out of modern theorized that even textiles, considered inher- few remember that the hierarchy of the arts was visual art history and associated with the deco- ently ornamental within the interior, needed to be not always so stable. -
Weaving Books and Monographs
Tuesday, September 10, 2002 Page: 1 ---. 10 Mujeres y Textil en 3d/10 Women and Textile Into 3. [Mexico City, Mexico: Universidad Nacional Autonoma de Mexico. Galeria Aristos, 1975], 1975. ---. 10 Mujeres y Textil en 3d/10 Women and Textile Into 3. [Mexico City, Mexico: Universidad Nacional Autonoma de Mexico. Galeria Aristos, 1975], 1975. ---. 100 Jahre J. Hecking; Buntspinnerei und Weberei. Wiesbaden, Verlag f?r Wirtschaftspublizistik Bartels, 1958. ---. 100 Years of Native American Arts: Six Washington Cultures. [Tacoma, Washington: Tacoma Art Museum, 1988], 1988. ---. 1000 [i.e. Mil] Años de Tejido en la Argentina: [Exposici?n] 24 de Mayo Al 18 Junio de 1978. Buenos Aires: Ministerio de Cultura y Educaci?n, Secretaría de Cultura, Instituto Nacional de Antropología, 1978. ---. 1000 Years of Art in Poland. [London, Great Britain: Royal Academy of Arts, 1970], 1970. ---. 101 Ways to Weave Better Cloth: Selected Articles of Proven Interest to Weavers Chosen from the Pages of Textile Industries. Atlanta, GA.: Textile Indistries, 1960. ---. 125 Jahre Mech. Baumwoll-Spinnerei und Weberei, Augsburg. [Augsburg, 1962. ---. 1977 HGA Education Directory. West Hartford, CT: Handweavers Guild of America, 1978. ---. 1982 Census of Manufactures. Preliminary Report Industry Series. Weaving Mills. [Washington, DC: U.S. Dept. of Commerce, Bureau of, 1984. ---. 1987 Census of Manufactures. Industry Series. Weaving and Floor Covering Mills, Industries 2211, 2221, 2231, 2241, and 2273. Washington, DC: U.S. Dept. of Commerce, Bureau of, 1990. ---. 1987 Census of Manufactures. Preliminary Report. Industry Series. Weaving and Floor Covering Mills: Industries 2211, 2221, 2241, and 2273. [Washington, DC: U.S. Dept. of Commerce, Bureau of, 1994. ---. 1992 Census of Manufactures. -
Liberation of Jerusalem
Liberation of Jerusalem On November 29, 1947, it was decided in the UN Partition Plan that Jerusalem would be under international control. However, when the War of Independence broke out, both sides – the Jews and the Arabs – tried to take control of the city. The Arab forces blocked the passage to Jerusalem to Jews, and cut off the water supply to the city. Only convoys of armored vehicles succeeded, at a heavy cost in human lives, in breaking through to the city and bringing supplies to its residents. On May 14, 1948, upon the departure of the British from the country, the Israeli forces began to take over compounds held by the Mandatory government. On May 18, the Arab Legion reached Jerusalem and entered the Old City. On May 19, a Palmach force managed to enter the Jewish Quarter through Zion Gate and bring supplies and reinforcements, but on the next day the Arab troops took control of the Zion Gate area again, and the siege on the Jewish Quarter resumed. On May 28, the Jewish Quarter fell into the hands of the Jordanians, its defenders were taken prisoner and its synagogues were demolished. On June 1, 1948, Burma Road was opened, and the siege on Jerusalem began to weaken. Jerusalem was divided for 19 years; Israel held the western part of the city, while Jordan held its eastern part, containing the Old City, including the Temple Mount and the Western Wall. Mount Scopus – the site of Hadassah Hospital, the Hebrew University and the British military cemetery – remained an enclave under Israeli control in the eastern part of the city. -
Colonizing Palestine: Urban and Landscape Changes Since Ottoman Empire
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/306119580 Colonizing Palestine: Urban and landscape changes since Ottoman Empire. Technical Report · August 2016 DOI: 10.13140/RG.2.1.3371.2885 CITATIONS READS 0 205 9 authors, including: Salem Thawaba Birzeit University 27 PUBLICATIONS 46 CITATIONS SEE PROFILE Available from: Salem Thawaba Retrieved on: 29 September 2016 Architectural Department Colonizing Palestine: Urban and landscape changes since Ottoman Empire. Supervisor: Dr. Salem Thawaba Team work: Ahmed Ajrab Hala Thalji Munther Sbeih Nermeen Dasouqi Safaa Yaqbah Sanaa Injas Yasmeen Yahia Yasmina Dramneh August, 2016 | P a g e 2 Table of contents Introduction………………………………………………………..………5 Palestine (1880-1948)………………………………….……...………….5-20 . Ottoman period . British mandate period Palestine (1948-1967)……………………………………………………21-34 . The Partition Plan 1947 . End of the British Mandate . The Security Council truce . The armistice agreement . Recognition of the State of Israel . Jewish migration . New Cities: - Jaffa (1948 – 1967). - Haifa (1948 – 1967). The main Israeli city founded between 1948 and 1967: - Beit Shemesh - Eilat - Or Akiva - Dimona Palestine (1967-1993)…………………………………..……….………35-53 . First Phase(1967-1976) - October War 1973 . Second Phase(1977-1984) . Third Phase(1985-1990) - First Intifada (1987) . Forth Phase (1991-1993) . By-Pass Roads | P a g e 3 Palestine (1994-Present) …………………………………………………54-87 . Gaza – Jericho (Oslo I), 1994 . Interim Oslo II, 1995 . Wye River memorandum, 1998 . Sharm Esh-sheikh agreement 1999 . Camp David Agreement, 2000 . Second intifada . Apartheid wall . Movement: - Bypass roads in West Bank, 1994 - Protocol Concerning Safe Passage between West Bank and the Gaza strip, 1999 - Agreed Documents On movement and access from and to Gaza, 2005 - Bypass road network, present . -
Demorest's Family Magazine. January 1881. Vol. 17, No. 1
‘ ‘ You are offended : that' s ment a warm, mysterious hand slipped round “ No,” she said. her own and gave it a gentle squeeze. “ Then will you shake hands ? ” “ Oh, dear !” said Anne, with a sudden Anne hesitated; than slowly stretched out start away. her hand, which he took at once. “ That will “ How nervous you are, child, to be startled do," she said, finding that he did not relinquish by fireworks so far off,” said Mrs. Loveday. it immediately. But as he still held it, she “ I never saw rockets before,” murmured pulled, the effect of which was to draw Bob’s Anne, recovering from her surprise. swaying person, bough and all, toward her, Mrs, Loveday presently spoke again. “ I and herself toward him. wonder what has become of Bob ? ” “ I am afraid to let go your hand,” said that Anne did not reply, being much exercised officer; “ for if I do your spar will fly back, in trying to get her hand, away from the one and you will be thrown upon the deck with that imprisoned it ; and whatever the miller great violence.” thought he kept to him self because it dis “ I wish you to let me go! ” turbed his smoking to speak. He accordingly did, and she flew back, but Another hatch of rockets went up. “ Oh, did not by any means fall. I never!” said Anne, in a half-suppressed “ It reminds me of the times when I used to tone, springing in her chair. A second hand be aloft clinging to a yard not much bigger had with the rise of the rockets leapt round than this tree-stem, in the mid-Atlantic, and her waist. -
Keturn of Organization Exempt from Income
Form y y U Keturn of Organization Exempt From Income Tax Under section 501(c), 527, or 4947(a)(1) of the Internal Revenue Code (except black lung benefit trust or private foundation) 2001 Department of the Treasuryrvice 1. Internal Revenue Se I The organization may have to use a copy of this return to satisfy state A For the 20i calendar ear or tax ear be innm 09/01 2001 and enc B check n .,Qt+u . please C Name of organization D Employer IAenGficaUOn number ad ..', m .np. °'Ips JEWISH FEDERATION OF GREATER PHILADELPHIA aEel or n . rn~nae arint or Number and street (or P O box A mail is not delivered to street address) Room/suite E Telephone number inn~aieem tYP . So . ,peclnc 2100 ARCH STREET em..a .a nar c- City or town, slate or country, and ZIP y 4 cash I XI Accrum Mnn~ .no. lJ c.~a,no °°"' I PHILADELPHIA . PA 19103 a Section 501(c)(3) organizations and 49d7(a)(1) nonexempt charitable H arid I are not applicable to section 527 organ2atrons trusts must attach a completed Schedule A (Form 990 or 990F2) H(a) Is this a group return for affiliates? F-1 Yes 51 Me G Web site H(b) If Yes enter number of affiliates 1 N A or I 1577 Hoc) Aye all attd~ates nxluAed'7 QYes No (II No' attach a list See insirudions ) K Check here 1 u A the organizations gross receipts are normally not more than 535000 The H(d) is mia a separate mwm Nea by an j-~ ~~ organization need riot file a return with the 025, EN if the organimnon received a Form 990 Package omanixamn c~wd e.