DOCSLIB.ORG

Design Earth and Judith Raum Exhibit at Bauhaus Dessau

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Design Earth and Judith Raum Exhibit at Bauhaus Dessau Bauhaus Dessau Design Earth and Judith Raum exhibit at Bauhaus Dessau Press release After a long Covid-19 break, the Bauhaus Dessau Foundation opens two exhibition projects in the context of the annual theme "Infrastructure" on Thursday, 24 June 2021: In the Intermezzo Design Earth. Climate Inher- itance at the Bauhaus Museum Dessau, the Design Earth team shows ten UNESCO World Heritage Sites as figures in the climate crisis. And under the title Textile territories, artist Judith Raum explores Otti Berger's textile works in her installations at the Bauhaus Museum Dessau and in the Bauhaus P r e s s c o n t a c t Building. Ute König P +49-340-6508-225 E x h i b i t i o n s [email protected] Bauhaus Dessau Foundation Design Earth. Climate Inheritance Gropiusallee 38 Intermezzo 06846 Dessau-Roßlau >> Bauhaus Museum Dessau Germany bauhaus-dessau.de 24 June – 3 Oct 2021 facebooK.com/bauhausdessau twitter.com/gropiusallee Corona has brought global tourism and its infrastructures to a near standstill. What has emerged is a moment that gives space for reflection: on ways to deal with the collective responsibility of inheriting a planet in climate crisis. El Dessau-Roßlau, Hadi Jazairy and Rania Ghosn of Design Earth look at ten UNESCO World 22 June 2021 Heritage Sites as figures in the climate crisis and try to concretely locate the abstract of climate change in these iconic places. The case studies show a broad spectrum of climate impacts: from rising sea levels to species extinc- tion and melting glaciers. The interlude visualises events that divide and de- fine the planetary past and future - including systemic patterns of violence, racism and displacement. Design Earth is a project by Hadi Jazairy and Rania Ghosn. Rania Ghosn is an architect and geographer. She works at the Massachusetts Institute of 1 Technology (MIT) School of Architecture + Planning. El Hadi Jazairy is an ar- von chitect and teaches at the University of Michigan. 2 More information: design-earth.org The Intermezzo Design Earth. Climate Inheritance at the Bauhaus Museum Dessau is sponsored by IDT Biologika. Ilulissat-Eisfjord, Denmark, West Coast Greenland, Ilulissat district, 2004 / © Design Earth Bauhaus Dessau Textile territories (1) Otti Berger Press release (2) Otti Berger + Lilly Reich Installations by Judith Raum >> (1) Bauhaus Museum Dessau + (2) Bauhaus Building 24 June – 3 Oct 2021 P r e s s c o n t a c t After Otti Berger’s murder in the Auschwitz concentration camp, her textile worK was scattered incoherently in archives throughout the world. Berlin art- Ute König ist Judith Raum has developed two installations for the Bauhaus Dessau P +49-340-6508-225 Foundation formed of fragments of this oeuvre. In the Bauhaus Museum [email protected] Dessau she juxtaposes four of Berger’s original designs from the thirties to designs that were still created at the Bauhaus Dessau. In this way she pur- Bauhaus Dessau Foundation sues the question whether fragments of a once continuous practice might be Gropiusallee 38 reassembled into a cohesive narrative. For the largescale installation in the 06846 Dessau-Roßlau former textile worKshop in the Bauhaus Building Judith Raum, after complex Germany research and collaborative work, had one of Berger’s curtain fabrics rewoven bauhaus-dessau.de out of the last Bauhaus collection, creating a stage for the yardage together facebooK.com/bauhausdessau with new video worKs that reflect conflicts and setbacks encountered during twitter.com/gropiusallee the worK. The idea for Textile territories came about after a generous donation. In Dessau-Roßlau, 2020, Yael Aloni and Monika Stadler, the daughters of Gunta Stölzl, donated 22 June 2021 four original fabric samples for upholstery and curtain fabrics by textile de- signer Otti Berger to the Bauhaus Dessau Foundation. The Bauhausler had once donated the fabric samples from the early 1930s to her colleague Gunta Stölzl. 2 von 2 Fabric design made of artificial silk and cotton, attributed to Otti Berger, ca. 1932-34, The Intermezzo Design Earth. Bauhaus Dessau Foundation, donation of Gunta Stölzl's daughters, photo: Judith Raum Climate Inheritance at the Bauhaus Museum Dessau is sponsored by IDT Biologika. Download high-resolution press images here: bauhaus-dessau.de/en/press .
Load more

Recommended publications
  • The Napoleon Series
    The Napoleon Series Officers of the Anhalt Duchies who Fought in the French Revolutionary and Napoleonic Wars, 1789-1815: Harsleben, [?] By Daniel Clarke Harsleben, whose first names could not be found, was most likely born in either the Principality of Anhalt-Dessau or Anhalt-Köthen during the latter part of the eighteenth century. No information could be found about his family relationships, or military service before or during the early part of the French Revolutionary and Napoleonic Wars, if indeed he was in service at this time. Harsleben first appears in the records during the first two months of 1814. He had the rank of an Oberleutnant (1st Lieutenant) and commanded what is referred to as the Anhalt Freiwilliger Jäger Detachment, or the Anhalt-Dessau Freiwilliger Jäger Korps. This small unit had no more than 50 men and was formed during February 1814. Some of the recruits came from the Anhalt-Dessau-Köthen Jäger Battalion, which had been organised in the spring and summer of 1813 by the Allies from former prisoners of war under the command of a Major Krohn, a Russian. These experienced soldiers from its scharfschützen detachment stiffened the ranks of the volunteers who made up most of the company. It is possible that Harsleben was one of these men from the Anhalt-Dessau-Köthen Jäger Battalion, or perhaps an officer from the Anhalt-Dessau Gendarmerie who volunteered for the command, as he wanted to see frontline, active service. Either way, being mostly a unit of volunteers, the soldiers actually had to purchase their own weapons and they seem to have chosen to arm themselves with the short, German scharfschützen rifle first manufactured in 1790.
    [Show full text]
  • Questions of Fashion
    http://www.jstor.org/stable/10.1086/677870 . Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Bard Graduate Center are collaborating with JSTOR to digitize, preserve and extend access to West 86th. http://www.jstor.org This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Questions of Fashion Lilly Reich Introduction by Robin Schuldenfrei Translated by Annika Fisher This article, titled “Modefragen,” was originally published in Die Form: Monatsschrift für gestaltende Arbeit, 1922. 102 West 86th V 21 N 1 This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Introduction In “Questions of Fashion,” Lilly Reich (1885–1947) introduces readers of the journal Die Form to recent developments in the design of clothing with respect to problems of the age.1 Reich, who had her own long-established atelier in Berlin, succinctly contextualizes issues that were already mainstays for the Werkbund, the prominent alliance of designers, businessmen, and government figures committed to raising design standards in Germany, of which she was a member.
    [Show full text]
  • Heartland of German History
    Travel DesTinaTion saxony-anhalT HEARTLAND OF GERMAN HISTORY The sky paThs MAGICAL MOMENTS OF THE MILLENNIA UNESCo WORLD HERITAGE AS FAR AS THE EYE CAN SEE www.saxony-anhalt-tourism.eu 6 good reasons to visit Saxony-Anhalt! for fans of Romanesque art and Romance for treasure hunters naumburg Cathedral The nebra sky Disk for lateral thinkers for strollers luther sites in lutherstadt Wittenberg Garden kingdom Dessau-Wörlitz for knights of the pedal for lovers of fresh air elbe Cycle route Bode Gorge in the harz mountains The Luisium park in www.saxony-anhalt-tourism.eu the Garden Kingdom Dessau-Wörlitz Heartland of German History 1 contents Saxony-Anhalt concise 6 Fascination Middle Ages: “Romanesque Road” The Nabra Original venues of medieval life Sky Disk 31 A romantic journey with the Harz 7 Pomp and Myth narrow-gauge railway is a must for everyone. Showpieces of the Romanesque Road 10 “Mona Lisa” of Saxony-Anhalt walks “Sky Path” INForMaTive Saxony-Anhalt’s contribution to the history of innovation of mankind holiday destination saxony- anhalt. Find out what’s on 14 Treasures of garden art offer here. On the way to paradise - Garden Dreams Saxony-Anhalt Of course, these aren’t the only interesting towns and destinations in Saxony-Anhalt! It’s worth taking a look 18 Baroque music is Central German at www.saxony-anhalt-tourism.eu. 8 800 years of music history is worth lending an ear to We would be happy to help you with any questions or requests regarding Until the discovery of planning your trip. Just call, fax or the Nebra Sky Disk in 22 On the road in the land of Luther send an e-mail and we will be ready to the south of Saxony- provide any assistance you need.
    [Show full text]
  • Anhalt-Köthen (1820-1853)
    Anhalt-Köthen (1820-1853) Staatsgebiet Das Herzogtum Anhalt-Köthen befindet sich in Mitteldeutschland. Es verteilt sich auf 4 Gebietsteile: Roßlau, Köthen, Warmsdorf und die Exklave Dornburg. An den äußeren Grenzen liegen das Königreich Preußen und die Gebietsteile von Anhalt-Dessau und Anhalt–Bernburg. Im Köthenschen Staatsgebiet befinden sich die preußischen Enklaven Repau und Pösigk. Zudem verfügt Anhalt-Köthen mit "Askania Nova" über eine Besitzung im südlichen Russland und in Schlesien über das Fürstentum Pleß. Hauptstadt und Sitz des Hofes ist Köthen. Nach dem Tod des letzten Herzogs von Anhalt-Köthen, Heinrich (1778-1747) am 23. November 1847 wird das Land zunächst unter die gemeinsame Verwaltung von Anhalt-Dessau und Anhalt-Bernburg gestellt und 1853 mit Anhalt-Dessau zum Herzogtum Anhalt-Dessau-Köthen vereinigt. Geographie/Topographie Für das Herzogtum Anhalt-Köthen wird 1815 eine Fläche von 15 Quadratmeilen angegeben. Der GIS-Wert beträgt 732km². Das Land liegt an den Flüssen Elbe, Saale, Wipper, Fuhne und Nuthe; Seen gibt es keine. "Die Verschiedenheit des Bodens in den Landen diesseits und jenseits der Elbe ist so groß, als sie in Anhalt irgend sein kann; zwar ist das ganze Herzogtum eben und nur hier und da erheben sich einzelne Anhöhen etwas mehr über den Spiegel der benachbarten Flüsse, aber während der Köthensche Boden wegen seiner Ergiebigkeit fast sprichwörtlich geworden ist, bietet das Zerbster Land nur alle Abstufungen von lehmigem, gemischtem und sandigem Boden bis zum toten Sande dar." (H. Lindner) Geschichte bis 1815/20 Die Linie Anhalt-Köthen, welche nach dem 1115 erstmals erwähnten slawischen Ort Köthen benannt ist, entstand 1252 aus dem Hause Anhalt.
    [Show full text]
  • E in M Ag Azin Vo N
    Ein Magazin von T L 1 Liebe Leserinnen und Leser, im Jahr 2019 feiert Deutschland 100 Jahre Bauhaus und wir fast vier Jahrzehnte TEcnoLuMEn. 140 Jahre Tradition – eine Vergan - genheit voller Geschichten, die wir Ihnen erzählen wollen. Die Wagenfeld-Leuchte ist ohne Eine davon beginnt 1919 in Weimar. Zweifel eine dieser zeitlosen Walter Gropius gründete das Designikonen und seit fast 40 Jahren Staatliche Bauhaus, eine Schule, is t sie ganz sicher das bekannteste in der Kunst und Handwerk Werkstück unseres Hauses. auf einzigartige Weise zusammen - Das ist unsere Geschichte. geführt wurden. Interdisziplinär, Weshalb TEcnoLuMEn autorisierter weltoffen und experimentierfreudig. Hersteller dieser Leuchte ist, wer ob Architektur, Möbel, Foto- das Bremer unternehmen gegründet grafie, Silberwaren – Meister und hat, welche Designleuchten wir Studierende des Bauhaus schufen neben diesem und anderen Klassi - viele Klassiker. kern außerdem im Sortiment haben und welche Philosophie wir bei TEcnoLuMEn verfolgen, all das möchten wir Ihnen auf den folgen - den Seiten unseres Magazins erzählen. Weil Zukunft Vergangenes und Gegenwärtiges braucht. und das Heute ohne Geschichten nicht möglich ist. Wir freuen uns sehr, Ihnen die erste Ausgabe unseres TEcnoLuMEn Magazins TL1 vorstellen zu können 4 und wünschen Ihnen eine interes - Die Idee des Bauhaus sante und erkenntnisreiche Lektüre. 6 Die TEcnoLuMEn Geschichte carsten Hotzan 8 Interview mit Walter Schnepel Geschäftsführer 12 Alles Handarbeit 14 Designikone im Licht der Kunst 16 „Junge Designer“ r e n g e i l F m i h c a o J Die von Wilhelm Wagenfeld 1924 entworfene und im Staatlichen Bauhaus Weimar hergestellte Metallversion der „Bauhaus-Leuchte“. Herbert Bayer „Eine solche Resonanz kann man nicht Max Bill Laszlo Moholy-nagy mit organisation erreichen und nicht mit Propaganda.
    [Show full text]
  • Bauhaus 1919 - 1933: Workshops for Modernity the Museum of Modern Art, New York November 08, 2009-January 25, 2010
    Bauhaus 1919 - 1933: Workshops for Modernity The Museum of Modern Art, New York November 08, 2009-January 25, 2010 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Upholstery, drapery, and wall-covering samples 1923-29 Wool, rayon, cotton, linen, raffia, cellophane, and chenille Between 8 1/8 x 3 1/2" (20.6 x 8.9 cm) and 4 3/8 x 16" (11.1 x 40.6 cm) The Museum of Modern Art, New York. Gift of the designer or Gift of Josef Albers ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Silk, cotton, and acetate 57 1/8 x 36 1/4" (145 x 92 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1925 Wool and silk 7' 8 7.8" x 37 3.4" (236 x 96 cm) Die Neue Sammlung - The International Design Museum Munich ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Wall hanging 1926 Silk (three-ply weave) 70 3/8 x 46 3/8" (178.8 x 117.8 cm) Harvard Art Museum, Busch-Reisinger Museum. Association Fund Bauhaus 1919 - 1933: Workshops for Modernity - Exhibition Checklist 10/27/2009 Page 1 of 80 ANNI ALBERS German, 1899-1994; at Bauhaus 1922–31 Tablecloth Fabric Sample 1930 Mercerized cotton 23 3/8 x 28 1/2" (59.3 x 72.4 cm) Manufacturer: Deutsche Werkstaetten GmbH, Hellerau, Germany The Museum of Modern Art, New York. Purchase Fund JOSEF ALBERS German, 1888-1976; at Bauhaus 1920–33 Gitterbild I (Grid Picture I; also known as Scherbe ins Gitterbild [Glass fragments in grid picture]) c.
    [Show full text]
  • Spalding on Bechler, 'Schloss Oranienbaum: Architektur Und Kunstpolitik Der Oranierinnen in Der Zweiten HÖ¤Lfte Des 17
    H-German Spalding on Bechler, 'Schloss Oranienbaum: Architektur und Kunstpolitik der Oranierinnen in der zweiten HÖ¤lfte des 17. Jahrhunderts' and Wehser, 'Anna Wilhelmine von Anhalt und ihr Schloss in Mosigkau: Idee und Gestaltung eines Gesamtkunstwerks' Review published on Saturday, October 1, 2005 Katharina Bechler. Schloss Oranienbaum: Architektur und Kunstpolitik der Oranierinnen in der zweiten HÖ¤lfte des 17. Jahrhunderts. Saale: mdv Mitteldeutscher Verlag, 2002. 248 pp. EUR 26.00 (cloth), ISBN 978-3-89812-097-5.Astrid Wehser. Anna Wilhelmine von Anhalt und ihr Schloss in Mosigkau: Idee und Gestaltung eines Gesamtkunstwerks. Kiel: Ludwig, 2002. 336 pp. EUR 24.90 (paper), ISBN 978-3-933598-45-5. Reviewed by Almut Spalding (Department of Modern Languages and Program of Gender and Women's Studies, Illinois College) Published on H-German (October, 2005) To Represent a Dynasty When Princely Heirs Are Scarce: Castles of the Princesses of Orange Together, these two books explore the castle complexes that four succeeding generations of princesses of the house of Orange built in the seventeenth to mid-eighteenth centuries, among them Oranienburg near Berlin, Oranienbaum near Dessau, Oranienstein near Limburg/Lahn, and Mosigkau, also near Dessau. Wörlitz, another castle and park complex in the same tradition and also near Dessau, developed in the late eighteenth century by a male scion of the family, is considerably larger and in 2000 was declared a UNESCO World Heritage site. The two present studies show, however, how the women in the family transmitted the interest in architecture and landscaping, and how their castles provided models when subsequent generations of the family embarked on building projects of their own.
    [Show full text]
  • Mitglieder (PDF)
    Mitgliederliste WelterbeRegion Anhalt-Dessau- Wittenberg Stand 16.10.2020 Vorstand 1. Herr Sepp Müller (Vorsitzender) Gräfenhainichen 2. Herr Manfred Piotrowsky (Stellvertr. Vorsitz) Dessau-Roßlau, OT Dessau 3. Ringhotel „Zum Stein“ Herr Michael Pirl (Schatzmeister) Oranienbaum-Wörlitz, OT Wörlitz www.hotel-zum-stein.de 4. Radisson Blu Fürst Leopold Hotel Dessau Frau Claudia Schwalenberg Dessau-Roßlau, OT Dessau www.hotel-dessau-city.de 5. Palm Springs GmbH & Co.KG Herr David Rieck Köthen (Anhalt) Freizeitanlage Köthen www.koethener-badewelt.de 6. Camping- und Ferienpark Goitzsche Frau Maria Grütze Bitterfeld-Wolfen www.ferienpark-goitzsche.de 7. Mundschenk Druck und Medien Herr Jan-Peter Pajak Lutherstadt Wittenberg www.dm-mundschenk.de Kommunen/Landkreise 8. Landkreis Anhalt-Bitterfeld Landrat Uwe Schulze Köthen (Anhalt) www.anhalt-bitterfeld.de 9. Landkreis Wittenberg Landrat Jürgen Dannenberg Lutherstadt Wittenberg www.landkreis-wittenberg.de 10. Stadt Aken (Elbe) Bürgermeister Jan-Hendrik Bahn Aken (Elbe) www.aken.de 11. Stadt Annaburg Bürgermeister Klaus-Rüdiger Neubauer Annaburg www.annaburg.de 12. Stadt Bernburg (Saale) Oberbürgermeister Henry Schütze Bernburg (Saale) www.bernburg.de 13. Stadt Bitterfeld-Wolfen Oberbürgermeister Armin Schenk Bitterfeld-Wolfen, OT Wolfen www.bitterfeld-wolfen.de 14. Stadtverwaltung Coswig (Anhalt) Bürgermeister Axel Clauß Coswig (Anhalt) www.coswiganhalt.de 15. Stadt Dessau-Roßlau Oberbürgermeister Peter Kuras Dessau-Roßlau www.dessau-rosslau.de 16. Stadt Gräfenhainichen Bürgermeister Enrico Schilling Gräfenhainichen www.graefenhainichen.de 17. Stadt Kemberg Bürgermeister Torsten Seelig Kemberg www.stadt-kemberg.de 18. Stadt Köthen (Anhalt) Oberbürgermeister Bernd Hauschild Köthen (Anhalt) www.bachstadt-koethen.de 19. Lutherstadt Wittenberg Oberbürgermeister Torsten Zugehör Lutherstadt Wittenberg www.wittenberg.de 20. Gemeinde Muldestausee Bürgermeister Ferid Giebler Muldestausee, OT Pouch www.gemeinde-muldestausee.de Oranienbaum-Wörlitz, OT 21.
    [Show full text]
  • Invest in the Heartland of German History: SAXONY-ANHALT
    Invest in the heartland of German history: SAXONY-ANHALT /// UNESCO-World Heritage City Quedlinburg /// Luther Bible, Francke Foundations Halle (S) /// Bauhaus in Dessau-Roßlau Photo: Frank Boxler; image source: IMG Photo: Harald Krieg; image source: IMG Photo: Michael Bader; image source: IMG HEARTLAND OF CRADLE OF BAUHAUS, GERMAN HISTORY THE REFORMATION APPLIED MODERNITY /// Almost 7,000 years of history /// From Saxony-Anhalt the /// The BAUHAUS school of art, design and cultural assets of European Reformation went around the and architecture, which is of global and international importance to be world. The well-known Luther Cities importance and also closely associated experienced make Saxony-Anhalt a Wittenberg, Eisleben and Mansfeld with Saxony-Anhalt, was founded heartland of German history. Only are a magnet for visitors from all over in 1919 in Weimar and was relocated here can visitors marvel at medieval the world. to Dessau in 1925, and then became architecture along the “Romanesque Germany’s most successful cultural Road”, stroll through the idyllic /// When Germany celebrates the 500- export item. “Garden Dreams Parks”, discover year anniversary of the Reformation sensational archaeological finds on the in 2017, Saxony-Anhalt will be the /// An industrial region of the future “Sky Paths” and become acquainted centre of national and international emerged in Central Germany, which with Martin Luther at the original attention due to its numerous original was closely linked with visionary and locations of the Reformation. locations and the world’s largest idealistic plans for a new image of museum dedicated to the history of humanity implemented in terms of /// Thanks to the broad cultural- the Reformation.
    [Show full text]
  • Anni Albers and Lilly Reich in Barcelona 1929: Weavings and Exhibition Spaces
    Laura Martínez de Guerenu˜ https://doi.org/10.3986/wocrea/1/momowo1.14 Anni Albers and Lilly Reich This paper examines the work of Anni Albers (1899–1994) to ascertain the impact that the visit to Barcelona International Exhibition during the summer of 1929 had on her later work. Albers was in Barcelona 1929: then a student of the Bauhaus weaving workshop and would graduate the following semester, in February 1930.1 Lilly Reich (1885–1947) would not join the Bauhaus until 1932.2 However, Reich’s Weavings and Exhibition Spaces work in the interior designs of the vast German exhibits in Barcelona 1929 is echoed in a building that was collectively designed by the various Bauhaus workshops under the directorship of Hannes Meyer (1889–1954), and in which Albers participated, also in 1929. Despite all that has been discussed in relation to the Barcelona International Exhibition, an important fact has remained undiscovered for scholarship in the fields of decorative arts, design history and material culture. In early 1929 the Bauhaus had already acquired many commitments to participate in several exhibitions throughout that year.3 Barcelona, together with Basel, Brussels, Leningrad The Bauhaus participated as an industry in the German section of the 1929 Barce- lona International Exhibition, sending objects to the Palaces of Textile Industries and Paris, was one of the many cities outside Germany, where the Bauhaus was planning to display and Decorative and Industrial Arts, two interiors (besides another thirteen) de- its objects. In fact, the Bauhaus participated as an industry in the German section of the 1929 signed by Lilly Reich and Mies van der Rohe.
    [Show full text]
  • Bauhaus Dessau Foundation Gropiusallee 38 06846 Dessau-Roßlau, Germany Phone 0049-340-6508-250
    Bauhaus Dessau Foundation Gropiusallee 38 06846 Dessau-Roßlau, Germany phone 0049-340-6508-250 www.bauhaus-dessau.de Institutional funding: World Heritage Site Bauhaus Expansion: Former ADGB Bernau Trade Union School Berlin Dessau Bauhaus building Masters’ Houses Weimar Expansion: Houses with Balcony Access Former art academy and for- mer school of arts and crafts Haus Am Horn UNESCO World Heritage Convention The purpose of UNESCO as an organisation of the United Nations is “to contribute to peace and security by promoting collaboration among the nations through education, science and culture”. UNESCO is working towards this goal with a range of programmes, which from 1972 have also included the World Her- itage Convention as an instrument to protect the world cultural and natural heritage The world cultural and natural heritage includes monuments of past civilisations, great works of art and unique natural land- scapes, the destruction of which would constitute an irreplace- able loss for all of humanity. World Heritage Sites are of outstand- ing universal value and authentic and their integrity is largely preserved. Their protection is therefore not the sole responsibility of a single nation, but a task for the international community. The World Heritage List encompasses over 1,000 natural land- scapes and cultural sites in 163 countries worldwide. Germany is represented on the List by 40 World Heritage Sites. www.unesco.de www.whc.unesco.org/en/list Cover: Three Bauhauslers on the southern side entrance canopy before the lettering of the Bau- haus building in Dessau, 1929, Photo: unknown, Bauhaus Dessau Foundation | All colour pictures: Photo: Christoph Petras, 2011 © ARGE model bauhaus 2009 c/o Stiftung Bauhaus Dessau Planned expansion of the World Heritage Site Bauhaus In 2016 an application was made to UNESCO to add to the World Heritage Site Bauhaus the Bauhaus building Houses with Balcony Access and the ADGB Trade Union School, built under the stewardship Masters’ Houses of the second Bauhaus director Hannes Meyer.
    [Show full text]
  • Bauhaus Dessau and the Movement of Modernism In
    EVENT TIPS BAUHAUS DESSAU AND THE MOVEMENT FROM 17.01.2019 OF MODERNISM IN SAXONY-ANHALT BAUHAUS DESSAU BUILDINGS. ICONS OF MODERNISM RE-CURATED. Bauhaus buildings, Masters´ Houses, the Dessau-Törten housing estate; Dessau-Roßlau www.bauhaus-dessau.de FESTIVALS IN DESSAU-ROSSLAU 20.03. – 24.03.2019 FESTIVAL SCHOOL FUNDAMENTAL 31.05. – 02.06.2019 FESTIVAL ARCHITECTURE RADICAL The Bauhaus Building by Walter Gropius (1925–26), South-west www.bauhaus-dessau.de view, 2017 | Bauhaus Dessau Foundation/Photo: Th. Meyer, OSTKREUZ 11.09. – 15.09.2019 FESTIVAL STAGE TOTAL 2019 – Germany will celebrate the 100th anniversary of the foundation of the Bauhaus www.tourismus.dessau-rosslau.de together with partners all over the world. Founded in Weimar in 1919, relocated to Dessau in 1925 and closed in Berlin in 1933, the school of design only existed for a total of 14 years. 08.03. – 16.06.2019 THE REFORM CITY OF THE Despite this, the Bauhaus continues to have an impact to this day. No other federal state MODERN ERA. MAGDEBURG in Germany has as many preserved Bauhaus buildings or Modernism locations as Saxony- IN THE TWENTIES Anhalt. In particular, these can be found in Dessau-Roßlau, but also in Magdeburg, Halle Exhibition at the Kulturhisto rischen (Saale), Quedlinburg, Lutherstadt Wittenberg and Elbingerode. Museum, Magdeburg; Magdeburg www.khm-magdeburg.de Towards Hamburg TRAVEL 29.09.2019 – 12.01.2020 CASTLE OF MODERNISM: HIGHLIGHTS: MASTER OF MODERNISM Exhibition at Kunstmuseum DESSAU-ROSSLAU Moritzburg; Halle (Saale) STENDAL www.stiftung-moritzburg.de The concentration of Bauhaus OVERVIEW architecture is nowhere higher than HanoverTowards OF THE MAIN SITES: in Dessau, which the design and architecture school made its home HALDENSLEBEN BerlinTowards Dessau-Roßlau: from 1925 to 1932.
    [Show full text]