Second Quarter FY2013

Total Page:16

File Type:pdf, Size:1020Kb

Second Quarter FY2013 Chapin Library Acquisitions FY2013 2nd Quarter (October-December 2012) Date of Author Title Date Gift / Source Fund Notes Acqui- Purchase sition (G/P) 101012 Hartman Schedel Liber Chronicarum Vol. 3 2012 P Smith & Press Translation of 1493 Nuremberg Chronicle 101012 Hartman Schedel Liber Chronicarum Vol. 4 2012 P Smith & Press Translation of 1493 Nuremberg Chronicle 111212 Gordon Heath Deep Are the Roots: Memoirs of a Black Expatriate 1992 P Between the Covers 111212 R.S. Hichens Green Carnation 1929 P John Bale Book Co. 112312 Irene V. Jackson Afro-American Religious Music 1979 P Aptekarbooks 112612 Homer A. Rodeheaver Singing Black 1936 P Biblio 112612 Elizabeth Eldstob Rudiments of Anglo-Saxon Grammar 1715 P Second Life Books 112612 Margaret Schlauch Who Are the Aryans? 1935 P Second Life Books 112612 Gary L. Collison Shadrach Minkins: From Fugitive Slave to Citizen 1997 P Second Life Books 112612 Jonathan Katz Resistance at Christiana: The Fugitive Slave 1974 P Second Life Books Rebellion 112612 Austin Willey The History of the Anti-slavery Cause 1886 P Second Life Books 112612 W. Sherman Savage The Controversy over the Distribution of Abolition 1938 P Second Life Books Literature 112612 Langston Hughes Black Magic 1967 P Second Life Books 112612 Hugh Honour Image of the Black in Western Art, part 4 1989 P Second Life Books 2 v. 113012 Gabriel Gravier Decouvertes et etablissements de cavelier De la 1870 P Anton Van Bekhoven Salle 113012 Alfredo de Albuquerque Angola Apontamentos 1933 P Anton Van Bekhoven Felner 113012 Leon Degrelle Les Grande farces de Louvain 1932 P Anton Van Bekhoven 113012 Germany White Book on the War Crimes of Heinz Trettner 1964 P Anton Van Bekhoven 113012 G. Beernink Dr. Arend van Slichtenhorst en zijn Vader Brant 1916 P Anton Van Bekhoven van Slichtenhorst 113012 Ortwin Buchbender Heil Beil: Flugblattpropagande Im Zweiten 1974 P Anton Van Bekhoven Weltkrieg 113012 Hans Mauersberg Beiträge zur Bevölkerungs- und Sozialgeschichte 1938 P Anton Van Bekhoven Niedersachsens Chapin Library Acquisitions FY2013 2nd Quarter (October-December 2012) Date of Author Title Date Gift / Source Fund Notes Acqui- Purchase sition (G/P) 120312 Robert A. Gross A History of the Book in America, v. 2 2010 P Amazon 120312 David Paul Nord A History of the Book in America, v. 5 2009 P Amazon 120312 Eric Rasmussen The Shakespeare Thefts 2011 P Amazon 120412 Rudyard Kipling Cambridge Edition of Rudyard Kipling 2013 P Book Depository 3 v. 121312 Karin Innerling Karin Innerling 1984-2010: Buche Bjelcte 2011 P Mergemeier 121412 Richard L. Betz The Mapping of Africa 2007 P Anton Van Bekhoven 121412 Paula Van Gestel Maps in Books of Russia and Poland Published in 2011 P Anton Van Bekhoven the Netherlands to 1800 121412 John Dieter Brinks Weltliteratur auf Zanders Butten 1999 P Anton Van Bekhoven 121412 John Dieter Brinks Drukmal des Geistes . Van de Velde 2007 P Anton Van Bekhoven 121412 Joseph Felcone Printing in New Jersey, 1754-1800 2012 P Oak Knoll 121712 James M. Trotter Music and Some Highly Musical People 1880 P Savoy Books 121812 Johari Amini An African Frame of Reference 1972 P Bolerium 122412 Last Poets On the Subway 2006 P Groovers Paradise 2 CDs 122412 Last Poets Oh My People P odjbnork1917 CD 101612 Etel Adnan Book of the Sea 2010 P Kaldewey Press W.E. Archer One of 30 regular copies 103112 Omar Khayyam Rubaiyat of Omar Khayyam 1884 P William Podmore W.E. Archer Limited ed. extra-large format, illustrated by Elihu Vedder; complements other editions with Vedder art 112612 Elizabeth Eldstob Anglo-Saxon Homily 1709 P Jordan Antiquarian Bks W.E. Archer 113012 Breman Collection P Jill Norman W.E. Archer Part of 2nd payment 113012 Breman Collection P Elinor Breman W.E. Archer Part of 2nd payment 120312 Isaak Alexander Kleine Schriften 1789 P Eckhard Kaulbarsch W.E. Archer By a rabbi in Regensburg 121312 Karin Innerling Und es Geschah 2011 P Mergemeier W.E. Archer 100112 James Mitchell Indiana Colonization Office circular 1853 P PBA Auctions Hoffman With attached application form for passage to Liberia, and letter signed from Sheets & Braden concerning certificate for "registering" Negroes Chapin Library Acquisitions FY2013 2nd Quarter (October-December 2012) Date of Author Title Date Gift / Source Fund Notes Acqui- Purchase sition (G/P) 100112 John P. St. John Autograph letter signed, to Albert N. Brown 1884 P PBA Auctions Hoffman On his prosecution in South Carolina under the "Black Laws" "for feeding a hungry colored boy"; with original envelope 100212 A.H. Scott Autograph letter signed, to his mother 1873 P Raynors Auctions Hoffman From quartermaster on supplying U.S. Army against Indians; with original envelope 101212 Manuscript from Barnstable, Mass., ordering an 1774 P University Stamp Co. Hoffman Indian to pay child support 112712 John A. Andrew Speeches of Gov. John A. Andrew 1860 P Second Life Books Hoffman 121912 Daniel Webster Fugitive Slave Law cartoon P Heritage Auctions Frank 100212 U.S. Congress Free Negroes - Dictrict of Columbia 1827 P Raynors Auctions 1940 On fugitive slaves 100212 New York Herald, 25 November 1851 1851 P Raynors Auctions 1940 On fugitive slaves 100212 New York Daily Times, 5 November 1855 1855 P Raynors Auctions 1940 On fugitive slaves 100212 National Anti-Slavery Standard, New York, 3 1859 P Raynors Auctions 1940 On fugitive slaves September 1859 100212 The Liberator, 19 October 1860 1860 P Raynors Auctions 1940 On fugitive slaves 100212 S.H. Platt The Martyrs, and the Fugitive 1859 P Raynors Auctions 1940 On fugitive slaves 100212 A Young Patriot: His Death and Life 1863 P Raynors Auctions 1940 100212 Henry Clay Mr. Clay's Speech, . April 13, 1844 1844 P Raynors Auctions 1940 On fugitive slaves 100212 D.H. Beardsley Autograph letter signed, to Rep. John Carey 1861 P Raynors Auctions 1940 Urges the Congressman to avert civil war, save the Union and Constitution 100212 U.S. Congress An Act for the More General Promulgation of the 1795 P Raynors Auctions 1940 Laws of the United States [and] An Act Making Provision for the Purposes of Trade with the Indians 101512 Robert Rantoul Second Speech of Mr. Rantoul . March 9, 1852 1852 P Zubal 1940 On fugitive slaves 101512 Warren Choate Shaw The Fugitive Slave Issue in Massachusetts Politics, 1938 P Zubal 1940 Thesis abstract 1780-1837 101512 George Pow Speech of Mr. Pow, of Mahoning 1851 P Zubal 1940 On fugitive slaves Chapin Library Acquisitions FY2013 2nd Quarter (October-December 2012) Date of Author Title Date Gift / Source Fund Notes Acqui- Purchase sition (G/P) 101512 G.T. Curtis Observations on the Rev. Dr. Gannett's Sermon 1854 P Zubal 1940 On fugitive slaves; "second thousand" 101512 Horace Mann Horace Mann's Letters on the Extension of Slavery 1935 P Zubal 1940 into California and New Mexico . and Fugitive Slaves 101512 Charles Sumner Freedom National, Slavery Sectional 1852 P Zubal 1940 On fugitive slaves 101512 John Pierpont Discourse on the Covenant with Judas 1842 P Zubal 1940 On slavery 101512 New York State. Governor Message from the Governor . in relation to the 1842 P William Reese 1940 On fugitive slaves (William Seward). controversy between Virginia and New-York 101612 Octavius Pickering Report of Trial by Impeachment of James Prescott, 1821 P Second Life Books 1940 Daniel Webster 24 April 1821 112612 Freemasons, Grand Lodge, Free Masonry and the War 1865 P Second Life Books 1940 Va. 112612 C.H. Wiley et al. Address to the People of North Carolina 1861 P Second Life Books 1940 112612 History of a Carpet-Bag Government 1877? P Second Life Books 1940 112612 Massachusetts. House. Document 13 1870 P Second Life Books 1940 Response to lawsuit from Stockbridge Indians regarding compensation for land-taking 112612 David Daggett Steady Habits Vindicated . against Change in 1805 P Second Life Books 1940 [Connecticut] Government 112612 David Daggett Count the Cost . on the Proposition for a New 1804 P Second Life Books 1940 [Connecticut] Constitution 112612 William D. Kelley Manufacturing in the West 1873 P Second Life Books 1940 112612 William D. Kelley Judge Kelley in Louisiana 1867 P Second Life Books 1940 112612 William D. Kelley The National Prospects 1877 P Second Life Books 1940 112612 Charles Allen Speech of Hon. Charles Allen 1867 P Second Life Books 1940 On fugitive slaves 112612 Gerret Smith The One Test of Character 1860 P Second Life Books 1940 112612 G.T. Curtis Observations on the Rev. Dr. Gannett's Sermon 1854 P Second Life Books 1940 On fugitive slaves 112612 Dora Ogan Autograph letter signed 1925? P Second Life Books 1940 Leader of the Woman Suffrage Party of New York City, on the murder of Blacks in the South Chapin Library Acquisitions FY2013 2nd Quarter (October-December 2012) Date of Author Title Date Gift / Source Fund Notes Acqui- Purchase sition (G/P) 112612 Ellen Tarry The Third Door 1925 P Second Life Books 1940 112712 Henry Dawes The New Dogma of the South 1860 P Jordan Antiquarian Bks 1940 113012 Breman Collection P Marc Breman 1940 Part of 2nd payment 113012 Breman Collection P Sasha Roth 1940 Part of 2nd payment 121112 Darius Cobb The Last Comrade's Final Tribute P Heritage Auctions 1940 Signed lithograph & associated letters 121112 S.C. Fessenden Issues of the Rebellion 1862 P Jordan Antiquarian Bks 1940 121112 J.L.M. Curry Speech of J.L.M. Curry of Alabama . Anti- 1859 P Jordan Antiquarian Bks 1940 Slaveryism 121112 F.A. Ross Position of the Southern Church in Relation to 1857 P Jordan Antiquarian Bks 1940 Slavery 121112 Daniel Clark Speech . on the Proposed Amendment . 1864 P Jordan Antiquarian Bks 1940 Forever Prohibiting Slavery 121112 U.S.
Recommended publications
  • Black Images and White Culture During the Decade Before the Civil Rights Movement
    Black Images and White Culture During the Decade before the Civil Rights Movement Thomas H. Pauly "I have assumed that the slaves were merely ordi­ nary human beings, that innately Negroes are, after all, only white men with black skins, nothing more, nothing less." "Preface" Kenneth Stampp The Peculiar Institution: Slavery intheAnte-Bellum South (1956) Walter: "We are very plain people ... what I am telling you is that we called you over here to tell you that we are very proud and that this is—this is my son, who makes the sixth generation of our family in this country, and that we have all thought about your offer and we have decided to move into our house because my father—my father—he earned it We don't want to make no trouble for nobody or fight no causes—but we will try to be good neighbors. That's all we got to say." Lorainne Hansberry Raisin in the Sun (1959) 0026-3079/90/3102-0101$! .50/0 101 It is usually assumed that the Civil Rights Movement began with the 1954 Supreme Court decision on Brown vs. the Board of Education of Topeka and the Montgomery bus boycott of the following year. However, this assumption surpresses an uneasy feeling that these beginnings were themselves outgrowths of earlier developments. One cannot help suspecting that the decade that followed the conclusion of World War II contributed more to the Civil Rights Movement than conventional thought allows.1 Admittedly, this period's notable lack of events of equivalent movement justifies this slighting.
    [Show full text]
  • February 2018 at BFI Southbank Events
    BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola.
    [Show full text]
  • Pearl Primus: Cross-Cultural Pioneer of American Dance
    INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Beli & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Gordon Heath Papers, 1913-1992 Finding
    Special Collections and University Archives UMass Amherst Libraries Gordon Heath Papers 1913-1992 (Bulk: 1942-1979) 44 boxes (22.75 linear ft.) Call no.: MS 372 About SCUA SCUA home Credo digital Scope Overview Series 1. Biographical Materials Series 2. General Correspondence Series 3. Writings Series 4. Subject Files Series 5. L'Abbaye Files Series 6. Production Scrapbooks Series 7. General Scrapbooks Series 8. Photographs Series 9. Artwork Inventory Series 1. Biographical Materials Series 2. General Correspondence Series 3. Writings Series 4. Subject Files Series 5. L'Abbaye Files Series 6. Production Scrapbooks Series 7. General Scrapbooks Series 8. Photographs Series 9. Artwork Series 10. Printed Materials Admin info Download xml version print version (pdf) Read collection overview A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L'Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s. The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.
    [Show full text]
  • Home Mcr. Org Box Office 0161 200 1500
    POP-UP/ INSTIGATE ARTS: IDENTITY home box office Sat 8 Oct, 18:00 – 21:00 Drop in mcr. 0161 200 1500 ART A one night only, mixed-media pop-up org exhibition with performance, noise, film and intervention. home homemcr.org/identity EXHIBITION/ RACHEL MACLEAN: GALLERY TOUR EXPERIMENT/ PARADOXPARADOX BY WOT U :-) ABOUT? Sat 29 Oct, 14:00 PROTOVOULIA Preview Fri 28 Oct, 18:00 - 22:00 Join artist Rachel Maclean and Mon 10 – Fri 14 Oct, 12:00 – 20:00 Sat 29 Oct - Sun 8 Jan curator Bren O’Callaghan for a Drop in Main Gallery guided tour of Rachel’s work. Brazilian duo Rafael Abdala and Jessica Curated by Bren O’Callaghan and Goes join forces with nine Greater Sarah Perks Don’t miss I’m Too Happy, a season Manchester artists for a long-durational A major solo exhibition of entirely of films curated by Rachel Maclean, experiment on improvisation and the new work in large format print, taking place Oct – Dec. See film creative process. Drop into the gallery to film and sculpture by acclaimed seasons (overleaf) for details. see these artists at work. Scottish artist Rachel Maclean, homemcr.org/paradoxparadox who will represent Scotland at the 2017 Venice Biennale. Maclean uses Also get your hands on the first HOME PROJECTS/ MARK LEEMING: green screen techniques and the major publication of Rachel BEARDED BRUTES fairytale genre to examine the murky Maclean’s sweeter-than-candy Fri 11 Nov – Sun 22 Jan boundary between childhood and adventures in our bookshop and online at cornerhousepublications. Bearded Brutes is a collection of vivid adulthood, resulting in an unsettling photographic portraits bursting with org/rachel-maclean foray into a netherland reminiscent colour, sparkle and, perhaps unsurprisingly, of the candy coloured palette of beards.
    [Show full text]
  • Introduction
    Notes Introduction 1. Hallie Flanagan, application to John Simon Guggenheim Memorial Foundation, received 3 December 1926. John Simon Guggenheim Memorial Foundation Archives. 2. Joseph C. Kiger, Philanthropic Foundations in the Twentieth Century (Westport: Greenwood Press, 2000) 42–44. 3. Irwin Unger and Debi Unger, The Guggenheims: Family History (New York: HarperCollins, 2005) 210. 4. Barry D. Karl and Alice W. Karl, “Foundations and the Government: A Tale of Conflict and Consensus,” Philanthropy and the Nonprofi t Sector in a Changing America, ed. Charles T. Clotfelter and Thomas Ehrlich (Bloomington: Indiana University Press, 1999) 52. 5. Robert F. Arnove, “Introduction,” Philanthropy and Cultural Imperialism: The Foundations as Home and Abroad, ed. Robert F. Arnove (Bloomington: Indiana University Press, 1982) 5. 6. Arnove, “Introduction,” 17. 7. G. Thomas Tanselle, The John Simon Guggenheim Memorial Foundation 1925–2000: Seventy-Fifth Anniversary Record (New York: The John Simon Guggenheim Memorial Foundation, 2000) 28. 8. Unger and Unger, The Guggenheims, 208. 9. This fact also influenced the Guggenheims. Tanselle, The John Simon Guggenheim, 28. 10. Tanselle, The John Simon Guggenheim, 30. 11. Tanselle, The John Simon Guggenheim, 91. Also see Unger and Unger, The Guggenheims, 209. The awarded amount is about $30,000 in 2013 US dollars. 12. Walter Prichard Eaton, “The Real Revolt in Our Theatres,” Scribner’s 72 (November 1922): 598. 13. Joanne Bentley, Hallie Flanagan: Life in the American Theatre (New York: Knopf, 1988) 45. 14. W. E. B. Du Bois, The Souls of Black Folk in W. E. B. Du Bois: Writings: The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays and Articles (New York: Library of America, 1987 [1903]) 359.
    [Show full text]
  • Black and Asian Theatre in Britain
    Black and Asian Theatre in Britain ‘An important and long overdue book on the huge contribution that Black and Asian artists have made and continue to make to Britain’s theatrical landscape.’ – Meera Syal Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty­first century. Figures and companies studied include: • Ira Aldridge • Indian Art and Dramatic Society • Henry Francis Downing • Temba • Paul Robeson • Edric and Pearl Connor • Errol John • Tara Arts • Mustapha Matura • Yvonne Brewster • Dark and Light Theatre • Tamasha • The Keskidee Centre • Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Colin Chambers was Kingston University’s first Professor of Drama. Formerly a journalist and theatre critic, he was Literary Manager of the Royal Shakespeare Company from 1981 to 1997. His books include The Story of Unity Theatre (1989), the award­winning biography Peggy: The Life of Margaret Ramsay, Play Agent (1997), The Continuum Companion to Twentieth Century Theatre (editor, 2002), Inside the Royal Shakespeare Company (2004) and Here We Stand (2006).
    [Show full text]
  • A History of 'Theatre Arts' Magazine: 1916-1948. John Guy Handley Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1960 A History of 'Theatre Arts' Magazine: 1916-1948. John Guy Handley Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Handley, John Guy, "A History of 'Theatre Arts' Magazine: 1916-1948." (1960). LSU Historical Dissertations and Theses. 622. https://digitalcommons.lsu.edu/gradschool_disstheses/622 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed Mic 60-5912 exactly as received HANDLEY, John Guy. A HISTORY OF THEATRE ARTS MAGAZINE: 1916-1948. Louisiana State University, Ph.D., 1960 Speech - Theater University Microfilms, Inc., Ann Arbor, Michigan A HISTORY OF THEATRE ARTS MAGAZINE: 1916-1948 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and AgricuLturaL and MechanicaL College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by John Guy Handley B. A. i Southwestern Louisiana Institute, 1949 M .A ., Louisiana State University, 1951 August, I960 TABLE OF CONTENTS PAGE ACKNOWLEDGEMENT....................................................................................
    [Show full text]
  • The Hilltop 3-2-1962
    Howard University Digital Howard @ Howard University The iH lltop: 1960-70 The iH lltop Digital Archive 3-2-1962 The iH lltop 3-2-1962 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_196070 Recommended Citation Staff, Hilltop, "The iH lltop 3-2-1962" (1962). The Hilltop: 1960-70. 27. http://dh.howard.edu/hilltop_196070/27 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1960-70 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • ' I • 7~e Vol. 44, No. 15 Howard University, Washington, D.C. \\larch 2, 1962 ' • • • • • n1vers1t s 1het - 1 ear· • • • • 1t1ona arter 1tes - Boston Dean Speaker For' 10:30 Convocation · t I Today is a day for rededication, as the University observes its , 95th year of in.struction, in the tradi'jonal Charter Day exercis"8 this mo1·ni11g. StL1dents, faculty, ad111i11istration, a! u11111 i a11d f1·iends ' of the University are expected to gather from across the country Dyett H11clso11 for the ceremonies 1vhicl1 \viii begin l1t 10 :30. Principal speaker in this morning's convocation 1vill be Dr. Ho\1·ard Thurn1an, Dean of l\1arsh Chapel at Boston University. He is a graduate of Moreho11se Colle8e a11d tl1e Colgate Rocl1ester Howard Divinity School at Rocl1este.r, Ne1v York. Also serving as professor • o,f s11iri'tual resources a 11d disciplines at Bosto11, Dr. Thurman has been in his present post since 1953.
    [Show full text]
  • Stage for Action and Social Activist Performance, 1943 - 1953
    ABSTRACT Title of Document: THEATRICAL MILITANTS: STAGE FOR ACTION AND SOCIAL ACTIVIST PERFORMANCE, 1943 - 1953 Chrystyna Marta Dail, Ph.D., 2010 Directed By: Dr. Heather S. Nathans, Department of Theatre Stage For Action began as ―Stage Door to Action‖ in December 1943 under the leadership of a twenty-three year old radio performer, Perry Miller, along with fellow radio actress Donna Keath, the stage actress Berilla Kerr, and Peggy Clark, a soon-to-be prominent Broadway designer.1 Officially changing their name in March of 1944, Stage For Action was described in newspapers as a group which ―dramatiz[es] current problems and [is] patterned after the Living Newspaper technique.‖2. From their original theme of supporting the war effort to tackling post- war issues of atomic warfare, racism, anti-Semitism, and the witch-hunts of the House Committee on Un-American Activities (commonly referred to as HUAC), Stage For Action became the prevailing social activist theatre group of the 1940s. They operated as one of the ―opposing currents of dynamic progress and static conservatism…with its militant program…tak[ing] the theatre to the people when the 1Burton Lindheim, ―A Stage For Action,‖ New York Times, 14 May 1944, X1. 2Sam Zolotow, ―Patricia Kirkland Gets a Lead Role,‖ New York Times, 27 March 1944, 16. people can‘t come to the theatre.‖3 By the time of Walter S. Steele‘s July 21, 1947 testimony before the HUAC, Stage For Action had created their own performance aesthetic, operated in at least nine cities, initiated a training school in New York City, and was funded by or had a direct connection to the Jewish People‘s Fraternal Order, the CIO Teachers‘ Union, the United Electrical Workers, the Furriers Union, Transport Union, National Maritime Union, and Department Store Workers‘ Union.4 This dissertation constructs Stage For Action as a social activist theatre that drew on the practices of the social activist and Workers‘ Theatres of the 1930s but utilized events specific to their historical moment in order to educate and activate their audiences.
    [Show full text]
  • Touch of Shakespeare: Welles Unmoors Othello1
    Touch of Shakespeare: Welles Unmoors Othello1 Scot t L. Newst ok Gustavus Adolphus College [I]f it were really like Othello nobody could understand it, however new it might be. And if it were new, it couldn’t possibly be like Othello. —Aldous Huxley, Brave New World The most detestable habit in all modern cinema is the homage. I don’t want to see another goddamn homage in anybody’s movie. There are enough of them which are unconscious. —Orson Welles, at the Cinémathèque française * * * rson Welles’s Touch of Evil (1958) bears marks of a dense, knotty re- lOationship to William Shakespeare’s Othello,2 a relationship that has until now been overlooked (and, in my experience, sometimes denied with sur- prising vehemence). The connection is pervasive yet indirect, and I approx- imate this indirection structurally through the form of my essay—just as Shakespeare provides a buried foundation for Welles’s film, evocative quo- tations from the play are confined by design to my footnotes, thereby of- fering a running dialogue with the body of the argument (endnotes are largely reserved for explanatory digressions).i This creates an admittedly demanding reading experience, which (I hope) emulates the kind of con- versation Welles himself was having with Shakespeare. The excessive length of this essay and its discursive annotations manifest my desire to iThus, as an opening example, I observe that the play itself draws our attention to circui- tous inducement: the First Senator accuses Othello of using the very methods (“by indi- rect and forced courses” [1.3.111]) that could more appropriately describe Iago’s strategies.
    [Show full text]