HELL A S
A L ! R IC A L D R A M A
PERC! B! SSHE SHELLE!
A REPRINT O F THE ORIGINAL EDITIO N PUBLISHED IN 1822
A UTHOR’S PROLO G UE
A N D N O TES B ! VA R I O U S H A N DS
m ach
B ! THO MAS J WISE
M ut ton
PUBLISHED F OR THE SHELLE! SOC IET! B! REEVES A ND TU RNER 1 9 6 STRAN D
1 886
CONTENTS
’ EDITOR S PREF A CE
’ SH N o M RS . ELLE! S OTE ON H llas xxvn
’ D G A RNETT S N THE P l R. OTE ON ro ogue t o Hellas xxxiii
Pr ologue to Hollas xxxv
’ EDITOR S NOTES ON THE Prologu e to Hellas
’ SHELLE! S LIST O F ERRATA F O R Hellas
’ EDITOR S ADDITIONA L LIST O F ERRA TA F O R Hellas
S ! M —1 822 HELLA A L RICAL DRA A .
DEDICATION To PRINCE MAVRO CO RDATO
’ SHELLE! S PREF ACE
Hellas
’ SHELLE! S NOTES ON Hellas
Written on Hearing the News of the Deat h of N ap oleon
[ There is no t able of Contents in t he original edit ion of Ed am !
1 0 2 46 1
EDITOR’ S PREFACE
’ AC EDITOR S PREF E .
WITH t he drama of Hellas we come to the last of
’ k fe e She lley s wor s published during his li tim . Whilst engaged upon its composition t he poe t was re siding at
P a e e a 1 821 he was is , wher , rly in , introduced by his cousin — Me dwin t o Lie ute nant Edward Williams then late of the
— f Mr H 8t h a e fe e a e s . Dr goons whos wi , Jan ( t rwards ogg) , soon be came the obj e ct of one of the most e arne st of his
a F or t he se rie s of plat onic att chme nts . husband also
e e e e fe e of f e and Shell y nt rtain d strong lings ri ndship, it would appe ar that it is to his ‘ inve ntive faculty that t he Lyrical Drama is inde bte d for its name — He [ Shelley! aske d me yeste rday wrote Williams 1 in his diary what name he should fix to t he drama
1 The diary here referred t o is t he j ournal kept by Williams t hroughout
h eri of i n l i 1 - 2 A ort ion of i d t e p od his res dence i It a y n 1 82 . p t was print e ’ b rs S elle o des ri t affordin a i r y M . h y (wh c bed i as g p ct u e of Shell ey s abit s durin t ese last mont s of his life in 1 840 in t he form of a h g h h , ’ series of foot - not e s illust rat ive of s om e of t h e lat er of h er husband s le t t ers
se e Essa s L et t ers rom A br oad ( t a 1 840 v ol ii 3 45 - 352 an ( y , f , , , . , pp . d The remainder was in l d r G arnet t in an in n c u ed by D . t erest i g ’ ” and aluable art icle e nt it le d S elle s Last a s cont ribut ed t o The v h y D y ,
Revi w J ne - F or t ni ht l e u 1st 1 878 . 850 866 . T ese t wo fra ment g y , , , pp h g s were subse uent l combined Mr u r n b . B xt on F o ma and ublis ed b hi m q y y , p h y ’ in his Librar Edit ion of S elle Work v s s ol . iii . 31 0 w r y h y ( v , pp he e t h e com le t e Journal forms Part I of he A nd V. t e ix p pp . The following five ext ract s from t he diary in quest ion all relat e t o Hellas
F rida Oct ober 26 —As a oet S elle is cert ainl t he most y, , p h y y xii E ’S F DITOR PRE ACE .
e a e ll s . He a he he is ng g d with I proposed , which will ” adopt
The e arliest m ention of Hellas to be found in its
’ author s publishe d corre sponde nce occurs in a le tter P a e Mr . e e e ddr ssed to John Gisborn , and dat d isa, Octob r
22nd t he e a , In it writ r s ys
I a a a e am just finishing dr m tic po m , called Hellas t he e a e e — a of , upon cont st now r ging in Gre c sort a of t he Persae of E sch lus f of a e imit tion y , ull lyric l po try .
I I a e e e am e f try to be what might h v b n, but not succ ss ul . I find that (I dare say I shall quote wrong)
Den errlic st en den Sic der G eist e m fan t h h , h p g ,
' ran t immer fremd und t r md r i an D g e e St off S ch .
l ot h of A f e e a a t o On the pril ollowing, Sh ll y g in wrote 2 Mr e — . Gisborn
a e e e Hellas w e e I h v rec iv d , hich is pr ttily print d , and 3 fe e a n e e e e with w r mist kes tha any po m I v r publish d . ima inat i e of t h e da and if he a lie d imself t o uman affe ct ions he g v y, pp h h His eat est faul is i oran e of h o would b e t he reat est . r t n c is wn wort g g g h. He asked me yest erday what nam e he should fix t o t h e drama he is now
en a ed wit . ro osed Hetlas whi c he will ado t . ment ion t he g g h I p p , h p I circumst ance as was roud at bein as ed t he uest ion and m ore so , I p g k q , t ha t h n m le i t e a e p ased h m.
M onda N ovember 5 - S elle read me some assa es of his y, , h y p g Hellas c ar fine 85 w i e er 0 . , h h v y , Tuesda ember 6 — Commence writ in out for S a fair y, N ov , g . co of is H py h ellas . Sat urda N ovember 1 0 -F inis writ in out t he not es and y, , h [ g ! reface t o Hellas If suc a oem becomes o ular we ma flat t er p . h p p p , y ourselves wit h h avmg advanced a st ep t owards improve ment and perfec t ion in all t in s m oral and olit ical h g , p . — Wednesda A r il 1 0 S recei es his Hellas . y, p , . v 1 Essa s et ters rom A br oad et 1 84 ol ii . 3 34. y , L f , a , 0, v . , p 2 - Ibid . 335 336 . . pp 3 Of course t is remar a lies onl t o rammat ical met rical or ot er h k pp y g , , h im rt ant mat t ers and must no e c nsidered as relat in t o minor it ems po , t b o g ’ F EDITOR S PRE ACE . xiii
Am I to thank you for t he re vision of t he pre ss ? or who a e as fe of m a n ct d midwi to this last y orph ns , introduci g it t o and a m e fa e ? Ma t he oblivion , me to my ccusto d ilur y cause it cele brate s be more fortunate than e ither ! Te ll m e Hellas and e me f e e how you like , giv your opinion r ly .
was e a e and of e It writt n without much c r , in one thos fe w e of e e m e mom nts nthusiasm which now s ldom visit ,
m e a e a for e &c and a e . which m k p y d r th ir visits,
The e of Hellas t he e e of a first dition , r c ipt copy of
e e a e t he e e e e which Sh ll y cknowl dged in pr c ding l tt r, was l h e C and . e t f . e o 1 822 publish d by J Ol i r, in spring . It
a e e a ot t he f is a thin p mphl t, n tly g up, and ollowing is a transcript of t he title - page
He A a D a Pe e e llas Lyric l r ma By rcy B . Sh ll y !
" ’ CEdi 0 10 11 MANTIE EIM EES AO N ATO NO N p 0 . London Charle s and Jame s Ollie r Ve re Stre e t Bond Stree t
mdcccxxii .
The collat ion is
“ Ha f- e on Octavo . l titl (with imprint verso ! Printe d
- . e e D e . e e i by S and R B ntl y, ors t Str t, London . pp . ii
e a e - D Titl (with bl nk v rso) pp . iii iv ; edication (To Prince
A a e Mavr cordat o &c — a o . e v lex nd r , with bl nk v rso) pp .
P e f - - e Hellas vi ; r ace pp . vii xi ; Fly titl to (with list of
Dramat is Persona on e 1 - 2 f Hell . e o as v rso) pp T xt pp .
mere m e c anical de t a l of i . Thi s is t he m ore cert ain since in t he let t er h , , dat e d A ri l 1 1 th 1 822 and at resent belie e un ublis e d i ( p , , p , I v , p h ) wh ch enclose d t h e List o Errat a for Hellas S elle s ea s of t he olume a f , h y p k v s “ ” ’ b ein in eneral more correct t an m ot er boo Of g g h y h ks. all Shelley s wor s ublis ed durin his own life t ime t he uart o A donais of 821 is k p h g , q 1 , undoubt e dl t he most fre e from errors of e er descri t ion a y, v y p superiorit y doubt less account ed for by t h e fact of it s having been print e d at Pisa under t he dire ct su er ision of it s aut or p v h . ’ xiv S EF EDITOR PR ACE .
1 3 - 53 ot es 55 - 58 - ; N pp . ; and (fiv e e ight line) stanzas Writ t en
on hearin the News o t he Deat h o Na oleon 5 - . 9 g f f p , pp 6 0.
Issued in wrappers (which in som e e xamples are drab
blue e a e a e on e e and in others ) , with whit p p r l b l side , l tter d ” a D am 3 s d A . 6 He llas Lyric l r a .
Mr H . for In 1 8 7 7 . Buxton Forman printed private cir
a of Hellas e a a e cul tion an edition , edit d and nnot t d by
f of Ha f- e Hellas bibli h . o ra i himsel It consists l titl , , with g p
n 1 - 2 - e o . e cal not (signed II . B . F . verso, pp Titl page
D 3 - 6 e . . 1 0 and dication as in the original, pp ; pp 7 to
’ e e P e f - Hellas w Dramatis Personae Sh ll y s r ace ; Fly title , , ith
1 - 1 2 1 5 f n . 1 3 9 o e a d on e . 6 0 v rso , pp pp to T xt ; pp . to
’ on N 64 of Shelley Notes . The verses apole on s death
5 - 6 O f e . 6 6 e e e e 5 occupy pp . this dition th r w r 0 C opie s
’ on a a 25 o n What m an s a - a e a e ordin ry p per, h nd m d p p r ,
n N o e l - a e a e and 5 o Vellum . gen ra title p g is ttach d to
e — in — it the volum , and common with the original has f no table o Conte nts . The only othe r separate edition of Hellas is a Fre nch
a e and - e t he transl tion (a handsom boldly printed volum ) , title - page of which re ads
Hellas Drame Lyrique de She lley Traduction de Tola Dorian [ woodcut! Paris Alphonse Le
m rr 2 - 1 Pa e e 2 - 1 1 884 e e E e 7 3 7 3 . , dit ur , ssag Chois ul ,
T a of his book is quarto , consisting 2 Ha f- e of t he l titl (with list works by translator on verso) ,
1 “ At t he f ot f 53 t he im int is re eat e d t us - Print e b o o p . pr p h d y d B ent le r t F leet r e t L ndon S an R. . o set St ree St e o . . y D , , 2 The list is as foll ows
Du Méme Aut eur ’ S F xv EDITOR PRE ACE .
- i II a . pp . ; Title (printed in red and bl ck) as above , pp
- f f e on iii iv ; a lea with quotation rom Sophocl s recto , and
- 1 - 84 of Personna es da Drame on v . g verso , pp . vi and pp
e - a t he Text . Issued in v getable parchment wr ppers , with title - page (again printed in re d and black) reproduced on t h f e — H e A e e . ront . lso lett r d up the back Shell y ellas,
de a D a — P ! fr traduction Tol ori n . rix 6 . Thus far is a plain state ment of the bibliography of
llas be e t o t o e He . It will well, how ver, add it the thr e fo f his e llowing extracts taken rom published lett rs, in
e a e e f one e ord r th t we may hav b ore us, in group , the whol of n the recorded uttera ces of the poet regarding his work .
The f e re a first is rom a l tter add ssed to Mr. Ch rles Ollie r
PI A November 1 1 th 1 821 . S , , DEAR IR S ,
e t he a a of Hellas e on I s nd you dr m , r lying your assurance that you will be good e nough to pay imme diate a e t o e e e a e e e tt ntion my lit rary r qu sts . Wh t littl int r st this
e m a e e e e a e po m y ver xcite, d p nds upon its immedi t publi
a e e a e f t he o e t o c tion ; I ntr t you , th re ore , to have g odn ss e MS h m . t o and t e s nd the instantly a printer, mo ent you e t f g a proo despatch it to me by the post . The whole
be e e has e e might s nt at onc . Lord Byron his po m s nt
i a e a se e a t he fe to him in th s m nn r, and I c nnot th t in riority in t he compos ition of a po e m can affe ct t he powe rs of a
O de a la st u de ict or u o nburne Traduct ion en ers at e V de Swi . H g , v , ’ récédé e d une le t t re de S inburne Le Cen i drame de S elle . w . s c p , h y Traduct ion en rose Preface de Swinburne p . .
En p reparat ion
Le P i romét h d i r c lle Traduc on en ro e . ée él é d S e . t s v , h y p Poeme s l ri ue Uh Volume . y q s . ( ) Le m o h lume s A ér s s U Vo . urs sév e oé ie s. , p ( ) ’ F EDITOR S PRE ACE .
t he a of e &c If an sa printer in m tter d spatch; . y pas ges ou In t he are e should alarm y notes, you at lib rty to suppre ss them ; the poem contains nothing of a tendency
an to d ger .
Within a fe w days I may have to write to you on a M e of e a e . e e on subj ct gr ter inter st eanwhil , I r ly your kindness for carrying my present request into immediate fi e e ct .
&c D e a . r Sir,
Ode t o Na oleon The p to print at the end .
helle Memorials 1 8 59 S . ( y , , p
The second is from a long and most intere sting le tter to M r . John Gisborne L RIC I J une 1 t h 2 E , 8 , 1 8 2.
Hellas too I like d on account of t he subj e ct ’ one always finds som e re ason or othe r for liking one s o wn ” The F or t ni ht l Review l t 1 8 . s 8 composition ( g y , June , 7 , p .
f a T E h a e C . s H a T e . S t l st is rom lett r to , q ( or tio mi h) ,
Pisa A ril 1 l th 1 822 dated , p ,
“ M! DEAR T [ SMITH!
e as e t e e e e N m ho I hav , y , r c iv d neith r the [ y p
e e a a — Time m Lord l pt! , nor his m taphysic l comp nions , y , has a wallet on his back he a e e , and I suppose has b gg d th m t he wa A s a of alms for by y. he has had a good de l
O out of m e he as e fa blivion , I think might well hav voured e e e e e a e me this onc ; I hav , ind d , just dropp d nother mit
e a a e Hellas into his tr sury, c ll d , which I know not how to
a e sa e fu of H of send to you ; but I d r y, som ry the ades
1 - D oubt less t he est ablishment of t he ill fat ed Liberal. ’ E S F E x ii DITOR PRE AC . v
P on authors will bring one to aris . It is a poem written t he e e — a of a Gre k caus last summer sort lyric l, dramatic ,
85 E a s Let t ers rom e f . ss e e o . 0 nond script pi c business ( y , f A br oad 341 ( i n 1 840 . . , , , vol ii , pp
’ e t he a of e Hellas Lik m jority Shell y s works , was the
e of e a and e e x r sult a sudd n inspir tion, was conc ived and e cut e d whilst its author was labouring under the imme diate influe nce of those e ve nts which so powerfully excite d his
e e t he fe e . int r st , and lings which consequently moved him
’ Lady Shelley s account of the genesis of the drama is a
e and a e one and corr ct symp th tic , I can do no better than
e e e re produc it h r .
’ t he e e u e - in- law But wat r, writes the po t s da ght r , ’ was far f e e e e rom ngrossing Sh ll y s thoughts at this tim . The south of Europe had awak e ne d from its le thargy into a e of e and e as if stat high political excitem nt , it se med t he a e of e e ni n e e a g lib rty wer daw g in sev ral plac s . Sp in and Naples had be e n re volutionize d in t he previous ye ar ; and t he northe rn and central parts Of Italy now endea
t o f t he e e a c a v oured ollow xample . S ver l insurre tion ry mov e me nts were atte nd e d by temporary succe ss ! Tuscany al w t he e e of e re one , o ing to b nevolent rul its princ ,
a e e e mained tr nquil ; but, in the end , the patriots w r crush d
e e of A At t he e b n ath the weight ustrian armies . sam
e e e a fa e p riod , however, a r volution b g n in a country rth r e a w was e e t o e t o a e st, hich d stin d r sult, certain ext nt , in
e e e e e succ ss, though Sh ll y did not liv long enough to b hold t h e e e e e e f e e of e issu . Gr c d clared its l ind pend nt Ottoman domination ; and th e se combined attacks on t he ge ne ral foe e e w t he e a fill d Sh lley ith utmost enthusiasm . S ve r l Gre eks we re at that time at Pisa and amongst the m was B ’ x iii E S F E v DITOR PRE AC .
P n Mavrocordat o Hellas a ri ce , to whom is dedic ted . On the first of April thi s gentle man call ed on the
e e a P e a Shell ys, and told th m th t his cousin, rinc Ipsil nti , had issue d a proclamation (a copy of which he brought him a e e e e e f a be with ) , and th t Gr c th nc orw rd would f e of e r e . The emotions joy and hop kindled by this intelligence in t he mind of t he poet produce d the lyrical
of Hellas of e fa drama , which Shell y records , in his pre ce , that it was written at the suggestion of t he e vents of the
e e e e moment, is a m re improvise , and deriv s its int r st (should it be found to posse ss any) solely from t he inte nse sympathy which the author feels with the cause he would ’ e e N e e a e of a c l brate . ev rthel ss, it contains p ssag s gre t ” f he o t . Shelle power, and lyrics utmost sweetness ( y
Memorials 1 85 9 1 48 , , pp .
Medwin writes regarding t he drama
Hellas i had of , wh ch been written during the autumn [ e E l and s nt to ngland to be printed, I did not see ti l some months afte r ; but we ofte n discusse d t he Gre ek
e e a for r volution , and he was nthusiastic in his aspir tions her
He e e t he e a liberty . would not b li ve but that pictur dr wn
Mr H e A nast asius of e e e by . op in his the mod rn Gr ks, was an overcharge d one ; though he admitted that a long course of a e Mahom e dan e had politic l slavery under th ir mast rs,
e e a rt a so d moralised and bastardis d the nation, th t impo nt changes must be undergone before it could be rege ne rate d ; of he f The of but this entertained no ears . opening chorus
Hellas f Princi e Cost ant e of is taken rom the p Calderon, as Shelley pointe d out to me ; and the drama an imitation of ’ Persians of l f zEsch us . e e e the y It is, as Sh ll y says hims l , ’ fu of r add t he e a fu ll ly ical poetry , and , I might , most b uti l . ru e are f e e The Cho s s wonder ully imaginativ , and m lodious v ersificat ion f ecu in their , and splendidly exempli y his p E ’S F E DITOR PRE AC . xix
’ liarit of Isles o reece y style . Whether Byron s f G sugge ste d f m . o e the closing chorus, I know not The adoption the sa metre might have been a coincidence .
A bri t er ellas rears it s mount ains gh H , ’ F rom wa er r fa & c . es s ener & c. v , ,
What is this glorious hymn but anothe r Isles of Greece ? ’ e e and t he Inde d , it yi lds in nothing to Byron s strain ;
e as e we and e proph cy is such po ts love to d ll upon , Shell y m of — t he e of a e ost all , reg neration m nkind , though cloud d with the melancholy fore boding of the horrors that t h e
e e e struggl must cost . It is impossibl to t ll how much this
a a and of e t he dr m , the enthusiasm Sh lley, influenced dete rmination O f Byron t o devote his e nergie s to the sacred a If e he e c use . he was to have di d young, could not hav ” for fa L e o helle e . S died at a bett r moment his me ( if f y,
4 v l 1 82 1 8 7 o . . , ii , pp
t he of P Mavrocordat o e Upon subject rince , Sh lley was
e t o e f e e wont, appar ntly, express hims l in som what flatt ring
“ t o P Pisa March 2l st terms . In a letter eacock (dated , , 1 821 he wrote We are surrounded here in Pisa by revolutionary e e a e a t he a a volcanos, which , as yet , giv mor light th n h t ; l v t a e t he e has not ye reached Tusc ny . But the n ws in pap rs will te ll you far more than it is prud e nt to say ; and for this a The once I will observe your rule of politic l sile nce . Austrians wish that the N eapolitans and Pie dmontese would do the same . We have seen a few more p e ople than usual this
e and e a e e e wint r, hav m de a v ry int resting acquaintanc with
e e fe a e a ie e a Gre k princ , per ctly acqu int d with nc nt lit ra
e and f of s for t he e e and tur , ull enthusia m lib rti s improve B 2 ’ xx EDITOR S PREF ACE .
M e ment of his country . ary has been a Gre k student
e e al and e a A nt i one i our a e s v r months, is r ding g w th turb n d ” f e a E . ri nd , who, in return, is t ught nglish
r e To this letter M s . Sh lley added in a postscript
Am I not lucky to have got so good a m aste r ? I have ' e of Gidi a s and am now e a finish d the two plays p , r ding ’ h A nti one The e of t he e A 7\ é a v8 o t e g . nam princ is § p q ’ E fe a ox ba o He e a e e . M vp ép r s . can r d nglish p r ctly w ll ’ 1 0 3 1 F raser s Ma azine M 86 . 6 ( g , arch, , pp
“ To which may be adde d (from a letter to Horatio
Es Pisa Se t 1 4t h 1 8 21 Smith , q , , p . ,
Al l public atte ntion is now c e ntre d on t he wonderful
e a e af e t he e e of a revolution in Gre ce . I d r not , t r v nts l st
e e e e f e e e a wint r, hop that slav s can b come re m n so ch ply ;
e t w one e e of t he al e of y I kno Gr k highest qu iti s, both a e and t he P e Mavrocordat o if t he cour g conduct , rinc , and
e be e all o e l — The e of r st lik him, will g w l n ws this ” a a has e a a e moment is , that the Russi n rmy ord rs to dv nc ,
Essa s et t e s om A broad et 1 84 & L r r 0 . c a . . ( y , f , , , vol ii , p
i a n Medw n , also , has something to say reg rdi g the Prince
’ Prince Mavr ocordat o was his [ Shelley s! constant
he e Paradise Lost as visitor ; with him r ad the , and both h e a e e e t he a was e e e t e . w r great linguists, t sk r nd r d si r
e of e a e e Sp aking this , Shell y used to say th t in int rpr ting f ad a a e a oreign tongue , it was a great mutual v nt g to know e for e i fa one s veral ; that h nce synonyms, wh ch iled in , could be found in another ; and thus he would Often give t he a e a of a ex ct m ning a word in Italian, or Sp nish, or
or e f e e e he f Latin, still mor r quently in Gr k , which ound
’ xxii E S F E DITOR PRE AC .
t he of e P e a stimulated by words her sist r anthea, r c lls and
re counts the IncIde nt s of her own forgotte n dre am
And mult it udes of dense whit e fl eecy clouds Were wandering in t hick fl ocks along t he m ount ains S e erded b t he slow unwillin wind h ph y , g
A wind arose among t he pines ; it shock
The clin in music from t eir b ou s and t en g g h gh , h
Low sweet faint sounds li e t he farewell of ost s , , , k gh , h Were eard & c.
- Prometheus Unbou nd 1 820 . 6 8 lines 1 1 8 and 69 lines 1 and ( , , p , 7 ; p . , 1 0
There is far more than a me re echo of thi s in Hellas
A Wind
Will rus out of t he Si in ine - forest h gh g p , And wit h t he wind a st orm of harmony nut t erabl sweet and ilot hi m U y , p T rou t he soft t wili t t o t he B os orus & c h gh gh ph . —Hellas 1 822 1 1 lines 1 2 ( , , p . ,
In connexion with this subject it is interesting to re cord
t o ZEsch lus of that Dr . Garnett has traced back y the germ
ellas 1 3 the lines in H (p . )
en e and wron brin orth their kind Rev g g g f , &c .
At t he e of e f F rida l oth clos a l tter to his wi e , dated y,
A u ust g , Shelley says
We of t he e e a have good rumours Gre ks h re , and t o Russian war . I hardly wish the Russians take any part M a ZEsch lus in it . y m xim is with y
r o BvcrrreBes
e r a ell nAe rova T ur e t “ [ t r , ’ ’ ' ' re 5 e or e . O cpe pq. m a y w a
e e e e for How Ther is a Gr ek xercis you . should slaves
e a produc nything but tyranny , even as the seed produces a ? 850 the pl nt . ’ xxiii EDITOR S PREF ACE .
e To which Dr . Garnett app nds this note
’ t c e e f t he A amem T O Sv a a e e e . fl g, Th s lines are rom g
- t he non of PE h lus 28 7 3 0. sc . 7 y , v They are expanded in we ll- known quatrain in Hellas
Re en e and wron brin fort t eir ind v g g g h h k , The foul cubs like t heir parent s are T eir den is in t h e uilt mind h g y , i n e f em wi t des air And Consc e c eeds t h h p . ’ - di t d Dr arne t t 1 884 1 6 6 and S elle s Lett ers e e b . G . ( h y , y , , pp
’ Upon She lley s freque nt e mployment of the Character of
Ah e e e f e ffe asu rus it is scarc ly n ed ul, in this plac , to o r any
e of e comment, the continued reapp arance the Wand ring Jew in Shelleyan Dramat is Personoe having already be en f su ficiently remarked .
s of Hellas m ant e The tran cript made by Willia s (see , f . e or e e p xii, b low) , and subsequently revised press by Sh ll y
f f ll e e himsel , is ortunately sti xtant . It was pres rved by t he i Mr li for f publ sher, . Charles Ol er, whose amily it was
M Put t ick and . S sold by essrs impson, at public auction , on t he 1 9 t h of f Mr 1 8 r e or . July, 77 . It was pu chas d
e - e Fred rick Locker Lampson , in whos possession it still
em one of a of Rowfant r ains , the most envi ble The ” h of Books . To the textual student t e pre servation this
t h e e manuscript, and documents which accompani d it,
e e for must ver r main cause sincere congratulation, more than one disputed point having been settled by an e i of xam nation their contents .
Regarding the present e dition of Hellas but very little
of need be said . It is as exact a reproduction the first e dition Of 1 8 22 as it has been found possible - with typ e s ’ F EDITOR S PRE ACE .
e to obtain . The volume has been reprint d word for
for t he word and line line , text being closely and minute ly
’ ’ f e e ollowed in every particular, ach printer s error, dropp d
’ or of t he e e f letter, other peculiarity original b ing car ully
t he e an perpe tuated . In order to make book as complet d
fe The Prolo ue t o Hellas a per ct as possible , g (to which
e of N l f Mr s . separate s ries otes wil be ound attached) ,
’ Shelle y s N ot e and a full list of Errat a have
e e be n add d . THO MAS WISE J. .
1 27 D V O HIR RO D , E NS E A , OLLOW ! N H A , . L ’ H LLA MRS. SHEL E! S NOTE ON E S
NOTE ON HELLA S
A LL T NE RAFT SHELLE! M R! WO S O C .
THE south of Europe was in a state of gre at political
m n at t h b i nin o 21 Th anish e xcite e t e eg n g f t he ye ar 1 8 . e Sp
Re volution had b ee n a signal t o It alyf secret societie s w ere forme d - and when N a le r ose t o declare t he Cons i u ion p s t t t , t he call w as r esponde d t o from B rundusium t o t he foot of t he
To ru sh hese a m ain libe r arl in Al s . e e p c t tt pts to obt ty, y
1 82 1 t he A u rian oure d eir a mie in o t he Penin ula , st s p th r s t s at fir st their coming rather seeme d t o add e nergy and re so
n a e o le lon e n la d The Pie dm n ese a er e d lut io t o p p g s ve . o t ss t their fre edom ; Genoa t hrow off t he yoke of t he K ing of
Sardinia and as if in la fu imi a ion t he e o le of t he ; , p y l t t , p p little state of M assa and C arrara gave t he eongé t o their
i nd et u a u li sovere gn a s p rep b c .
Tuscan alone w as e rfe l an uil. It was aid t ha y p ct y tr q s , t t he A us trian minister pre sente d a list of Sixty Carbonari t o t he rand- du e ur in eir im ri onmen and t he a d g k , g g th p s t ; gr n
du e re lie d I do not now whe e r e e si men are k p , k th th s xty
C arb onari but I now if I im ri on em I S all dire l , k p s th , h ct y ” an u B ut t ou u an h have sixty thous d start p . h gh t he T sc s ad
no de sire t o di urb t he a ernal o e men benea h who e st p t g v rn t, t s ’ xx iii MRS S LL L . E! S N ON S v HE OTE HE LA .
s el er he lumbered e re arde d t he ro res s of t he h t t y s , th y g p g
ariou I alian re olu ion wi h in en e in ere s an ha re d v s t v t s t t s t t, d t for t he A u rian w as w arm in e er b osom B ut e h ad st v y . th y slender hope s ; they kne w that t he N eapolitans w ould Ofier no re is an e t o t he re u lar German roo s and ha t he fit s t c g t p , t t ove rthrow of t he C onstitution in Naple s would act as a decisive blow a ain all t ru le for liber in I al g st s gg s ty t y.
W e ha e een t he i e and ro re s of eform B ut t he v s r s p g s r .
Hol A lia e was ali e and a i e in ose da and fe w y l nc v ct v th ys,
ould d eam of t he e a eful rium of libe It eem e d c r p c t ph rty. s then that t he arme d assertion of fre e dom in t he south of
Euro e w as t he onl he of t he lib eral as if it re ailed p y m s, , p v , t he na ion of t he nor would imi a t h e am l Ha i t s th t te e x p e . pp ly t he re er e has ro e d t he fa The oun rie a u med t o v s p v ct . c t s cc st o t h e e er i e of t he ri il e e s of fre emen t o a limi e d e e n x c s p v g , t xt t,
a e e e ded and are e e ndin e e limi F re edom and h v xt n , xt g th s ts . knowle dge have now a chance of procee ding hand in hand ;
and if it con inue hu w e ~ ma e for t he durabi it of t t s , y hop l y
h Then as I a e aid in 1 821 el e as ell as bo . S t , h v s , , h l y, w
e er her lo er of liber loo e d u on t he ru le in v y ot v ty , k p st gg s
ai and I al as de c1 s1v e of t he de s inie of t he w orld Sp n t y t s ,
r ur t Th in r h ! o o in t he probably fo cent ie s o come . e t e est e t k
i a in W en enoa d cla e d i self progre ss of affa rs w s t ense . h G e r t
i h e re at he ir hi e s Da af e r da he read fre e h s e w . , op s t gh t y t y,
t he bulle i of t he A u s rian ar m and ou e a erl t o t ns t y, s ght g y
er e of it s defea He hear d of t he e ol of Genoa gath tok ns t . r v t
Hi h l e a and oul wer with emotions of transport . s w o e h rt s e
w r li in at Pisa at in t he t riumph of their cause . W e e e v g
a ime and se eral w ell- informed alians at t he ead of th t t v It , h
w om we ma lace t he elebra e d Va a w ere accus ome d t o h y p c t cc , t see k for sympathy in the ir hOpe S from Shelley th ey did not
find s u h for t he de s air e t oo enerall e erien ed c p th y g y xp c ,
ounde d on em for eir ou ern coun r men f on c t pt th s th t y . xxx ’ MR . S S S HELLE! S NOTE ON HELLA .
Gree e w ould ro e rium ant and in hi s iri au urin c p v t ph t sp t, g g ul ima e ood et rie in o er t he icissi ude t o b e e ndure d t t g , y g v g v v t s in t he i er al he om osed his drama nt v , c p . The chronological or der t o b e ob se rve d in t he arrangement
O f t he remainin o ems is in err u ed ere ha hi s dramas g p , t pt h , t t ma follow a o r n l Hellas was amon t h y e ch the co secutive y . g e la st of his om o i ions an m n he b au iful d is a o t mo e . c p s t , g st t
The oru ses are sin ularl ima ina i e and m elodiou s in ch g y g t v ,
fi at i n T ere are some s an as a b eau ifull the ir v e rsi c o . h t z th t t y
’ e em lif S elle s e uliar le as for ins ance t he x p y h y p c sty ; , t , assertion of t he intellectual e mpire which must be for e er t he i heri an e of t he oun r of H mer So ho e v n t c c t y o , p cl s,
But Greece and her foundat ions are
Built below t he t ide of war Bas ed on t he cryst alline sea Of t ou t and it s et ernit h gh y.
a ain hat il oso hi al t ru fe i i ousl ima ed An d g , t ph p c th , l c t y g forth
Re en e and wron brin fort t e r kin v g g g h h i d, Th e foul cubs like t heir parent s are T eir den is in t he uilt mind h g y , And conscience feeds t em wit des ir h h pa .
The concl usion of t he last ch orus is among t he most
‘ be autiful of his lyrics ; t h e im agery is distinct and maj estic ; . t he ro he suc as oe s l o e t o dwell u on t he re ener p p cy, h p t v p , g — ation of mankind and that r egeneration reflecting back
S lendour on t he fore one ime from whi h it in eri s so p g t , c h t mu of in ellec ual w eal and memor of a ir uou ch t t th , y p st v t s
de e d as mus endei t he osse sion of ha ine ss and ea e s, t r p s pp p c
O f enfo d alu rom —The Poetical Works Per c t l v e . (F of y
B s ll Edi d l Ro al ct avo edit ion she She e te b M s . O r She le . y y, y y y ; M 8 1 or on 1 7 4 ( ha . 9 , , , pp 7 PROLOGUE TO HELLAS
N O T E
ON THE
PROLOG UE TO HELLAS
I HARD AR ETT R C G N .
E i rms us in he r no e on t he Pr omet heu s M RS . SHELL ! nfo , t
’ Unbou nd t hat at t he ime of her usband s arr i al in , . t h v 2 h r u i f hr ra a al he m edi a e d t e od on o e e d m . One It y, t t p ct t s
’ f e w a t he P met he u s it self t he se ond a drama o se s ro . on th ; c ,
’ t he s ubj e ct of Tasso s m adness t h e third one founde d on t h e ” B oo of J ob of w ich she adds he ne e r ab andone d t he k h , , v
’ 7 d T a is was t he case w ill be a ar e n from t he i e a. h t th pp t follow in ne w l - disco e re d fra m e n w ich ma a e b e e n g y v g t, h y h v , as I a e on t he W ole re fe rr e d t o de scr ibe it an un nis e d h v h p , fi h
rolo u e t o Hellas or e r a s t he or i inal s e of t a p g , p h p g k tch h t w or dis arde d for t he e x is in m ore d ama ic b ut le s k, c t g r t , s ’ ambi ious e rs ion for w ic t he Persae of r Esch lu s t v , h h y e ide nt l s u lie d t he m ode l is wri en in t he sam e v y pp . It tt b t he ori inal M o and so ble nde d wi oo as S. f Hellas h k g , t
is as t o b e onl s e arable af er e r minu e e xamina ion th y p t v y t t .
’ F e w e v e n of Sh e lley s r ough drafts have prove d m or e diflicu lt t o dec i er or connec t num erou s c asm s wil be ob s er e d ph ; h l v , w ic w i h e er dili en e it has ro e d im ossible t o fill h h , t v y g c , p v p up ; t he correct reading of many printed line s is far from c xxxi NO ON THE U TO S v TE PROLOG E HELLA .
ce rtain ; and t he impe rfection of some passage s is such as t o ha e o a ione d e ir en ire omission N e e el . ess I am v cc s th t v rth , confident that t he unpolished and mutilate d remnant will be
’ accepted as a w orthy em anation of one of Shelley s sublime st moods and a noble earne of w a he mi a e ae om , st h t ght h v c plished could he have exe cute d his original design of founding a drama on t he B oo of J ob W ea eal a iable S iri s k . k h th, v r p t , abo e all t he absen e O f en oura emen mus be enume ra e d v , c c g t , t t as chief among t he causes which have deprive d our lit e rature
f o ma ni n a w o s g fice t ork .
B e ide t he e iden imi a ion of t he B oo of J ob t he re s s v t t t k , semblance of t he first draft of Hellas t o t he m achinery of
’ ” D den in ended e i is t o b e no d H i e s a s r e . e y s t p c t g v , s y
’ o nson ummar isin Dr den re fa e t o his ransla ion of J h , s g y s p c t t
uv enal an a oun O f t he de i w i he had on e forme d J , cc t s gn h ch c t o write an epic poe m on t he actions e ither of A rthur or t he
l Prin He cohsidered t he e i as ne essaril in ol in B ack ce . p c c y v v g
ome i d of u e rna ural a enc and had ima ined a ne w s k n s p t g y, g
in f on e be we en t he uardian an els O f in dom of k d o c t st t g g k g s, w hich he conceived that e ach might be r e pre sente d z ealous for hi s charge without any inte nde d oppos ition t o t he purpose s
of he u reme Be in O f whi h all rea e d mind mus in t S p g, c c t s t
i noran part b e g t . “ This is t he most re asonable scheme of cele stial interposition ” r f r m d that eve w as o e . PROLOGUE TO HELLAS.
HERALD O F ETERNIT! .
IT is the day whe n all the sons of God
e a e - e e Wait in the roofless s n t hous , whos floor
l ’
Is Chaos t he , and immovable abys
Frozen by His st eadfast
of e e a e The shadow God , and d l g t
O f that before whose breath the unive rse
r of de w Is as a p int .
Hierarchs and kings
Who from your throne s pinnacled on t he pas t
e e Sway the reluctant pr sent, y who sit
Pavilione d on the radiance or the gloom
Of i e mortal thought, wh ch lik an exhalation
S f e a ea t he of teaming rom rth, conc ls heaven
e e e Which gav it birth, assembl h re
’ Before your Father s t hrOne the swift decree x xx i U TO S v PROLOG E HELLA .
! e t t he e a a hovers, and fi ry inc rn tion
et e a Is y withheld , cloth d in which it sh ll
annul
The faire st of those wandering isle s that gem
3 The a e of e e s pphire spac int rst llar air,
a e e a e e e e Th t gr n and zur sph r , that arth inwrapt
L e ss in the be auty of its tende r light
Than in an atmosphe re of living spirit
Which inte rpene trating all t he
it rolls from re alm to realm
And a e a e and and g to g , in its ebb flow
Impe ls t he gene rations
e a e To th ir ppoint d place ,
Whilst t he high Arbiter
e t he S fe and t he B holds tri , at appointed time
Sends his d e crees ve iled in e te rnal
Within the circuit of this pendant orb
e e a on fe Ther li s an ntique region , which ll
’ The d ews of tho ught in t he world s golden dawn
Ea and e f n rliest most b nign, and rom it spru g
Temples and citie s and immortal forms
And harmoni cs of of wisdom and song,
And and e e of thoughts, d ds worthy thoughts
And of fa e when the sun its dominion il d ,
And e of it s e when the wint r glory cam , xx T S xviii PROLOGUE O HELLA .
In flight
e er oInt of From v y p the Infinite,
Like a thousand dawns on a single night
The splendours rise and spre ad ;
And thr ough thunder and darkness dread
Light and music are radiated ,
And in their pavilioned chariots led
By living wings high overhead
P e The giant ow rs move,
or Gloomy bright as the thrones they fill .
9K 9K 916 916
A chaos Of light and motion
a Upon that glassy oce n .
if i f 1
O f The senate the Gods is met, Each in his rank and station set There is silence in the spaces
1 r M Lo Satan, Ch ist, and ahomet Start from their places
s a
HRI T C S .
Al mighty F ather !
LOW - kneeling at the feet of Destiny
s at
There are two fountains in which spirits weep D l When mortals err, iscord and S avery named, L S xxxi PROLOGUE TO HE LA . x
And with their bitter de w two D e stinie s
a e a e Filled e ch th ir irrevoc bl urns the third ,
e e and e e Fi rc st mightiest, mingl d both , and add d
’ a D Ch os and eath , and slow Oblivion s lymph ,
An d e hate and t rror, and the poisoned rain
A f i The urora o the nations . By th s brow
e of e Whose pores w pt tears blood , by th se wide wounds,
e of By this imp rial crown agony,
f and By in amy solitude and death,
w For this I under ent, and by the pain
O f pity for those who would for me
The e e of e unr member d joy a reveng , t f — b P ’ For his I elt y lato s sacred light,
Of which my Spirit was a burning morrow
e e a e o s By Gr ec and all she c nnot ceas t p ,
H l e ss O f r gg qqepph words, sparks immortal t uth,
of — e f Stars all night her harmoni s and orms,
Echoe s and shadows of what Love adores
e e f In thee , I do comp l the , send orth Fate ,
4 Thy irrevo cable child let her d e scend
A seraph - winged victory [ arrayed!
i s n Wh ch sweep through all thi gs . xl TO S PROLOGUE HELLA .
ea e fr a a From hollow l gu s, om Tyr nny which rms ’ Adv ersdmiscre e ds and e mulous anarchie s
’ am as e e e e e To st p , on a wing d s rp nt s s d ,
Upon t he name of Fre edom from t he storm
O f fa e e a e ction , which lik earthquak sh k s and sickens
The solid he art of e nte rprise ; from all
By which t he holiest dre ams of highest spirits
Ar e stars be neath the dawn
She shall arise
Victorious as the world arose from Chaos 1
And as t he He ave ns and t he Earth arraye d
The ir pre se nce in t he be auty and t he light
O f e O a e e e thy first smil , F th r, as th y gath r
The spirit of thy love which paves for the m
’ T e o er t he l e e S e h ir path abyss, ti l v ry pher
a be one e [1Sh ll living Spirit, so shall Gre ce l al
SATAN .
’ w" % Be as all things be ne ath t he e mpyrearff
M e ! Art e e e old t in thou yel ss lik Des iny,
e - n e of Thou mock ry king, crow ed with a wr ath thorns
e e e t he e e e Whos sceptre is a r d , brok n r d
Which pierces thee whose throne a chair of scorn ;
For se e st thou not be ne ath this crystal floor HELLAS PROLOGUE TO .
The innum e rable worlds of golden light
are e and t he of e Which my empir , least th m
’ which thou would st re d e e m from
’ K now st thou not the m my portion ?
Or wouldst rekindle t he l Which our great Fathe r the n did arbitrate l Whe n he assigne d to his competing sons Each hi s apportione d re alm ?
e Thou D stiny,
Thou who art maile d in the omnipotence
’ O f Him e f a e e who s nds thee orth, wh t r thy task ,
e t O ' accom lish be e Spe d , spare not p , and min
Thy trophies; whethe r Gree ce again be come
The fountain in t he d e se rt whe nce t he e arth
a of f e e a e Sh ll drink r dom , which sh ll give it str ngth
To ffe or a of e a su r, gulph hollow d th
all e all fe To swallow d light , li , all hope .
G o e e e of no e , thou Vic g r nt my will, l ss
’ of t he e e fa Than Fath r s ; but l st thou shouldst int,
e a e Pe The wing d hounds , F min and stilence ,
a on e e t he e - f e a e Shall w it th , hundr d ork d sn k ,
e e a Insatiat Sup rstition, still sh ll
i e War all The earth beh nd thy st ps, and sh hover
A e a a e e and e bov , and Fraud sh ll g p b low, Chang
ll f e e on a Sha flit be or the her dr gon wings,
5 Convulsing and consuming, and I add lii PROLO UE TO HELLAS x G .
Three vials of the tears which d e mons wee p
When virtuous spirits through the gate of D e ath
P r e of fe ass t iumphing ov r the thorns li ,
e e and e Sc ptres and crowns, mitr s swords and snar s,
am Him Tr pling in scorn, like and Socrates .
A a e P e P s ( The first is n rchy ; wh n ow r and lea ure , and Glory and science security ,
a e f on t he e e e On Freedom h ng lik ruit gre n tr ,
n f e e . Th pour it orth, and men shall gather ash s
The second Tyr anny
C R ST H I .
Obdurat e spirit
P t he - Thou seest but the ast in To come .
Pride is thy error and thy punishment .
i a Boast not thine emp re, dre m not that thy worlds
Are more than furnace - sparks or rainbow- drops f P i Be ore the ower that w elds and kindles them .
ru e e e e T e gr atn ss asks not space, true exc ll nce
of Lives in the Spirit all things that live, l Which lends it to the worlds thou cal est thine .
9}
Haste thou and fill the waning crescent With beams as keen as those which pierced the shadow OLO T HELLA S liii PR GUE O . x
Of Christian night rolled back upon the West
When the orient moon of Islam rode in triumph
6 From Tmolus t o the Acroceraunian snow .
i
a e W k , thou Word
Of f of God , and rom the throne Destiny
Even t o the utmost limit of thy way
May Triumph
Be thou a curse on the m whose creed
God Divides and multiplies the most high .
[ The following fragment s appe ar t o have be en originally writt en for
Hellas . !
i of t he e Fa rest Destini s,
Keener far their lightnings are
h e b e T an the wing d [ olts! thou bear st,
And the smile thou weare st Wraps thee as a star
a Is wr pt in light . xli PROLO UE TO HELLAS v G .
Could Arethuse to her forsaken urn
.A e t he e D From lph us and bitt r oris run,
Or could t he morning shafts of pure st light
Again into t he quive rs of t he Sun — B e gathere d could one thought from its wild
Re t urn into t he temple of the brain
Without a change, without a stain,
e Could aught that is, ver again
Be what it once has ceased to be ,
Gre ece might again be free !
A star has falle n upon the e arth ’ Mid the benighted nations,
A e e of qu nchl ss atom immortal light,
A of N living spark ight,
f s A cre sset shaken rom the con tellations .
Swifte r than the thunder fe ll
of E To the heart arth, the well
‘ e Wher its pulses flow and beat, And unextinct in that cold source
on Burns, and course
t he r h Guides sphe e w ich is its prison,
Like an angelic spirit pe nt
f of In a orm mortal birth,
EDITOR ’ S NOTES
O N THE
PROLOGUE TO HELLAS
( 1 ) A part of this N ote w as included in t he Relics of ! 2 w e re t he Pr olo ue t o Hellas i s lf i in Shelle 1 8 6 . 3 e or y, , p , h g t g
4—1 3 t he la er avin in a e ar b ally appear ed (pp . ) tt h g th t y e en “ arne t durin t he c ourse of his frui deciphere d by Dr . G t g t ful search amongst t he She lley M anus cript s pre ser ve d at
7 ) M an r The re mainin or ion w as r s rin e d B oscomb e o . g p t fi t p t
‘ lum e is u d urin t he re en e ar h in a pr ivate vo s e d g p s t y . 1 T e Relics of Shelley itself is full of m ost valuable and intere st in ma e r i en fr om ori inal and au ori a i e sour e g tt g v g th t t v c s ,
b hard arnett Edited Ric G . Londo Relics of Shelley. y n Edward
a ll octavo i - v — M oxon J! C D r t reet 1 86 2 Sm . m i a a ove . nd 1 9 , S . , pp , 1 1 . The w ole of t he fra m ent s in Prose and Ve rse included in t is b oo h g h k, ’ ’ rint e d in M r Bux on o an Librar Edi ion o were rep . t F rm s y t f Shelley s Works and t he Poe t ical port ions re - appear in all his separat e edit ions of h e r t Poe t y. TPrologue to Hellas B y Percy B ysshe Shelley ! Wit h A n Int roduct or y N ote B y Richard Garnet t Edit ed and A nnotated B y Thomas Wise L ondon F or Pr ivat e Dis t ribu J . t ion. onl 6 y 1 88 .
- — Oct aco . 1 28 . Som e co ie s number . 1 36 a Post scri t a in , pp p pp , p h v g be en added t o t he boo durin it s assa e t rou t he re I a k g p g h gh p ss . n ll Twent co ie s onl were rint e d B ot ariet ies a e a y p y p . h v h v s front ispiece a “ ” lit o ra ed ort rait of S elle from t he ori inal ict ure b Clint h g ph p h y g p y . xlviii NOTES ON THE
! am on s w ic t he F r a ment s o t he A dona is Th g t h h g f , e M agic
Plant Or heus F ior dis ina and t he Line w , p , p , s r it t en in t he
B a o Lerici old m os rominen osi ion B ut y f h t p t p t s . t he litt le b oo ont ains no a e s so a rac i e or osse sse d of su k c p g tt t v , p ch in rinsic w or as o se w i la e be fore us t h t th , th h ch p c e vivid and pow e rful line s of this marvellous Pr ologue ; t he re cove ry of which is m atter for last ing congr atul ation amongs t t he
’ ' deli e d admirers of t he oe s w ondrous s ill ght p t k .
’ (53) The follo win is t he rac from M r S e lle s N o g e xt t s . h y te in que stion
“ He S e lle w e n dire c l t o I al a oidin e en [ h y! t t y t y, v g v
Paris and did no t ma e an ause ill h arri e d at , k y p t e v it Milan . The poe tical Spir it w ithin him Spe e dily “ re vive d w it h all t he pow e r and with more than all t he “ be au of his rs m H m i a d r e c s ty fi t atte pts . e e d t t e th e e subj t
as t he roundw or for l rical a ne w a t h s or g k y Dram s . O s e t y “ of Tas so ; of this a slight fragm ent of a song of Tas so
“ ‘ r main Th w h o e s . i e other as one founde d on t e bo k of
B t h e court es of Dr G arnet t t ese F ra ments— bot of t h e Poem y y . , h g h — and of t he Pre face were print e d in full in t he Int roduct ion t o t he F acsimile Re rint of t he first edit ion 4t o Pisa 1 821 of t he A donais issue d b t h e p ( , , ) , y S elle So i t a i in ar of t h e resent c e Pu blic t ons Second Se ries N o. 1 c h y y ( , , ) M h p
- a Re rint . e r. T e will be found on 1 9 22 of t at y h y pp . h p ir 4 W en writ in F st rint ed in t he Posthumous Poems 1 824 . 26 . t p , , p h g t is assa e Mrs S elle se ems t o a e o erloo ed anot er sm all ort ion of h p g , . h y h v v k h p
t h e ro ect e d drama w ic h as a il been res er e d. Part o f one sce ne p j , h h h pp y p v
includ d b Dr G arn t t in t h e Relics o helle 26 - 2 and t at was e . e S . 7 y f y, pp h muc more must a e been roduced ma im a ine fairl be concluded h h v p y, I g , y ’ ” from t he Poet s own words a e de ot ed h e wrot e from ilan I h v v , M , A ril 2 0 t is summer t o t he com osit ion of a t ra e d on p , h p g y
1 To t is let t er Dr G arnet t a ends an int erest in not e w ic wit his h . pp g h h, h ind consent ere re roduce k , I h p
“ ’ a ness A t ragedy on t he su bj ect of Tasso s m d . O ne s cene and one song for t his proj e ct e d drama have b een print e d in ’ elle s wor s The followin t f r in ende d s cenes a e not it ert o Sh y k . g no es o t h v h h b een published Scene where he reads t he sonne t which he wrot e t o PROLO UE TO HELLAS G . xlix
“ J ob w he ne er abandone d in idea but of w i h no , hich v , h c
ra e r emains amon his a er The ird w a h t c g p p s. th s t e
Pr m t u nb The r ra dian r o e he s U ou nd. G ee k t ge s w e e now
his mos familiar om anions in his w anderin s and t he t c p g , s ublime maj e s t y of E schylus fille d him with wonde r and
de li The fa er of re e ra e d ght . th G k t g y doe s not posse s s
t he a os of So ocle s nor t he arie and ende rn s p th ph , v ty t e s of Euripide s ; t he inte re st on w hich h e founds his dramas is ofte n e le vate d ab ove h uman vicis situ de s into t he mighty — passions and thr oes of gods and de migods such fascinate d ” t he ab s rac ima ina ion of S ll S — t t g t he ey . ( e e The Poet ical
Wor ks Per c B sshe Shelle Ed . it ed b M r lle s . She of y y y y y . l d Ro a Oct avo e it ion 1 87 4 (tea . 1 25 y , , , pp
The sa ire s ace of int erst e llar air pph p .
’ t he sub e ct of Tasso s madness w ic find u on ins ect ion is if j ; h h I p p , ‘ ” ro rl dmirabl dram e t reat ed a at ic and oe t ical . Of course t is ma p p y , y p h y mean sim l t at S elle had decide d u on de ot in t he su mmer t en p y h h y p v g , h onl in it s s rin t o t he ur ose nam e d and h e ma aft erward y p g, p p ; y s, for reas ons of his own a e abandone d t he desi n t at s uc was indee , h v g ; h h d t h e a G arne t t ex resses imself as fe elin erfect l conv in c se Dr. ed l p h g p y c . St i l t he passage is suffi cient ly uncert ain in it s wording t o admit of an indulgence in t h e be lief t at t he wor was roceede d wit at some len t h and t a h k p h g , h t a far larger port ion of t he proj ect e d dram a was produced t han t he fra ment s ow mainin would alone le ad us t o su os g n re g pp e . ' ’ B ut S elle was not t he onl oe t t o be m o e d b Tasso s doleful t ale h y y p v y . We remember B ron and w at he t ou t u on t he t eme and how he y , h h gh p h ,
made it immort al in his t ouc in Lament . The L ament o Tasso B h g ( f . y
l emar le - t r t 1 L or d n Lond hn M urr a A b S ee . 1 8 . O tav B ro . on J o c o y ! y, 7 , ’
h aran o B r n s wor in Dr. Garn . 1 It was t e a e ce f o t s et t pp pp y k, h k Reli o he e t a i du e S elle t o abandon his under cs S ll . t n c d ( f y, n h h y t aking ; h e being reluct ant t o ent er int o apparent compe t it ion wit h a friend t o w ose enius his modest confirm ed b t he unanimous oice , h g y ( y v of his cont emporaries ) induce d him t o assign an unmerit e d p re - e minence hi over s own.
Le onora t o rself as com ose d at t he re uest of anot er His dis uis in he p q h . g g himself in t he abit of a s e erd and ue st ionin his sist er in t at h h ph , q g h ” di rni lf and t en un eilin imse lf — Select L et ters s uise conce n imse . g g h , h v g h ( of Percy B ysshe Shelley Edit ed w it h an Int r oduct ion B y Richa rd l re ch ( is G m ii Ga Pau T n o mdcccl ii . rne tt London K egan , ,
- - h u o 2 44 ma oct ve i x a d 1 2 . T is N ot e occ rs n S ll a , pp . xi , n 55 pp . D NOTES ON THE
C m are wi F ra ment s o an Un nished Drama line 2 o p th g f fi , 7
n t he dar s ac l r I k p e of int erst el ar ai .
’ ’ Se e z—S helle s Wart s orm an Edi ion 1 8 0 i 8 . ol ii v . ( y , F s t , , ’
. 27 6 . A l o Ro e i Edi ion 1 885 v ol iii 1 p s ss tt s t , , . , p . 7
Let her descend A seraph -winged vict ory [ arrayed! In t empe st of t he omnipot ence of G od W ic swee s t rou al in s h h p h gh l t h g .
i a 22 23 lin —1 C m a e w Hell s 1 8 . e 1 0 4 o p r th , , p , s
The reno at e d enius of our race v g , descends
A sera - win ed Vict or be st ridin ph g y, g The t em es t of t h e Omni ot ence of G od p p , W ic swee s all t in s t o t eir a oint e d doom h h p h g h pp ,
Change S all flit before t ee on her dra on win s h h g g , C on ulsin and consumin v g g,
C om are wi Adonais i line 7 and 8 p th xx x, s
fear and grief Con ulse us andconsume us da b da v y y y,
Hast e t h en and fill t he waning crescent Wit h beams as keen as t hose which pierced t he shadow Of Christ ian night rolled back upon t he West When t he orient moon of I slam rode in t riumph ”
F rom Tm olus t o t he Acroceraunian snow.
The line ma also be found on a e 209 of t he Posthumous Poe y p g ms, 1 824 w ere t h e as sa e of t irt een lines w ic it closes st ands a , h p g h h h lone r a ara — a i Probabl t he confu unde sep t e t it le Song of Sp r it . y sed st at e ’ — of her husband s not e -books from which a considerable proport ion of t he — r S elle from im Post humou s Poems were gleane d prevent ed M s . h y mediat ely det ect ing t he fact t hat t he se - calle d Song of a Sp irit formed in realit y an n is d Drama int egral port ion of t he U fin he . PROLO UE TO HELLAS G .
1 lin 1 1—1 C m a e wi Hellas 1 822 . 5 e 9 o p r th , , p , s
0 miserable dawn aft er a ni t , gh ’ M ore glorious t han t he day which it usurp d 0 fait in G od ! 0 ower on eart 0 word , h , p h , ’ Of t he reat ro et w ose o ershadowin win s g p ph , h g g ’ D rken d t he t rones and idols of t he West a h , Now bri t l— F or t h sa e curse d be t he our gh y k h , E en as a fat er b an e il c ild v , h y v h , ’ When t he Orient moon of Islam roll d in t riumph F rom Caucasus t o Whit e Ce raunia l T J . . W
SHELLE! ’S LIST O F ERR A T A F O R HEL L A S
’ IN one of a numbe r of Shelle y s autograph le tte rs
f Mr t he e of t he f o e . a e ( prop rty amily his publish r, Ch rl s
Put t ick and Ollier) sold by auction by Messrs . Simpson
1 t h of 1 87 7 f List o on the 9 July, , was the ollowing f
for Hellas aw b e e f all Errat a . , dr n up y Sh lley hims l In ’ Mr e a a e for probability it reached . Olli r s h nds too l t publi
a as it not e e of c tion, was includ d in the original dition H 1 8 22 was e . . a . It first print d by Mr Buxton Form n in
’ f o ks 2 E o e e W r 5 . . . 7 his Library dition Sh ll y s , vol iv , p
ERRATA
Pa es 5 6 and —The s ee ch of t he c orus is di ided int 7 . o t g , , p h v hree st an as t he first of whi c ends at t he word Switzer land z , h , t he se cond at t he word S ain p .
Pa e 24 line 9 — d of e l on th w t r s . nst ea R u sed e a e read R u g , I p , ep lse is — on t he wa ters l (t his error is of so much conse quence t hat it would b e wort w il e t o cancel t he leaf h h ). — Pa e 24 line 1 5 . F or Hold re ad Told g , , .
’ Pa e 3 1 line —F or u o i d Cheloni 7 . n lelon tes rea te s g , p C , .
Pa e 3 3 line 5 —F or B ash in the blue noon divine re i g , . , ad B ash n the dee blue oo div i p n n ne.
Pag e 37 last line — F or A rehend read A rehended , pp , pp .
i —M e a di i i Pa e 5 2 l ne 6 . a s on bet ween t he st an as T a is g , k v z . [ h t bet ween lines 6 and EDITOR ’ S ADDITIONAL LIST OF ERRATA FOR HELLAS
THE errors notified in t he following list we re not
e e e t he e a 1 822 includ d by Sh ll y in one pr p red by him in ,
e e a e P a e and printed on the pr c ding p g . rob bly his k en
for of t he verse anxiety the correctness and finish , pre ve nte d his d e te cting and tabulating many of t he m inor
a t he e inaccuracie s which bound in t xt .
ADDITIONAL ERRATA — Pa e ix line 27 . F or A nast a tius read A nast asiu g , , s.
Pa e 2 —T list Dr m i P s . o of a a t s er onae add t h h t g , e P an om of M ahomet th Second e .
P 6 lin 1 —n rt full t o aft er dreams a e e 7 . se a s g , I p .
’ Pa e 6 line 23 — F or t em ests read t em est s g , . p , p .
' ‘ P line 24 - F or aier read aerie a e 6 . g , y, .
P —F u e i r l n s l n s re ad nu s i . a e line 6 . or n rs g 7 , g , g
— mma F r h ull ft r cour e insert a co . Pa e 9 line 3 , o t e f st o a e s g , p
’ ’ Pa — i o r Sir occo s e 1 6 line 5 F or Sa rocc s ead . g , , ,
T is w ord occurs a ain on a e 3 1 line 1 7 w ere it is s elt [ h g p g , , h p i — w ic t a e t o be corre ct Mr Form an h ow rocco . . S h h I k , ’ e er ou bot occasions s ells it Scirocco S elle s Works v , h p ( h y , ol iii 8 line 2 7 and 7 3 line t us ma in a v . 5 7 . , p , , , h k g second c an e in t h e ori ina t ext t he ne cessit for w ic h g g , y h h I cannot admit !
—~ - lin 1 . F m n bl m Pa e 1 8 e 7 or Wan emble read Wa em e . g , ,
Pa e 1 9 line 1 — Delet e t he comma ft e moon a r . g , ,
Pa e 24 line 3 — F or t h e full st o aft er banner insert a not e of g , p l m n e xc a at i o . ADDIT ONAL ERRAT 1vii I A.
g — h e 5 F or c r sta l i e d r stallin . Pa e 25 line 1 . l n rea c , y , y
P l — nsert en ft er ale a e 26 ine 6 . a a . g , I hyph p
Pa e last lin —F or war read ar and for des air read g e , W ; p , D es ir p a .
— ’ Pa e 28 line 1 F or an st read canst . g , . c ,
Pa lin 5 —F o r he in s read ro hes in e 30 e . o r c s . g , p p y g , p p y g
2 lin 4 - i hn ss Pa e 3 e nsert a comma aft er H e . g , . I g
- Pa e 33 line 1 8 . F or t rann read T rann g , y y, y y. — Pa e 3 6 line 1 2 . F or s ould read F ear 2 g , h ( )
M 1 1 n Rosset t i Shelle Works 3 v ol edit ion v ol . . 456 [ ( s , . , , p ) ’ appends t o t his line t he following int erest ing not e F or ’ ’ has no rhyme (unl ess are and de s air are t o be considered ’ su i uire e t rom t i s defe ct ch) ! t re q s t o rhym wi h ear . F h f r m e and ot er onsiderat ions followin Mr lea o c . hy , h , I ( g F y) ‘ ’ u se d t o consider it almost cert ain t hat Fear ought t o ‘ ’ ‘ ’ re lace F or and a e ear in m edit ion of 1 87 0 p I g v F y , t in n r m t er h elle i es wi hout (I t h k) any re monst ra ce f o o h S y t . ‘ ’ ’ Howe er t he w o t h e MS i F or and S elle s list rd in . s v , , h y
—e of errat a leaves t his unalt ere d so w e must needs abide by
Pa e 36 line —F r wron r a r n 1 3 . o e d o g , g, W g.
Pa e 3 8 line 1 3 - nsert a comma aft er One g , . I .
Pa e 40 line 1 0 — nsert t he numeral 6 bet we en t he r g , . I b acket s at end f lin o e .
Pa e 41 line 1 5 abo — F or A hasuera s read A ha suerus g , , ve , .
' Pa e 43 line 1 4 —F i r e d aeri . or a e r a g , y , e.
Pa e 45 line 1 6 - nsert a mm ft e dream g , . I co a a r .
Pa e 45 line 1 — t a omm ft er m 8 . nser c a a a g , I y .
Pa 4 line — F f m e 9 1 . or t he fu l t a t er cli i sert comm l s o e n a a. g , p
Pa e 52 lin e - F r re o or A os ad A r . g , g , g
Pa e 5 2 line 22 —F r t h full t o ft er ri me in rt . o e s a se a semicol on g , p p . — Pa e 53 lines 2 - 4 In lace of t h e ast eris s read g , . p k more bright and good
Than a ll who ell than ne who ro f , O se, Than many unsubdued l iii ADD T ONAL ERRATA v I I .
Pa e 5 lin — F or ha te and dea th read Hat e dnd D th 3 e . ea g , 7 , .
i — ma ft e m t ter Pa e 5 5 l ne l 3 . nsert a com a r a . g , I — P 5 5 last line F or a nd , a t er in ict in d wh a e . re a o ter g , f fl g, , af
'
Pa e 56 line 1 3 abo e F or riest read ri es ts. g , , v . p , p — Pa e 5 7 line 6 abo e F or is o an A ssault read as o t he A ssault . g , , v f , f
Pa e 5 line 7 —F or 1 445 re ad 1 45 3 7 . . g , ,
— 7 Pa e 57 line 2 1 abo e F or N ote read The Chorus . g , , v . ( )
line 3 —Aft er E t i ert Pa e 58 . ns g , gyp
The ne who rose or J es us hris t a t whose a earance the O , C , pp idols o t he Pa an or ld were a merced o the ir orshi f g W f w p .
P 5 lin e 2 — C ance1 ver ed in exam les andread a e 8 1 . g , y ify g p ,
so edi in an exam le s t heir successor The su blime hum n fy g p a . a char acter of J esus C hr ist was def ormed by an imp u ted ident i ca t ion wit h a ower who t em t ed betra ed and fi p , p , y , punished t he innocent beings who were ca lled into exi s tence by his sole will and or t he eriod o a t housand ears the , f p f y , s iri t o t his most us t wi se and benevolent o men has p f j , , f , been p ropit ia t ed with my riads of hecatombs of those who a r oached the nea rest t o his innocence and wisdom sacri iced pp , f under every aggravat ion of atrocity and variety of tor
Pa 6 0 — nsert in ert ed commas at t he b e innl n and end of t h e ge . I v g g t an second s za.
In addit ion t o t he abo e t ere is one minut e ariat ion w ic v , h v h h o curs wit considerable fre uenc t rou out t h e boo all ude c h q y h gh k . I ‘ t o t he h eadings placed above t he verse s allot t ed t o t he second Semic oru s T ese are somet imes rint ed Se michorus 2 nd and h . h p , i Mrs elle r i Mr . m ime s em chorus 2 d. S M Rosset t nd so et S . . a h y, , r n ll rint it emichorus i i Fo ma a p S .
w a it 1 8 on ri t o st at e t ha M O i r had I n on wit h t ese t o ass es t t r. ll e n con exi h p g , ly gh ' e m She ll ey 8 di rect p ermission t o mak e o n11 ss 1ons from t h e Not e s . ( See a l t t er fro rials 1 9 1 6 0 Th e et t er 18 a s o e e t o M r O i e r iven in t h e She e M emo 85 . l Sh ll y ll , g ll y , , p l
r 1nt ed 1 n t h e Pre ace t o t h e re sent vo ume ant e . x vi . In omit t in t he lines in p f p l , p ) g
h nza of t he c osin C orus . 5 3 lm es 2 owev er t he war ubh sh e r t e si xt h st a l g h (p , h , y p , ren ered k een b t h e mem or of ormer t roub es of a kin r ed nat ure oubt e ss d y y f l d , d l in a r e xercis ed his ownJudgment alone t h e m t t e .
T W . . J. HEL LAS
L ! RI C A L DRA M A
83 6d .
E A L L S. A ND R .
OR E RE O DO D S S E L . T T T , N N H E L L A S
D A L ! R I C A L R A MA .
PE S H E E R C Y B . L L Y
MANT IE EIM ’ EZ O AQN
(EDIP O O C L . . N
LONDON
C HARLES AN D J A M ES O L L I ER VERE STREET
B O N D S T R E E T
MDCOCI XII
H IS E X C E L L E N C !
PRINCE ALEXANDER MAVROCORDATO
LATE SECRETAR! F O R F OREIG N A F F AIRS
O T H E H O S P O D R O F VVA L L A C H IA T A ,
THE DRAMA OF HELLAS
1 s I N S C R I B E D
A S A N I M P E R F E C T T ox E N
O F T H E D M IR I O N S ! M P H ! A N D F RI E D S H I P A A T , A T , N
TH E A U TH O R.
PIS A,
N o ember l st 1 821 . v ,
PR F A viii E C E .
visionary d eline ation as sugge st the final triumph of the Gre e k cause as a portion of t he cause of civilization and
a e soci l improv ment .
The a if a dram ( dr ma it must be called) is , however, so
inart ificial a w if e on t he th t I doubt hether, recit d The spian
a A e a a Dion siaca w ggon to an th ni n vill ge at the y , it
a a e t he of t he at al e would h ve obt in d prize go . I sh l b ar with e quanimity any punishment gre ate r than t he loss of such a reward which t he Arist archi of t he hour m ay think f fit to in lict .
The oat - son w a e e t a e e has only g g hich I h v y tt mpt d , I
fe e of t he fa a e a e of t he con ss , in spit un vour bl n tur sub
e ct e e e e a e and a a a e of j , r c iv d a gr t r more v lu bl portion
a e e e a e e e applause th n I xp ct d or th n it d s rv d . Common fam e is t he only authority which I can all ege
t h e a f m t he a of t he e for e d t ils which or b sis po m , and I must tre spass upon t he forgive ne ss of my re ad e rs for t he display of newspaper erudition to which I have be e n re duce d e of t he war . Undoubt dly, until the conclusion , it will be impossible to obtain an account of it sufficiently authentic for historical materials ; but poe ts have their
e e and e a e a of privil g , it is unqu stion bl that ctions the most — e xalte d courage have be e n p erforme d by t he Gre e ks that
a e e a one a a a they have g in d mor th n n v l victory, and th t their d e fe at in Wallachia was Signalized by circumstance s of heroism more glorious eve n than victory . t he The apathy of t he rulers of t he civilize d world t o astonishing circumstance of t he d e sce ndants of that nation — f t o which they owe th e ir civilization rising as it were rom
of e u e e fe e e t he ashes th ir r in , is som thing p r ctly in xplicabl to a mere spe ctator of t he shews of this mortal scene .
a r our e all e e . e , We are Gr ks Our laws , our lit r tu e , r ligion F C PR E A E . ix
fo our s . r art , have their root in Greece But Greece
R t he or of ome, instructor, the conqueror, the metropolis our a no ll a ancestors, would have spre d i umin tion with her
a nd s s - e arms, we might still have been avage and idolat rs ; or e s n , what is worse, might have arriv d at uch a stag ant and mise rable state of social institution as China and
a J pan possess . The human form and t he h uman mind attained t o a per fection in Greece which has impre sse d it s image on those fa e s t e f s ultl s produc ions, whos very ragment are the despair of art a s modern , and has prop gated impul es which cannot
e a of f s or e ceas , through a thousand ch nnels mani e t imp r ce t ible e t o p op ration, ennoble and delight mankind until the extinction of the race . The modern Greek is the desce ndant of those glorious beings whom t he imagination almost r efu ses t o figure t o
f t o our he e of itsel as belonging kind , and inh rits much
e e of o e n their s nsibility, th ir rapidity c nception, their t husi m If in t e as o . , and their c urage many ins anc s he is
a r t o of degraded , by moral and politic l slave y the practice
a e of the b sest vices it engenders, and that b low the level ordinary degradation ; let us refle ct that the corruption of
d e sub the best pro uc s the worst, and that habits which sist only in relation t o a peculiar st ate of social inst itution may be expected t o cease so soon as that relation is dis
e f h s . t e e e a e e of olv d In act, Gr eks, sinc the admir bl nov l ” Anastatius could have been a faithful picture of the ir
a m nners, have undergone most important changes ; the flower of their youth re turning t o the ir country from the
e i of al ce univ rsit es It y, Germany, and Fran , have com municat ed t o their fell ow - citizens the latest results of that social pe rfection of which their ancestors were the origi PR F A E C E .
u e of c f nal source . The niv rsity Chios ontained be ore the
out of e breaking the revolution eight hundred stud nts,
e A e a Th and among th m several Germans and m ric ns . e munifice nce and e nergy of many of t he Greek prince s and
e d e e t he e a of e m rchants, ir ct d to r nov tion th ir country with
a few e e a a spirit and wisdom which has xampl s, is bove
a e all pr is . The ' English permit their own oppressors t o act accord
in t o m a g their natural sy p thy with the Turkish tyrant, and to brand upon the ir name the indelible blot of an alliance
of i of with the enemies domestic happ ness, Christianity
and civilization .
e t o e s i e a e e e and Russia d sires poss s , not to l b r t Gr ce ;
e and t he is contented to see the Turks, its natural enemi s,
e e e fe e e one Greeks, its int nd d slav s, en bl each other until
o ne t li of r both fall into its . The wise and generous po cy England would have consisted in establishi ng the inde
endence of i p Greece, and in maintain ng it both against — Russia and the Turk but whe n was the oppre ssor ge ne rous or just
ni a fl e The Spanish Pe nsula is alre dy e . France is tran quil in t he enjoyme nt of a partial exe mption from the abuse s which it s unnatural and fe eble government are
The e of vainly atte mpting t o revive . se d blood and misery
has e al e v a e b en sown in It y, and a mor igorous r c is arising
he nl e t o go forth to t harvest . The world waits o y the n ws of a revolution of Germany t o see the tyrants who have pinnacled the mselves on its supineness precipitate d into
‘ ne e e t he ruin from which they shall ver arise . W ll do th se
f nk e e e destroye rs o ma ind know their n my, when th y f put e t he insurrection in Greece to t he same spirit be ore
' t he of E e which they tremble throughout rest urop , and R F A P E C E. at e ne my we ll knows the powe r and t he cunning of its
onent s and w of e p , atches the moment th ir akness and inevitable division t o wre st the
f e s rom th ir grasp .
A A PE NAZ DR M TIS RSO .
MA HM U D
HA S S A N
DA o o n .
A A S R S a Jew H U E U , .
Ch s o reek a ti e n oru f G C p v Wome .
Messen ers Slaves and A tt endant s g , .
N Const antin le S 0 E o . E, p
t M Sunse . T I E,
4 H E L L A S.
f and a as a So t as love , c lm de th ,
Sweet as a summer night without a
C H O R U S
e our a e Sl ep , sleep song is l d n
With the soul of slumbe r ;
It was sung by a Samian maiden,
WVhose love r was of the number
Who now keep
That calm Sleep
VVhence m a e e none y wake , wher non shall
IN D IA N .
I touch thy te mples pale
I breathe my soul on thee 1
And a could my pr yers avail,
All my joy should be
e e e D ad , and I would liv to we p,
’ n f So thou might st win o e hour o quiet sleep .
R S C H O U .
e Br athe low, low
The spell of t he mighty mistress now !
e e e her a Wh n Consci nc lulls sated sn ke,
And e e . Tyrants sl ep, let Fr edom wake
Breathe low- low
l fire all flow The words which, ike secret , sh
of f r — ! Through the veins the rozen ea th low, low ’ u ve il d Tr th be , but still it burneth I
— e e I Love repulsed , but it r turn th
S E Yet were 11
’ Hope lay coflin d with D e spair ;
! e t e lie wer truth a sacred , Love were lust
S R S l st E M I C H O U . If Liberty
’ fe of Lent not li its soul light,
H of e ope its iris d light,
’ e e ea Truth its proph t s rob to w r,
and e Love its power to give b ar.
C H O R U S
e n of In the gr at mor ing the world ,
’ The spirit of God with might unfurl d
fla of e The g Fre dom over Chaos,
And a e fle d all its b nd d anarchs ,
e fr e f Lik vultures ight d rom Imans,
’ f a e ea Be ore an earthqu k s tr d .
’ SO from Time s tempe stuous dawn
’ Freedom s sple ndour burst and shone
Thermopylae and Marathon H E L L A S .
a a e a - C ught, like mount ins b con lighted, — The springing Fire The winged glory
P f- On hilippi hal alighted,
a e a Like an e gl on promontory.
Its unwe arie d wings could fan
1 The e e of M a quenchl ss ash s il n . ( ) a
a e a e f man (9 1 From g to g , rom to man, 5 t” 9 It live d ; and lit from land to land?
e e A e Flor nc , lbion, Switz rland .
e fe and as f Th n night ll , rom night,
Re - m e assu ing fi ry flight,
t he e swift fl Q aI From W st Qd A Q . N ff A a of He e dOom g inst the course av n and ,
’ A e arra d s cond sun y in flame,
t o To burn, kindle , to illume .
“ From farAtlantis its young beams
Chas ed t he shadows and the dreams
all a France, with her s nguine steams,
’ Hid uench d , but q it not again
Through clouds its shafts of glory rain
a From utmost Germ ny to Spain.
As an e agle fe d with morning
ee m t he e e e a n S s mbattl d t mpests w rni g,
When sh e seeks her aiery hanging
’ t he - e In mountain c dar s hair,
And her brood expe ct t he clanging Of her wings through the wild air, H E L L A
S f z— e ick with amine Fr edom , so
To what of Gre e ce re maine th now
Re turns ; her hoary ruins glow
Like Orie nt mountains lost in day
Bene ath the safety of he r wings
Her t e e e renova d nurs lings pr y,
And in t he naked lightnings
r O f truth they pu ge the ir dazzle d eye s.
’ Le t e e — w e e e she e Freedom l av h r r fli s,
A D se or a Pa a e ! e rt, r dis
Let the be autiful and t he brave
S a r hare her glory, or g ayg g w
S R S 1 s E M I C H O U t . With the gifts of gladne ss
crad Gre ec e did t hy le stre w ;
S R S 2d E M I C H O U . With the tears of sadne ss
Greece did thy shroud be de w l
R S l t S E M I C H O U s .
’ With an orphan s affe ction
’ She follow d thy bier through Time
S R S 2d E M I C H O U . And at thy re surre ction
Re - e e i ! appear th, lik thou, subl me
S R S l st E M I C H O U .
If H a e e ven should r sume thee ,
To Heaven shall her spirit ascend 8 H E L L A S.
2d S E M I C H O R U S .
If Hell should entomb thee,
To Hell shall her high hearts bend .
R l st S E M I C H O U S . If Annihilation
2d S R S . E M I C H O U , Dust let her glorie s be I
And a name and a nation
B e f e e e I orgott n, Fr dom , with thee
IN D IA N — — His brow grows darker bre athe not move not ! — He a —he e e a st rts shudd rs y th t love not,
r n and fa With you panti g loud st,
’ a ake n d Have w him at last .
( f s MAHMUD ( t art ing from . his sleep )
Man t he a - ! a e fa t he a Ser glio guard m k st g te .
What from a cannonade of three short hours
’ Tis fal se that bre ach towards t he Bosphorus — Cannot be practicable yet who stirs ?
Stand to the match that whe n t he foe prevails
O ne spark may mix in reconciling ruin
The conqueror and the conquere d He ave the tower
a — off f Into the g p wrench the roo .
Ent er HA S S A N ( .) Ha ! what !
The truth of day lightens upon my dream
And I M am ahmud still. H E L L A S .
HA S S AN .
Your Sublime Highness
Is strangely moved .
A M H M U D .
On those who watch and who must rule their course .
e e Lest th y, b ing first in peril as in glory,
t he - of Be whelmed in fierce ebb and these are them .
Thrice has a gloomy vision hunted me
As thus from slee p into the troubl e d day
e e e e t he se a It shak s me as the t mp st shak s ,
’ o e r a Leaving no figure up n m mo y s gl ss .
t hat é no e didst a Would matt r . Thou s y thou knewest
A Je w e , whose spirit is a chronicl
f e and f e O strang secret and orgott n things .
’ I bade the e summon him tis said his tribe
D and are e of ream , wise int rpreters dreams .
H A S A S N .
The Jew of I e old old whom spak is , so
’ He seems to have outlive d a world s d e cay
Th e hoary mountains and t he wrinkle d ocean — See m younger still than he his hair and beard
Are white r than the te mpe st - sifte d snow ;
His cold pale limbs and puls ele ss arte ries
Are like t he fibres of a cloud instinct 10 H L L A E S.
t o a n With light, and the soul th t quicke s them
Ar e as the atoms of t he mountain- drift To the wi nter wind —but
A life of unconsumed thought which pie rces
- e t o e . The pres nt, and the past, and the com Some say that this is he whom the gre at prophet
e t he son of for J sus , Joseph , his mockery
M c wi of o ked th the curse immortality.
Some fe ign that he is Enoch ! others dre am
He was pre - adamite and has survived
of e a and of Cycles gen r tion ruin .
The e a f e e sag , in truth, by dre d ul abstin nc
And e of e conqu ring penance the mutinous fl sh,
D e e p contemplation, and unwearied study,
’ out st re t ch d e of In years b yond the date man ,
May have attaine d t o sovereignty and science
Ove r those strong and se cre t things and thoughts
fe and Which others ar know not .
A M H M U D .
I would talk
Je w With this old .
IIA S A N S .
Thy will is e ve n now
M e seaacavern ade known to him , where he dw lls in a
’ Demonesi a Mid the , less ccessible
Than thou or God 1 He who would question him
H E L L A S 1 2 .
M A H M U D .
’ This Je w whom thou hast summe n d
H S A A S N . Will behere
A M H M U D .
When the omnipotent hour t o whichare yoke d hi — h He . , I, and all t ngs shall compel enoug
S — e ilence those mutineers that drunk n crew, h T at crowd about the pilot in the storm .
Ay l strike the fore most shorter by a head
I a e of They weary me, and h v need rest . l — e e Kings are like stars th y rise and set, th y have
hi of . The wors p the world , but no repose
R S 2 C H O U . ( )
0 Worlds on worlds are rolhng eve r
a From creation to dec y,
Like t he bubbles on a river
e Sparkling, bursting, born away.
But they are still immort al
‘ ’ Who; through birth s orient portal
’ And a dhasm i fro ! death s d rk hurry ng to and ,
Clothe their unce asing flight
In t he brie f dust and light
’ Gat her d around their chariots as they go H E L L A S.
ma New shapes they still y weave,
New gods, new laws receive,
Bright or dim are they as the robes they last ’ t On Death s bare ribs had cas .
A f o n n God power r m the u know , a t . “ A Promethean conqueror came w
Like a triumphal path he trod
' A m ort al shape t o him
Was like the vapour dim
Which the orient planet animates with light ;
H Sin r ell, and Slave y came ,
od- a Like blo hounds mild and t me,
’ N or re d a p y , until their Lord had t ken flight ;
The moon of Mahomet
A s a set rose, and it h ll
’ ’ While blazon d as on heave n s immort al noon
ss s on The cro leads generation .
Swift as the radiant shapes of sleep
From one whose dreams are Paradise
f t o Fly, when the ond wretch wakes weep,
And day pe ers forth with her blank eye s ;
So f so f fleet, so aint, air,
The powers of earth and air
Fled from the folding star of Bethlehem H L E L A S.
A o Pan e p llo , , and Lov ,
And eve n Olympian Jove
e for had a Grew w ak , killing Truth gl red on Our hills and seas and streams
e of e Disp opled th ir dreams,
e e t o Their wat rs turned to blood, th ir dew
a e for t he e e W il d gold n y ars .
Ent er MA HASSAN DA and others HMUD, , OOD, .
M A U H M D .
M ? our t ore gold ancestors bought gold with vic ory,
And shall I sell it for defeat ?
A o o D D .
for Clamour pay .
A M H M U D .
Go 1 bid the m pay themselves
With Christian bloo Are there no Grecian virgins
Whose shrieks and spasms and tears they may e nj oy 5? fl N o infidel children t o impale on spears fl 9 ”w f IV 3 l 6 NO hoary priests afte r that Patriarch ( )
’ } Who bent the curse against his country s heart
o own la ? 1 Which cl ve his at st Go bid them kill,
’ gBlood is the seed of gold . I
D A O O D .
It has been sown, 5 H E L L A S . 1
And yet t he harvest t o the sickle men
t o Is as a grain each .
A M H M U D .
e S e Th n, take this ign t,
Unlock the seventh chamber in which lie
The treasure s of victorious Solyman .
’ An for of empire s spoil stored a day ruin.
O spirit of my sires ! is it not come
The prey- birds and the wolves are gorged and sleep
who e f on a h But these , spr ad their east the red e rt ,
H for l not — fed unger gold , which fil s See them ;
of f y Then, lead them to the rivers resh death . M
Exit Dno o n ( .
I e d ft e O mis rable awn , a r a night
’ More glorious than the day which it usurp d l
0 f I on 0 , aith in God O , power earth , word
’ O f a e o ershadowin the gre t proph t, whose g wings
’ Darke n d r of the th ones and idols the West, — New I F or e r bright thy sak cursed be the hou ,
E fa e ven as a th r by an evil child,
i ’ When t he Orie nt moon of Islam roll d in triumph
From Caucasus t o White C eraunia l
a e Ruin bov , and anarchy below ;
e Terror without, and treach ry within ;
a of f l The Ch lice destruction u l, and all
Thirsting t o drink and who among us dares To dash it from his lips ? and where is Hope 1 6 H E L L A S .
HA S S A N .
The lamp of our dominion still ride s high ;
— Ma t One God is God home is his prophet. Four hundred thousand Moslems from the limits Of t A utmos sia, irresistibly
’ h l f Sairocco s cr T rong, ike ull clouds at the y
But not lik e them t o weep their strength in tears
ni They bear destroying light ng, and their step
t o Wakes earthquake consume and overwhelm,
And P r reign in ruin . h ygian Olympus,
Tmolus Lat mos M cale , and , and y , roughen W f ith horrent arms ; and lo ty ships even now,
’ ’ i anchor d L ke vapours to a mountain s edge, S Freighted with fire and whirlwind, wait at cala
- The convoy of the ever veering wind .
am — S os is drunk with blood the Greek has paid .
f r f n ai Brie victo y with swi t loss and lo g desp r.
f M f f far The alse oldavian ser s fled ast and , — When the fierce shout of Allah - illa Allah
B ose like the war- cry of the northern wind
i and e Wh ch kills the sluggish clouds, l aves a flock
a e O f wild swans struggling with the n k d storm .
’ S o were the lost Greeks on the Danube s day !
If e e night is mut , yet the r turning sun
Kindles the voices of the morning birds ;
N or at thy bidding le ss exultingly E L L A S 1 7 H .
e n t he e Than birds r joici g in gold n day,
The Anarchie s of Africa unleash
e - e of t he Their temp st winged citi s sea,
To speak in thunder t o the rebel world .
a f- a e e Like sulphurous clouds, h l sh tt r d by the storm
T e e t he e E ean e t h e e e h y swe p pal g , whil Qu n
O f a her - e Oce n, bound upon island thron ,
F ar in t he We st sits mourning that her sons
Who frown on Fre edom spare a smile for thee
R a as a e ussi still hovers, an e gl might
i a and With n a cloud , near which kite cran
H e e e ang tangl d in in xtricabl fight, — To st e ep upon t he victor for she fe ars
Th am f e t e e o e e e . n Fr dom , ev n as she ha s thine
But re creant Austria love s thee as the Grave
e P he r of Lov s estilence, and slow dogs war,
’ F lesh d e f with the chas , come up rom Italy,
And howl upon their limits ; for they see
e e e fled t o he r old e The panth r, Fr dom, cov r,
A s and a and a e mid eas mount ins, mighti r brood
A a . a or Crouch round Wh t narch wears crown mitre ,
a t he or t he ke of Or be rs sword , grasps y gold ,
e fri e are not t h fr e f e f Whos nds y i nds, whose o s thy oes
Our arse nals and our armorie s are full
Our forts d e fy assault ten thousand cannon
a Lie r nged upon the beach, and hour by hour 18 H E L L A S .
' Their earth - convulsing wheels aflright the city ;
The galloping of fie ry ste eds make s pale
The Christian me rchant ; and the yellow Jew
Hi e e fa hl e d s his hoard deep r in the it ess arth .
t he ha of Like clouds, and like s dows the clouds,
e of A l Ov r the hills nato ia,
Swift in wide troops the Tartar chivalry
Swe ep -t he far flashing of the ir starry lances
Reverberates the dying light of day .
a one one one H e one We h ve God , King, op , Law
many- head e d Insurre ction stands
ivide d s f fa in it el , and soon must ll .
M A I—I M U D .
P e e roud words, when d ds come short, are seasonable
’ o H on e emblazon d L ok , assan, yon cresc nt moon,
’ Upon that shat t er d flag of fiery cloud
Which leads the rear of the departing day ;
Wan - emblem of an e mpire fading now 1
em e - See how it tr bl s in the blood red air,
And like a mighty lamp whose oil is spe nt
‘ ’ o n t he hbfiho gdmabove m g ,
ith insolent and victorious light f a e its all, and with keen be ms,
fa through a inting antelope , f orm to death.
A S H E L L .
M A H M U D .
Ay l t he day
’ Was our s ! but how
H A S S A N .
a The light W llachians ,
A e A a alli The rnaut, S rvian , and lb nian es
' F Fled from the glance of our artille ry i Almost before the thunderstone alit .
O ne half the Gre cian army m ade a bridge
f e e sa e and slow retreat, with Mosl m d ad ;
he othe r
' M A H M U D .
— e Spe ak tre mbl not .
HA s s A N .
Islande d
r a f e By victor my i ds , ormed in hollow squar
e f f and h With rough and st ad ast ront, t rice flung back
The de luge of our foaming cavalry ;
e of e Thrice their keen wedg battle pierc d our lines .
O ur baffled army tre mble d like one m an
e f o B ore a host, and gave them space but so n ,
t he l e e From surrounding hil s , the batt ries blaz d ,
Kne ading the m down with fire and iron rain
! et a a of none ppro ched ; till , like a field corn
n e of t he a U d r the hook swart sicklem n,
’ a nt rench d of r e a The b nd , i in mounds Tu kish d d , H E L L A S .
e a and few - e t he Pa Grew w k . Th n said cha, Slaves ,
Rend e r yourselves - they have abandoned you
of e f e or e t or ? What hope r ug , retr a , aid
” We e a hi own I grant your liv s . Gr nt that which is t ne
e one fe Cri d , and ll upon his sword and died
A m an e nother God , and , and hop abandon me ;
' f e But I to them , and to mysel , r main
a ! — he e e and Const nt bow d his h ad , his heart burst .
A e fu third exclaim d , There is a re ge , tyrant,
e darest e a Wh re thou not pursu , and c nst not harm ,
’ e i Should st thou pursu ; there we shall meet aga n .
e e f a f a Th n held his br ath , and , a ter brie sp sm,
The indignant spirit cast its mort al garment — Among t he slain dead earth upon t he earth
o e a ff S thes survivors, e ch by di erent ways ,
S n all e e ome stra ge , sudd n, non dishonourable ,
“ i n W i e et de and awe Closed , h l y won r; , and shame,
He ld back the base hyenas of t he battle
f t he That e ed upon dead and fly the living,
One rose out of t he chaos of t he slain
And if it were a corpse which some dread spirit
O f the old saviours of the land we rule
Had lifted in its anger wande ring by
’ O r if there burn d within the dying
e a e of fa Unqu nch bl disdain death , and ith H E L L A S 22 .
’ — Creating what it fe ign d I cannot tell
f f h f he e ~ iPhant o ns o t e e ! r‘ But cri d , fi - ree, we com fi “
of t he E e n e Armies t r al , y who strike
a e of To dust the cit d ls sanguine kings,
A nd a t he on e sh ke souls throned th ir stony hearts ,
And thaw the ir frostwork diadems like dew
O ye who float around this clime , and weave
of The garment the glory which it wears,
’ f t a clas d Whose ame , hough e rth betray the dust it p ,
Lie s sepulchre d in monumental thought
P of all a rogenitors that yet is gre t,
A e scribe to your bright s nate , O accept
In your high ministrations, us, your sons
Us t o ! first, and the more glorious yet come
And e a ! e y , we k conquerors giants who look pal
’ crush d When the worm rebels beneath your tread ,
t he e The vultures and dogs, your pensioners tam ,
Are e overgorged ; but, like oppr ssors , still
’ of D e fe They crave the relic struction s ast.
The e xhalations and the thirsty winds
Are sick with blood ; t he dew is foul with death ;
’ ’ ’ H uench d ! eaven s light is q in slaughter thus, where er
or or Upon your camps , cities, towers, fleets,
Th e obscene birds the reeking remnants cast
Of e e s — ai th s dead limb , upon your streams and mount ns,
- o Upon your fields, your gardens, and your house t ps, H E L L A S.
’ a or Where er the winds sh ll creep, the clouds fly,
f or t he Or the dews all, angry sun look down
’ oison d — Pe With p light Famine and stilence,
And P n our 1 a ic, shall wage war upon side
Nature from all her boundaries is moved
A ! f li f gainst ye Time has ound ye ght as oam .
The Earth rebels and Good and Evil stake
’ Their empire o er the unborn world of men
one — be On this cast but ere the die thrown,
of our The renovated genius race , Q P o e of u r ud umpir the impio s game , descends
A e - e e r s raph wing d Victory, b st iding
of of The tempest the Omnipotence God ,
hi e Which sweeps all t ngs to their appoint d doom ,
” And t o ! e he a you oblivion Mor would h ve said , But
M A H M U D . — " Died as thou shouldst ere thy lips had painted,
f our Their ruin in the hues o success .
’ ’ A rebe l s crime gilt with a rebel s tongue ! H Your heart is Greek, assan .
HA S S A N .
It may be so
’ A iri own wrench d me sp t not my within, .“ M y And I have spoken words I fear and hate
! et would I die for ’ K “ li eat h a e ! Re ulseé on z is aw k p the waters ,
They own no more the thunde r- b e aring banner
O f Ma of a a e e hmud ; but, like hounds b s br ed ,
’ e f a e and e e e Gorg rom strang r s hand , r nd th ir mast r.
H A S A S N .
' Lat m os and A Phanm , mpelos, and , saw
The wre ck M A H M U D .
The cave s of t he Icarian isles
H e t he e old ach to other in loud mock ry,
An d t he u as of a e h e with tong e a thous nd c o s,
of - fi ht — e First the sea convulsing g and , th n, '3 — (9 Thou dare st t o speak senseless are t he mountains
Interpre t thou their voice I H E L A L S.
H A S S A N .
My pre sence bore
’ A The e e e part in that day s shame . Gr cian fl t
e - e f t he N and Bor down at day br ak rom orth, hung
A s ul on t he e m titudinous oc an line,
As e t he e r cran s upon cloudl ss Th acian wind .
O ur a t e n a m e n squ dron, convoying thous nd ,
Was stretching towards Nauplia whe n t he battle
Was dl e kin d .
First through t he hail of our artillery
The agile Hydriote barks with pre ss of sail
D a e — i t o hi a t o sh d sh p s p, c nnon cannon, man
man e e a e a e of war To w r gr ppl d in the embr c ,
e e a or In xtricable but by d th victory .
The temp e st of the raging fight convuls ed
chr st alline e nl e se a To its y d pths that stai ss ,
’ And H f of ni shook eaven s roo golden mor ng clouds,
P e on d ou - e ois d an hun red azure m ntain isl s .
In the brief trance s of t he artillery
’ One cry from t he de st roy d and the destroyer
e of e o a a Ros , and a cloud d s l tion wr pt
f e e e e t he w The un or s n ev nt , till north ind
f se a if e a e Sprung rom the , l ting the h vy v il
- — — O f battle smoke the n victory victory !
we e f a e f Al For, as thought, thre rig t s rom gi
e f Na aid Bor down rom xos to our , but soon H E L L A S.
i ef e The abhorred cross glimmered beh nd , b or ,
A fa mong, around us ; and that tal sign
D e M rie d with its b ams the strength in oslem hearts ,
— 1 A s the sun drinks the dew What more 2 We fled
Our noonday path ove r t he sanguine foam
’ beacon d — a al Was , and the gl re struck the sun p e
By our consuming transports ! the fierce light
M e of our ls - red ad all the shadows sai blood ,
And a hi f e very counte n nce blank . Some s ps lay eeding
’ The i raven ng fire , even to the water s level ;
e i e a Some wer blown up ; some , settl ng h vily,
Sunk and t he shrie ks of our companions died
o o f far Up n the wind , that b re us ast and ,
’ E f N erish d ! ven a te r they were dead . ine thousand p
’ We met the vultures legion d in the air
’ Stemming t he torrent of the tainted wind
f m e a They, screaming ro th ir cloudy mount in peaks,
’ Stoope d through the sulphurous battle - smok e and pe rch d
E on e e a e ach the w lt ring c rcase that we lov d ,
e or it s e Lik its ill angel damn d soul, W of Riding upon the bosom the sea .
do - fish n e f as We saw the g hasteni g to th ir e t .
Jo e of y waked the voic less people the sea,
' And ravening Famine left his ocean cave
To dwell with war, with us, and with despair.
H E L L A S .
’ a e e e e e That which thou c n st not k p, his d s rv d portion
Of al e blood , which sh l not flow through str ets and fields ,
e and e e a m a Riv rs s as, lik th t which we y win,
But stagnate in t he ve ins of Christian slave s
Ent er second M essen er ( g . )
N M S S N G S E C O D E E E R .
N Mot hon A e auplia , Tripolizza, , th ns ,
Na Ar Monembasia varin, tas , ,
and a e Corinth Thebes are c rri d by assault,
A nd e very Islamite who made his dogs
Fat with the fle sh of Galilean slave s
Passed at the edge of the sword the lust of blood
’ our a n uench d e Which made w rriors dru k , is q in d ath ;
But like a fie ry plague bre aks out anew
In d e e ds which make the Christian c ause look pale
The a of P In its own light . g rrison atras
f a for t e n a e H s store but d ys, nor is th re hope
! f — ut f ! at e S a .A f B rom the Briton onc l ve and tyrant
His e e f a wishes still are w ak r than his e rs,
Or he wo uld sell what faith m ay yet remain
From the oaths broke in Genoa and in Norway
And if ou e a y buy him not, your tr sury
e e of - h i s own Is mpty ven promises coin .
' 4 The freedman of a west em %het chidf ( )
H A e a e e olds ttica with sev n thous nd r b ls,
And has beat back the Pacha of N egropont H E L L A S.
The aged Ali Sits in Yanina
A crownless me taphor of empire
His e ad of e nam , that sh ow his wither d might,
Holds our be sieging army like a sp ell
t o fa e and In prey min , pest, mutiny
’ He bast ion d hi s e f , in citad l, looks orth
Joyle ss upon the sapphire lake that mirrors
Th e ruins of the city whe re h e reigne d
’ r Childle ss and sceptreless . The Gre e k has eap d
Th a e own d e costly h rv st his blood mature ,
N ot t he e Ali— who has sow r, bought a truce
From Ypsilanti with ten camel loads f O Indian gold .
t t i M ssen r ( En er a h rd e ge . )
M A H M U D .
What more
R M S S N G R T H I D E E E .
The Christian tribes
O f Lebanon and t he Syr ian wild e rne ss
A re e - D a He Al e in r volt mascus, ms, ppo
e e fi—t he A a e e Me a Tr mbl ; r b m nac s din ,
’ The E hi has int rench d e f t op hims l in Sennaar,
’ And e e E e e e e m lo d k ps the gyptian r b l w ll p y ,
e e a e a Who d ni s hom g , cl ims investiture
A s of Pe a e price tardy aid . rsi d mands
on The cities the Tigris, and the Georgians
R f e n . e e and e us their livi g tribute Cr t Cyp rus, H E L L A S .
’ Like mountain- twins that from each other s ve ins
- fire e Catch the volcano and arthquake spasm , Shake in
f e Like birds be or a storm,
And prophecyings horrible and ne w
Ar e heard among the crowd ! that sea of men s on . Sleeps the wrecks it made, breathle s and still
A Dervise e e a e e , l arn d in the Kor n, pr ach s
That it is writte n how the Sins of Islam
a e e Must r ise up a d stroyer ev n now .
5 f e The Greeks expect a Saviour rom the w st , ( )
S e m e n sa Who hall not com , y, in clouds and glory,
But in the omnipre sence of that spirit
’ i In which all live and are . Om nous Signs
’ Are blazon d broadly on the noon- day sky
’ O ne saw a re d cross st amp d upon t he sun
’ It has rain d blood and monstrous births de clare
of N The secret wrath ature and her Lord .
’ encam d C daris The army p upon the y ,
as t he of Was roused l t night by alarm battle ,
And t t he saw two hos s conflicting in air,
The shadows doubtless of the unborn time
on of ni Cast the mirror the ght . While yet
The l e fight hung ba anced, th re arose a storm
i t he f Wh ch swept phantoms rom among the stars . A t the third watch the spirit of the plague
H E L L A S .
And f e of of war two the lo ti st our ships ,
With t he bright image of that Que en of He aven
a her fa e for e f e e Who hid , perh ps, c gri , rev rs d
And the abhorre d cross
Ent er an A t t endant ( . )
A T E N D A N T T .
Your Sublime Highne ss
J ew The , who
M A H M UD .
Could not come more seasonably
’ im a ! Bid h attend . I ll he r no more too long
We a e on hr t he of f g z danger t ough mist ear,
’ And multiply upon our shat t er d hope s
of i ! The images ruin . Come what w ll
To - morrow and t o - morrow are as lamps
Se t in our path to light us t o t he edge
can ffe au Through rough and smooth , nor we su r ght
we Which he inflicts not in whose hand are .
l t S E M IO H O R U S s .
' Would I we re t he winge d cloud O f a tempest swift and loud I would scorn
The smile Of morn
And t he wave whe re the moon H E L L A S. 3 3
I would le ave
The spirits of eve
A shroud for t he corp se of the t o weave
From othe r threads than mine
Bask in the blue noon divine
Who would , not I.
S EM IO H O R U S 2md .
Whithe r t o fly ?
M . t S E I O H O R US l s .
’ Where the rocks that gird t h [ Egean
Echo t o t he battle pas
O f the fre e
I would fle e
A te mpe stuous he rald of victory I
My golde n rain
F Or t he Grecian Slain
S ar m hould mingle in te s with the bloody ain,
And my sole mn thunde r kne ll '
Should ring t o the world the passing
S EM IO H O R U S 2nd .
Ah king ! wilt thou chain
The rack and the rain ? H E L L A S.
C H O R U S .
’ O ! f of t he Slavery thou rost world s prime,
Killing it s flowers and leaving its t hornS \bare
has e Thy touch stamped th se limbs with crime,
These brows thy branding garland bear, f But the ree heart, the impassive soul Scorn thy control
M IO H O R U 1 st S E S .
li Let there be ght said Liberty,
And e f like sunris rom the sea,
A l— Ar her thens arose ound born,
Shone like mountains in the m om — Glorious state s and are they now A ? shes, wrecks, oblivion
S EM I O H O R U 2nd s .
Go,
’ Where The rmae and Asopus swallow d
P a e f ersia, as the s nd do s oam .
’ follow d Deluge upon deluge ,
D s M i cord , acedon, and Rome And lastly thou
S EM I O H O R 1 t U S s .
t Temples and owers,
Citadels and marts, and they
Who live and die there, have been ours,
And e may be thin , and must decay ;
H E L L A S
Before what splendour rolls be hind
Ruin and re novation cry Who but We
S E M IO H O R l U S st . I hear I hear
O f hi The hiss as a rus ng wind,
of f The roar as an ocean oaming,
of The thunder as earthquake coming. I hear I hear
of f The crash as an empire alling,
The shrieks as of a people calling
Mercy ! mercy - How they thrill !
” The n a shout of kill ! kill ! kill 1
And e l e th n a small sti l voic , thus
S EM I H S 2d O O R U .
For" f Revenge and wrong bring orth their kind , f ik The oul cubs l e their parents are, l The ir t he I den is in guilty mind , And c f Conscien e eeds them with despair.
R S l st S EMI C H O U .
a A s f In s cred then , near the ane
’ O f s P Wi dom , ity s altar stood
G od Serve not the unknown in vain,
ri a ai n But pay that broken sh ne g ,
f r Love or hate and tears fo blood . H E L L A S . 3 7
En e M A and A A ( t r H M U D H S U E R U S. )
M A H M U D .
e we Thou art a man thou say st even as .
S A H A S U E R U .
N O more !
M A H M U D .
But raised above t hyfe llow men
e By thought, as I by pow r.
R A H A S U E U S .
s Thou saye t so .
A M H M U D .
ThOu art an adept in t he difficult lore O f Greek and Frank philosophy thou numberest
Th e m easurest flowers, and thou the stars ;
Thou severest element from element ;
e as Thy spirit is pres nt in the p t, and sees
The birth of thi s Old world through all its cycles
O f e of e i d solation and lov l ness ,
And man and e a when was not, how man b c me
a t he e of i low S e e The mon rch and slav th s ph r , — And all its narrow circle s it is much
e e and be a I honour th , would wh t thou art
e e a W r I not wh t I am but the unborn hour,
ad e fe a and e Cr l d in r hop , conflicting storms ,
a e ? N or Who sh ll unv il thou , nor I, nor any
Mi or e ghty wise . I appr hend not 3 8 H E L L A S .
a me e e v Wh t thou hast taught , but I now p rc i e
That thou art no inte rprete r of dreams ;
own or Thou dost not that art, device, God , — C an make the future present let it come
More over thou disdaine st us and ours ; d as G o cont em lat e st . Thou art , whom thou p
A A S R S H U E U . — Disdain thee not the worm be neath thy fee t !
The Fathomle ss has care for meaner things
a e a e for e Th n thou canst dr am , and has m de prid thos
be a e not or e e Who would wh t th y may , would s m ! t e ar not ! e That which h y e . Sultan talk no mor
f e fu t he O th e and me , the ture and past — But look on that which cannot change t he O ne
E r The unborn and the undying. a th and ocean,
a e t he of ife or e m Sp c , and isles l light that g
a e of e e a The s pphir floods int rst ll r air,
’ firmam ent avilion d This p upon chaos ,
all e of a fire With its cress ts immort l ,
e e e a Whos outwall , bastion d impr gn bly
A a a e of e e g inst the esc p bold st thoughts, rep ls them
‘ — A s Calpe t he At lant ic clouds this Whole
O f and me n e a suns, worlds , and , and b sts , and flowers,
With all t he sile nt or te mpe stuous workings
e are By which th y have been, , or ceased to be,
Is but a vision - all that it inhe rits
' ~ 4O H E L L A S .
K an S e — and lo nock d it hall be open d look ,
The coming age is shadowe d on the past
As on a glass .
A M H M U D .
e Wild, wild r thoughts convulse My spirit—Did not Mahomet the Second Win Stamboul ?
A A S R S H U E U .
’ Thou would st ask that giant Spirit
f e of e f The written ortun s thy hous and aith .
’ Thou would st cite one ou t of t he grave t o tell
How o what was born in bl od must die .
M A H M U D . Thy words
Have power on me I see
A A S R S H U E U . thou ?
M A H M U D .
A far Whisper
Terrible silence .
A A S R H U E U S . What succeeds ?
M A H M U D . The sound
As of of a the assault an imperi l city, ‘ H E L L A S. 41
of in u The hiss inext g ishable fire ,
Th e roar of giant cannon ; the earthquaking
of and t o Fall vast bastions precipi ous t wers ,
’ of f n e n in r The shock crags shot rom stra ge g y,
of e of f The clash wh els, and clang armed hoo s,
And crash of brazen mail as of the wreck — Of adamantine mountains t he mad blast
O f e of t e s trumpets, and the n igh raging s ed ,
And of o shrieks women whose thrill jars the blo d ,
And one t r t o sweet laugh, mos ho rible hear,
As of a joyous infant waked and playing
’ r now With its dead mothe s breast, and more loud — mi - ha ! not The ngled battle cry, hear I
’
Ev r ovr é) mie . A l A ! n llah , I lah, llah
A H A S U ER A S
— ’ The sulphurous mist is raised thou see st
M A HM UD . A
As of two mountains in the wal l of Stamboul ;
And a c in that gh stly brea h the Islamites,
t on of Like gian s the ruins a world ,
of Stand in the light sunrise . In the dust
n a one Glimmers a ki gless di dem , and
Of regal port has cast himself be neath
The stre am of war! Anothe r proudly clad
In gold e n arms spurs a Tartarian barb 4 2 H E L L A S .
a hi s e Into the g p, and with iron mac
' D O f e Of irects the torrent that tid men, — — And seems he 1 s Mahomet !
A A S R S H U E U .
’ What thou see st
Is but t he ghost of thy forgotten dream .
A a f s dre m itsel , yet les , perhaps, than that
’ ’ call st li e Thou rea ty. Thou may st b hold
How on E e cities, which mpire sleeps enthron d ,
’ t ower d t o Bow their crests mutability.
’ P e e n on t he e oised by the flood , height thou hold st,
’ Thou may st now le arn how the full tide of power
E s — e of bbs to its depth Inh ritor glory,
C e onceiv d in darkness, born in blood, and nourished iWit h ’ tears and toil, thou see st the mortal throes Of P that whose birth was but the same . The ast
Now stands before the e like an Incarnation
’ Of the To- come ; yet would st thou commune with
That portion Of thyse lf which was ere thou
D for f e idst start this brie race whose crown is d ath ,
Dissolve with that strong faith and fe rvent passion f Which called it rom the uncreated deep ,
! on of cloud war, with its tempestuous phantoms
O f raging death ; and draw with mighty will
The imperial Shade hither .
xit A A S R S (E H U E U .
44 H E L L A S;
M i fe utinous pass ons, and conflicting ars ,
And hope s that sate themselves on dust and die
of - of Stript their mortal strength as thou thine .
Islam mum sM t “ M fi ‘
Over its ruins in t he world of death
A nd if t he S t he e trunk be dry, yet hall se d
Unfold itself e ven in the shape of that
i e Woe Wh ch gathers birth in its d cay . woe
To the weak people tangled in the grasp f O its last spasms . M A HM U D .
woe t o all ! Spirit,
Woe t o the wronged and the avenger ! Woe
To woe t o ! the destroyer, the destroyed
Woe e t o t he e to the dup , and woe deceiv r
Woe s t he to the oppres ed , and woe to oppressor
Woe both to those that suffer and inflict ;
die ! but Those who are born and those who say ,
of Imperial shadow the thing I am ,
is When, how, by whom, Destruction must accompl h
Her consummation
P A N T H O M .
A sk e H the cold pal our,
e e of e e a Rich in r v rsion imp nding d th ,
When he shall fall upon whose ripe grey hairs
e and S Infirmit Sit Car , orrow, and y H E L L A S . 45
i d The weight wh ch Crime , whose wings are plume
Leave s in his flight from ravaged heart t o heart
of Over the heads men , under which burthen
They bow thems elves unto the grave fond wretch
He of leans upon his crutch, and talks years
To come ; and how in hours of youth renewed
He will renew lost joys , and
Victory ! Victory !
A M H M U D .
What sound of t he importunate e arth has broken
My mighty trance ?
Victory ! Victory !
M A HM UD .
Weak lightning before darkne ss poor faint smile
O f dying Islam ! Voice which art the re sponse
O f hollow we akness ! Do I wake and live ?
e i or ma W re there such th ngs, y the unquiet brain,
e of O Je w V xed by the wise mad talk the ld ,
Have Shaped itself these Shadows of its fear ?
It matte rs not - for nought we see or dream
P or or be ossess , lose , grasp at, can worth
M or ore than it gives teaches . Come what may 46 H E L L A S .
fu e t he The ture must becom past, and I
A s t o hi e they were whom once t s pres nt hour,
hi a of e T s gloomy cr g tim to which I cling,
E e of o Seemed an lysian isl peace and j y, — Never t o be attaine d I must re buke
e of ere die This drunkenn ss triumph it ,
And ! dying, bring despair. Victory poor slaves
Shout in the jubile e of de ath ! The Gre eks
Are as a brood of lions in t he ne t
Round which t he kingly hunte rs of t he earth li A f Stand smi ng. narchs, ye whose daily ood
Are fr i of e curses , groans , and gold , the u t d ath
t o of t he From Thule the girdle world ,
f s ! wi of Come , ea t the board groans th the flesh men ; f ’ The cup is oaming with a nation s blood ,
hi die ! Famine and T rst await eat, drink, and
EM IO H O R U S 1 st S .
vu S Victorious Wrong, with lture cream ,
e t he Salutes the risen sun , pursu s flying day
’ her a I saw , ghastly as a tyr nt s dream ,
P on e of erch the tr mbling pyramid night,
Beneath which earth and all her realms pavilioned lay
of In visions the dawning und elight .
Who Shall impede her flight ?
Who rob her of her prey ?
48 H E L A S L .
are t e for e These chains light, fit r slaves and poison rs
! e ! . ! e Than Greeks Kill plund r burn let none r main .
R S 1 st S EM I C H O U .
Alas for Libe rty
If n e a or unfulfillin umbers , w lth , g years ,
f t he f e e Or ate , can quell r
A ! for e las Virtu , when
s or or e e Torment , contumely, the sn rs
‘ Of erring judging m e n
t he e e Can break h art wher it abides .
A ! if v e e e las Lo e , whose smil mak s this obscure world spl ndid ,
e f e e Can chang with its alse tim s and tid s ,
e Lik hope and terror,
Alas for Love
And e f e Truth , who wand rest lone and unbe riend d ,
If thou canst veil thy lie- consuming
ef e of E B ore the dazzl d eyes rror,
A for e e ! e of A las th Imag the bove . 2 S E M I O H O R US d.
R e l e f e o epuls , with p um s rom conqu st t rn ,
Led the ten thousand from t he limits of t he m om
Through many an hostile Anarchy
“ At e e e t he Sea the Se a ! length th y w pt aloud , and cri d ,
le and i Through exi , persecution, despa r,
R e A a e e om was, and young tl ntis shall b com
or t he or t he The wonder, terror, tomb H E L L A S 49 .
Of all whose step wakes powe r lulle d in her savage
e e i But Gr ec was as a hermit ch ld ,
Whose fairest thoughts and limbs were built
’ To r so woman s growth , by d eams mild,
She kne w not pain or guilt ;
And ! E ! now, O Victory, blush and mpire tremble y
When ye de se rt the free
If Gree ce must be
A W it s f e re - reck , yet shall ragm nts assemble,
And build the mselves again impregnably
In a diviner clime .
Am hi on a To p onic music some C pe sublime ,
f e f O f Which rowns abov the idle oam Time .
S E M I O H O R S 1 st U .
Let the tyrants rule the de sert they have made
Let the free posse ss the paradise they claim ;
Be the fortune of our fierce oppre ssors weighed
our our e our a With ruin , resistanc , and n me
S E M I H S 2d O O R U .
S e of Our dead hall be the se d their decay,
Our survivors be the shadow of their prid Our adversity a dream to pass away
Their dishonour a remembrance t o abide
Victory ! Victory ! The bought Briton sends
The keys of oc ean t o the Islamite ‘ H E L L A 50 S.
’ N ow of be veil d shall the blazon the cross ,
And S e n British kill dir cting Othma might,
e - e 0 Thund r strik rebel victory . keep holy
This jubile e of unre venge d blood
Kill crush de spoil Let not a Greek e scape
R S l st S E M I C H O U .
’ Darkness has dawu d in t he East
On t he noon of time
The e a - e e t o i fe d th birds d sc nd the r ast,
n From the hu gry clime .
Let Free dom and Pe ace fle e far
To n a su nier strand ,
’ And follow Love s folding star
To the Eve ning land
EM I H O R 2d S O U S .
The young moon has fed
He r a s e n exh u t d hor , With the sunset’s fire
iThe ea w k day is dead ,
i " But the night is not born ; p \ Ari l e d , like oveliness panting with wild d sire
e e fe While it tr mbl s with ar and delight,
H e e f esp rus fli s rom awakening night ,
And pants in its beauty and speed with light f Fast flashing, so t, and bright .
Thou beacon of love thou lamp of the free
52 H E L L A S.
A brighter Hellas rears its mountains
From wave s sere ner far ;
A ne w Pene us rolls his fountains
A s ni - gain t the mor ng star.
f r Where airer Tempes bloom , the e sleep
clads on Young Cy a sunnier deep .
A f Ar t he lo tier gos cleaves main,
Fraught with a later prize ;
A e nother Orph us sings again,
And and e i s. loves, we ps , and d e
A new Ulysses le aves once more
for his e Calypso nativ shore .
0 r e no e of T , w it more the tal roy,
’ If earth Death s scroll must be
N or mix with Laian rage the joy
Although a subtler Sphinx re ne w
e e e Riddl es of death Th bes n ver kn w .
A A S nother thens hall arise,
And t o re moter time
e t he Bequ ath, like sunset to skies,
of m e The splendour its pri .
And e if t leav , nough so bright may live,
ve All e arth can take or Heave n can gi . H E L A L S.
8 Saturn and Love the ir long repose ( )
e But votive tears and symbol flow rs .
O cease must hate and de ath re turn ?
Ce ase must m e n kill and die ?
Cease drain not t o its dre gs the urn
of a The world is weary the p st,
O might it die or rest at last !
T H E
F et n Dorset St ree t , le St reet , Lo don.
T E 5 6 N O S.
miser of t he c ommission of e or s ould u e add a of y rr , h s p r th t t he unishm e n and t h e ri a ons onse uen u on it ill p t p v ti c q t p , st would re main ine li able and in re dible T a r i a xp c c . h t the e s
rue olu ion of t he riddle and a in our resen s a e a t s t , th t p t t t th t
So u ion is una ainable b u s are re osit ions w ic m a b e l t tt y , p p h h y re arde d as e uall er ain me anw ile as it is t he r o in e of g q y c t h , p v c t he poe t t o attach himselft o tho se ide as which e xalt and ennoble humani le t him b e ermi e d t o ha e on ec ured t he condi ty, p tt v c j t tion of th at futurity towards which w e are all impelled by an in
in s ir r imm ali n il be er ar u men s e xt gui hable th st fo ort ty . U t tt g t
“ can be rodu e d an so i m whi dis ra e t he au e hi s p c th ph s s ch g c c s , t desire itself must re main t he stronge st and t he only pre sumpv
io ni i t h in e ri an f r hin in b ein t n that eter ty s e h t ce o e ve y t k g g.
3 r ( ) N o hoary p iest af t er t hat Pat riar ch. The Greek Patriar ch afte r having been compe lle d t o fulmi nate an anath ema against t he insurgents w as put t o de ath by
ur s t he T k . For tunately t he Gre e ks h ave b e e n taught th at the y cannot b u se uri b de ada ion and t he Tur s ou h e uall y c ty y gr t , k , th g q y
- cr u e l are le ss unnin an t he smoo fa ed ran s of Euro e . , c g th th c ty t p
A s t o t he ana hema his Holine ss mi as w ell a e r ow n t , ght h v th
e ffe i roduce d The his mitre at M ount A thos for any ct that t p . chiefs of t he Gre eks are almost all men of comprehension and
r li i n and oli i s e nlighte ned view s on e g o p t c .
4 The reedman o a wes t er n oe t chie ( ) f f p f .
’ A Greek w ho had b e en L ord Byron s serv ant commands t he in ur en in A i a T is Gr e L r B n i . e o d ro nforms s g ts tt c h k , y l o 0 me ou a o e and an ent hu srast l c a ri o a e hi m ra er , th gh p t p t t, g v th t he ide a of a imid and unen er risin rs on ar a t t p g pe . It appe s th t
ir um s ance s ma e men w a t e are and at w e all on ain c c t k h t h y , th c t t he germ of a degr e e of degr adation or of greatne ss whose
onne ion wi h our ara er i det e rmine d b e e n s c x t ch ct s y v t . N O T E S. 57
5 The Gr eeks ex ect a Saviour rom t he West ( ) p f . It is reporte d that this M e ssiah h ad arrive d at a sea- port near Lace daemon in an A m e rican b ri The a s o ia io of g . s c t n
name s and ideas is irr e sis ibl ludi r ou s b ut t he r e ale nce of t y c , p v such a r umour strongly marks t he state of popul ar enthusiasm
in ree G ce .
6 The sownc is an Assault am. Im erial t ( ) l of of p Ci y . F or t he vision of M ahmud of t he taking of C onstantinopl e i n ’ “ ” 1 445 See Gibb o s Decline nd F all t he Roma Em i n re v ol. , n a of p ,
223 . xii . p . The m anner of t he invocation of t he Spirit of M ahome t t he
Se ond will be censure d as o er sub le I ould easil c v t . c y have made t he J ew re ular on uror and t he P ant om an ordi a a g c j , h n ry
os I a e e fe r e d t ore re sen t he J e w as di claimi all gh t . h v pr r p t s ng
re en ion or e en belief in su e rna ural a e n and as em p t s , v , p t g cy, t pt ing M ahmud t o that state of mind in w hich ideas may b e sup po se d t o assume t he force of sensations through t he confusion ‘ of ou wi t he ob e of ou and t he e es of as th ght th j cts th ght , xc s p sion anima in t he cre a ion of ima inat ion t g t s g .
is a or of na ural ma i s u e ible of b ein e er i e d in It s t t g c, sc pt g x c s a de gre e by any one w ho should have made hims elf master of ’ t re a o ia on f an r u h he sec t ss c ti s o othe s tho g ts .
7 N ot e ( )
The nal C oru is indis inc and obs ure as t he e en o t he fi h s t t c , v t f li in drama w o e a ri al it for t e lls Pr o e ci f r an e . es o wa d v g h s r v ph s,
r um ours of wars &c . m a afel b e made b oe or ro e in , y s y y p t p ph t an a e but t o an i i a e owe er dar l a eriod of r e en y g , t c p t h v k y p g e ration and happiness is a m ore hazar dous e xe rcise of t he faculty whi c bar ds osses s or fei It will remind t he r e a h p gn . der mag ” no nec roximus in er all of Isaia and Vir il w ose ard n p t v o h g , h e t Spirits ove rleaping t he actual reign of e vil which w e e ndur e and b e wail alread saw t h e ossible and e r a s a r ac in s at e , y p p h p pp o h g t ” of s ocie in w ic t he lion shall lie down wit h t he lamb and ty h h , ” omnis fe re t omni a e llu au t s . Let these gr eat nam es be my t horit and m e cuse y y x . 58 N O T E S.
8 Sat urn and Love t heir lon re ose shall bu rst ( ) g p . Saturn and Lo ve were among t he deit ies of a real or imaginary
s a e of inno en e and a ine . All o e who ell or t he Gods t t c c h pp ss th s f , of Gre e e A sia and E and t he man unsubdued or t he c , , gypt ; y , mon ous ob e c s of t he idola r of China India t he An ar str j t t y , , t ctic i land and t h e na i e ribes of A m eri a er a a e rei ned s s, t v t c , c t m h v g o er t he unders andin of men in on un ion or in u e sion v t gs c j ct s cc s , during p eri ods in which all w e know of e vil has been in a state of or en ous and un il t he re i al of lea nin and t he ar p t t , , t v v r g ts,
ll r a in a i i The Gre ian od e m ind pe rpe tua y inc e s g ct v ty. c g s s e ee d t o ha e been er onall mor e inno en al ou it canno be v p s y c t, th gh t
aid a as far as e m eran e and a i are on erned e s , th t t p c ch st ty c c , th y
‘ i n am le Th orr r of h M e i a e e e d f i e . e o t e an h g v v ry y g x p s h s x c , t e
Per ian and t he ndian u e r i ion are well n n w . uv , I s p st t s k o
60 ON T HE DEA T H O NA POLEON F .
S a and ll d E till live sti bold , shoute arth ,
and l I grow bolder sti l more bold .
Th e de ad fill me t e n thousand fold
e of e e and rt Full r sp ed , and spl ndour, mi h ,
u e and I was clo dy, and sull n, cold,
ke f e Li a rozen chaos uproll d ,
Till by the spiri t of the mighty dead
f on f d e e . My heart gr w warm . I eed whom I
A e l e and l E t y , a iv stil bold , muttered ar h,
’ N e apoleon s fierce spirit roll d,
In terror and blood and gold ,
f t o f ir A torre nt o ruin death rom his b th.
Le ave the millions who follo w t o mould
The me tal before it be cold ;
And a his a w i i e we ve into sh me, h ch l k the dead f fl d S u s s o r e . hro d me, the hope that r m his glo y
Re ri nt e b RXCHARD C LA! Sons B rea St reet Hi . p d y , d ll
A u ust 1 886 . g ,
H I ! T E SHELLE! SOC ET .
P UB LICA TION S F OR 1 886 .
’ The Society s Publications for 1 886 will be least t he following twelve
’ 1 S elle s A dona is an Ele on t he Deat of . h y gy h John K eat s Pisa 4t o 1 82 1 A acsimil Re . . e rint on an , , F p h d made Pa er edit e d wit a Biblio ra ical nt roduct ion p , h g ph I , b T omas J Wise econd Editio i . . S n Rev sed Pri y h ( , . ) ce
1 03 . B oards Issue . [ d
’ ’ “ 2 S elle s Re iew of Ho s no el Mem i . o rs of h y v gg v , Prince Alexy N ow first reprint ed from
The Crit ical Revie w De o 1 8 1 4 on and- m ade Pa er , n , h p , ’ “ Ext ract from Prof Dowden s art icle S me wit an . o h , ”
l rit in s o elle ontem Rev. Se t . Ear W f S C . y g h y ( p , p i Edit e d wit an nt roduct or Not e b T os . W se , h I y , y h . J . d Edition vised Price 28 6 d B oards econ Re . . . (S , .) [ Issued
’ 3 S elle s A las tor or The S irit o Solitude and . h y , p f ; f 1 8 1 6 A acsimile t er Po ms . L ndon ca 8 o o h e o . v , p , . F
Re rint on and- made Pa er wit a new Pre face b p h p , h y
Bert ram Dobell Second Edition Revised. Pr ice 6 3 . . ( , )
B oard Issuer! . s. [ ’ elle s Hellas a L rical Dra ma L n 4 S . ondo 8 vo . h y , y , ,
A csimile Re rint on nd- m 1 822 . Fa p ha ade Paper ’ t o et er wit S e lle s Prolo ue t o H ellas and Not e s g h h h y g , t d S elle E it b Dr arn t an Mar . d e W . ed wit an y . G y h y , h nt r i os i Pre sen oduct on b T J se . d W t e b Mr . . S I , y h . y F . . Ellis Price 8 8 B oards Issue . . . [ d
’ 5 Lond . S elle s E i s chidion on 8v e 1 82 1 h y p p y . , , . Facsimile Reprint on hand- made Paper ; wit h an nt roduct io t he Re St o ford A Br n b v oo e M . A I y . p . k , Pr e n d e t R . A . P t se e d di ed b Mr. ot s . ri t an y P ce 6 3 . B oards I s . [ s ued
’ 6 . S elle s A ddress t o t he Irish Peo le Dublin . 8vo h y p , ,
1 8 12 A acsimile Re rint on and- made Pa . F p h per ; dit d t i e e wit nt roduc on T os J . s b . i e an W . P , h I , y h re sent B ice 3 oar ed b Mr Walt er Slat er . r 5 B P . . ds y . . [ Issued
S ll ’ i f h ’ 7 . he ey s Cenc ( or t e Socie t y s p erformance in Ma wit a rolo ue b Dr o n Tod unt er an y), h p g y . J h h ; I nt roduct ion and Not e s by Harry B uxt on Forman and A lfred orm an and a Port rait of Beat rice C enci F ; .
Pri . 6d B oards I su ce 28 . s ed . [
’ lle s Vindi a ion o ur l Diet London . S e c t Nat a . 8 h y f , 3 A Re rint 1 882 wit a Prefat or Not e 1 2mo 1 8 1 . , p , , h y
A . A n P sen M . E. xo re t ed b r . d W b S Salt an . . y H. y co d Edition Issued A xon Se n . . ( ) [
9 A M emoir o Shelle wit a fres Preface b . f y, h h , y Willi am Michael Rosset t i a Port rait of Shelley and an en ra in of his Tomb Second Edition wit Con g v g . ( , h te and a full Index Issued nts . ) [ 5 A L e t ter t L or r . o d Ellenbo u h o . 8 ve . Not dat d g ( e , b ut Reproduced fr om t h e unique copy of t h e ori inal in t he ossession of Sir Perc S e lle i g p y h y . W t h an nt roduct ion I .
6 Pr r . ep osals f o an A ssocia t ion of Philanthrop
8 vo. Not dat e d but Re roduced wit ( , p , h ’ Int roduct ion from Sir Perc S elle s co of t , y h y py he ori inal g .
’ S elle s M as ue o A na rch 7 . 1 832 Edit ed wit h y q f y, . , h an nt roduct ion b S dne E Pre st on Present ed b I , y y y . . y h Edit or t e .
’ 8 A acsimile of Mr H B xt on orman s co of . F . . u F py ’ ueen M o b wit S elle s correct ions Edit ed wit Q , h h y . , h an nt roduct ion b H Buxt on orman I , y . F .
9 The Shelle rim r b M r H S Salt T is will P e . . . y , y . . h be ublis ed b Ree es and Turner earl in 1 887 and p h y v y , h Societ will t a e a co for eac of it s M emb ers t e y k py h .
’ le ci t s Pa ers Part b t he Rev 1 0 The S el So e . . . h y y p , I y A H B ux n r n f r . e M . t o o ma t o o d A Broo . . S p k , ; F ;
l lind . M at i de nd . M M . A B a W Henr Sweet . y , ; h ; P t N o 1 cont ainin t he nau ural Rosset t i. ar . I , ( g I g “ ” A ddre ss on Sh elle y delivered t o t he Societ y on s no at ress March l ot h la t ) is w p .
’ Th elle Societ s Pa ers Part cont ainin 1 1 . e S h y y p , II , g urin 1 88 t he chief Papers read d g 7 .
’ 1 2 Th e Shelle v S ociet s N ote- B ook Part II edit ed . y , ,
n . cret ar by t he Ho ora y.
’ The Socie ty s pe rformance of The Cenci will Mr f I e e e e a e . I I b r p t d , with H V zin as the and M Alm “ V as Count, iss Beatrice , e arly in May 1 88 7 ; ellas in t he of t he e autumn same y ar .
The Committee hope dv some Members ” will give the Socie ty other F3 simile Reprints . An estimate of t he cost of reproducing all t he ’ original e ditions of Shelley s diffe re nt works ’ t - B ok will be give n shortly in the Society s No e o . Two or more frie nds may well join in t he gift of 9 book .
A u t obio ra h Mr M g p y, by . W . . Rossetti
r — . 9 e N 6 ectus , p , S ries IV, o . , has l o b e e n e a e com ng pr p red , and can be r vised , le t ed as as e p , and sent to press , soon the Soci ty has e e it mon y nough to print . This could be ’ in 1 888 if t he Socie ty s me mbership reache s t he e of 500 1 886 numb r in .
The Committee is also anxious to comme nce in exact acsimile of the publication, f , the more ’ of e ll Ma important Sh ey s nuscripts , and will be glad to re ce ive offe rs of financial or other
a e assist nce towards that obj ct . If