ANDREW DONSKOV Curriculum Vitæ (November 2014)
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Tolstoy and Zola: Trains and Missed Connections
Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Nina Lee Bond All rights reserved ABSTRACT Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond ŖTolstoy and Zolaŗ juxtaposes the two writers to examine the evolution of the novel during the late nineteenth century. The juxtaposition is justified by the literary critical debates that were taking place in Russian and French journals during the 1870s and 1880s, concerning Tolstoy and Zola. In both France and Russia, heated arguments arose over the future of realism, and opposing factions held up either Tolstoyřs brand of realism or Zolařs naturalism as more promising. This dissertation uses the differences between Tolstoy and Zola to make more prominent a commonality in their respective novels Anna Karenina (1877) and La Bête humaine (1890): the railways. But rather than interpret the railways in these two novels as a symbol of modernity or as an engine for narrative, I concentrate on one particular aspect of the railway experience, known as motion parallax, which is a depth cue that enables a person to detect depth while in motion. Stationary objects close to a travelling train appear to be moving faster than objects in the distance, such as a mountain range, and moreover they appear to be moving backward. By examining motion parallax in both novels, as well as in some of Tolstoyřs other works, The Kreutzer Sonata (1889) and The Death of Ivan Il'ich (1886), this dissertation attempts to address an intriguing question: what, if any, is the relationship between the advent of trains and the evolution of the novel during the late nineteenth century? Motion parallax triggers in a traveler the sensation of going backward even though one is travelling forward. -
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About This Volume Brett Cooke We continue to be surprised by how the extremely rewarding world WKDW/HR7ROVWR\FUHDWHGLVDG\QDPLFVWLOOJURZLQJRQH:KHQWKH Russian writer sat down in 1863 to begin what became War and PeaceKHXWLOL]HGSRUWUDLWVRIfamily members, as well as images RIKLPVHOILQZKDWDW¿UVWFRQVWLWXWHGDOLJKWO\¿FWLRQDOL]HGfamily chronicle; he evidently used the exercise to consider how he and the SUHVHQWVWDWHRIKLVFRXQWU\FDPHWREH7KLVLQYROYHGDUHWKLQNLQJRI KRZKLVSDUHQWV¶JHQHUDWLRQZLWKVWRRGWKH)UHQFKLQYDVLRQRI slightly more than a half century prior, both militarily and culturally. Of course, one thinks about many things in the course of six highly FUHDWLYH \HDUV DQG KLV WH[W UHÀHFWV PDQ\ RI WKHVH LQWHUHVWV +LV words are over determined in that a single scene or even image typically serves several themes as he simultaneously pondered the Napoleonic Era, the present day in Russia, his family, and himself, DVZHOODVPXFKHOVH6HOIGHYHORSPHQWEHLQJWKH¿UVWRUGHUIRUDQ\ VHULRXVDUWLVWZHVHHDQWLFLSDWLRQVRIWKHSURWHDQFKDOOHQJHV7ROVWR\ posed to the contemporary world decades after War and Peace in terms of religion, political systems, and, especially, moral behavior. In other words, he grew in stature. As the initial reception of the QRYHO VKRZV 7ROVWR\ UHVSRQGHG WR WKH FRQVWHUQDWLRQ RI LWV ¿UVW readers by increasing the dynamism of its form and considerably DXJPHQWLQJLWVLQWHOOHFWXDODPELWLRQV,QKLVKDQGV¿FWLRQEHFDPH emboldened to question the structure of our universe and expand our sense of our own nature. We are all much the richer spiritually for his achievement. One of the happy accidents of literary history is that War and Peace and Fyodor 'RVWRHYVN\¶VCrime and PunishmentZHUH¿UVW published in the same literary periodical, The Russian Messenger. )XUWKHUPRUHDV-DQHW7XFNHUH[SODLQVERWKQRYHOVH[SUHVVFRQFHUQ whether Russia should continue to conform its culture to West (XURSHDQ PRGHOV VLPXOWDQHRXVO\ VHL]LQJ RQ WKH VDPH ¿JXUH vii Napoleon Bonaparte, in one case leading a literal invasion of the country, in the other inspiring a premeditated murder. -
Joseph Smith and Diabolism in Early Mormonism 1815-1831
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2021 "He Beheld the Prince of Darkness": Joseph Smith and Diabolism in Early Mormonism 1815-1831 Steven R. Hepworth Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History of Religion Commons Recommended Citation Hepworth, Steven R., ""He Beheld the Prince of Darkness": Joseph Smith and Diabolism in Early Mormonism 1815-1831" (2021). All Graduate Theses and Dissertations. 8062. https://digitalcommons.usu.edu/etd/8062 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. "HE BEHELD THE PRINCE OF DARKNESS": JOSEPH SMITH AND DIABOLISM IN EARLY MORMONISM 1815-1831 by Steven R. Hepworth A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: Patrick Mason, Ph.D. Kyle Bulthuis, Ph.D. Major Professor Committee Member Harrison Kleiner, Ph.D. D. Richard Cutler, Ph.D. Committee Member Interim Vice Provost of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2021 ii Copyright © 2021 Steven R. Hepworth All Rights Reserved iii ABSTRACT “He Beheld the Prince of Darkness”: Joseph Smith and Diabolism in Early Mormonism 1815-1831 by Steven R. Hepworth, Master of Arts Utah State University, 2021 Major Professor: Dr. Patrick Mason Department: History Joseph Smith published his first known recorded history in the preface to the 1830 edition of the Book of Mormon. -
Becoming Quaker the Friend Independent Quaker Journalism Since 1843
3 February 2017 £1.90 the DISCOVER THE CONTEMPORARYFriend QUAKER WAY Becoming Quaker the Friend INDEPENDENT QUAKER JOURNALISM SINCE 1843 Contents VOL 175 NO 5 3 Thought for the Week: Faith and scepticism John Anderson Freethinkers 4-5 News ‘Freethinkers are those 6-7 Newark Meeting who are willing to use their minds without prejudice Chris Rose and without fearing to 8-9 Letters understand things that clash with their own customs, 10-11 The Chertkov archives privileges, or beliefs. Daphne Sanders 12 Becoming Quaker ‘This state of mind is not common, but it is essential Alex Thomson for right thinking; where 13 Quakerism and spiritual awakening it is absent, discussion is John Elford apt to become worse than useless.’ 14 Out of the silence Rosalind Smith Leo Tolstoy 15 q-eye: a look at the Quaker world 16 Friends & Meetings Cover image: Frost on a fallen leaf. Photo: @notnixon / flickr CC. The Friend Subscriptions Advertising Editorial UK £84 per year by all payment Advertisement manager: Editor: types including annual direct debit; George Penaluna Ian Kirk-Smith monthly payment by direct debit [email protected] £7; online only £66 per year. Articles, images, correspondence For details of other rates, Tel 01535 630230 should be emailed to contact Penny Dunn on 54a Main Street, Cononley [email protected] 020 7663 1178 or [email protected] Keighley BD20 8LL or sent to the address below. the Friend 173 Euston Road, London NW1 2BJ Tel: 020 7663 1010 www.thefriend.org Editor: Ian Kirk-Smith [email protected] • Sub-editor: George Osgerby -
MEMORY of the WORLD REGISTER Leo Tolstoy's Personal
MEMORY OF THE WORLD REGISTER Leo Tolstoy’s Personal Library and Manuscripts, Photo and Film Collection Russian Federation Ref N° 2010-78 PART A – ESSENTIAL INFORMATION 1 SUMMARY Leo Tolstoy’s personal library, which numbers 22,000 volumes in 40 languages, is one of the largest writer's libraries in the world. The library was founded by three generations of the Volkonskys-Tolstoys families: by Tolstoy’s grandfather Prince Nikolai Volkonsky, by his parents Maria and Nikolai Tolstoy, and of course the greater part of the library was collected by Tolstoy himself. When Tolstoy’s wife, Sophia Tolstaya, arrived at Yasnaya Polyana in 1862, after their marriage, she found only 2 bookcases there. Now, as it was in 1910, there are 25 bookcases and one big coffer. So, most of the books came to the library in the last 50 years of Tolstoy’s life. The oldest book in the library was published in 1613, the latest books – published in 1910, the last year of Tolstoy’s life. There are about 600 books of the XVII-early XIX centuries, most of them belonged to Tolstoy’s father, Count Nikolai Tolstoy. Tolstoy’s library is very rich in subjects. The choice of books Tolstoy was buying was defined by his activities as writer, thinker, and religious prophet. Among the books of Tolstoy’s library there are editions of books and magazines, which were used as sources for War and Peace, Khadzhi-Murat, for the unfinished novels from the epoch of Peter the Great and history of Decembrists, for his books of wisdom Circle of Reading, For Every Day, Path of Life. -
The Gandhi Foundation Multifaith Celebration Contents
The Gandhi Foundation Multifaith Celebration Afternoon of Sunday 30 January or 6 February 2011 Date and time to be confirmed at St Ethelburga’s Centre for Reconciliation and Peace 78 Bishopsgate, London EC2N 4AG (Near Liverpool Street Rail Station, closest underground Aldgate) Theme: Religious Perspectives on the Environment Please confirm details nearer the time from General Inquiries or website as given on back cover of this newsletter Contents A Non-Tourist Indian Experience Denise Moll An Hour with Bapu Keshwar Jahan Hope in Israel-Palestine Trevor Lewis Peace – A Teenager’s View Safia Ahmed The Tolstoy-Gandhi Connection George Paxton Letter: Meeting Gandhi’s closest surviving friend (Felix Padel) Book Reviews: Gandhi’s Interpreter: A Life of Horace Alexander (Geoffrey Carnall) Choice, Liberty and Love: Consciousness in Action (Sheikh Aly N’Daw) Gandhi Foundation News 1 A Non-Tourist Indian Experience Leh, Ladakh & Dehra Dun Denise Moll Heading back for India, after a 3-year gap, I was unexpectedly filled with dread – wasn’t I now too old for this kind of lark?? Then, equally unexpectedly, and with great thankfulness, a calm descended two days before flying …. and remained with me throughout the entire 2 weeks ….. I remained healthy, happy and enabled to live every moment in a way which made me feel very much alive. I was conscious, too, of the great privilege to share in other cultures, religions and be treated as ‘one of the family’. I could only be deeply thankful to the One behind it all. Leh, 11,000 ft high, had suffered a dreadful calamity on 5th August, when, following the worst torrential rain, thunder and lightening ever experienced or remembered in Ladakhi memory, a cloudburst hit the area, with water so violent and ferocious that it swept away everything in its wake …. -
The Last Station
THE LAST STATION Based on the Novel by Jan Parini Screenplay by Michael Hoffman All happy families are the same. Each unhappy family is unhappy in its own way. Leo Tolstoy- Anna Karenina 1 EXT. COUNTRYSIDE. DAY. 1 High angle of the steam train travelling through a wide river valley. The stack belching smoke against the Russian sky. 2 INT. SECOND CLASS CARRIAGE. COUNTRY SIDE. DAY. 2 Leo Tolstoy (80), sits writing on his lapboard. He is quite simply the greatest living writer in the world. His devotion to pacifism, his rejection of the trappings of Orthodoxy in favor of a simple Christian lifestyle convince many to regard him as a living saint. With him are his much younger wife, the COUNTESS SOFYA, favorite daughter SASHA, and his personal physician DUSHAN MAKOVITSKY. Sasha and Dushan write in their diaries. Sofya looks from one to the next a little impatient. The train begins to slow. SOFYA Why are we slowing down? No one responds. Slower. Slower. SOFYA We’re stopping. Why are we stopping? SASHA I don’t know, mother. No idea. Tolstoy look up from his work, asks a passing conductor. SOFYA Excuse me, why has the train stopped? CONDUCTOR It’s the crowd, ma’m, the people. They’re blocking the track. In the distance we can here voices. VOICES (O.S.) Long live Tolstoy! Long live the old warrior! SOFYA But if they block the track, the train can’t go...YOU HAVE TO MAKE THEM MOVE. 2. The conductor shrugs, walks away. She goes to the window to investigate. -
Jay Parini, the Last Station
Reviews Jay Parini. The Last Station: A Novel of Tolstoy's Last Year. New York: Henry Holt and Co., 1990. 290 pp. Parini's novel is the sort of book that almost begs to be dismissed by professionals in the field. We know too much; Parini' s task was too easy (that "Tolstoy's life is a novel" is one of our great truisms); the real-life characters themselves wrote up--indeed, over wrote up--the events of that last year from every conceivable angle; and for potting around in this rich earth, the novel has already received too many wildly positive reviews. This first impulse to reject on our part would be a mistake. Jay Parini has done a very creditable job, achieving in his portrait of a deeply divided and estranged Yasnaya Polyana such moments of translucent paralysis that the reader must take a deep breath just to push on. Parini's technique--surely the correct one to apply to a colony of graphomaniacs engaged in a war over diaries and memoirs--is to alternate chapters from the pen, or point of view, of the major participants. He surrounds Tolstoy with five distinct spheres of influence and commentary: Sofya Andreevna, Dr. Makovi tsky, Valentin Bulgakov, Chertkov, Sasha. These five persons are all to one extent or another "novelized," that is, the events they relate in "their" chapters are documentable and familiar but Parini has filled them in, motivated them, added inner and outer dialogue. But there are two other types of chapter as well. The first type, entitled "J.P. -
The Last Station on Saturday 29 August 2015 from 7 PM
MISSION BEACH FILM CLUB Presents: The Last Station on Saturday 29 August 2015 from 7 PM The Last Station 2009 UK – 112 minutes – Biography/Drama/Romance – M Stars: Helen Mirren, James McAvoy, Christopher Plummer Director: Michael Hoffman IMDb Rating: 7.0 Trailer: www.youtube.com/watch?v=aw72eJi_lgs Language: English Awards: www.imdb.com/title/tt0824758/awards?ref_=tt_awd At the beginning of the 20th century, War and Peace and Anna Karenina having made him the most respected writer of his time, the ageing Leo Tolstoy (Christopher Plummer), is surrounded by avid supporters of his pacifist movement - much to the annoyance of his Countess wife, Sofya (Helen Mirren), who is in conflict with Tolstoy's admirer and close friend, Vladimir Chertkov (Paul Giamatti). She believes the two men are plotting to rewrite his will so that his works will be inherited by the Russian people. Tolstoy's new secretary, Valentin Bulgakov (James McAvoy), is thrust into the middle of the fiery feud even as it explodes when Tolstoy decides to leave the chaos behind, taking a train south, accompanied by his physician and his daughter Sasha (Anne-Marie Duff). He gets as far as the remote little station of Astapovo, where his health deteriorates. Sofya tries to follow, but Chertkov stands in her way; reporters and locals gather around waiting for reports of his health - and Sofya makes another attempt to see him one last time. Location: C4 Theatrette – North Mission Beach (next to Tourist Office) Start: 7.00 PM By Membership only: $40 for 1 year, $15 for 3 months – please sign up on the night or download the membership form from our website: missionbeach.filmclub.org.au FILMS & SHOWS COMING SOON TO YOU: Next Films: 12 September 2015 – “2001: A Space Odyssey” (1968 – USA) 26 September 2015 – “The Great Beauty” (2013 – Italy) Please check our website for updates, ratings of films, links to trailers, reviews and more information: missionbeach.filmclub.org.au . -
The Crisis of the Russian Family in the Works of These Three Authors
THE CRISIS OF THE RUSSIAN FAMILY IN THE WORKS OF DOSTOEVSKY, TOLSTOY AND CHEKHOV A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Russian Studies at the University of Canterbury by Aliandra Antoniacci University of Canterbury 2015 1 Contents Note on Translation and Transliteration .................................................................................... 3 Acknowledgments...................................................................................................................... 3 Abstract ...................................................................................................................................... 5 INTRODUCTION ..................................................................................................................... 7 CHAPTER ONE ...................................................................................................................... 44 Introduction .............................................................................................................................. 44 The Family in Crisis in The Diary of a Writer (1876-77)........................................................ 49 The Brothers Karamazov ......................................................................................................... 61 The Karamazov Family............................................................................................................ 65 Relationship of Humans with God in the Family Problematic ............................................... -
Tolstoy SLA 317H1 Fall Semester, 2019 Instructor: Donna Tussing Orwin Carr Hall ???, Wed
Tolstoy SLA 317H1 Fall Semester, 2019 Instructor: Donna Tussing Orwin Carr Hall ???, Wed. 2-4 Office Hours Tu 2-3, Wednesday 4-5, and by appointment See also Quercus SYLLABUS Tolstoy’s wedding photo for his bride, taken by himself in 1863 MAJOR WORKS BY TOLSTOY (Titles in capital letters are required reading; others are optional) CHILDHOOD, Boyhood and WAR AND PEACE Youth “A PRISONER OF THE CAUCASUS” “THE RAID” “GOD SEES THE TRUTH BUT WAITS” “The Woodfelling” Anna Karenina “Notes of a Billiard Player” A Confession Sevastopol Sketches THE DEATH OF IVAN ILYCH “A Landowner’s Morning” The Devil “Two Hussars” The Kreutzer Sonata “The Snowstorm” Father Sergius “Lucerne” MASTER AND MAN “Albert” The Power of Darkness “Three Deaths” The Fruits of Enlightenment Family Happiness What Is Art? The Cossacks Resurrection Polikushka Hadji Murat Strider (finished 1885) “ALYOSHA THE POT” REQUIRED TEXTS: Great Short Works of Leo Tolstoy (A Perennial Classic); War and Peace (Vintage Classics); Childhood, Boyhood and Youth (Penguin); and The Cambridge Companion to Tolstoy. All of these texts as well as some of the recommended reference texts will be on reserve at Kelly Library. Required texts are available for sale at The University of Toronto Bookstore at 214 College St. (College and St. George). The course schedule is approximate and subject to tweaking during the semester. COURSE SCHEDULE: September 11 Introduction September 18 Childhood, “The Raid” September 25, October 2, 16, 25, 30 November 13 War and Peace NO CLASS ON OCTOBER 9 November 4-8 No Classes (Fall Break) October 21, First Paper Due November 20 Death of Ivan Ilych November 18, second paper due November 27 ` Master and Man Test, open noon, November 29, closing noon, December 2 December 4 “God Sees the Truth But Waits,” “Prisoner of the Caucasus,” “Alyosha the Pot” Course Requirements: two papers, the first worth 30 percent and the second – 40 percent, an online test worth 20 percent, and participation worth 8 percent. -
War and Peace”
“ONE STEP BEYOND THE LINE”: THE SENSORY EXPERIENCE OF THE BATTLEFIELD IN LEO TOLSTOY’S “WAR AND PEACE” A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in English in the University of Canterbury by Justine Vanessa Morrison University of Canterbury 2020 Table of Contents Acknowledgements ……………………………………………………………………….. 1 Note on Translation ……………………………………………………………. 3 Abstract ……………………………………………………………………………………. 4 Introduction ……………………………………………………………………………… 5 i. The Patriotic War: Russia Against Napoleon ………………………………………… 9 ii. A Novel About War …………………………………………………………………. 12 iii. War as Blood, Suffering, and Death …………………………………………………... 13 iv. Methodology: War and the Senses ……………………………………………………. 18 Chapter One: What Lies Beyond the Line ……………………………………………. 25 i. Nikolai Rostov: Feeling the Fog, Looking Inwards …………………………………... 29 ii. Andrei Bolkonsky: From a Sign on the Battlefield to the Affective Vision of Life and Death ………………………………………………………………………………………. 38 iii. Pierre Bezukhov: The Blurred Vision of a War Spectator ……………………………. 49 iv. Petya Rostov: The Great Expectations of a Child Soldier ……………………………. 55 Chapter Two: Regarding the Pain of Others …………………………………………. 65 i. Nikolai Rostov: From the Stench of a Hospital to a Change of Heart ………………... 68 ii. Andrei Bolkonsky: The Compassion Triggered by a Soldier’s Shared Flesh …………... 74 iii. Pierre Bezukhov: Suffering Out of Sight – and Mind? ………………………………... 82 iv. Mikhail Vereshchagin: The Anatomy of a Civilian Atrocity …………………………... 91 Conclusion