UNIVERSITY of CALIFORNIA PRESS FALLFALL 20202020
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Väsen I Chronopia Creatures of Chronopia Konstruktör: Johan
Väsen i Chronopia Creatures of Chronopia Konstruktör: Johan Sjöberg Översättning: Redigering: Chronopia: Bill King, Michael Stenmark, Nils Gulliksson, Henrik Strandberg Formgivning: Original: Marcus Thorell Omslag: Adrian Smith Grafisk Form: Illustrationer: Adrian Smith, Alvaro Tapia Koncept: Stefan Ljungqvist, Johan Sjöberg Kartor: Övriga Bidrag: Filip Alexanderson, Hanners Kristoferson, Fredrik Malmberg, Henrik Strandberg, Nils Gulliksson, Sami Sinerva, Jonas Mases, Patric Backlund, Cees Kwadijk Baksida: Paolo Parente Projektledning: Stefan Ljungqvist So you want to learn something about the chronopian people? Forsa the sabranska mysteries, get to know the secrets that made brundusierna so rich, understand marajiputternas brutal fanaticism and unconditional surrender to the black tobacco, nattländarnas desperate escape and ice barbarians worship of Snow Witch. Then I have the book for you my friend. Just look up Melkastors "The chronopian peoples", which delivers the wise man and adventurer all the wisdom you need. If he is still alive? No. When the book arrived, he was executed for blasphemy by the emperor. Read - and maybe you will understand why. Human ethnicities During my many long and intense years as a guest in the brutal, multifaceted and legendary chronopian reality, I had the dubious pleasure to encounter the most varied gallery of the known world has to offer, bump into high and low, exchange experiences with sabranska desert knights, brundusiska trade princes and blue skinned isbarbarer with frosty mustache. I have engaged in telepathy with charibiska hexbarons, given boozed Red Corsairs on the nut, fled howling marajiputtiska fanatics and young and inexperienced taken refuge in faltrakiernas false bosom and sold as a slave to the salt mines. -
Full Diss Reformatted II
“NEWS THAT STAYS NEWS”: TRANSFORMATIONS OF LITERATURE, GOSSIP, AND COMMUNITY IN MODERNITY Lindsay Rebecca Starck A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Gregory Flaxman Erin Carlston Eric Downing Andrew Perrin Pamela Cooper © 2016 Lindsay Rebecca Starck ALL RIGHTS RESERVED ii ABSTRACT Lindsay Rebecca Starck: “News that stays news”: Transformations of Literature, Gossip, and Community in Modernity (Under the direction of Gregory Flaxman and Erin Carlston) Recent decades have demonstrated a renewed interest in gossip research from scholars in psychology, sociology, and anthropology who argue that gossip—despite its popular reputation as trivial, superficial “women’s talk”—actually serves crucial social and political functions such as establishing codes of conduct and managing reputations. My dissertation draws from and builds upon this contemporary interdisciplinary scholarship by demonstrating how the modernists incorporated and transformed the popular gossip of mass culture into literature, imbuing it with a new power and purpose. The foundational assumption of my dissertation is that as the nature of community changed at the turn of the twentieth century, so too did gossip. Although usually considered to be a socially conservative force that serves to keep social outliers in line, I argue that modernist writers transformed gossip into a potent, revolutionary tool with which modern individuals could advance and promote the progressive ideologies of social, political, and artistic movements. Ultimately, the gossip of key American expatriates (Henry James, Djuna Barnes, Janet Flanner, and Ezra Pound) became a mode of exchanging and redefining creative and critical values for the artists and critics who would follow them. -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
Adrian Belew Power Trio
This pdf was last updated: Dec/29/2010. Adrian Belew Power Trio King Crimson and Frank Zappa, David Bowie and Paul Simon, Talking Heads and Nine Inch Nails - Adrian Belew is well-known for his diverse travels around the musical map. Line-up Adrian Belew - guitar, vocals Julie Slick - bass Eric Slick - drums Andre Cholmondeley - tour manager/tech Plus one additional sound/tech manager On Stage: 3 Travel Party: 5 Website www.adrianbelew.net Biography Since 2006, Adrian Belew has led his favorite 'Power Trio' lineup, featuring Eric Slick on drums and Julie Slick on bass. They have been devastating audiences all around the USA and globally, from Italy to Canada to Germany to Japan. With the release of their brand- new CD 'Side Four - Live' they return to the road to stretch out the new material and introduce it to new audiences. The show will feature material from the new CD, classics from Adrian's many solo albums (including the recent 'Side One', 'SideTwo', and 'Side Three'), as well as solo moments, spirited improvisation and King Crimson compositions. 'Side One' features special guests Les Claypool of Primus and Danny Carey of Tool, and includes the Grammy-Nominated single - 'Beat Box Guitar'. The recently released 'Side Four (Live)' captures the current trio in a burning performance. Adrian is well-known for his diverse travels around the musical map - he first appeared on guitar-world radar when he joined Frank Zappa's band in 1977 for tours of the USA and Europe. When Frank Zappa hires you as his guitarist, people listen up. -
The Empty Square of the Occupation
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 The empty square of the occupation Marcelo G. Svirsky University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Svirsky, Marcelo G., The empty square of the occupation 2010, 381-411. https://ro.uow.edu.au/artspapers/1298 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Empty Square of the Occupation Marcelo Svirsky Cardiff University Abstract This paper is an attempt to implement Gilles Deleuze’s theory of the series and the event, and the related function of the empty square (as formulated primarily in The Logic of Sense), in relation to the geopolitical regime comprising ‘Israel proper’ and the system of occupation in the West Bank and the Gaza Strip. The purpose of this exercise is to help establish a practical access to Deleuze’s philosophies, and to offer a clinical account of the Israeli occupation of the Palestinian territories. Keywords: Israel/Palestine, occupation, Deleuze, empty square, series, event The regime of Israeli occupation of the Palestinian territories of the West Bank and Gaza, following the Six Day War of June 1967,1 has become increasingly theorised, especially since the outbreak of the first Palestinian intifada (in Arabic, literally ‘shaking-off’, or ‘revolt’) in 1987. By deploying nuts and bolts from Deleuze’s conceptual ‘toolboxes’, my aim is to proffer an analysis of the event of the occupation that frees us from prevailing views of the system of relationships between Israel and the Palestinian people. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
Celtic Motifs in the Provençal Arthurian Romance, Jaufre: the Grail Legend Before Perceval
72-4627 ROOT, Martha James, 1939- CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE: THE GRAIL LEGEND BEFORE PERCEVAL. The Ohio State University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XERQ\ Company, Ann Arbor, Michigan CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE; THE GRAIL LEGEND BEFORE PERCEVAL DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Martha James Root, A.B., M.A. The Ohio State University 1971 Approved hy Department of Romance Languages' PLEASE NOTE: Some Pages have in d is tin c t print. Filmed as received. UNIVERSITY MICROFILMS ACI®OWLEDGEMENTS I wish to express my appreciation to my adviser, Mrs. Eleanor Bulatkin, to my parents, grandmother, and husband and to Anne Tilton and Janet Zimmerman. ii VITA November 22, 1 9 3 9 ........... Born - East Chicago, Indiana 1 9 6 1 ....................... A.B., Miami University, Oxford, Ohio I96 I-I965 ................... Teaching Assistant, Department of Romance Languages, The Ohio State University, Columbus, Ohio 196^ . M.A., The Ohio State University, Columbus, Ohio 1965-1966 ................... Lecturer, Bucknell University, Lewisburg, Pennsylvania FIELDS OF STUDY Major Field: French Literature Minor Fields: Spanish Literature Provencal Literature iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ii VITA iii INTRODUCTION X Manuscript Editions Metric Form, Dialect, Localization Date of Composition Purpose of Dissertation Celtic Motifs The Qp.es ting Hero J aufre Chapter I. ARTHUR'S ADVENTURES 28 The Red Beast The Giant Bird II. THE KNIGHT JAUFRE 63 III. THE WOUND, THE WASTING AND THE LAMENT 68 IV. -
Contents Humanities Notes
Humanities Notes Humanities Seminar Notes - this draft dated 24 May 2021 - more recent drafts will be found online Contents 1 2007 11 1.1 October . 11 1.1.1 Thucydides (2007-10-01 12:29) ........................ 11 1.1.2 Aristotle’s Politics (2007-10-16 14:36) ..................... 11 1.2 November . 12 1.2.1 Polybius (2007-11-03 09:23) .......................... 12 1.2.2 Cicero and Natural Rights (2007-11-05 14:30) . 12 1.2.3 Pliny and Trajan (2007-11-20 16:30) ...................... 12 1.2.4 Variety is the Spice of Life! (2007-11-21 14:27) . 12 1.2.5 Marcus - or Not (2007-11-25 06:18) ...................... 13 1.2.6 Semitic? (2007-11-26 20:29) .......................... 13 1.2.7 The Empire’s Last Chance (2007-11-26 20:45) . 14 1.3 December . 15 1.3.1 The Effect of the Crusades on European Civilization (2007-12-04 12:21) 15 1.3.2 The Plague (2007-12-04 14:25) ......................... 15 2 2008 17 2.1 January . 17 2.1.1 The Greatest Goth (2008-01-06 19:39) .................... 17 2.1.2 Just Justinian (2008-01-06 19:59) ........................ 17 2.2 February . 18 2.2.1 How Faith Contributes to Society (2008-02-05 09:46) . 18 2.3 March . 18 2.3.1 Adam Smith - Then and Now (2008-03-03 20:04) . 18 2.3.2 William Blake and the Doors (2008-03-27 08:50) . 19 2.3.3 It Must Be True - I Saw It On The History Channel! (2008-03-27 09:33) . -
Lonely Sounds: Recorded Popular Music and American Society, 1949-1979
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 4-18-2008 Lonely Sounds: Recorded Popular Music and American Society, 1949-1979 Chris R. Rasmussen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Rasmussen, Chris R., "Lonely Sounds: Recorded Popular Music and American Society, 1949-1979" (2008). Dissertations, Theses, & Student Research, Department of History. 16. https://digitalcommons.unl.edu/historydiss/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 by Christopher Rasmussen A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Benjamin G. Rader Lincoln, Nebraska May, 2008 ii LONELY SOUNDS: POPULAR RECORDED MUSIC AND AMERICAN SOCIETY, 1949- 1979 Christopher Rasmussen, Ph.D. University of Nebraska-Lincoln, 2008 Adviser: Benjamin G. Rader Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship between the experience of listening to popular music and social disengagement. It finds that technological innovations, the growth of a youth culture, and market forces in the post- World War II era came together to transform the normal musical experience from a social event grounded in live performance into a consumable recorded commodity that satisfied individual desires. -
14Th Amendment US Constitution
FOURTEENTH AMENDMENT RIGHTS GUARANTEED PRIVILEGES AND IMMUNITIES OF CITIZENSHIP, DUE PROCESS AND EQUAL PROTECTION CONTENTS Page Section 1. Rights Guaranteed ................................................................................................... 1565 Citizens of the United States ............................................................................................ 1565 Privileges and Immunities ................................................................................................. 1568 Due Process of Law ............................................................................................................ 1572 The Development of Substantive Due Process .......................................................... 1572 ``Persons'' Defined ................................................................................................. 1578 Police Power Defined and Limited ...................................................................... 1579 ``Liberty'' ................................................................................................................ 1581 Liberty of Contract ...................................................................................................... 1581 Regulatory Labor Laws Generally ...................................................................... 1581 Laws Regulating Hours of Labor ........................................................................ 1586 Laws Regulating Labor in Mines ....................................................................... -
Eberhard Arnold
EBERHARD ARNOLD Writings Selected with an Introduction by Johann Christoph Arnold Please share a link to this e-book with your friends. Feel free to post and share links to this e-book, or you may e-mail or print this book in its entirety or in part, but please do not alter it in any way, and please do not post or offer copies of this e-book for download on another website or through another Internet-based download service. If you wish to make multiple hard copies for wider distribution, or to reprint portions in a newsletter or periodical, please observe the following restrictions: • You may not reproduce it for commercial gain. • You must include this credit line: “Copyright 2011 by The Plough Publishing House. Used with permission.” This e-book is a publication of The Plough Publishing House, Rifton, NY 12471 USA (www.plough.com) and Robertsbridge, East Sussex, TN32 5DR, UK (www.ploughbooks.co.uk) Copyright © 2011 by Plough Publishing House Rifton, NY 12471 USA Contents Introduction 7 1 GOD’S REVOLUTION 32 A Call to the Inner Life 32 God’s Revolution 38 Against Bloodshed and Violence 44 2 THE NEW JUSTICE 53 Not a New Law 53 Away from Compromise and Shadow 63 God’s Kingdom - Future and Present 70 3 BECOMING HUMAN 80 The Better Righteousness 81 The Conscience 84 4 UNLESS YOU BECOME A CHILD 93 EBERHARD ARNOLD - WRITINGS SELECTED 5LOVE DIVINE AND LOVE HUMAN 98 Responsibility, Desire, and Love 108 The New Morality 111 6 LOVE IS WORK 115 Community as Work 117 Jesus and the Future State 122 7FROM ISOLATION TO COMMUNITY 128 Consciousness and Community 129 From Private Property to community 145 Why We Live in Community 153 8THE FIGHT AGAINST MAMMON 172 God or Mammon 172 The Fight Against Mammon 175 9GOD WITH US 182 The Experience of God 183 The Spirit of the Risen One 190 The Living Word 194 WWW .E BERHARD A RNOLD . -
Israel's Tenured Extremists
Israel’s Tenured Extremists by Steven Plaut srael is under assault from within and not just from the usual suspects. Its legitimacy and, in many cases, its very existence are being attacked by a domestic academic fifth I column. Hundreds of professors and lecturers, employed by Israel’s state-financed universities, are building careers as full-time activists working against the very country in which they live. And the problem is growing. Fortunately, the Israeli public has become aware of the problem and is increasingly demanding that something be done about it. A not inconsiderable part of the credit for this belongs to the Middle East Quarterly, probably the first serious journal to discuss the problem a decade ago, sparking a debate that con- tinues to challenge the Israeli academy’s offensive against the Jewish state. cation records getting hired and promoted as acts “SOCRATES” of political solidarity, the article offered thumb- BLOWS THE WHISTLE nail characterizations of about two dozen Israeli academic extremists. Today that list seems tame In fall 2001, the Middle East Quarterly ran a and thin, at least when compared with the dimen- major exposé of anti-Israel academics based in- sions of the problem as it is now understood. A side Israeli universities. Titled “Israel’s Academic few of the names were of obscure academicians Extremists,”1 it shattered the conspiracy of silence of little interest, evidently spotlighted as a result that had long been observed in the Israeli media of some outlandish statements and positions. and on Israeli campuses about scholars working Two of those named, Benny Morris and Ilan Gur- against their own country and in support of its Ze’ev, would no longer make the list and are gen- enemies.