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Full Diss Reformatted II
“NEWS THAT STAYS NEWS”: TRANSFORMATIONS OF LITERATURE, GOSSIP, AND COMMUNITY IN MODERNITY Lindsay Rebecca Starck A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Gregory Flaxman Erin Carlston Eric Downing Andrew Perrin Pamela Cooper © 2016 Lindsay Rebecca Starck ALL RIGHTS RESERVED ii ABSTRACT Lindsay Rebecca Starck: “News that stays news”: Transformations of Literature, Gossip, and Community in Modernity (Under the direction of Gregory Flaxman and Erin Carlston) Recent decades have demonstrated a renewed interest in gossip research from scholars in psychology, sociology, and anthropology who argue that gossip—despite its popular reputation as trivial, superficial “women’s talk”—actually serves crucial social and political functions such as establishing codes of conduct and managing reputations. My dissertation draws from and builds upon this contemporary interdisciplinary scholarship by demonstrating how the modernists incorporated and transformed the popular gossip of mass culture into literature, imbuing it with a new power and purpose. The foundational assumption of my dissertation is that as the nature of community changed at the turn of the twentieth century, so too did gossip. Although usually considered to be a socially conservative force that serves to keep social outliers in line, I argue that modernist writers transformed gossip into a potent, revolutionary tool with which modern individuals could advance and promote the progressive ideologies of social, political, and artistic movements. Ultimately, the gossip of key American expatriates (Henry James, Djuna Barnes, Janet Flanner, and Ezra Pound) became a mode of exchanging and redefining creative and critical values for the artists and critics who would follow them. -
ENOCH JOHN - Poems
Poetry Series ENOCH JOHN - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive ENOCH JOHN(30/07/1958) Teacher/Poet, holds a teacher's diploma /Valsayn Teachers' College A degree in English from THE UNIVERSITY OF THE WEST INDIES Working on a postgraduate to become one of the greatest poets of the modern read Shakespeare, Dante and Walcott. A writer in exile at home. Has a passion for poetry. Presently working on another anthology. Born to Kenneth and Sylvia John at Enterprise, Trinidad almost fifty years up in Pentecostal Church. This background influences his john wants to start a literary fire that will burn collection is entitled; SELECTIVE WORKS and I dedicate it to all poets, small and great; past and present. www.PoemHunter.com - The World's Poetry Archive 1 22 In Manchester Hey, we 22 just came to hear Arianne Grande's great music, We 22 just came to hear the songs of freedom, in a free world, Instead now there are the songs of melancholy, We 22 are a mix of young people and more mature adults, But now we must speak with one voice. Hey Manchester, weep for us and the whole world, For what kind of dark, deeply delusional, demonic person would perpetuate such slaughter? We can well imagine the trauma, hysteria and utter trepidation that saturated the atmosphere in Manchester that night. We came to hear the songs of freedom now the songs of melancholy are playing everywhere, We 22 looked at the beauty of mother earth and now we are gone, We 22 saw the pretty bougainvillae and the red roses in the field -
"The Oberlin Evangelist" Sermons and Lectures Given in 1852 by Charles G
"The Oberlin Evangelist" Sermons and Lectures given in 1852 by Charles G. Finney What Saith the Scripture? http://www.WhatSaithTheScripture.com/ "The Oberlin Evangelist" Publication of Oberlin College Sermons and Lectures given in 1852 by Charles G. Finney President of Oberlin College Public Domain Text Reformatted by Katie Stewart TABLE OF CONTENTS Lecture I. The Child-Like Spirit an Essential Condition of Entering Heaven Lecture II. The Fearful Results of a Spiritual Relapse Lecture III. God's Love to Sinners as Seen in the Gospel Lecture IV. & V. All Things for Good to Those That Love God-- All Things Conspire for Evil to The Sinner- No.'s 1 - 2 Lecture VI. Guilt Modified by Ignorance Lectures VII. & VIII. Salvation Difficult to The Christian- Impossible to The Sinner-- The Salvation of Sinners Impossible- No.'s 1 - 2 Lecture IX. Paul and Felix, Or Preaching and Procrastination Lecture X. Christ Tempted, Suffering, and Able to Succor The Tempted Lecture XI. Election and Reprobation GLOSSARY of easily misunderstood terms as defined by Mr. Finney himself. 1 of 100 "The Oberlin Evangelist" Sermons and Lectures given in 1852 by Charles G. Finney The Child-Like Spirit an Essential Condition of Entering Heaven Lecture I May 26, 1852 by Charles Grandison Finney President of Oberlin College Text.--Matt. 18:3: "Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven." Text.--Mark 10:15: "Verily I say unto you, Whosoever shall not receive the kingdom of God as a little child, he -
Adrian Belew Power Trio
This pdf was last updated: Dec/29/2010. Adrian Belew Power Trio King Crimson and Frank Zappa, David Bowie and Paul Simon, Talking Heads and Nine Inch Nails - Adrian Belew is well-known for his diverse travels around the musical map. Line-up Adrian Belew - guitar, vocals Julie Slick - bass Eric Slick - drums Andre Cholmondeley - tour manager/tech Plus one additional sound/tech manager On Stage: 3 Travel Party: 5 Website www.adrianbelew.net Biography Since 2006, Adrian Belew has led his favorite 'Power Trio' lineup, featuring Eric Slick on drums and Julie Slick on bass. They have been devastating audiences all around the USA and globally, from Italy to Canada to Germany to Japan. With the release of their brand- new CD 'Side Four - Live' they return to the road to stretch out the new material and introduce it to new audiences. The show will feature material from the new CD, classics from Adrian's many solo albums (including the recent 'Side One', 'SideTwo', and 'Side Three'), as well as solo moments, spirited improvisation and King Crimson compositions. 'Side One' features special guests Les Claypool of Primus and Danny Carey of Tool, and includes the Grammy-Nominated single - 'Beat Box Guitar'. The recently released 'Side Four (Live)' captures the current trio in a burning performance. Adrian is well-known for his diverse travels around the musical map - he first appeared on guitar-world radar when he joined Frank Zappa's band in 1977 for tours of the USA and Europe. When Frank Zappa hires you as his guitarist, people listen up. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
New Hope-Solebury Middle School Art and Literary Magazine Spring 2013 Mr
Alex Wachob Through Our Eyes New Hope-Solebury Middle School Art and Literary Magazine Spring 2013 Mr. Charles Malone, Principal Dr. Raymond Boccuti, Superintendent Breezes run through the trees Making chills come to me, Red and green leaves circle around Making a swooshing sound, Bright sun shining in my face This is a perfect place, The long and sturdy roots Green grass sticking to my boots, The patterned bark feels rough on my hand As I think of this wonderful land, Aaron Hafner Clouds as white as can be dance in the sky Dark clouds Everything very relaxed as if nature is giving one big sigh, Cover my window Shutting out all the light Tree tall, reflecting the memories of the past A fleeting nightmare I know these important memories will last. Covered by a scarf I begin to move… Goodbye Anne Chapin Even now I don’t understand Goodbye As if calling out to the utter stillness Letting out all my emotions to the world Goodbye Please sing for me… Grief is not the sea, you can drink it down to the bottom! The white snow Blows through the wind Putting splotches on the moon I hear death By the calling of the crow I begin to move… Goodbye Even now I don’t understand Goodbye Calling out to the stillness Shutting out all of my emotions I am changing! So I sing to the …world Adrian Roji Heather Borochaner 1 Juliette Dignan Wind sweeps across an open meadow Rippling like ocean waves Wisps of white cotton float aimlessly through blue Vivid light shines down from above Watching over the animals below Twenty four pairs of paws tread Dad, a lumbering elephant Mother the watchful bear Sister deer leaping Youngest readying to pounce Eldest horse is patient, observing the scene from a reserved eye While brother, the dog sniffs the air, always curious In the green of the grass the family of six is quite a mix. -
May 29, 2009 Vol
Inside Answer to a prayer Volunteers share occupational therapy outreach that could be model for other Criterion schools, page 8. Serving the Church in Central and Southern Indiana Since 1960 CriterionOnline.com May 29, 2009 Vol. XLIX, No. 33 75¢ Obama nominates New York Latina to Supreme Court WASHINGTON (CNS)—President Barack Obama has nominated federal appeals court College couple faces Judge Sonia Sotomayor to the difficult choices Supreme Court. If she is confirmed, the about their faith New York native of Puerto Rican descent and their future would become the first Hispanic to serve By John Shaughnessy on the high court. Obama announced During the summer before their senior year his choice of in college, Lindsey Loffer and Scott Knust Judge Sonia Sotomayor Sotomayor, 54, at a faced the questions that challenge many brief event at the couples who have dated for a few years: White House on May 26. If confirmed by the What will our lives be like a year from Senate, she would join the court when the next now? term opens in October, replacing retiring Where is our relationship headed? Justice David Souter. Do I want it to lead to marriage? At the White House announcement, At the same time, they each wrestled with a Sotomayor described herself as “an ordinary personal choice about where God was leading person who has been blessed with extra - them in their lives. ordinary opportunities and experiences.” At 21, Lindsey struggled with a decision Sotomayor has been a judge on the about whether she should continue to live her 2nd U.S. -
Music-Week-1986-03-2
,a m s d © Heavy Metal stars for charity MUSIC WEEK and more New Product 3 S4m investment in now New releases record company 4 Indie chart New ownership at Lyntone Disco chart (pictured) and generic James Hamilton ads latest 6 HM chart Indie retailers' answer Albums, singles charts 15,18 Classical: DHM and EMI A&R: What is folk? Inter- link-up 25 views with Suzanne Vega Guide to UK custom press- (right), John Martyn and ing. Starts 26 more; LP reviews, Perform- GRP's Europe branch 34 ance, singles. Starts 17 WEA men as you've never Virgin Video spearhead, seen them before 35 //; video chart 23 Dooley, comment 35 S@irf tstes CD to lie streets WALKMAN TECHNOLOGY has anti-roll mechanism allowing it to rapidly, we see portable CD be- been applied to compact disc swing from the shoulder without coming an increasingly important hardware to provide what Sony any interruption to the playing of sector of the market. claims is the world's smallest port- the disc. "Sony led the development of able CD player. The retail tag is about £260 and the portable stereo market with the The Sony Discman weighs little Stephen Perrin, Sony's marketing Walkman and we shall be doing more than 1 lb (half a kilo), yet if general manager, says: "With the the same In portable CD with the carries the full range of features of popularity of CD growing very Discman." SleS© U.S.$5 ISSN 0265-1548 standard players as well as an %fl launch for (TV all-video chart show AN ALL-VIDEO chart show, based presenter or studio audience. -
Lonely Sounds: Recorded Popular Music and American Society, 1949-1979
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 4-18-2008 Lonely Sounds: Recorded Popular Music and American Society, 1949-1979 Chris R. Rasmussen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Rasmussen, Chris R., "Lonely Sounds: Recorded Popular Music and American Society, 1949-1979" (2008). Dissertations, Theses, & Student Research, Department of History. 16. https://digitalcommons.unl.edu/historydiss/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 by Christopher Rasmussen A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Benjamin G. Rader Lincoln, Nebraska May, 2008 ii LONELY SOUNDS: POPULAR RECORDED MUSIC AND AMERICAN SOCIETY, 1949- 1979 Christopher Rasmussen, Ph.D. University of Nebraska-Lincoln, 2008 Adviser: Benjamin G. Rader Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship between the experience of listening to popular music and social disengagement. It finds that technological innovations, the growth of a youth culture, and market forces in the post- World War II era came together to transform the normal musical experience from a social event grounded in live performance into a consumable recorded commodity that satisfied individual desires. -
Revealing the Medicine Buddha's Art Windhorse
PO Box 6483, Ithaca, NY 14851 607-273-8519 WINTER 1999 NEWSLETTER & CATALOG SUPPLEMENT REVEALING THE MEDICINE BUDDHA'S ART H.H. Dalai Lama Opens Groundbreaking Tibetan Medical Conference SETTLING INTO AMERICA by Victoria Huckenpaliler as Harvard Medical School, and Yale cause such a conference had already Interviews with the Four The First International Conference and Oxford Universities, exchanged been held in Tibet in the eighth cen- on Tibetan Medicine, held in the views with Tibetan doctors, including tury, and had included participants Tibetan Employees at Snow Lion nation's capital from 7-9 November the Dalai Lama's past and present from China, Mongolia, Iran and and inaugurated by H.H. the Dalai personal physicians, Dr. Yeshe Greece! Following his statement, Dr. by Julie Totlen main office with huge, silly grins on Lama, brought together notable phy- Donden and Dr. Tenzin Choedrak, in Wayne Jonas, Director of the Office Palden carefully wraps a pair of their faces, probably the result of sicians, scholars, and translators an atmosphere of mutual courtesy of Alternative Medicine at the Na- eternal knot earrings. Gently folding D.D.'s latest wisecrack. As they return from twenty-two nations seeking an and deference. tional Institute of Health, set the tone the plastic cushioning, he glances up to work and begin to regain their integrative approach to healing. The His Holiness opened the plenary by advocating greater receptivity in at a picture of the Dalai Lama at- calm, Kunga gently begins singing Western physicians, whose impec- session by gently reminding partici- the West to indigenous medicines, re- tached to the wall directly in front of an old Tibetan folk tune. -
Arts and Sciences. a Personal Perspective of Tibetan Painting
ART AND CHEMICAL SCIENCES 900 CHIMIA 2001, 55. No. 11 Chimia 55 (2001) 900-914 © Schweizerische Chemische Gesellschaft ISSN 0009-4293 Arts and Sciences. A Personal Perspective of Tibetan Painting Richard R. Ernst* Abstract: The relationship between the arts and the sciences is discussed from the standpoint of a scientist and passionate art lover. The two playgrounds of human creativity have much in common and have cross- fertilized each other over centuries. An active involvement in an artistic discipline can stimulate scientific creativity by direct analogy and by emotional and intellectual experience. The excitement of a scientist for the arts is exemplified by the author's adventures in Tibetan painting. The scientific study of Tibetan thangkas is discussed by examples from the author's collection. The analysis of pigments and the dating of the paintings are covered. In addition, some background information on the historical and iconographic context is given. Keywords: Arts and sciences' Dating of paintings' Pigment analysis· Tibetan Buddhism· Tibetan thangkas Arts and Sciences which have no equivalence in former pe- function may equally well be performed riods or in nature. And with the aid of the by an intelligently programmed and pow- Much has already been written about the computer-based synthesis of music and erful computer which has the advantage hidden link between the arts and the sci- of graphical creations, the very last limi- of not being distracted by emotional de- ences. The two highly creative fields are tations, imposed by the difficult musical sires. evidence of the ingenious human mind. instruments and the painter's self-willed How boring must it be to meet one of Human culture could hardly be conceived brush, are overcome, leading to a com- these 'perfectly objective scientists'! Per- without the arts or without the sciences.