DOCSLIB.ORG

New Arrival List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Arrival List Pickwick's Video/DVD Rentals – New Arrivals 16. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ ---------------------------------------------------------------------------------------------------------------- Simpsons – Season 5 Genre: Cartoon Synopsis: Box set featuring all the episodes from series five, including; Homer's Barbershop Quartet, Cape Feare, Homer Goes To College, Rosebud, Treehouse Of Horrow IV, Marge On The Lam, Bart's Inner Child, Boy-Scoutz 'N The Hood, The Last Temptation Of Homer, Springfield, Homer The Vigilante and many more. Futurama – Season 3 Genre: Cartoon Synopsis: Features the episodes Amason Women In The Mood, Parasites Lost, A Tale Of Two Santas, The Luck Of The Fryrish, The Birdbot Of Ice-catraz, Bendless Love, The Day The Earth Stood Stupid, That's Lobstertanment, The Cyber House Rules, Where The Buggalo Roam, Insane In The Mainframe, The Route Of All Evil, Bendin' In The Wind, Time Keeps On Slipping, I dated A Robot and many more. Pickwick's Video/DVD Rentals – New Arrivals 16. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ ---------------------------------------------------------------------------------------------------------------- Where The Buffalo Roam 1980 Genre: Comedy Actors: BILL MURRAY, PETER BOYLE, BRUNO KIRBY, RENE AUBERJONOIS Director: ART LINSON Sympsis: The deranged adventures of gonzo journalist Hunter Thompson and his lawyer Acosta, Laslow in the film. Allegedly based on real events. Hating Alsion Ashley Genre: Comedy Actors: DELTA GOODREM, SASKIA BURMEISTER, JEAN KITTSON, RICHARD CARTER, TRACY MANN Director: GEOFF BENNETT Synopsis: 14 year old Erika has dreams of great things, supported by her unconventional family. Her self-assurance takes a knock when a new student arrives at the school. Alison is beautiful, rich and smart... From the novel by Robin Klein. Pickwick's Video/DVD Rentals – New Arrivals 16. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ ---------------------------------------------------------------------------------------------------------------- Six Feet Under – Season 4 Back To School 1986 Genre: Comedy Actors: RODNEY DANGERFIELD, SALLY KELLERMAN, ROBERT DOWNEY JR, SAM KINISON, NED BEATTY Director: ALAN METTER Synopsis: Thornton decides to help his son who's at college by becoming a student himself. He goes too far when he ticks off the professor then steals his girlfriend... Maid Genre: Romantic Comedy Actors: MARTIN SHEEN, JACQUELINE BISSET Director: IAN TOYNTON Synopsis: Anthony Wayne may be successful in investment banking but his love life is another matter. He arrives in Paris to begin a new job and, to become acclimatized, wanders round the city admiring the Parisiennes. One such he cannot help but follow, desperate to make her acquaintance. Learning that she is looking for a maid he arranges to be the one to be taken on... Pickwick's Video/DVD Rentals – New Arrivals 16. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ ---------------------------------------------------------------------------------------------------------------- Coach Carter Genre: Drama Actors: SAMUEL L JACKSON, ASHANTI Director: THOMAS CARTER Synopsis: Based on real events in which a basketball coach Ken Carter locked out the team for poor academic performance. Though undefeated in their games, Carter set out to show the teamplayers a future beyond gangs, drugs, prison and even basketball. Street Prophetz Genre: Documentary Synopsis: Featuring a variety of characters who make up the urban street culture in the UK - graffiti artist, skateboarders, the B- Boys, the MCs, the DJs and the poets. Pickwick's Video/DVD Rentals – New Arrivals 16. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ ---------------------------------------------------------------------------------------------------------------- Hitchhiker’s Guide To The Galaxy Genre: Science Fiction Actors: SAM ROCKWELL, MOS DEF, MARTIN FREEMAN, BILL NIGHY, ANNA CHANCELLOR Director: GARTH JENNINGS Synopsis: Based on Douglas Adams' novel: Arthur Dent is whisked into space seconds before Earth is destroyed. Now himself an alien he begins (mis)adventures with his friend, an alien in human form... Paparazzi Genre: Thriller Actors: COLE HAUSER, ROBIN TUNNEY, DENNIS FARINA, DANIEL BALDWIN, TOM SIZEMORE Director: PAUL ABASCAL Producer: Mel Gibson Synopsis: A big filmstar, Bo Laramie has everything but the family is hounded by the paparazzi. They are determined to destroy everything that Laramie has... Pickwick's Video/DVD Rentals – New Arrivals 16. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ ---------------------------------------------------------------------------------------------------------------- Ravishing Idiot 1964 Genre: Comedy Actors: ANTHONY PERKINS, BRIGITTE BARDOT Director: EDOUARD MOLINARO Synopsis: Comedy: a Russian spy tries to steal fake orders for the British secret service. Even with his girlfriend helping he is unable to succeed! Wild Ride 1960 Genre: Drama Actors: Jack Nicholson, Director: Harvey Berman, Synopsis: A rebellious punk of the beat generation, who spends his days as an amateur dirt track driver in-between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few police officers and finally sees his own life end in tregedy. .
Load more

Recommended publications
  • Planet Simpson: “Early Days” (1987-1991)
    Planet Simpson: “Early Days” (1987-1991) • Season 2- “Simpsons” moved air times to compete with “Cosby Show” • Proved popularity during competition with very well acclaimed “Cosby Show” • Became Top Rated Show in 1992 after “Cosby Show” went off air • Birth of the “mass cult” “Simpsonian Golden Age” (1992-1997) • Seasons 4-8 Continued to be popular • Entered syndication in the Fall of 1994 • Became popular on booming internet • Feb. 97’ aired 167th episode passing “Flintstones” and becoming longest running primetime cartoon in history • Won “Peabody Award” “Long Plateau” (1997- ?) • Show declined in popularity after hitting it’s peak • Won 20 Emmy Awards by mid 2003 • Received Hollywood Star in 2000 • Received first ever Golden Globe nomination for best comedy series in 2003 Ancestors of the “Simpsons” •1) Anthropomorphic Animals, Late Night Talk Shows and Such and Such…… Wide Range of Comedic Forms made show successful through use of minor characters •2) Boomer Humor Begets Egghead Humor Sick and deranged humor meets smarter, social, and political humor Ancestors… (Continued) • For Ironic Humor, Blame Canada Canadian references made throughout the show bring a different tone to the “Simpsons” comedy style and the ability to laugh more openly at American satires Reality TV: The Satirical Universe of the Simpsons • “Satire is defined as intellectual judo, in which the writer or performer take on the ideas and character of his target, and then takes both to absurd lengths to destroy them.” Tony Hendra • Satire only works if it is realistic • The Simpsons is based on reality; on the notion that they are realistic. This makes satire possible.
    [Show full text]
  • Mediasprawl: Springfield U.S.A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu­ tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter­ lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them.
    [Show full text]
  • Memetic Proliferation and Fan Participation in the Simpsons
    THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Die Flexible Welt Der Simpsons
    BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ...................................................................................................
    [Show full text]
  • Mr BURNS a POST-ELECTRIC PLAY
    19 MAY - 25 JUNE 2017 LEARNING RESOURCES Belvoir and State Theatre Company South Australia presents Mr BURNS A POST-ELECTRIC PLAY Writer ANNE WASHBURN Score by MICHAEL FRIEDMAN Lyrics by ANNE WASHBURN Director IMARA SAVAGE This production of Mr Burns, a post-electric play opened at State Theatre Company South Australia on Wednesday 26 April and Belvoir St Theatre on Saturday 20 May 2017. Musical Director CAROL YOUNG Set and Costume Designer JONATHON OXLADE Lighting Designer CHRIS PETRIDIS Sound Designer JEREMY SILVER Choeographer LUCAS JERVIES Dialect Coach PAIGE WALKER Stage Manager NATALIE MOIR Assistant Stage Manager VANESSA MARTIN Fight Choreographer SCOTT WITT With PAULA ARUNDELL MITCHELL BUTEL ESTHER HANNAFORD JUDE HENSHALL BRENT HILL EZRA JUANTA JACQY PHILLIPS "Mr Burns, a post-electric play" is presented by special arrangement with SAMUEL FRENCH, INC. Additional music composed by Carol Young. Paula Arundell & Esther Hannaford in rehearsals for Mr Burns CONTENTS About Belvoir 1 Cast and Creative Team 2 Writer's Note 3 Director's Note 4 Synopsis 5 Interview with the Director 7 Production Elements 9 Interview with the Production Designer Costume Design Renderings Set Model Box Images Interview with the Lighting Designer Lighting Design Storyboard Podcast 23 Contact Education 24 Rehearsal Photos / Daniel Boud 2017 Production Photos / Brett Boardman 2017 Cover Image / Daniel Boud 2016 Learning Resources compiled by Belvoir’ Education, 2017 ABOUT BELVOIR One building. Six hundred people. Thousands of stories. When the Nimrod Theatre building in Belvoir Street, Surry Hills, was threatened with redevelopment in 1984, more than 600 people – ardent theatre lovers together with arts, entertainment and media professionals – formed a syndicate to buy the building and save this unique performance space in inner city Sydney.
    [Show full text]
  • I Huvudet På Bender Futurama, Parodi, Satir Och Konsten Att Se På Tv
    Lunds universitet Oscar Jansson Avd. för litteraturvetenskap, SOL-centrum LIVR07 Handledare: Paul Tenngart 2012-05-30 I huvudet på Bender Futurama, parodi, satir och konsten att se på tv Innehållsförteckning Förord ......................................................................................................................................... 3 Inledning ..................................................................................................................................... 4 Tidigare forskning och utmärkelser ................................................................................... 7 Bender’s Head, urval och disposition ................................................................................ 9 Teoretiska ramverk och utgångspunkter .................................................................................. 11 Förförståelser, genre och tolkning .................................................................................... 12 Parodi, intertextualitet och implicita agenter ................................................................... 18 Parodi och satir i Futurama ...................................................................................................... 23 Ett inoriginellt medium? ................................................................................................... 26 Animerad sitcom vs. parodi ............................................................................................. 31 ”Try this, kids at home!”: parodins sammanblandade världar ........................................
    [Show full text]
  • Using the Simpsons in EFL Classes
    John Rucynski Jr. Using The Simpsons in EFL Classes ost teachers of English since 1989, The Simpsons is now the as a Second/Foreign Lan- longest-running animated series in guage (ESL/EFL) would American TV history. It focuses on Magree that our job is not just to teach the misadventures of nuclear power language, but also to teach culture. plant employee Homer Simpson, his Indeed, Krasner (1999) argues that it wife Marge, and their three chil- takes more than just linguistic compe- dren—troublemaker Bart, teacher’s tence to be proficient in a foreign lan- pet Lisa, and pacifier-sucking baby guage. Byram and Risager (1999) also Maggie. Set in the mythical town of describe the language teacher’s role Springfield, the show is a humorous as “a professional mediator between parody of the American family. Some learners and foreign languages and teachers may feel that it is not seri- culture” (58). While it is not a prob- ous enough, considering that it is a lem to accept this dual role, the com- mere cartoon. However, the show is plication lies in choosing what type of an American institution that can be cultural content to include in our les- used in the English language class- sons. First, we have to decide whether room as a springboard for exploring a cultural component means focus- American culture. Whether you want ing on daily living tips like etiquette to use the show to expand on lighter and other cultural differences or on cultural topics like holidays and food popular culture such as music, TV, or or deeper societal issues concerned movie clips.
    [Show full text]
  • The Simpsons Tapped out - Analysis and Proposed Events Overview
    The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content.
    [Show full text]
  • Futurama Comedy and Writers in the Classroom Sarah J
    Klein’s Beer: Futurama Comedy and Writers in the Classroom Sarah J. Greenwald Appalachian State University Introduction Futurama [1] is an animated science fiction comedy with math, science, or programming jokes in almost every television episode. In the same way that history can provide context to mathematics in the classroom, the rich mathematical history of the show’s writers and the stories of their writing motivations can engage students. A combination of comedy references from the show and quotes from the writers is especially effective in helping to alleviate math anxiety and motivate students to learn and connect to mathematics. In this article we will examine numerous Futurama activities for the classroom, including discussions related to the writers and the representation of mathematics in popular culture, as well as activities related to humorous Futurama math references, including computational number theory and geometry. Figure 1: Klein’s Beer [1, 3ACV12 (The Route of All Evil)] Writers and Humor in the Classroom In the course of earning an undergraduate degree in the mathematical sciences, students study a broad range of mathematical techniques and disciplines. The need to master the fundamental skills of mathematics leads in many instances to a perspective in which mathematics exists unconnected to anything else. Students can become so focused on the present that they perceive mathematics as “closed, dead, emotionless, all discovered... [Teachers] can rescue students from the island of mathematics and relocate them on the mainland of life that contains mathematics that is open, alive, full of emotion, and always interesting” [3]. In the same way that real-life applications and technology can help students connect to mathematics, humorous popular culture references and the related history of the writers who create them can also foster connections.
    [Show full text]
  • Day Day One August 21
    Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 :::
    [Show full text]
  • Mr. Burns, a Post-Electric Play, by Anne Washburn Directed by Casey Sams Musical Direction by Terry Silver-Alford
    Mr. Burns, A Post-Electric Play, by Anne Washburn Directed by Casey Sams Musical Direction by Terry Silver-Alford Rehearsals: September 15-October 29, 2015 Performances: October 30 – November 15, 2015 Lab Theatre Description of the Play Anne Washburn’s imaginative dark comedy propels us forward nearly a century, following a new civilization stumbling into its future. After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of "The Simpsons" episode "Cape Feare" entirely from memory. 7 years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post- apocalyptic society, sincerely trying to hold onto its past. 75 years later, these are the myths and legends from which new forms of performance are created. A paean to live theater, and the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another. Casting Breakdown Cast Size: 8 actors, either 4 male/4 female, or 3 male/5 female, dependent upon double casting - All the named characters from Acts 1 and 2 double as Simpson’s characters in Act 3 - 6 people appear in Act 1, 7 in Act 2, and 8 in Act 3 Character Descriptions: (age ranges may vary) Matt: (appears in Acts 1 and 2) male, late 20s/early 30s Biggest Simpsons fan A talker Married (wife does not appear in play) New Yorker Sam: (appears in Acts 1 and 2) male, late 20s/early 30s A problem-solver A small
    [Show full text]