Planet Simpson: “Early Days” (1987-1991)
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Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Mr BURNS a POST-ELECTRIC PLAY
19 MAY - 25 JUNE 2017 LEARNING RESOURCES Belvoir and State Theatre Company South Australia presents Mr BURNS A POST-ELECTRIC PLAY Writer ANNE WASHBURN Score by MICHAEL FRIEDMAN Lyrics by ANNE WASHBURN Director IMARA SAVAGE This production of Mr Burns, a post-electric play opened at State Theatre Company South Australia on Wednesday 26 April and Belvoir St Theatre on Saturday 20 May 2017. Musical Director CAROL YOUNG Set and Costume Designer JONATHON OXLADE Lighting Designer CHRIS PETRIDIS Sound Designer JEREMY SILVER Choeographer LUCAS JERVIES Dialect Coach PAIGE WALKER Stage Manager NATALIE MOIR Assistant Stage Manager VANESSA MARTIN Fight Choreographer SCOTT WITT With PAULA ARUNDELL MITCHELL BUTEL ESTHER HANNAFORD JUDE HENSHALL BRENT HILL EZRA JUANTA JACQY PHILLIPS "Mr Burns, a post-electric play" is presented by special arrangement with SAMUEL FRENCH, INC. Additional music composed by Carol Young. Paula Arundell & Esther Hannaford in rehearsals for Mr Burns CONTENTS About Belvoir 1 Cast and Creative Team 2 Writer's Note 3 Director's Note 4 Synopsis 5 Interview with the Director 7 Production Elements 9 Interview with the Production Designer Costume Design Renderings Set Model Box Images Interview with the Lighting Designer Lighting Design Storyboard Podcast 23 Contact Education 24 Rehearsal Photos / Daniel Boud 2017 Production Photos / Brett Boardman 2017 Cover Image / Daniel Boud 2016 Learning Resources compiled by Belvoir’ Education, 2017 ABOUT BELVOIR One building. Six hundred people. Thousands of stories. When the Nimrod Theatre building in Belvoir Street, Surry Hills, was threatened with redevelopment in 1984, more than 600 people – ardent theatre lovers together with arts, entertainment and media professionals – formed a syndicate to buy the building and save this unique performance space in inner city Sydney. -
The Simpsons in Their Car, Driving Down a Snowy Road
'Name: Ryan Emms 'Email Address: [email protected] 'Fan Script Title: Dial 'L' for Lunatic ******************************************************* Cast of Characters Homer Simpson Marge Simpson Bart Simpson Lisa Simpson Maggie Simpson Bart's Classmates Charles Montgomery Burns Wayland Smithers Seymour Skinner Edna Krebappel Moe Szyslak Apu Nahasapeemapetilon Barney Gumbel Carl Lenny Milhouse Van Houten Herschel Krustofsky Bob Terwilliger Clancy Wiggum Dispatch Other Police Officers Kent Brockman Julius Hibbert Cut to - Springfield - at night [theme from 'COPS' playing] Enter Chief Clancy Wiggum [theme from 'COPS' ends] Chief Wiggum This is a nice night to do rounds: nothing to ruin it whatsoever. [picks up his two-way radio] Clancy to base, first rounds completed, no signs of trouble. Enter Dispatch, on other side of the CB radio Dispatch [crackling] Come in, 14. Chief Wiggum This is 14. Over. Dispatch There's a report of a man down in front of Moe's bar. An ambulance has already been sent. How long until you get there? Chief Wiggum In less than two minutes. [turns siren on, and turns off CB radio] This will be a good time to get a drink in [chuckles to himself] [Exit] Cut to - Springfield - Moe's Tavern - at night Enter Chief Wiggum Chief Wiggum [to CB radio] Dispatch, I have arrived at the scene, over and out. [gets out of the car] Enter Homer Simpson, Moe Szyslak, Carl, Lenny, Barney Gumbel, and Charles Montgomery Burns Chief Wiggum What exactly happened here? Homer [drunkenly] We.saw.a.mur.der. Chief Wiggum Say again? You saw a moodoo? Homer Shut.up.Wig.gum. -
Udls-Sam-Creed-Simpsons.Pdf
The Simpsons: Best. TV Show. Ever.* Speaker: Sam Creed UDLS Jan 16 2015 *focus on Season 1-8 Quick Facts animated sitcom created by Matt Groening premiered Dec 17, 1989 - over 25 years ago! over 560+ episodes aired longest running scripted sitcom ever #1 on Empire’s top 50 shows, and many other lists in entertainment media, numerous Emmy awards and other allocades TV Land Before... “If cartoons were meant for adults, they'd put them on in prime time." - Lisa Simpson Video Clip Homer’s Sugar Pile Speech, Lisa’s Rival, 13: 43-15:30 (Homer’s Speech about Sugar Pile) "Never, Marge. Never. I can't live the button-down life like you. I want it all: the terrifying lows, the dizzying highs, the creamy middles. Sure, I might offend a few of the bluenoses with my cocky stride and musky odors - oh, I'll never be the darling of the so-called "City Fathers" who cluck their tongues, stroke their beards, and talk about "What's to be done with this Homer Simpson?" - Homer Simpson, “Lisa’s Rival”. Comedy Devices/Techniques Parody/Reference - Scarface Juxtaposition/Absurdism: Sugar, Englishman Slapstick: Bees attacking Homer Hyperbole: Homer acts like a child Repetition: Sideshow Bob and Rakes The Everyman By using incongruity, sarcasm, exaggeration, and other comedic techniques, The Simpsons satirizes most aspects of ordinary life, from family, to TV, to religion, achieving the true essence of satire. Homer Simpson is the captivating and hilarious satire of today's "Everyman." - Brett Mullin, The Simpsons, American Satire “...the American family at its -
Simpsons Comics - Colossal Compendium: Volume 3 Pdf
FREE SIMPSONS COMICS - COLOSSAL COMPENDIUM: VOLUME 3 PDF Matt Groening | 176 pages | 26 Sep 2016 | Titan Books Ltd | 9781783296545 | English | London, United Kingdom Simpsons Comics Colossal Compendium: Volume 3 by Matt Groening Even a tyke-sized Homer tries his hand at some magical wishing, and Ralph Wiggum does a little role modeling. Finally, Simpsons Comics - Colossal Compendium: Volume 3 for your convenience, quickly cut and fold your very own Kwik-E-Mart! Simpsons Comics - Colossal Compendium: Volume 3 edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size image should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. Creators Matt Groening. Crab Dr. Hibbert Dr. Burns Mrs. Story Arcs. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. -
The Barbie Phenomenon in Japan
THE BARBIE PHENOMENON IN JAPAN Arisa Shibagaki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2007 Committee: Marilyn F. Motz, Advisor Esther Clinton © 2007 Arisa Shibagaki All Rights Reserved iii ABSTRACT Marilyn F. Motz, Advisor This research examines the popularity of Barbie among young adult Japanese women as the “Barbie phenomenon” in Japan. By investigating the historical and cultural aspects of Japanese values of beauty, the author found that the phenomenon emerged from the combination of the values of kawaii (Japanese cuteness) and kakkoii (Japanese coolness). Kawaii is the traditional positive feeling for small and delicate things, and in modern society its meaning extends into popular characters and fashion. Kawaii fashion is usually considered to use lace, ribbon, and frilly materials and colors of pink, white, and pastels. On the other hand, the English- language word “cool” is usually translated into kakkoii (かっこいい), which means that people’s appearance is attractive, and its meaning also extends into people’s behavior and fashion in modern society. Kakkoii behavior is masculine and independent; the colors of black, blue, and khaki and plain materials are usually used in kakkoii fashion. In fact, “Kakkoii” is different from American “cool,” which is a word used for not only an attractive appearance but also individuality and a sense of belonging; however, the words “kakkoii” and “cool” are used without regard for such a difference in Japan. In women’s fashion magazines, both “kawaii” and “cool” are the common key words. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
Comedy in America
Modleski, T. “The Women Who Knew Too Much: Hitchcock and Feminist Theory.” In Leo Braudy and Marshall Cohen (Ed.), Film Theory and Criticism (pp. 849-861). Oxford, England: Oxford University Press, 1988. Mulvey, L. “Visual Pleasure and Narrative Cinema.” In Leo Braudy and Marshall Cohen (Ed.), Film Theory and Criticism (pp. 837-848). Oxford, England: Oxford University Press, 1975. VOL 4 | 36 WHAT’S SO FUNNY: COMEDY IN AMERICA EMILY MOUSSEAU-DOUGLAS ased on reviews and articles I had read about the new faux documentary Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, I Bexpected that when I actually saw it, I would be disgusted. I imagined sitting low in my theatre seat, covering my eyes, horrified by the displays on the screen. When I finally got to see the movie, I was disappointed at my lack of disgust and horror. It was not nearly as outrageous or offensive as I felt all those articles had promised it would be. My disappointment made me think about my extensive exposure to vulgar comedy and the nature of comedy in America. Perhaps I have been desensitized to bodily functions and nudity, especially when they are presented in the name of comedy. Perhaps years filled with American Pie’s and Scary Movie’s, capped by the summer of raunchy sex farces (like Wedding Crashers and The 40-Year-Old Virgin) have made it hard for me to be shocked and appalled by anything, even the scene of a hairy naked man wrestling a fat naked man, which constitutes the climax of the Borat movie. -
The Simpsons.” However, There Are Several States Where We Know It Probably Is NOT Located, Thanks to Certain Scenes and Dialogue
Team Name: The Simpsons 1. When Springfield is going to be destroyed by a comet, the town fights back by firing a rocket to destroy it. However, the rocket misses. What small additional problem does this cause? 2. After Homer locks Maggie inside a newspaper box on the street, why can't he get her out again with another quarter? 3. What's the name of the company that gest shushed at the end of each episode? 4. According to Homer, what separates us from the animals (with one exception)? 5. After Bart writes phony love letters to his teacher, Edna Crabapple, sends her a fake photo (of Gordie Howe), wins her heart, arranges for a rendezvous in a romantic restaurant, and then never shows up, how does he react to the sight of Edna crying? 6. Why does Troy McClure propose to Selma? 7. When Bart, Homer & the Flanders are lost at sea on an open raft, how are they eventually rescued? 8. Who is baby Maggie's #1 enemy? 9. When Lisa decides to become a vegetarian, this sets Homer off into a mocking conga chant. What? HourBonus#6(page1of4)isbroughttoyouby‘We Make Holes in Teeth’ Team Name: 10. What is Smithers' screen saver? 11. Lionel Hutz, mall attorney is a reoccurring character who works for what legal services shop? 12. Bart regularly makes harassing phone calls to two people-- who? 13. Why does Homer love football so much on Sundays? 14. In court, Sideshow Bob claims that he no longer has any animosity towards the boy who destroyed his life, Bart Simpson. -
Mr. Burns, a Post-Electric Play, by Anne Washburn Directed by Casey Sams Musical Direction by Terry Silver-Alford
Mr. Burns, A Post-Electric Play, by Anne Washburn Directed by Casey Sams Musical Direction by Terry Silver-Alford Rehearsals: September 15-October 29, 2015 Performances: October 30 – November 15, 2015 Lab Theatre Description of the Play Anne Washburn’s imaginative dark comedy propels us forward nearly a century, following a new civilization stumbling into its future. After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of "The Simpsons" episode "Cape Feare" entirely from memory. 7 years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post- apocalyptic society, sincerely trying to hold onto its past. 75 years later, these are the myths and legends from which new forms of performance are created. A paean to live theater, and the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another. Casting Breakdown Cast Size: 8 actors, either 4 male/4 female, or 3 male/5 female, dependent upon double casting - All the named characters from Acts 1 and 2 double as Simpson’s characters in Act 3 - 6 people appear in Act 1, 7 in Act 2, and 8 in Act 3 Character Descriptions: (age ranges may vary) Matt: (appears in Acts 1 and 2) male, late 20s/early 30s Biggest Simpsons fan A talker Married (wife does not appear in play) New Yorker Sam: (appears in Acts 1 and 2) male, late 20s/early 30s A problem-solver A small