General Index 1923 - 1990
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Annual Report for Fiscal Year 1934
TWENTY SECOND ANNUAL REPORT OF THE SI CRETARY OF COMMERCE 1934 t to sea1gtat Petletlie UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON 1934 Fo sale by the Superintendent of Documents Washington D C Price 20 cents paper cover ORGANIZATION OF THE DEPARTMENT Secretary of Commerce DANIEr C ROPER Assistant Secretary of Commerce JOHN DICKINSON Assistant Secretary of Commerce EwINO Y MITCHELL Solicitor SOUTH TRIMBLE JR Administrative Assistant to the Secretary MALCOLM KERmx Chief Clerk and Superintendent EDWARD W LIBBEY Director Bureau of Air Commerce EUGENE L VIDAL Director of the Census WILLIAM L AUSTIN Director Bureau of Foreign and Domestic Commerce C T MURCHHISON Director National Bureau of Standards LYnIAN J BRIGGS Commissioner of Fisheries Fnnxrc T BELL Commissioner of Lighthouses GEORGE R PUTNAM Director Coast and Geodetic Survey R 5 PATTON Director Bureau of Navigation and Steamboat Inspection JosERLL B WEAVER Commissioner of Patents CONWAY P COE Director United States Shipping Board Bureau J 0 PEACOCK Director Federal Employment Stabilization Office D II SAWYER n CONTENTS Page Expenditures vii Public works allotments xix Changes in organization VIII Discussion of functions of the Department LX Economic review Ix Reciprocal trade program xix Foreign and domestic commerce xix Air commerce XxI Lighthouse Service xxn Enforcement of navigation and steamboat inspection laws xxiv Surveying and mapping xxiv Fisheries xxvt National standards xxvxt Census activities xxrx Patents xxix Merchant marine xxx Foreigntrade zones xxxii Street and -
Brief History of Electronic and Computer Musical Instruments
Brief History of Electronic and Computer Musical Instruments Roman Kogan April 15th, 2008 1 Theremin: the birth of electronic music It is impossible to speak of electronic music and not speak of Theremin (remember that high-pitch melody sound sound in Good Vibrations ?) Theremin was the instrument that has started it all. Invented remarkably early - around 1917 - in Russia by Leon Termen (or Theremin, spelling varies) it was the first practical (and portable) electronic music instrument, and also the one that brought the electronic sound to the masses (see [27]). It was preceded by Thelarmonium, a multi-ton monstrocity that never really get a lot of attention (although technically very innovative, see [25]), and some other instruments that fell into obscurity. On the other hand, Leon Theremin got popular well beyond the Soviet Union (where even Lenin got to play his instrument once!). He became a star in the US and taught a generation of Theremin players, Clara Rockmore being the most famous one. In fact, RCA even manufactured Theremins under Leon's design in 1929 ( [27])!. So what was this instrument ? It was a box with two antennas that produced continuous, high-pitch sounds. The performer would approach the instrument and wave hands around the antennas to play it. The distance to the right (vertical) antenna would change the pitch, while the distance to the left (horizontal) antenna would change the volume of the sound (see [2], [3] for more technical details). The Theremin is difficult to play, since, like on violin, the notes and the volume are not quantized (the change in pitch is continuous). -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
Media Ecologies: Materialist Energies in Art and Technoculture, Matthew Fuller, 2005 Media Ecologies
M796883front.qxd 8/1/05 11:15 AM Page 1 Media Ecologies Media Ecologies Materialist Energies in Art and Technoculture Matthew Fuller In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems—understood here as processes, or ele- ments in a composition as much as “things”—have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multi- plicitous materiality—how it can be sensed, made use of, and how it makes other possibilities tangible. He investi- gates the ways the different qualities in media systems can be said to mix and interrelate, and, as he writes, “to produce patterns, dangers, and potentials.” Fuller draws on texts by Félix Guattari and Gilles Deleuze, as well as writings by Friedrich Nietzsche, Marshall McLuhan, Donna Haraway, Friedrich Kittler, and others, to define and extend the idea of “media ecology.” Arguing that the only way to find out about what happens new media/technology when media systems interact is to carry out such interac- tions, Fuller traces a series of media ecologies—“taking every path in a labyrinth simultaneously,” as he describes one chapter. He looks at contemporary London-based pirate radio and its interweaving of high- and low-tech “Media Ecologies offers an exciting first map of the mutational body of media systems; the “medial will to power” illustrated by analog and digital media technologies. Fuller rethinks the generation and “the camera that ate itself”; how, as seen in a range of interaction of media by connecting the ethical and aesthetic dimensions compelling interpretations of new media works, the capac- of perception.” ities and behaviors of media objects are affected when —Luciana Parisi, Leader, MA Program in Cybernetic Culture, University of they are in “abnormal” relationships with other objects; East London and each step in a sequence of Web pages, Cctv—world wide watch, that encourages viewers to report crimes seen Media Ecologies via webcams. -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
World War Ii History of the Department of Commerce
WORLD WAR II HISTORY OF THE DEPARTMENT OF COMMERCE PART 5 US COAST AND GEODETIC SURVEY UNITED STATES DEPARTMENT OF COMMERCE CHARLES SAWYER, Secretary COAST AND GEODETIC SURVEY ROBERT F.A. STUDDS, Director WORLD WAR II HISTORY Of the COAST AND GEODETIC SURVEY UNITED STATES GOERNMENT PRINTING OFFICE – WASHINGTON: 1951 INTRODUCTION 1 LEGISLATION AND REGULATIONS GOVERNING WAR DUTIES 2 TRANSFERS, RECRUITING, AND TRAINING OF PERSONNEL 3 WORLD WAR II HISTORY OF THE COAST AND GEODETIC SURVEY INTRODUCTION The normal work of the Coast and Geodetic Survey, carried on throughout the United States and its possessions, includes (1) surveys of the coastal waters and adjoining land areas; (2) observation, study, and prediction of ocean tides and currents, and of the earth’s magnetic elements; (3) geodetic control surveys and related gravity and astronomical observations; (4) production of nautical and aeronautical charts; and (5) seismological observations and investigations. These activities provide information essential for water and air navigation, for mapping, and for many other strategic purposes, and thus assume vital importance in time of war. Personnel engaged in this work acquire training and experience invaluable in many phases of military activities. Beginning during the period when preparations were being made for national defense and continuing throughout the war the Coast and Geodetic Survey was called upon to furnish, in increasing volume, a great variety of products and services which were required for virtually all classes of war operations. Activities of the Bureau carried on for these purposes were principally in the following three categories: 1. Transfer of personnel, ships, and equipment to the Army, Navy, and Marine Corps. -
Capturing the Song of the Nightingale
Science Museum Group Journal Capturing the song of the nightingale Journal ISSN number: 2054-5770 This article was written by Iain Logie Baird 10-19-2015 Cite as 10.15180; 150402 Research Capturing the song of the nightingale Published in Autumn 2015, Issue 04 Article DOI: http://dx.doi.org/10.15180/150402 Abstract The first outside broadcast ever made by the British Broadcasting Company from a natural location was the Nightingale broadcast of 19 May 1924, in which the world-famous virtuoso cellist Beatrice Harrison performed a ‘duet’ with nightingales in her garden. The broadcast was made possible by the Marconi-Sykes magnetophone, an improved microphone developed for the early BBC. This paper explores the historical and cultural significance of the Nightingale broadcasts, with a particular emphasis on the emotive aspects, and explains the role of the magnetophone in this context. This paper was inspired by two recent acquisitions by the National Media Museum, two magnetophones donated by the BBC in 2012, and the personal archive of Captain A G D West, the BBC engineer who coordinated the first Nightingale broadcast, donated by his descendants in 2015. Component DOI: http://dx.doi.org/10.15180/150402/001 Keywords Beatrice Harrison, BBC, British Broadcasting Company, magnetophone, wireless, radio, broadcasting, communications, nightingale Introduction The introduction in 1923 of a new microphone, the Marconi-Sykes magnetophone, marked the beginning of new era of radio broadcasting in Britain. The fact that one of the first outdoor radio broadcasts, cellist Beatrice Harrison’s duet with a nearby nightingale, was possible at all was due to the new microphone’s unprecedented sensitivity. -
Memorial to Paul Albert Smith 1901-1978 M
Memorial to Paul Albert Smith 1901-1978 M. KING HUBBERT 5208 Westwood Drive, Washington, D.C. 20016 Paul Albert Smith had a long and productive career in public service. A native of Iowa, Smith was born on January 9, 1901. He received his professional education at the University of Michigan, earning the Bachelor of Science degree in engineering in 1924. It was there also that he met and married Sylvia Ralston in 1923. She and their two children, Paul Albert, Jr., and Kathryn Caro line (Mrs. Robert H. Gifford), are his survivors. Following his graduation from the University of Michigan, Smith joined the U.S. Coast and Geodetic Survey where he served for twenty-two years as an engi neer and commissioned officer with successive ranks from ensign to commander. From 1926 to 1939 he was a hydrographic and geodetic engineer, conducting surveys in several states, and in the coastal waters of the United States, the Philippine Islands, and Alaska. From 1939 to 1946 he was Chief of the Aeronauti cal Chart Branch of the Coast and Geodetic Survey, supervising the design and production of aeronautical charts for the United States and Allied forces. The standards thus established were subsequently adopted, with minor amendments, as the International Civil Aviation Organization (ICAO) World Aeronautical Charts. In 1946 Smith was transferred to the State Department as Alternate U.S. Representa tive on the Interim Council of the newly established Provisional Internationa! Civil Aviation Agency. From 1947 to 1953, with the rank of Minister, and temporary rank of rear admiral, he was the U.S. -
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka ■ Abstract The history of sound recording started with the "Phonograph," the machine invented by Thomas Edison in the USA in 1877. Following that invention, Oberlin Smith, an American engineer, announced his idea for magnetic recording in 1888. Ten years later, Valdemar Poulsen, a Danish telephone engineer, invented the world's frst magnetic recorder, called the "Telegraphone," in 1898. The Telegraphone used thin metal wire as the recording material. Though wire recorders like the Telegraphone did not become popular, research on magnetic recording continued all over the world, and a new type of recorder that used tape coated with magnetic powder instead of metal wire as the recording material was invented in the 1920's. The real archetype of the modern tape recorder, the "Magnetophone," which was developed in Germany in the mid-1930's, was based on this recorder.After World War II, the USA conducted extensive research on the technology of the requisitioned Magnetophone and subsequently developed a modern professional tape recorder. Since the functionality of this tape recorder was superior to that of the conventional disc recorder, several broadcast stations immediately introduced new machines to their radio broadcasting operations. The tape recorder was soon introduced to the consumer market also, which led to a very rapid increase in the number of machines produced. In Japan, Tokyo Tsushin Kogyo, which eventually changed its name to Sony, started investigating magnetic recording technology after the end of the war and soon developed their original magnetic tape and recorder. In 1950 they released the frst Japanese tape recorder. -
Scripps and NOAA- 90 Years of Intertwining Efforts
Scripps and NOAA- 90 Years of Intertwining Efforts By Captain Albert E. Theberge NOAA Corps (ret.) Acting Head of Reference NOAA Central Library Presented at: GEBCO Science Days October 4, 2011 Scripps Institution of Oceanography – Highlighted in the Hydrographic Bulletin of Japan in 1950. This underscores that the mapping of the Pacific Ocean has been an international and inter-organizational effort involving representatives from many nations including the United States, Japan, Australia, New Zealand, Germany, Russia, Peru, Chile, Mexico and others. Besides academic and hydrographic agencies of many nations, the United States Navy, the USGS, and other organizations have been involved. The first bathymetric map of the Pacific Ocean -1877 by Augustus Petermann showing tracks of the CHALLENGER, GAZELLE, and TUSCARORA George Davidson’s map of the Monterey submerged valley, published in: Davidson, George, 1897. The submerged valleys of the coast of California, U. S. A., and of Lower California, Mexico. Proceedings of the California Academy of Sciences, pp. 73-103. First 3-D image of part of continental shelf and slope in Pacific Ocean. Sent to American Geographical Society on May 24, 1887. Note highs to west of Cape Mendocino, Monterey Canyon and borderlands. Also escarpments off Oregon coast. Produced by Isaac Winston of the Coast and Geodetic Survey. 1924 C&GS Ships GUIDE , DISCOVER, and PIONEER proceed to West Coast – conduct oceanographic work for Scripps during San Diego inport s- conduct radio-acoustic ranging experiments– George McEwen of Scripps analyzes water samples for salinity helping develop first velocity tables- install automatic tide gauge and RAR station on Scripps Pier Francis Parker Shepard 1897-1985 . -
A History of Electronic Music Pioneers David Dunn
A HISTORY OF ELECTRONIC MUSIC PIONEERS DAVID DUNN D a v i d D u n n “When intellectual formulations are treated simply renewal in the electronic reconstruction of archaic by relegating them to the past and permitting the perception. simple passage of time to substitute for development, It is specifically a concern for the expansion of the suspicion is justified that such formulations have human perception through a technological strate- not really been mastered, but rather they are being gem that links those tumultuous years of aesthetic suppressed.” and technical experimentation with the 20th cen- —Theodor W. Adorno tury history of modernist exploration of electronic potentials, primarily exemplified by the lineage of “It is the historical necessity, if there is a historical artistic research initiated by electronic sound and necessity in history, that a new decade of electronic music experimentation beginning as far back as television should follow to the past decade of elec- 1906 with the invention of the Telharmonium. This tronic music.” essay traces some of that early history and its —Nam June Paik (1965) implications for our current historical predicament. The other essential argument put forth here is that a more recent period of video experimentation, I N T R O D U C T I O N : beginning in the 1960's, is only one of the later chapters in a history of failed utopianism that Historical facts reinforce the obvious realization dominates the artistic exploration and use of tech- that the major cultural impetus which spawned nology throughout the 20th century. video image experimentation was the American The following pages present an historical context Sixties. -
The Dorsey Fathometer. Sono-Radio-Buoy. Radio Acoustic Ranging
THE DORSEY FATHOMETER. SONO-RADIO-BUOY. RADIO ACOUSTIC RANGING- (Lecture delivered by Captain G.T. RUDE, U.S. Coast and Geodetic Survey, before the Fourth International Hydrographic Conference, Monaco, 20th April, 1937). I. THE DORSEY FATHOMETER. The past ten years have marked the beginning in the United States of a new era in hydrographic surveying methods. This has been due mainly to the development and modification of echo sounding equipment and, too, to more accurate methods of offshore horizontal control. The adoption of echo sounding equipment by commercial and naval vessels has brought about a real need for detailed surveys of coastal areas which otherwise might never have developed. In the progress of these surveys many submarine features have been found off the coasts of the United States of America which make navigation by means of these features one of the most reliable and desirable of all methods. In the absence of a suitable commercial instrument in the U, S. for shoal water, it was found necessary to develop the Dorsey Fathometer, described in a recent issue of the Hydrographic Review. * This instrument was developed by the U. S. Coast and Geodetic Survey strictly as a precision depth-measuring device and its performance has more than met all expectations. To insure that the speed of the indicator is absolutely correct at all times, it is driven by a synchronous motor, the source of current for which is derived from a tuning fork. The fork obviates the use of a governor and therefore there is no possibility of the speed being just an average of upper and lower limits.