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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Seriously Playful and Playfully Serious: the Helpfulness of Humorous Parody Michael Richard Lucas Clemson University
Clemson University TigerPrints All Dissertations Dissertations 5-2015 Seriously Playful and Playfully Serious: The Helpfulness of Humorous Parody Michael Richard Lucas Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Lucas, Michael Richard, "Seriously Playful and Playfully Serious: The eH lpfulness of Humorous Parody" (2015). All Dissertations. 1486. https://tigerprints.clemson.edu/all_dissertations/1486 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SERIOUSLY PLAYFUL AND PLAYFULLY SERIOUS: THE HELPFULNESS OF HUMOROUS PARODY A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Michael Richard Lucas May 2014 Accepted by: Victor J. Vitanza, Committee Chair Stephaine Barczewski Cynthia Haynes Beth Lauritis i ABSTRACT In the following work I create and define the parameters for a specific form of humorous parody. I highlight specific problematic narrative figures that circulate the public sphere and reinforce our serious narrative expectations. However, I demonstrate how critical public pedagogies are able to disrupt these problematic narrative expectations. Humorous parodic narratives are especially equipped to help us in such situations when they work as a critical public/classroom pedagogy, a form of critical rhetoric, and a form of mass narrative therapy. These findings are supported by a rhetorical analysis of these parodic narratives, as I expand upon their ability to provide a practical model for how to create/analyze narratives both inside/outside of the classroom. -
Mister America
Presents MISTER AMERICA A film by Eric Notarnicola 86 mins, USA, 2019 Language: English Distribution Mongrel Media Inc 217 – 136 Geary Ave Toronto, Ontario, Canada, M6H 4H1 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com ABOUT THE PRODUCTION Filming took place on location in San Bernardino and the Los Angeles area. Using a mix of actors and non-actors, the small crew used documentary techniques to give the experience of a true story unfolding in real time. Often filming in four to five locations a day and using a script in which specific dialogue was scarce but the intention for each scene was detailed, actors improvised fully in the moment to allow their characters to develop naturally. What resulted was a team in-sync and fully ready to capture the chaotic world around them. 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com 1. ABOUT THE CAST As one half of comedy duo “Tim and Eric” and creator of Abso Lutely Productions, Tim Heidecker can easily be viewed as a godfather of subversive, alt-comedy. With roles in “Us”, “Eastbound & Down”, “Awesome Show”, “Portlandia” and more, Mr. Heidecker has helped to affect the comedy landscape for years to come. As a co-creator of On Cinema and its ensuing worlds with Gregg Turkington, he’s been able to prod at multiple facets of society. -
One Two Films / Blackbird Pictures
www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning, -
Annual Report 2019 Key Figures
ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020. -
The Art of David Lynch
The Art of David Lynch weil das Kino heute wieder anders funktioniert; für ei- nen wie ihn ist da kein Platz. Aber deswegen hat Lynch ja nicht seine Kunst aufgegeben, und nicht einmal das Filmen. Es ist nur so, dass das Mainstream-Kino den Kaperversuch durch die Kunst ziemlich fundamental abgeschlagen hat. Jetzt den Filmen von David Lynch noch einmal wieder zu begegnen, ist ein Glücksfall. Danach muss man sich zum Fernsehapparat oder ins Museum bemühen. (Und grimmig die Propaganda des Künstlers für den Unfug transzendentaler Meditation herunterschlucken; »nobody is perfect.«) Was also ist das Besondere an David Lynch? Seine Arbeit geschah und geschieht nach den »Spielregeln der Kunst«, die bekanntlich in ihrer eigenen Schöpfung und zugleich in ihrem eigenen Bruch bestehen. Man er- kennt einen David-Lynch-Film auf Anhieb, aber niemals David Lynch hat David Lynch einen »David-Lynch-Film« gedreht. Be- 21 stimmte Motive (sagen wir: Stehlampen, Hotelflure, die Farbe Rot, Hauchgesänge von Frauen, das industrielle Rauschen, visuelle Americana), bestimmte Figuren (die Frau im Mehrfachleben, der Kobold, Kyle MacLachlan als Stellvertreter in einer magischen Biographie - weni- ger, was ein Leben als vielmehr, was das Suchen und Was ist das Besondere an David Lynch? Abgesehen Erkennen anbelangt, Väter und Polizisten), bestimmte davon, dass er ein paar veritable Kultfilme geschaffen Plot-Fragmente (die nie auflösbare Intrige, die Suche hat, Filme, wie ERASERHEAD, BLUE VELVET oder die als Sturz in den Abgrund, die Verbindung von Gewalt TV-Serie TWIN PEAKS, die aus merkwürdigen Gründen und Design) kehren in wechselnden Kompositionen (denn im klassischen Sinn zu »verstehen« hat sie ja nie wieder, ganz zu schweigen von Techniken wie dem jemand gewagt) die genau richtigen Bilder zur genau nicht-linearen Erzählen, dem Eindringen in die ver- richtigen Zeit zu den genau richtigen Menschen brach- borgenen Innenwelten von Milieus und Menschen, der ten, und abgesehen davon, dass er in einer bestimmten Grenzüberschreitung von Traum und Realität. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Vme and BRB SEAL ALLIANCE at MIPCOM
Vme AND BRB SEAL ALLIANCE AT MIPCOM • Various productions from the Spanish company will be aired on the American channel as a first step in a long-term accord Madrid, October 15, 2014. Vme Media and BRB Internacional have just sealed at MIPCOM an accord for U.S. Hispanic audiences in the United States. The television channel, the first that broadcasts exclusively in Spanish throughout America, will air various BRB productions, including international hits, Bernard (156 x 3’), Mica (26 x 15’), Zoobabu (104 x 2’) and Kambu (52 x 7’). This is the first step in a long-term agreement between the two entertainment-sector companies that will be progressively widened in the future. In this first phase of the accord, Vme and BRB Internacional have agreed on various animation series for broadcast in the U.S. Hispanic markets in the United States – and some feature-length films, too, such as My Friend Bernard – aimed at pre-school and family audiences. The agreement includes the disemination of these productions both on Vme’s television network that reaches 70M U.S. housholds and via its video-on- demand services. Emilie Pasquet, Sales Chief at BRB Internacional, said: “We are thrilled with becoming a partner of Vme, a channel that really emphasizes the quality of its productions for the pre-school target audience in a very important market for us in the new digital panorama, both for kids and their parents.” For more information: Stand R7-H14 (MIPCOM) ABOUT VME TELEVISION: Vme TV (pronounced veh-meh), is the first national Spanish-language television network in association with public television stations. -
Word for Word Parola Per Parola Mot Pour Mot
wort für wort palabra por palabra word for word parola per parola mot pour mot 1 word for word wort für wort palabra por palabra mot pour mot parola per parola 2015/2016 2 table of contents foreword word for word / wort für wort Columbia University School of the Arts & Deutsches Literaturinstitut Leipzig 6 word for word / palabra por palabra Columbia University School of the Arts & New York University MFA in Creative Writing in Spanish 83 word for word / parola per parola Columbia University School of the Arts & Scuola Holden 154 word for word / mot pour mot Columbia University School of the Arts & Université Paris 8 169 participating institutions 320 acknowledgements 4 foreword Word for Word is an exchange program that was conceived in 2011 by Professor Binnie Kirshenbaum, Chair of the Writing Program of Columbia University’s School of the Arts, in the belief that that when writers engage in the art of literary transla- tion and collaborate on translations of each other’s work, the experience will broad- en and enrich their linguistic imaginations. Since 2011, the Writing Program conducted travel-based exchanges in partnership with the Deutsches Literaturinstitut Leipzig in Leipzig, Germany; the Scuola Holden in Turin, Italy; the Institut Ramon Llull and Universitat Pompeu Fabra–IDEC in Barcelona, Catalonia (Spain); the Columbia Global Center | Middle East in Amman, Jordan; Gallaudet University in Washington, D.C.; and the University of the Arts Helsinki in Helsinki, Finland. Starting in 2016, the Word for Word program expanded to include a collaborative translation workshop running parallel to the exchanges, in which Writing Program students, over the course of one semester, translate work by their partners at some of these same institutions – the Deutsches Literaturinstitut Leipzig and Scuola Holden–as well as some new ones: Université Paris 8 in Paris, France; New York University’s Creative Writing in Spanish MFA Program; and the Instituto Vera Cruz in São Paulo, Brazil. -
Motion Picture License List of MPL Participating Theatrical Distributors & Producers
Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions -
What's New on Star on Disney+ Parental Controls
March NEWSLETTER Disney+ is the dedicated streaming home for TV series and movies from Disney, Pixar, Marvel, Star Wars, National Geographic and new general entertainment brand Star, including exclusive Disney+ and Star Originals. This newsletter provides regular updates on upcoming Disney+ and Star Originals, brand-new episodes, and the latest blockbuster movies joining the service in the UK. Please note, movie & series availability can vary by country and is subject to change. The below is correct at time of issuing. For general media inquiries, please contact Disney+ UK Press Office Did you know... Robust parental controls will be introduced from 23rd February to ensure that Disney+ remains a suitable viewing experience for everyone in the family. Celebrating one year of Disney+ in Europe - the 24th of March marks one year since we launched in the UK and Ireland! The fifth anniversary of Zootropolis: Revisit this Oscar-winning animation on Disney+ as it turns five this year! Parental Controls: protection + peace of mind Disney+ will remain suitable for audiences of all ages, thanks to the new robust parental controls. From the 23rd February, the app will include easy-to-use parental controls enabling the family-friendly experience to continue. You will be able to set content ratings for individual profiles to restrict access for your younger viewers at home, and set a Profile PIN to keep the kids protected and give parents peace of mind. What’s new on Star on Disney+ Star is the sixth brand to launch on Disney+, joining entertainment favourites Disney, Pixar, Marvel, Star Wars and National Geographic from 23rd February 2021. -
Apple TV+ Book Noviembre2019 Una Publicación De
revista sobre programación de plataformas 186/noviembre/2019 de televisión de pago en españa ejemplar gratuito Apple TV+ book noviembre2019 una publicación de www.neeo.es Sony Pictures Television Networks Iberia, S.L. Turner Broadcasting System España The Walt Disney Company Iberia Discovery Networks International Canal Cosmopolitan Iberia AMC Networks International | Iberia NBC Universal Global Networks España Viacom International Media Networks Fox Networks Group España neeo no se responsabiliza de los DTS Distribuidora de Televisión Digital posibles cambios que puedan Netflix España realizar los diversos canales en su TV5Monde programación. HBO España Amazon.com, Inc Ejemplar gratuito. cine y series s extra amazon prime video sundancetv canal cocina amc tcm decasa apple tv+ tnt axn xtrm axn white música calle 13 sol música canal hollywood infantil comedy central canal panda cosmo nick jr. dark nickedoleon filmin fox fox life hbo españa documentales movistar estrenos blaze movistar cinedoc&roll cazavisión movistar series crimen + investigación mtv discovery channel netflix historia paramount network national geographic sky odisea starzplay somos book cine series book amazon prime video 4K amazon.com, inc. 2ª Temporada Tom Clancy´s Jack Ryan En la segunda temporada de Tom Clancy’s Jack Ryan, tras rastrear un sospechoso envío de armas ilegales en la selva venezolana, el oficial de la CIA Jack Ryan, interpretado por John Krasinski (Un lugar tranquilo), se dirige a Sudamérica para investigar. Cuando la investigación de Jack amenaza con desenmascarar una conspiración de gran alcance, el presidente de Venezuela lanza un contrataque que golpea a Jack en su propio hogar, conduciéndole a él y a sus operativos a una misión global que los llevará a Estados Unidos, Reino Unido, Rusia y Venezuela para desarmar el perverso plan del presidente y llevar estabilidad a un país al borde del caos.