Adobe Photoshop

Total Page:16

File Type:pdf, Size:1020Kb

Adobe Photoshop U.NKEL;S 1\lUStcAt H.EVIEW, APIUL, 1898. The Artistsverdict and of the the world'sAcceptance createst The WORLD'S FAIR of the Music Trade, HIGHEST HONORS -INDORSED BY THE JURY OF EXPERTS OF • THREE MEDALS AND DIPLOMAS AWARDED BY THE JURY TO COMPRISING ALL INSTRUMENTS PRODUCED BY W. W. KIMBALL CO., CHICAGO, THE ONLY MANUFACTURERS RECEIVING THIS NUMBER OF AWARDS FOR PIANOS AND ORGANS. E. A. KIESELHORST, Ceneral Agent, 1000 Olive Street, ST. LOUIS. KUNKEL' S ROYAL PIANO METHOD. veloped. These two features alone are of incalcula­ There are five names pre-eminent among the ble advantage to the pupil. hundreds of those who have written comic operas Kunkel's Royal Piano Method is destined to super­ The position of the hands, the touch, etc., are cor­ and each of them is distinguished by some marked !ede all the methods now in use, and ought to be rectly and profusely illustrated. characteristic. Thus Offenbach is unapproachable used by every teacher and pupil appreciating the Each lesson is precedecl by a magnificent portrait in the matter of fitting his music to the sense of most modern method of piano teaching. and biographical sketch of some great master, the words, and Lecocq and Suppe are without rivals Kunkel's Royal Piano Method is founded on the which is to form a part of the pupil's study. in their own peculiar fie lds ; but J ohann Strauss principles of piano playing which have produced A pupil who goes through this method will have and Sir Arthur Sullivan are easily the most popular, such great masters as Rubinstein, Paderewski, Von a thorough and systematic knowledge of piano play­ more on account of tho irresistible swing of their Buelow, Gottschalk, Liszt, etc. in~ . He will have a well defined conception of the music than anything else. In the inevitable com­ A wonderful exposition ofJJiano playing. Takes sc1ence of music, and will have a concise and inter­ parison between these two, it must appear that Sul­ a pupil from the very groun work; starts with the esting acquaintance with the great masters, past and livan is the gainer if one considers t he question of simplest studies; explains everything as the pupil present, of the musical world . rhythm. Throughout the best of Strauss' works progresses, and, while maintain\ng the interest, de­ There are hundreds of piano methods published waltzes and polkas of unimpeachable worth velops a fine technic and lays a foundation for the which do not suit good teachers. Such teachers will abound; but where can one find anything to equal most Artistic Piano Playing. find this book just what they want. the half dozen songs in the " Mikado " or the "Gon­ Its valuable features : doliers," whose fascinating movement in itself The studies and pieces throughout the book are of would insure their success? the most interesting and developing character. Dr. Hans Richter will produce Brahms' Song of They are fingered according to modern researches Destiny aud Beethoven's Choral Symphony in Lon­ Alexander Sllotl took his departure for Europe. as exemplifi ed by such masters as Hans Von Bue­ don the coming June. He was well pleased with his visit to the United low, Karl Klindworth, Franz Liszt, Carl Taussig, States, and will return next year. Etc., phrased, and accompanied with full explana­ The London Philharmonic Society has now reached tion of terms, notes, signs, etc., etc., as they occur. its eighty-sixth season. It possesses a guarantee In Prague, the opera director inaugurated the The wrist attack and the perfect l{'gato, the two fund of $14, 000, but its prosperity has been so great custom of commencing performances of Wagner's great factors in artistic piano playing, are fully de- that this has never been touched. dramas at 4 o'clock in the afternoon. THE JESSE FRENCH PIANO & ORGAN COMPANY, MANUFACTURERS OF THE "THREE GRACES" STARR, JESSE FRENCH AND RICHMOND PIANOS. The STARR Piano is a recognized standard of artistic merit, and received the highest award at the World's Fair in '93, also at the Tennessee International Exposition in '98. The JESSE FRENCH is a popular rival of all claimants for the second position, because of its acknowledged durability, elegant tone and action, while the RICHMOND is certainly the best commercial Piano iu America, moderate in price and thoroughly reliable. We make nothing but such goods as we can sell on honor and fully guaranteed, and parties dealing direct with us get factory prices and save all middlemen's profits. Write us; a 2c. stamp may save you many dollars. JESSE FRENCH PIANO &. ORGAN COMPANY, lOth and Olive Streets, ST. LOUIS, :M:C>. 122 KUNKEL'S MUSICAL REVIEW, APRIL, 1898. SEMBRICH ON THE STUDY OF SINGING. DEATH OF ANTON SEIDL. tive leader. Recently he was offered the position of conductor of the Royal Opera House in Berlin, and Mme. Sembrich, the great modern exponent of It was a fearful shock to the musical and social for a time it was feared he would leaveN ew York, the Italian school of singing, in an interview by the world, says Musical Age, to read in the morning pa­ but he finally decided to remain here. New York Sun, on the question of the study of v~­ pers of March 29th that on the previous night Anton Anton Seidl married in 1885 Mlle. Krauss, a young cal art, gave advi~e to young women who are ambi­ Seidl, the famed musical conductor, had died. He German prima donna of decided merit. His home tious to become smgers, and we extract the follow­ had apparently been so full of health and vitality, in East Sixty-second street was an artistic abode, ing from the account: so much in evidence before the public, had accom­ decorated with portraits and souvenirs of great ''Let a girl who wants to learn to sing first make plished so much of•late and was slated to accom­ musicians. herself a good musician. Let her learn some mu­ plish so much more in the future, that the idea of The vast influence of Seidl on the musical taste sical instrument thoroughly. All women cannot his taking-uti could never occur to any one. Anton and progress of this country makes his sudden and take up the violin, although for singers that is the Seidl was the last person with whom the idea of lamented death an affair of almost national impor­ best instrument. The girl who begins to study sing­ death could be associated. tance; and the world of music abroad, to which he ing by acquiring a complete musical edncation will On the afternoon of Monday, the 28th of March, was also widely known, will join with ns in the have made the best preparation possible. Mr. Seidl partook of lunch at his home in E. Sixty­ keenest regret at his untimely taking-off. "Then comes the difficult question of selecting second street, then walked down Broadway, stop­ the teacher who can do the most important Lhing ping at various points and meeting various friends, eorrectly-that is, place the voice. Once that is among them Nahan Franko, who congratulated him MUSIC IN THE HOME. done, as much depends on the pupil as on the on his healLhful appearance. The two gentlemen teacher. The teacher can do a great deal, but not went to a restaurant and partook of coffee. Then The influence of home in the training of a child everything. It is when the pupil has begun to learn Mr. Seidl was taken ill, and crossed over to the is important, not only to the latter's proper musical singing.that her talents as a J?USician w~ll ?Ome to house of his manager, Mr. Bernstein, in E. Nine­ development, but also to the growth of art-culture her assistance most. If she IS a good piamst, or a teenth street. A physician was summoned, but, de­ and refinement in the community. This point is spe­ good violinist, her work of prep~ration will not o_nly spite every care and attention, Mr. Seidl grew cially empha~ized in an article in the Musician, which be easier, but all her practice Will be more effeciiYe. weaker and weaker, and yielded up his breath at says: As for the role she learns, this is the advice that I about 10 o'clock that night .. "Few think of the immense good that might be always give-learn the old repertoire. In the meantime, at Mr. Seidl's house in Sixty­ conferred upon children by making music a con­ ''It is such music as 'La Sonnambula,' 'Lucia" second street, was ~athered a small party of friends stant element in their environment, keeping them ' Linda di Chamounix,' and 'Il Barbiere,' that trains who had come to dme with the host and his family, in an atmosphere of beautifnl sounds, bringing to one to sing well. Learn that thorou~hly, and let Pugno and other artists being among them. As Mr. their attention tone forms suited to their compre­ the modern composers alone for awhile. If there Seidl did not return at the expected time, his wife, hension, and thus gradually awakening the senses was anything needed to prove the truth of my the­ thinking that he was temporarily delayed, insisted to an appreciation of the beauties of music. If de­ ory, one would only have to look at Patti. t:;he is that his guests should proceed with their meal, and, voted to this purpose, an amount of time far less over fifty now, and yet she sings remarkably, and a message coming for her from Mr.
Recommended publications
  • Discover Warsaw
    DISCOVER WARSAW #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw WELCOME TO WARSAW! If you are looking for open people, fascinating history, great fun and unique flavours, you've come to the right place. Our city offers you everything that will make your trip unforgettable. We have created this guide so that you can choose the best places that are most interesting for you. The beautiful Old Town and interactive museums? The wild river bank in the heart of the city? Cultural events? Or maybe pulsating nightlife and Michelin-star restaurants? Whatever your passions and interests, you'll find hundreds of great suggestions for a perfect stay. IT'S TIME TO DISCOVER WARSAW! CONTENTS: 1. Warsaw in 1 day 5 2. Warsaw in 2 days 7 3. Warsaw in 3 days 11 4. Royal Warsaw 19 5. Warsaw fights! 23 6. Warsaw Judaica 27 7. Fryderyk Chopin’s Warsaw 31 8. The Vistula ‘District’ 35 9. Warsaw Praga 39 10. In the footsteps of socialist-realist Warsaw 43 11. What to eat? 46 12. Where to eat? 49 13. Nightlife 53 14. Shopping 55 15. Cultural events 57 16. Practical information 60 1 WARSAW 1, 2, 3... 5 2 3 5 5 1 3 4 3 4 WARSAW IN 1 DAY Here are the top attractions that you can’t miss during a one-day trip to Warsaw! Start with a walk in the centre, see the UNESCO-listed Old Town and the enchanting Royal Łazienki Park, and at the end of the day relax by the Vistula River.
    [Show full text]
  • Fredric Chopin
    Music – Stories of Composers - Chopin Fredric Chopin The very night he was born, little Frederic Chopin heard music. Peasants from the neighborhood played a happy serenade outside the window of Madame Chopin’s room. They had brought their fiddles and horns, their singers and flutes, and the starry night air tingled with the gaiety of Polish songs and dances. It was February, 1810, in the village of Zelazowa-Wola, about thirty miles from Warsaw. Justine and Nicolas Chopin were happily married. Nicolas was French by birth and education; Justine was a beautiful Polish girl he had met when he came to work in Poland. The family atmosphere combined French and Polish language and customs. At the time of Frederic’s birth, his family lived a busy, stimulating life on a great country estate. There Nicolas tutored the children of a noble family. So Frederic Chopin was one of the few great composers who enjoyed a happy childhood with a comfortable home and loving parents. He also had two adoring older sisters. One day soon after the baby boy learned to crawl, Louise, the second sister, ran to her mother. “Mama, come quickly! Something must be wrong with Frederic. Yesterday and today, he crawls only as far as the piano. Then he sits there, not making a sound! He won’t move.” Madame Chopin picked up her skirts and ran. Frederic smiled when he saw his mother coming. Then he leaned as close to the piano strings as he could get, and listened intently. “Frederic, are you all right?” asked Madame Chopin, the way mothers always talk to babies, as if they could answer back.
    [Show full text]
  • Included Services: CHOPIN EXCLUSIVE TOUR / Tour CODE A
    Included services: CHOPIN EXCLUSIVE TOUR / Tour CODE A-6 • accommodation at Sofitel Victoria, 5* hotel - Warsaw [4 nights including buffet breakfast] Guaranteed Date 2020 • transportation by deluxe motor coach (up to 49pax) or minibus (up to 19 pax) throughout all the tour • English speaking tour escort throughout all the tour Starting dates in Warsaw Ending dates in Warsaw • Welcome and farewell dinner (3 meals with water+ coffee/tea) Wednesday Sunday • Lunch in Restaurant Przepis na KOMPOT • local guide for a visits of Warsaw October 21 October 25 • Entrance fees: Chopin Museum, Wilanow Palace, POLIN Museum, Żelazowa Wola, Nieborow • Chopin concert in the Museum of Archdiocese • Chocolate tasting • Concert of Finalists of Frederic Chopin Piano Competition • Ballet performance or opera at the Warsaw Opera House Mazurkas Travel Exclusive CHOPIN GUARANTEED DEPARTURE TOUR OCTOBER 21-25 / 2020 Guaranteed Prices 2020 Price per person in twin/double room EUR 992 Single room supplement EUR 299 Mazurkas Travel T: + 48 22 536 46 00 ul. Wojska Polskiego 27 www.mazurkas.com.pl 01-515 Warszawa [email protected] October 21 / 2020 - Wednesday October 22 / 2015 - Thursday October 23 / 2020 - Friday October 24 / 2020 - Saturday WARSAW WARSAW WARSAW WARSAW-ZELAZOWA WOLA- WARSAW (Welcome dinner) (Breakfast) (Breakfast) (Breakfast, lunch & farEwell dinner) After arrival, you will be met and transferred to your hotel in See the Krasinski Palace with the Chopin Drawing Room Morning visit to one of the most splendid residence of Drive to Zelazowa Wola. This is where on February 22, 1810 the heart of the city. where Chopin performed his etudes, some polonaises, and Warsaw, the Wilanow Palace and Royal Gardens.
    [Show full text]
  • CHOPIN Mazurkas (Complete) Vol
    CHOPIN Mazurkas (Complete) Vol. 1 CHOPlN owut NAXOS CD'S Piano Sonatas Nos. 2 and 3/BarcarollelOthers Waltzes (Camplete) Etudes Op. 1DJOp. ZOp. Posfh. Four BalkadslFour Scherzi Mazurkas (Selection) Nocturnes (Seleotionf Preludes (Complete) Piano Concertos Nos. 1 and 2 Piom Mwlc hv Schumsnn ontauf NAXOS CD'S CtrtmvalMlnckmmiPapflkns 8SSOOJb 8 aphonir: Etude&Ihe~s 8htCb3114 &me ~onrrm(+ ORIEO: flmo anowto) 8SBf 18 Fryderyk Chopin (181 0 - 1849) Mazurkas Fryderyk Chopin was born in Zelazowa Wola, near Warsaw, in 181 0. His father, Nicolas Chopin, was French by birth, but had been taken to Poland in 1787, at the age of sixteen, working first as a clerk in a tobacco factory, before taking part in the Polish rising against the foreign domination of the country as an officer in the National Guard. After the failure of this attempt, he was able to earn his living as a French tutor in various private families, and in 1806 he married a poor relation of his then employer, Count Skarbek. Chopin was to inherit from his father a fierce sense of loyalty to Poland, a feeling that he fostered largely in self-imposed exile, since the greater part of his career was to be spent in Paris. His early education, however, was in Warsaw, where his father had become a teacher at a newly established school. He was able to develop his already precocious musical abilities with piano lessons from the eccentric Adalbert Zywny, a violinist from Bohemia, who shared Nicolas Chopin's enthusiasm for Poland and was able to inculcate in his pupil a sound respect for the great composers of the eighteenth century.
    [Show full text]
  • Chopin Life Story
    THB . lVlA-5 T UPC *^ rj^L ^ "It- / / Ube /Raster /ftustcians Edited by FREDERICK J. CROWEST ylll rights reserved Chopin By Cuthbert J. Hadden Author of ' George Thomson : The Friend of Burns "Haydn," etc. With Illustrations and Portraits London : J. M. Dent & Co. New York : E. P. Button & Co. 1903 FACULTY UF MUSIC UNIVERSITY OF TORONTO zfisr w^. ^<%,„.iStry Of T*i T5223 9 ML '^'-••:!9. CS4H1 TO MRS BLAIR A SLIGHT RETURN FOR MANY HAPPY MEMORIES Preface The leading authority for Chopin's life is Professor Niecks' biography in two volumes. Karasowski's life, also in two volumes, is valuable, chiefly for letters and other material obtained from Chopin's relatives. It is written without literary skill, and is disfigured by many uncritical embellish- ments. Liszt's so-called biography is not a biography at all, but rather a symphonie funhbre. Mr James Huneker's " Chopin : The Man and his Music " is excellent for its analysis of Chopin's compositions. Mr Charles Willeby's " Freddric Fran9ois Chopin " is less penetrating, but is nevertheless to be counted among the important works in English deaHng with the composer.. The best of the " shorter studies is Mr W. H. Hadow's " Frederick Chopin in "Studies in Modern Music." To all these writers I am much indebted, to Mr Hadow and to Mr Huneker especially. I have purposely avoided the sentimental gush which has been so largely written about Chopin, and have rigidly confined myself to facts. For the rest, I have endeavoured to tell the story of Chopin's life simply and directly, to give a clear picture of the man, and to discuss the composer without trenching on the ground of the formalist.
    [Show full text]
  • M U S I C I N P O L A
    MAZURKAS TRAVEL PRESENTS LUDWIG VAN BEETHOVEN EASTER FESTIVAL AT NATIONAL PHILHARMONIC HALL The Ludwig van Beethoven Easter Festival was established by Elzbieta Penderecka, wife of world known Polish composer Krzysztof Penderecki. The festival boasts a unique atmosphere that derives from excellent musical performances, the participation of outstanding soloists and conductors, famous orchestras, chamber ensembles and choirs, and the inclusion of often intriguing exhibitions. April 7, 2019 – Sunday WARSAW (Welcome Dinner) CITY OF YOUNG TALENTS Arrival in Warsaw. Short orientation walk through Warsaw’s Old Town which history goes back to the late 13th century and entered on the UNESCO list of the World. In Warsaw you can also follow the steps of young Stanislaw Moniuszko – the father of Polish Opera, who took his first music lessons in Warsaw, just like Frederic Chopin did and completed his musical education in this very city, now also the seat of the International Chopin Piano Competition that promotes and discovers young talents. With such music traditions Warsaw also gave its music heart to the Easter Ludwig Van Beethoven Festival. A welcome dinner at Delicia Restaurant, a perfect place to feel the taste of Polish cuisine in splendid charming interiors. Located on the Royal Route, just few stops from the historical Old Town fits into the charm of Old Warsaw, in the building from 1860–1861, one of the former residences of aristocratic Lubomirski family. It is also a place, where in the year 1925, Madame Maria Skłodowska-Curie met other professors of physics and chemistry to have a cup of tea and spent this time on academic discussions.
    [Show full text]
  • Chopin És Liszt Kapcsolata
    CHOPIN IN THE CONTEMPORARY WORLD 32nd International EPTA Conference Ljubljana October 27th- 30th 2010 The Connection of Chopin and Liszt The third picture is taken from a placard exhibition organized by the Hungarian and Polish Cultural Institutions, currently exhibited in Budapest and in the next weeks in Warsaw, Poland LISZT’S LETTER TO L. RAMANN Right at the beginning of Ernst Burger’s famous and well-known book about Liszt I found a quotation from a letter written by Liszt to Lina Ramann August 30, 1884. It starts with the following sentence:1 2nd = desultory studies and creativity in Paris, for a time in Genova and Italy […]in Vienna, the success of which launched me on my career as a virtuoso. When Chopin was 20 years old he made his first concert tour to Austria and Germany. Before he left Poland on November 2, 1830, he already had a lot of concerts among them he played his two piano concertos in F minor and E minor, which were composed in this year in the spring and in the autumn. He wrote a number of important works, Rondo de Concert, Fantasie in A major, several Etudes from op. 10, Mazurkas, Polonaises2. November 29, 1830 in Warsaw an armed uprising against the long lasting rule of the Tsar’s in Poland broke out. There was a revolution during the whole year. In September 1831 Chopin was in the midst of the tour of Austria and Germany when he heard of the fall of Warsaw and he found himself abruptly cut off his native land.
    [Show full text]
  • Am Klavier Chopin NU.Mus
    At the Piano The series “At the Piano” is intended for all those who aid of fingerings, we clearly differentiate between the have some experience playing the piano and would now ones we have added (in normal writing) and those that like to play easier original works by famous composers. are original (in italics). Composers in the Baroque, Clas- Students, teachers and those returning to the piano will sical and even Early Romantic periods were extremely encounter a wealth of well-known works. sparing with indications regarding articulation, phras- ing, dynamics and tempo. This was because in those days they could assume that experienced players already Contents knew how something was to be played. This might not Each volume in the series is devoted exclusively to one always be immediately clear to musicians today. Never- composer. This is because each composer has his own theless, in our Urtext editions we deliberately do without style and thus places his own very personal demands “well-intentioned” additions and questionable altera- on his piano works – not only from the point of view of tions, as are often to be found in other editions. Those technique but also as regards musical interpretation. who use our editions are free of such patronisation; they can be sure of the authenticity of the musical text and Technique make the most of the ensuing flexibility for their own All of the pieces have been arranged in progressive level stylistically confident interpretation. of difficulty. They enable you to practise very different pianistic skills, including runs, breaking chords, arpeg- Guide gios, parallel thirds, trills, playing chords and polyphon- This cannot, of course, be done without any help at all.
    [Show full text]
  • Fryderyk Chopin (1810-1849)
    Fryderyk Chopin (1810-1849) Commissioner, Minister, Your Excellencies, Distinguished Guests, Colleagues, Alumnie, Students of the Chopin Promotion. I am delivering this address on behalf of our Vice-Rector, Mrs Ewa Ośniecka-Tamecka. I know how proud she would have been to have presented you the life and achievements of a great Pole and a great European, Fryderyk Chopin. I am sure that everyone present will join me in wishing her a full and swift recovery. Fryderyk Chopin’s music is extraordinarily popular in Japan. No language is more universal than music. But the patron of Warsaw airport, of ‘Polish spirit’ (yes, it also comes bottled), and of this year’s promotion at the College of Europe also symbolizes a revolution in European culture. Until very late in the eighteenth century, composers were treated as hired servants, sometimes even as serfs. If they asserted their freedom, they could be kicked downstairs. Literally, in Mozart’s case… But by the middle of the nineteenth century, the greatest composers were treated almost as gods. They were national heroes, sculpted in marble and cast in bronze, raised by the public to the pinnacles of European civilization. Most reached those heights only after great struggle – something that entered the very idea of the artist. Fryderyk Chopin was one of the first composers to take high art beyond privileged elites, to speak to whole peoples – without compromising on quality. The yearning for freedom permeates Chopin’s oeuvre. It was shared by many during the gloomy aftermath of the Napoleonic wars. It burst forth in Europe’s ‘Spring of Nations’ in 1848-49.
    [Show full text]
  • III Międzynarodowy Kongres CHOPIN 1810 – 2010 Idee – Interpretacje – Oddziaływania 25 Lutego – 1 Marca 2010 W 200 Rocznicę Urodzin Fryderyka Chopina
    III Międzynarodowy Kongres CHOPIN 1810 – 2010 Idee – Interpretacje – Oddziaływania 25 lutego – 1 marca 2010 w 200 rocznicę urodzin Fryderyka Chopina The Third International Congress CHOPIN 1810 – 2010 Ideas – Interpretations – Influence from 25 February to 1 March 2010 on the 200th anniversary of the birth of Fryderyk Chopin Dawny Budynek Biblioteki Uniwersytetu Warszawskiego University of Warsaw, Old Library Warszawa, ul. Krakowskie Przedmieście 26/28 Prezydium / executive Members Jean-Jacques eigeldinger Irena Poniatowska (przewodnicząca / chair) John rink raDa PrOgramowa KongresU / PrOgramme Committee: zofia Chechlińska, Maciej gołąb, Jeffrey Kallberg, Wojciech Nowik Jim samson, zbigniew skowron, artur szklener, Mieczysław Tomaszewski Organizator / Organiser: Narodowy Instytut Fryderyka Chopina / Fryderyk Chopin Institute 25.02 (czwartek / Thursday) Audytorium - SeSjA PlenArnA / Auditorium - PlenAry Session Przewodniczy / chaired by Irena PonIatowska 10.00 – 10.30 Otwarcie Kongresu / opening of the congress 10.30 – 11.00 Zofia helman (warszawa) Correspondance de Chopin. Aspects de la nouvelle édition (vol. 1, 1816–1831) 11.00 – 11.30 John rink (cambridge) Chopin’s First Editions: Documenting a Creative History 11.30 – 12.00 Jean-Jacques eigeldinger (Genève) Quand Chopin annote pour une élève Das Wohltemperierte Klavier 12.00 – 12.30 Przerwa / break 12.30 – 13.00 Odsłonięcie tablicy pamiątkowej (Pałac Kazimierzowski) / Unveiling of commemorative plaque (casimir Palace) 13.00 – 13.45 Koncert / concert (Pałac Kazimierzowski / casimir Palace)
    [Show full text]
  • CHO,PL~ Scherzi and Impromptus (Complete) Allegro De Concert, Op
    CHO,PL~ Scherzi and Impromptus (Complete) Allegro de concert, Op. 46 Idil Biret, Piano Fryderyk Chopin (181 0 - 1847) Impromptus I Scherzi 1 Allegro de Concert Fryderyk Chopin was born in 1810 at Zelazowa Wola, near Warsaw. His father Nicolas Chopin was French by birth but had moved to Poland to work as an accounting clerk, later serving as tutor to the Laczynski family and thereafter to the family of Count Skarbek, one of whose poorer relatives he married. His subsequent career led him to the Warsaw Lyceum as a respected teacher of French, and itwas there that his only son, Fryderyk, godson of Count Skarbek, whose Christian name he took, passed his childhood. Chopin showed an early talent for music. He learned the piano from his mother and later with the eccentric Adalbert Zywny, a violinist of Bohemian origin, and as fiercely Polish as Chopin's father. His later training in music was with Jozef Elsner, director of the Warsaw Conservatory, at first as a private pupil and then as a student of that institution. In the 1820s Chopin had already begun to win for himself a considerable local reputation, but Warsaw offered relatively limited opportunities. In 1830 he set out for Vienna, a city where he had aroused interest on a visit in the previous year and where he now hoped to make a more lasting impression. The time, however, was ill-suited to his purpose. Vienna was not short of pianists, and Thalberg, in particular, had out-played the rest of the field. During the months he spent there Chopin attracted little attention, and resolved to move to Paris.
    [Show full text]
  • The Role of the Affect and the Key Characteristics in Chopin’S Piano Music
    THE ROLE OF THE AFFECT AND THE KEY CHARACTERISTICS IN CHOPIN’S PIANO MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Yeeun Hwang May, 2021 ii Thesis written by Yeeun Hwang B.A., Sangmyung University, 2018 M.A., Kent State University, 2021 Approved by ______________________________________________ Joshua Albrecht, Ph.D., Advisor ______________________________________________ Kent McWilliams, D.M.A., Director, School of Music ______________________________________________ John Crawford-Spinelli, Dean, College of the Arts iii TABLE OF CONTENTS LIST OF FIGURES ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙v LIST OF TABLES ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙v MUSICAL EXAMPLES ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙vi ACKNOLWEDGEMENTS ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙viii CHAPTER I. INTRODUCTION ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙1 II. REVIEW OF THE LITERATURE ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙6 The Life of Frédéric Chopin ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙6
    [Show full text]