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Trade Marks Journal No: 1625, 27/01/2014 P`Kasana : Baart Sarkar
Trade Marks Journal No: 1625, 27/01/2014 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. fO@sa : 022 24140808 Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel:022-24140808 1 Trade Marks Journal No: 1625, 27/01/2014 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices svaIkRit ko puva- iva&aipt Aavaodna Applications advertised before acceptance-class-wise: 2 Trade Marks Journal No: 1625 27/01/2014 vaga- / Class –1 11-24 vaga- / Class –2 25-28 vaga- / Class – 3 29-45 vaga- / Class – 4 46-48 vaga- / Class – 5 49-111 vaga- / Class – 6 112-121 vaga- / Class – 7 122-144 vaga- / Class – 8 145-151 vaga- / Class – 9 152-166 vaga- / Class –10 167-178 vaga- / Class – 11 179-183 vaga- / Class – 12 184-193 vaga- / Class – 13 194-195 -
GI Journal No. 77 1 November 30, 2015
GI Journal No. 77 1 November 30, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.77 NOVEMBER 30, 2015 / AGRAHAYANA 09, SAKA 1936 GI Journal No. 77 2 November 30, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Guledgudd Khana - GI Application No.210 7 Udupi Sarees - GI Application No.224 16 Rajkot Patola - GI Application No.380 26 Kuthampally Dhoties & Set Mundu - GI Application No.402 37 Waghya Ghevada - GI Application No.476 47 Navapur Tur Dal - GI Application No.477 53 Vengurla Cashew - GI Application No.489 59 Lasalgaon Onion - GI Application No.491 68 Maddalam of Palakkad (Logo) - GI Application No.516 76 Brass Broidered Coconut Shell Craft of Kerala (Logo) - GI 81 Application No.517 Screw Pine Craft of Kerala (Logo) - GI Application No.518 89 6 General Information 94 7 Registration Process 96 GI Journal No. 77 3 November 30, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 77 of the Geographical Indications Journal dated 30th November 2015 / Agrahayana 09th, Saka 1936 has been made available to the public from 30th November 2015. GI Journal No. 77 4 November 30, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No. -
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VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7. -
Traditional Clothes of the Country(Joint
Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn. -
IJIR Paper Template
ISSN: 2455-3220 International Journal for Social Studies Available at Volume 04 Issue 02 https://edupediapublications.org/journals February 2018 Innovation of Fascinated Garments from Kerala Traditional Fabrics D. Anita Rachel¹, Satheesh.Y² 1Assistant Professor, Department of Apparel Manufacturing and Merchandising, Nift – Tea College Of Knitwear Fashion and Research Scholar Department of Rural Industries and Management , Gandhigram Rural Institute-Deemed University, Gandhigram- Dindigul, Tamil Nadu, India (1526P0045), 2B.Sc(AMM)Nift – Tea College Of Knitwear Fashion, Tirupur, Tamil Nadu, India Abstract traditional occasion in Kerala is complete This Project is to innovative of without people wearing traditional Kasavu Fascinated garments from Kerala costume into Garments traditional saree in to the fancy garment. Keywords: Woven fabrics, Solitary Woven fabrics are made by using eight set garments, Warp yarns, Weft yarns, Kasavu of weave structure with the change of Saree into Fascinated Garments settings in weaving machine more sets of yarn interlaced at right angles to each 1 Introduction other. Much variety is produced by A very large number of looms are located in weaving. Woven fabrics are generally more rural areas. The rhythm of handloom can be durable. A textile is a cloth which is either heard in almost every village in Kerala. woven by hand or machine. “Textile” has traditionally meant “a woven fabric’’. The 1.1Weaving: term textile comes from the latin word Weaving process is a method of fabric “texere”, means to weave, a textile is production in which two distinct sets of anything that is made up of fibers, yarn, or yarns or threads are interlaced at right fabrics. -
Study & Documentation of Balaramapuram Sarees & Fine
Study & Documentation of Balaramapuram Sarees & Fine Cotton fabrics: The Pride of God’s Own Country Textiles Committee Ministry of Textiles Government of India Mumbai Chapter I History of Handlooms 1.1 Handloom weaving in South India The Handloom weaving has been an industry of prime importance for centuries in India. The seventeenth and eighteenth centuries were a period of unquestioned prosperity, whereas the nineteenth and twentieth centuries have seen certain significant changes in the structure and organization of this industry. A number of historians have documented the production and trading systems pertaining to handloom cloth in earlier centuries. The Coromandel Coast as a whole and Masulipatnam fabrics in particular had achieved world-renowned name in the history of handlooms. It is well established that production was not only for an insular rural market, but also catered to a sizeable export demand. For example, the chintz or checked rumalls of Masulipatnam were in great demand not only in India, but also in Persia and Europe. Muslins and calicos too were important items of production and formed a significant component of trade. It was this textile trade that the British sought to control in South India. It has been observed that while local merchants used to link weavers with the export market earlier, “as deliberate colonial policy the English sought to use their power to alter the conditions of production of handloom textiles and to transform existing relations between producers and middlemen” (Arasaratnam, 1990:190). This gave rise to major alterations in the organization of production itself. Rather than deal directly with weavers themselves or use the existing marketing intermediaries, the East India Company appointed ‘Gumasthas’ as mediators in the process of accessing cloth. -
Ancient Indian Texts of Knowledge and Wisdom
Newsletter Archives www.dollsofindia.com The Saree - The Very Essence of Indian Womanhood Copyright © 2013, DollsofIndia A saree or sari is a long strip of unstitched cloth, which is draped by Indian women – it practically typifies Indian women and showcases the vast diversity of Indian culture as a whole. The word "Sari" is derived from the Sanskrit and the Prakrit (pre-Sanskrit language) root, "Sati", which means, "strip of fabric". Interestingly, the Buddhist Jain works, the Jatakas, describe women’s apparel, called the "Sattika", which could well have been similar to the present-day saree. Another fact is that the end of the saree that hangs downward from the shoulder is called the Pallav. Experts believe that the name came to be during the reign of the Pallavas, the ruling dynasty of ancient Tamilnadu. A saree typically ranges from six to nine yards in length and can be worn in several ways, depending upon the native of the wearer and her outlook on current fashion. Usually, a saree is tucked in at the waist and is then wrapped around the body with pleats in the center, the other end draped loosely over the left shoulder, showing the midriff. This apparel is also popular in Pakistan, Bangladesh, Nepal, Bhutan, Myanmar, Sri Lanka, Singapore and Malaysia. This very feminine garment is worn over a petticoat, also referred to as a lehenga in the North, a paavaadai in the South, a parkar or ghaghra in the West and a shaya in the East. It is worn along with a bodice or blouse, called the choli (in North India) or ravikkai (in South India). -
Indian Costumes
A. BISWAS t PUBLICATIONS DIVISION Digitized by the Internet Archive in 2018 with funding from Public.Resource.Org https://archive.org/details/indiancostumesOObisw . * <* INDIAN COSTUMES A. BISWAS PUBLICATIONS DIVISION MINISTRY OF INFORMATION AND BROADCASTING GOVERNMENT OF INDIA First print : 1985 (Saka 1906) Reprint: 2003 (Saka 1924) © Publications Division ISBN : 81-230-1055-9 Price : Rs. 110.00 Published by The Director, Publications Division, Ministry of Information and Broadcasting, Government of India, Patiala House, New Delhi-110 001 SALES EMPORIA • PUBLICATIONS DIVISION • Patiala House, Tilak Marg, New Delhi-110001 (Ph. 23387069) • Soochna Bhavan, CGO Complex, Lodhi Road, New Delhi-110003 (Ph. 24367260) • Hall No. 196, Old Secretariat, Delhi-110054 (Ph. 23890205) • Commerce House, Currimbhoy Road, Ballard Pier, Mumbai-400038 (Ph. 22610081) • 8, Esplanade East, Kolkata-700069 (Ph. 22488030) • Rajaji Bhawan, Besant Nagar, Chennai-600090 (Ph. 24917673) • Press Road, Near Govt. Press, Thiruvananthapuram-695001 (Ph. 2330650) • Block No. 4,1st Floor, Gruhakalpa Complex, M.G. Road, Nampally, Hyderabad-500001 (Ph. 24605383) • 1st Floor, /F/ Wing, Kendriya Sadan, Koramangala, Bangalore-560034 (Ph. 25537244) • Bihar State Co-operative Bank Building, Ashoka Rajpath, Patna-800004 (Ph. 22300096) ® 2nd floor, Hall No 1, Kendriya Bhawan, Aliganj, Lucknow - 226 024 (Ph. 2208004) • Ambica Complex, 1st Floor, Paldi, Ahmedabad-380007 (Ph. 26588669) • Naujan Road, Ujan Bazar, Guwahati-781001 (Ph. 2516792) SALES COUNTERS • PRESS INFORMATION BUREAU • CGO Complex, 'A' Wing, A.B. Road, Indore (M.P.) (Ph. 2494193) • 80, Malviya Nagar, Bhopal-462003 (M.P.) (Ph. 2556350) • B-7/B, Bhawani Singh Road, Jaipur-302001 (Rajasthan) (Ph. 2384483) Website : http://www.publicationsdivision.nic.in E-mail : [email protected] or [email protected] Typeset at : Quick Prints, Naraina, New Delhi - 110 028. -
Muslim Style in South India 3
Vogue’s New World: American Fashionability and the Politics of Style 1 Fashion Theory, Volume 11, Issue 2/3, pp. 1–20 Reprints available directly from the Publishers. Photocopying permitted by licence only. © 2007 Berg. Muslim Style in Caroline Osella and Filippo Osella South India Caroline and Filippo Osella have Abstract conducted several periods of joint fieldwork in Kerala (south India) and the Gulf states. They This article presents ethnographic material from contemporary Kerala, have published on issues around where recent shifts in Muslim women’s dress styles (shift from sari social mobility and stratification, towards salwaar kameez; adoption of pardah; use of Arabic abaya) gender, popular religion, the body, consumption, and migration. have come under critique. We show that commentators fail to take into They are currently working on account the degree to which all Indian women—not simply Muslims— a book exploring how reformist are heavily constrained in dress by issues of modesty and “decency.” Muslims balance entrepreneurship, cosmopolitanism, consumption, Dress codes for all communities and both sexes have been continually and pleasure with philanthropy and reworked since the nineteenth century. Muslims’ recent changes are “decency.” prompted by a shift away from Hindu idioms and towards more Islamic [email protected]; f.osella@sussex. ac.uk 2 Caroline Osella and Filippo Osella idioms of modesty; changes index Indian Muslims’ growing realization (also apparent in other spheres) that much of India’s putatively common culture is actually rooted in Hindu practice. We also show that while popular and ethnographic focus alike falls upon women, men are also deeply caught up in respecting dress codes. -
Gorgeous Kerala 06 Nights / 07 Days
Gorgeous Kerala 06 Nights / 07 Days Tour Highlights: Package Highlights: Munnar: 02 Nights Cheeyapara waterfalls Tea Garden Mattupetty Dam Echo point Eravikulam National Park Thekkady: 01 Night Periyar National Park Periyar lake Spice Plantation Visit Elephant safari (Optional) Traditional Art Performance (optional) Alleppey: 01 Night Boat Ride in Back water Kovalam: 02 Nights Kovalam Beach Padmanabha Swamy Temple Wax Museum Science & Technology Museum Meals: 06 Breakfast & 06 Dinners Day Wise Itinerary: Day : 1 Cochin Airport / Railway Station to Munnar (Driving: Cochin Airport – Munnar // Approx 4 hrs // 130 Kms). Meet & Greet on arrival at Cochin Railway Station / Airport & transfer to Munnar. Welcome to Gods own country! enjoying the panoramic view of the green carpets of tea plantations en route. On the way you can visit Cheeyapara waterfalls. On arrival, check in to Resort. Spend the rest of the day at leisure Dinner at Hotel, Overnight at your Resort. 1 / 5 Meal: Dinner Day : 2 Munnar - Mattupetty Dam – City Tour After breakfast proceed to Rajamala. Visit the Eravikulam National Park, the 97 sq km park with its irresistible grace and beauty is home to the endangered Mountain goats. Enjoy a guided short trek in the beautiful hill station. Afternoon - Visit the Mattupetty Dam built in the mountains. Later visit Echo point, a very popular place for the natural phenomenon. The echo that reverberates after hitting the distant hills is fascinating. Dinner at Hotel, Overnight stay at Munnar. Eravikulam National Park: is a 97 km2 national park located along the Western Ghats in the Idukki District of Kerala in India. it is the first national park in Kerala. -
Pavendar Bharathidasan College of Arts and Science Department of Aparel and Fashion Technology
PAVENDAR BHARATHIDASAN COLLEGE OF ARTS AND SCIENCE DEPARTMENT OF APAREL AND FASHION TECHNOLOGY SUBJECT : INDIAN TEXTILE, EMBROIDERY AND COSTUMES SUB CODE: 16SCCAF4 CLASS: II AFT UNIT-I ORIGIN OF COSTUMES PART-A 1. What is a human needs and development of clothing? Social scientists have been discussing for a long time as to what motivated human being to begin to wear clothes. The explanations most often by the experts are Protection, Modestly, Self-adornment. Each of these theories based the development of clothing on the desire to satisfy the human needs and wants. 2. What is a stronger than fashion? Modesty is based on tradition also because tradition is stronger than fashion and basic necessity. Traditional heavy garments of Arab women in extreme heat. The lack of clothing worn in extreme cold. These are classic examples of the importance of traditional values over desire for protective and modesty. 3. Define Beginning of costume. Since the first people put on the first pieces of clothing, what people wear has been in a constant change. Today changes are mostly related to style or fashion but for thousands of year’s change in clothes were made out of necessity. The first clues about clothes date back to around 75,000 to 100,000 years, No written records exist from those days. Painting , Cutting and Tattooing. 4. Draped garments of different civilization were called as follows: Draped fabric has another advantage of taking on a variety of shapes depending on how it is draped. Egyptians - Schenti Greeks - Chiton and himation Romans - Togas and stolas India - Saris and dhotis 5. -
Notes Du Mont Royal ←
Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Google Livres arma,4.PHILOSOPHIHIEROCLIS , v * ALEXANDRINI COMMENTARIUS - AUR EA ÈËR MINA, (De BROVIDENTIA 8c FATQ’ v «rampant, j v Et reliqua FIR A G M E N T A. GRÆCE (5’ ’L4TINE. F’ , Græca cum MSS. collata cafiigavit, Verfio- ’ ncm recenfuit, N o TA s 8: IN D 1- H ’p . c E M adjecit PET. NEEDHAM, S.TIB.À A Coll. D. Joannis C A N r A B. Socius. CANTABRIGIÆ: TYPIS" ACADEMICIS. Impenfis A. 8: CHURCHILL, Bibliopo. larum LONDINENSIUM. MDCCIX. Prenbbili lé Hohoratiflimo ’ GULIELMODOMI.NO DOMINO ’ Baroni C O W P’E R DE WINGHAM, somma MAGNAECAN CELL’ARIO: BRITANNIAE Celfiflïme Cancellarie; l A N D n M aliquando , bona tua t l cum venia, fub Magni Nominis aufpiciis prodit Hieroclcs: fume moque cum jure TE fibi patronum vin-v a 2. dicar, 7 i D E D I C A T I O. l dicat, qui, cum Pythagoreis, probe novifli - «finauoau’vnv «:0167! 397:5) on A57? in” ô: dum cuiquc Suum æqùa aflîgnas manu, nmcritb Tuum cit hoc JuFtitiæ 5c Ver’ita’tis enchiridion. ’ Præclara cette fperabant ormes, cum TE àd Magni Sigilli culio- diam â Scrcnillima’REGINA evcé’to fi- lcbant invidi, gaudebant Pacifici, univerfà fibi gratulabatur A’nglia :’ TU autem,qùarn j de TE omncs habucrunt opinioncm, ab- unde fuperâfli. Nunc igîtur Primum &- Summum AGNÆ-B RITAN N IÆ Cancellarium T E lubentes agnofcimus.