Glory of Traditional Sari Draping Styles of India
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Assam State Disaster Management Authority Morigacn
Government of Assam Assam State Disaster Management Authority FLOOD REPORT Flood Sit!lation as on today i.e. 23rd August, 2017 at 04:30 PM rd PARTICULARS Situation as on 23 August. 2017 Rivers flowing above Danger I. River Brs.hmaputra at Neamatighat (Jorhat) and Dhubri (Dhubri) Level (as per ewe bulletin issued) 2. Dhansiri :S) at Numaligarh (Golaghat) No. of Districts Affected 11 Dherna [i, Lakhimpur, Barpeta, Chirang, Dhubri, South Salmara, Goalpara, Morigaon, Nagaon, Name of Districts Affected Golaghat, Majuli No. of Revenue Circles affected 27 Names of Revenue Circles Dhemaji 01 Dhemaji affected Lakhimpi 1r 01 North Lakhimpur Barpeta 06 Kalgachia, Barnagar, Barpeta, Chenga, Baghbar, Sarthebari Chlranz 02 Bengtal, Bijni Dhubri 01 Athani South Sah ultra 01 South Salmara Goaloara 01 Balijana Morlzaon 04 Mayong, Laharighat, Bhuragaon, Morigaon Nagaon 06 Kampur, Kaliabor, Samaguri, Ohing, Sadar, Raha Golaghat 03 Khumtai, Dergaon, Bokakhat Maiuli 01 Majuli Total 27 No. of Villages/ Localities Dhemaii 14 14 (Ohemaj i) affected Lakhimnt r 03 03 (North Lakhimpur) Baroeta 130 45 (Kalgachia), 05 (Barnagar), 42 (Barpeta), 10 (Chenga), 28 (Baghbar) Chiranz 04 01 (Bengtal), 03 (Bijni) 01 01 (Athani) Dhubri - South Sail rara 97 97 (South Salmara) Goalpara 04 04 (Balijana) Morigaon 333 142 (Mayong), 32 (Laharighat), 81 (Bhuragaon), 78 (Morigaon) Nagaon 159 32 (Kampur), 36 (Kaliabor), 35 (Samaguri), 05 (Ohing), 20(Sadar), 31 (Raha) Golaahat 19 05 (Khumtai), 02 (Oergaon), 12 (Bokakhat) Maiuli 06 06 (Majuli) Total 770 Total Crop area affected (in Dhemaii -
Unit-3 Vedic Society 3.0 Objectives
Unit-3 Vedic Society Index 3.0 Objectives 3.1 Introduction 3.2 Presentation of Subject Matter 3.2.1 Section I: Original Home of Vedic Aryans, Vedic Literature 3.2.2 Section II: Early Vedic period 3.2.3 Section III: Later Vedic period 3.2.4 Section IV: Position of Women 3.3 Summary 3.4. Terms to Remember 3.5 Answers to check your progress 3.6 Exercise 3.7 Reference for Further Study 3.0 Objectives From this unit, we can understand, G The Vedic people and debates regarding their original home G Two parts of Vedic period and reasons behind periodization G Life in Early Vedic Period G Life in Later Vedic Period G Position of Women in Vedic Period 71 3.1 Introduction In Unit -2, we studied India's development from Prehistory to Protohistory, We studied that India went through the processes of first Urbanization in Harappan period. However, mostly due to the environmental reasons, the affluent Harappan civilization and its architectural prosperity faced a gradual decline. After the decline of Harappan civilization, we find references of a certain kind of culture in the area of Saptasindhu region. Who were those and what was their culture is the matter of this Unit. 3.2 Presentation of Subject Matter 3.2.1 Section I: The Aryans and their Original Home a. Who were the Aryans? Near about 1500 BC, we find a new culture in the Saptasindhu region, which was of nomadic nature. They were pastoralists who used to speak a different language, i.e. -
The Role of Hindu Women in Preserving Intangible Cultural Heritage in Mauritius
Journal of Foreign Languages, Cultures and Civilizations December 2018, Vol. 6, No. 2, pp. 17-26 ISSN 2333-5882 (Print) 2333-5890 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/jflcc.v6n2a3 URL: https://doi.org/10.15640/jflcc.v6n2a3 The Role of Hindu Women in Preserving Intangible Cultural Heritage in Mauritius Mrs Rashila Vigneshwari Ramchurn1 Abstract This paper elucidates the depth of Hindu women‟s contribution in preserving intangible cultural heritage in Mauritius. Intangible cultural heritage means the practices, expressions, knowledge, skills, instruments, objects, arte facts and cultural spaces which are recognised by communities, groups and individuals. Globalisation has changed lifestyle and causing threat to intangible cultural heritage. This is an ethnographical research where participants observation, interviewing by engaging in daily life of people and recording life histories methods have been done within a period of one year. Thirty people above sixty years were interviewed both males and females. The interviews were done in creole and then transcribed to English. Oral narratives are still at its infancy in Mauritius and it is worthy to research as there is no academic research done on this topic. Three visits were paid to each participant to get acquainted with them and get their trust. Their ways of living were observed. Secondary data such as newspapers and books have been used. A diary was kept to know moods, special emotions and local expression of language of the respondents. This paper will lay emphasis on women as tradition bearers. It is both a qualitative research 1.1 Introduction Gender has often determined the type of working material according to local tradition. -
The Sylvan Saga from Dusk to Dawn
The Sylvan Saga From Dusk to Dawn Published by: Assam State Rural Livelihoods Mission Year of Publication: 2019 The Sylvan Saga: From Dusk to Dawn Message (Dr. J.B. Ekka), IAS Principal Secretary, P&RD Department Govt. of Assam Assam State Rural Livelihoods Mission (ASRLM) is a flagship program of the Ministry of Rural Development which is supporting the Self Help Group for improving the socio-economic status through collectivization, access to credit and strengthning the existing livelihood activities. Skill development of the youth is also another aspect of the ASRLM for providing livelihoods through employment of the rural youth. I am pleased that ASRLM is bringing out a compendium on Good Case Studies and Replicable Practices named “Sylvan Saga: From Dusk to Dawn” with stories from the field, which will be released on the occasion of the SARAS Fair, 2019, Nagaon. These good practices demonstrate diversified fields where SHG members have been able to make a change in their lives. The release of this compilation brings out a bouquet of rural women led success stories which can be replicated across the states. I would like to congratulate the Assam State Rural Livelihoods Mission team on their commendable efforts and determination which is instrumental in bringing out this compendium. I sincerely, hope that all the stakeholders’ associated with the women Self Help Group members will keep up the good work with full energy and bring out many more success stories in the near future. (Dr. J.B. Ekka), IAS Principal Secretary, P&RD Department Govt. of Assam The Sylvan Saga: From Dusk to Dawn Message (Nandita Hazarika), ACS State Mission Director, ASRLM The compendium of good practices is the first attempt by Assam State Rural Livelihoods Mission to document some of the life changing stories of SHG members. -
GI Journal No. 77 1 November 30, 2015
GI Journal No. 77 1 November 30, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.77 NOVEMBER 30, 2015 / AGRAHAYANA 09, SAKA 1936 GI Journal No. 77 2 November 30, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Guledgudd Khana - GI Application No.210 7 Udupi Sarees - GI Application No.224 16 Rajkot Patola - GI Application No.380 26 Kuthampally Dhoties & Set Mundu - GI Application No.402 37 Waghya Ghevada - GI Application No.476 47 Navapur Tur Dal - GI Application No.477 53 Vengurla Cashew - GI Application No.489 59 Lasalgaon Onion - GI Application No.491 68 Maddalam of Palakkad (Logo) - GI Application No.516 76 Brass Broidered Coconut Shell Craft of Kerala (Logo) - GI 81 Application No.517 Screw Pine Craft of Kerala (Logo) - GI Application No.518 89 6 General Information 94 7 Registration Process 96 GI Journal No. 77 3 November 30, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 77 of the Geographical Indications Journal dated 30th November 2015 / Agrahayana 09th, Saka 1936 has been made available to the public from 30th November 2015. GI Journal No. 77 4 November 30, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No. -
Ancient Civilizations Huge Infl Uence
India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated. -
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VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7. -
Issues and Prospects of the Women Handloom Weaver: a Smaller-Scale Level Investigation of Lakhimpur Locale in Assam
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 04, 2020 ISSUES AND PROSPECTS OF THE WOMEN HANDLOOM WEAVER: A SMALLER-SCALE LEVEL INVESTIGATION OF LAKHIMPUR LOCALE IN ASSAM Budhindra Nath Gohain Dibrugarh University, Dibrugrah, Assam, India. Abstract: The paper investigates the issues and prospects of Handloom Weavers of the Lakhimpur region in Assam for the financial upliftment of the individuals. Ladies overwhelm the handloom weaving occupation in Assam yet men are likewise partaking in weaving like other spots of India and ladies are associated with pre-weaving exercises. The ladies' handloom weaver in Assam plays out various jobs to create handloom items. Ladies weaver of Assam laid their hard work in working physically. As a casual segment occupation, the ladies weaver jams culture and legacy to delivering customary materials in Assam. The Handloom area assumes a considerable job in India's economy. It is a small amount of culture and legacy of a customary society in India and the biggest limit of retaining pay sources after the agrarian field for country individuals. The Assamese indigenous network has a rich custom of weaving. An Assamese lady, regardless of being occupied with horde family exercises as the day progressed, is probably going to invest some energy in her loom each day. The ladies make articles of clothing, for the most part for regular use, on handlooms. They additionally weave tasteful items for unique events. Be that as it may, presently a day's Assamese ladies weave for the business reason as well. The customary toss transport loom is built under the conventional brace house. -
Judaism: a Supplemental Resource for Grade 12 World of Religions: A
Change and Evolution Stages in the Development of Judaism: A Historical Perspective As the timeline chart presented earlier demonstrates, the development of the Jewish faith and tradition which occurred over thousands of years was affected by a number of developments and events that took place over that period. As with other faiths, the scriptures or oral historical records of the development of the religion may not be supported by the contemporary archaeological, historical, or scientific theories and available data or artifacts. The historical development of the Jewish religion and beliefs is subject to debate between archeologists, historians, and biblical scholars. Scholars have developed ideas and theories about the development of Jewish history and religion. The reason for this diversity of opinion and perspectives is rooted in the lack of historical materials, and the illusive nature, ambiguity, and ambivalence of the relevant data. Generally, there is limited information about Jewish history before the time of King David (1010–970 BCE) and almost no reliable biblical evidence regarding what religious beliefs and behaviour were before those reflected in the Torah. As the Torah was only finalized in the early Persian period (late 6th–5th centuries BCE), the evidence of the Torah is most relevant to early Second Temple Judaism. As well, the Judaism reflected in the Torah would seem to be generally similar to that later practiced by the Sadducees and Samaritans. By drawing on archeological information and the analysis of Jewish Scriptures, scholars have developed theories about the origins and development of Judaism. Over time, there have been many different views regarding the key periods of the development of Judaism. -
Nanakian Philosophy ( Gurmat )
Nanakian Philosophy ( Gurmat ) The Path of Enlightenment by Baldev Singh, Ph.D. 2035 Tres Picos Drive, Yuba City, CA 95993, USA E-mail: [email protected] Telephone: 530-870-8040 CONTENTS INTRODUCTION Chapter 1: Guru Nanak & the Indian Society Chapter 2: The Nanakian Philosophy Introduction Theology/Religion 1. God 2. Guru and Sikh 3. Purpose of Life 4. Soul 5. Salvation 6. Divine Benevolence Cosmology 1. Cosmos and Evolution 2. Hukam 3. Ecology/Environmental Harmony Cause of Human Progress and Suffering Maya and Haumai Repudiation of Old Dogmas 1. Karma and Reincarnation 2. Hell and Heaven Universal Equality and Human Values 1. Moral and Social Responsibility 2. Ethics a. Knowledge b. Truthful Living c. Compassion d. Love e. Humility and Forgiveness 3. Exaltation of Woman a. Role of Women in the Sikh Revolution 4. Message of Universal Humanism Justice and Peace 1. Just Rule 2. Babur Bani Establishment of Sikh Panth Punjabi Language and Literature Conclusion Introduction Guru Nanak’s advent (1469-1539) is an epoch-making singular event in the recorded history. His unique, revolutionary and liberating philosophy of universal humanism –liberty, love, respect, justice and equality, is applicable for all. Sikhs and non-Sikhs alike have written abundantly about him, on his philosophy in Punjabi, English and some other languages. Regrettably, most if not all, is addressed in a superficial, superfluous and contradictory manner; so much so that some authors in the spirit of ignorance even exercised repudiation of Nanak’s precious thoughts which are enshrined in the Aad Guru Granth Sahib (Sikh Scripture), the only authentic source of the Nanakian philosophy ( Gurma t). -
Traditional Clothes of the Country(Joint
Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn. -
How to Drape a Silk Saree' in 3 Distinct South Indian Styles 10/3/2019 the All Authentic 'How to Drape a Silk Saree' in 3 Distinct South Indian Styles
10/3/2019 The All Authentic 'How To Drape A Silk Saree' In 3 Distinct South Indian Styles 10/3/2019 The All Authentic 'How To Drape A Silk Saree' In 3 Distinct South Indian Styles The All Authentic 'How To Drape A Silk Saree' In 3 Distinct South Indian Styles | Wedding Tips ARE YOU A VENDOR? Budget PLANNING TOOLS WEDDING VENUES WEDDING VENDORS BRIDES GROOMS WEDDING IDEAS Wedding Website LOG IN SIGN UP FOR FREE Plan on the go with the WeddingWire app Wedding / Wedding Ideas / Wedding fashion / The Bride SEARCH iPhone Android THE BRIDE MOST POPULAR ON WEDDINGWIRE The All Authentic 'How To Drape A Silk Saree' In 3 Distinct South Indian Styles 15 Latest Daily Wear Gold 1 Mangalsutra Designs For By Vidhi Maingi Gaur Today's Brides 13 of March of 2019 FOCUZ STUDIOS 10 Anita Dongre Bridal 2 Lehengas We Saw on Real Brides Wondering how to drape a silk saree in the typical bridal style, replete with a Wish for expert level perfection with your silken drape? Here's the step by golden bridal belt or a kamarband? This essential southern jewellery addition to the step guide on how to drape a silk saree for your wedding day. Stock up on pins 155 Mehndi Designs core list of bridal accessories is meant to adorn the waist and securely hold the and accessories, please. 3 Every Bride Needs to See pallu. Here's how you can do it right! Right Now i) Begin the twirl Want Stunning Tuck one end of the saree fabric on the left side of your petticoat (or saree shaper) ARTICLE TOPICS ON 4 Sabyasachi Lehengas on and take it around the back of your waist to the right-hand side of your waist).