The Sylvan Saga from Dusk to Dawn
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Assam State Disaster Management Authority Morigacn
Government of Assam Assam State Disaster Management Authority FLOOD REPORT Flood Sit!lation as on today i.e. 23rd August, 2017 at 04:30 PM rd PARTICULARS Situation as on 23 August. 2017 Rivers flowing above Danger I. River Brs.hmaputra at Neamatighat (Jorhat) and Dhubri (Dhubri) Level (as per ewe bulletin issued) 2. Dhansiri :S) at Numaligarh (Golaghat) No. of Districts Affected 11 Dherna [i, Lakhimpur, Barpeta, Chirang, Dhubri, South Salmara, Goalpara, Morigaon, Nagaon, Name of Districts Affected Golaghat, Majuli No. of Revenue Circles affected 27 Names of Revenue Circles Dhemaji 01 Dhemaji affected Lakhimpi 1r 01 North Lakhimpur Barpeta 06 Kalgachia, Barnagar, Barpeta, Chenga, Baghbar, Sarthebari Chlranz 02 Bengtal, Bijni Dhubri 01 Athani South Sah ultra 01 South Salmara Goaloara 01 Balijana Morlzaon 04 Mayong, Laharighat, Bhuragaon, Morigaon Nagaon 06 Kampur, Kaliabor, Samaguri, Ohing, Sadar, Raha Golaghat 03 Khumtai, Dergaon, Bokakhat Maiuli 01 Majuli Total 27 No. of Villages/ Localities Dhemaii 14 14 (Ohemaj i) affected Lakhimnt r 03 03 (North Lakhimpur) Baroeta 130 45 (Kalgachia), 05 (Barnagar), 42 (Barpeta), 10 (Chenga), 28 (Baghbar) Chiranz 04 01 (Bengtal), 03 (Bijni) 01 01 (Athani) Dhubri - South Sail rara 97 97 (South Salmara) Goalpara 04 04 (Balijana) Morigaon 333 142 (Mayong), 32 (Laharighat), 81 (Bhuragaon), 78 (Morigaon) Nagaon 159 32 (Kampur), 36 (Kaliabor), 35 (Samaguri), 05 (Ohing), 20(Sadar), 31 (Raha) Golaahat 19 05 (Khumtai), 02 (Oergaon), 12 (Bokakhat) Maiuli 06 06 (Majuli) Total 770 Total Crop area affected (in Dhemaii -
Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
Results and Discussion 83 RESULTS and DISCUSSION the Interest That Indian Women Showed in Ornamentation and Aesthetic Expression
Results and Discussion RESULTS AND DISCUSSION The interest that Indian women showed in ornamentation and aesthetic expression through their costumes has been documented well. It is pertinent to understand the messages that they conveyed through their sartorial preferences which is documented in various forms sculptures, scriptures, literature, paintings, costume archives, cinema, media –advertisements and magazines etcetera. Each community and ethnic group maintained unique characteristics, which become symbols of recognition and identification and served to establish their cultural affiliation. Central to this was the Indian woman who was the symbol of patriarchal society. She combined both the functions of being the nurturer and protector of her household and cultural ethos of the society. The woman was as important part as the man; of the Indian society, which embraced both the indoor and outdoor roles within the social- cultural paradigms of the community. The span of evolution of Indian women’s costume, especially the draped version, the sari has undergone immense changes, however to interpret the semiology of the era bygone is rather complex; as one can attempt to understand and decode the tacit meaning through the lens of current observation only. Since the people who shared the ancient set of rules or code for contextual reading that enables us to connect the signifier with the signified are not present, this will prove to be delimiting. The Indian fashion scene began receiving its due credibility and attention from 1980’s onwards and gained the industry recognition in 21st century: hence this research focuses on new millennium to understand the Indian Fashion System. -
Dress and Fabrics of the Mughals
Chapter IV Dress and Fabrics of the Mughals- The great Mughal emperor Akbar was not only a great ruler, an administrator and a lover of art and architecture but also a true admirer and entrepreneur of different patterns and designs of clothing. The changes and development brought by him from Ottoman origin to its Indian orientation based on the land‟s culture, custom and climatic conditions. This is apparent in the use of the fabric, the length of the dresses or their ornamentation. Since very little that is truly contemporary with the period of Babur and Humayun has survived in paintings, it is not easy to determine exactly what the various dresses look like other than what has been observed by the painters themselves. But we catch a glimpse of the foreign style of these dresses even in the paintings from Akbar‟s period which make references, as in illustrations of history or chronicles of the earlier times like the Babar-Namah or the Humayun-Namah.1 With the coming of Mughals in India we find the Iranian and Central Asian fashion in their dresses and a different concept in clothing.2 (Plate no. 1) Dress items of the Mughals: Akbar paid much attention to the establishment and working of the various karkhanas. Though articles were imported from Iran, Europe and Mongolia but effort were also made to produce various stuffs indigenously. Skilful master and workmen were invited and patronised to settle in this country to teach people and improve system of manufacture.2 Imperial workshops Karkhanas) were established in the towns of Lahore, Agra, Fatehpur Sikri and Ahmedabad. -
The Sari Ebook
THE SARI PDF, EPUB, EBOOK Mukulika Banerjee | 288 pages | 16 Sep 2008 | Bloomsbury Publishing PLC | 9781847883148 | English | London, United Kingdom The Sari PDF Book Anushka Sharma. So shop for yourself or gift a sari to someone, we have something for everyone. The wavy bun completed her look. Face Deal. Long-time weaving families have found themselves out of work , their looms worthless. Sari , also spelled saree , principal outer garment of women of the Indian subcontinent, consisting of a piece of often brightly coloured, frequently embroidered, silk , cotton , or, in recent years, synthetic cloth five to seven yards long. But for some in Asian American communities, the prospect of the nation's first Black and South Asian Vice President wearing a traditional sari at any of the inauguration events -- even if the celebrations are largely virtual -- has offered a glimmer of positivity amid the tumult. Zari Work. As a politician, Dimple Kapadia's sarees were definitely in tune with the sensibilities but she made a point of draping elegant and minimal saree. Batik Sarees. Party Wear. Pandadi Saree. While she draped handloom sarees in the series, she redefined a politician's look with meticulous fashion sensibility. Test your visual vocabulary with our question challenge! Vintage Sarees. Hence there are the tie-dye Bandhani sarees, Chanderi cotton sarees and the numerous silk saree varieties including the Kanchipuram, Banarasi and Mysore sarees. You can even apply the filter as per the need and choose whatever fulfil your requirements in the best way. Yes No. Valam Prints. Green woven cotton silk saree. Though it's just speculation at this stage, and it's uncertain whether the traditional ball will even go ahead, Harris has already demonstrated a willingness to use her platform to make sartorial statements. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Ishika Export, Delhi
Our organization has excelled in tailoring a range of Beautifully Designed and Stitched Designer Sarees and Designer Lehengas for the Occasion called life. - Profile - “Ishika Export” is a Delhi based company that brings about a different flavour for Indian fashion lovers who are more interested into buying Indian designer clothing, ethnic wear, Asian clothing, latest fashionable designs and patterns in terms of Traditional Designer Indian Outfits, Casual Indo Western Clothes, Bridal Jaipur Jewellery, Indian Wedding Lenghas, Embroidered Sarees, Bridal Lehengas, designer Bombay sarees, Salwar Kameez Suits, Rajasthani Ghagra Cholis, Cotton Chikan Suits, Ethnic Silk Sarees, Silk Saree Designs, Bollywood Indian Fashion Sarees, Bollywood Indian Fashion Lehangas, Party Wear Indian Kids Clothes in Delhi, UK, Canda, Australia, Dubai, lucknow, Kolkata & Surat. Our ranges are the perfect blend of style and grace that will prove the worth of every wearer’s persona and totally runs with this new era. We make use of latest designing tools in our complete range of ladies wear so that latest trend with excellent look that is integrated in our range of ladies wears. These wear ranges are extremely renowned for supreme quality fabric, range of attractive colours & sizes and latest trend. We export our complete range of ladies wear to our valuable clients across Australia, East/ North Europe, East / South East Asia and Central/ North America. Designer Sarees: Purchase online our latest collection of 2012 new and fancy Designer Sarees for party wear, designer sarees. Designer Sarees Designer Sarees Designer Sarees Designer Sarees Designer Lehenga: Miraculous and astonishing collection of Designer Lehengas for wedding, festival celebrations etc will definitely make you look more attractive and stylish than anybody else. -
Issues and Prospects of the Women Handloom Weaver: a Smaller-Scale Level Investigation of Lakhimpur Locale in Assam
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 04, 2020 ISSUES AND PROSPECTS OF THE WOMEN HANDLOOM WEAVER: A SMALLER-SCALE LEVEL INVESTIGATION OF LAKHIMPUR LOCALE IN ASSAM Budhindra Nath Gohain Dibrugarh University, Dibrugrah, Assam, India. Abstract: The paper investigates the issues and prospects of Handloom Weavers of the Lakhimpur region in Assam for the financial upliftment of the individuals. Ladies overwhelm the handloom weaving occupation in Assam yet men are likewise partaking in weaving like other spots of India and ladies are associated with pre-weaving exercises. The ladies' handloom weaver in Assam plays out various jobs to create handloom items. Ladies weaver of Assam laid their hard work in working physically. As a casual segment occupation, the ladies weaver jams culture and legacy to delivering customary materials in Assam. The Handloom area assumes a considerable job in India's economy. It is a small amount of culture and legacy of a customary society in India and the biggest limit of retaining pay sources after the agrarian field for country individuals. The Assamese indigenous network has a rich custom of weaving. An Assamese lady, regardless of being occupied with horde family exercises as the day progressed, is probably going to invest some energy in her loom each day. The ladies make articles of clothing, for the most part for regular use, on handlooms. They additionally weave tasteful items for unique events. Be that as it may, presently a day's Assamese ladies weave for the business reason as well. The customary toss transport loom is built under the conventional brace house. -
Traditional Clothes of the Country(Joint
Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn. -
Folk Culture of Assam : Meaning and Importance 36-54
GHT S6 02(M) Exam Codes: HTM6B CULTURAL HISTORY OF ASSAM SEMESTER - VI HISTORY BLOCK - 1 KRISHNA KANTA HANDIQUI STATE OPEN UNIVERSITY Subject Expert 1. Dr. Sunil Pravan Baruah, Retd. Principal, B.Barooah College, Guwahati 2. Dr. Gajendra Adhikari, Principal, D.K.Girls’ College, Mirza 3. Dr. Maushumi Dutta Pathak, HOD, History, Arya Vidyapeeth College, Guwahati Course Co-ordinator : Dr. Priti Salila Rajkhowa, Asst. Prof. (KKHSOU) SLM Preparation Team UNITS CONTRIBUTORS 1 & 2 Dr. Mamoni Sarma, L.C.B. College 3 Dr. Dhanmoni Kalita, Bijni College 4 & 5 Mitali Kalita, Research Scholar, G.U 6 Dr. Sanghamitra Sarma Editorial Team Content Editing: Dr Moushumi Dutta Pathak, Department of History, Arya Vidyapeeth College Dr. Priti Salila Rajkhowa, Department of History, KKHSOU Structure, Format & Graphics : Dr. Priti Salila Rajkhowa, KKHSOU December , 2019 © Krishna Kanta Handiqui State Open University. This Self Learning Material (SLM) of the Krishna Kanta Handiqui State Open University is made available under a Creative Commons Attribution-NonCommercial-ShareAlike4.0 License (international): http://creativecommons.org/licenses/by-nc-sa/4.0/ Printed and published by Registrar on behalf of the Krishna Kanta Handiqui State Open University. Head Office : Patgaon, Rani Gate, Guwahati-781017 City Office : Housefed Complex, Dispur, Guwahati-781 006; Web: www.kkhsou.in The University acknowledges with thanks the financial support provided by the Distance Education Council, New Delhi, for the preparation of this study material. BACHELOR OF ARTS CULTURAL HISTORY OF ASSAM DETAILED SYLLABUS BLOCK - 1 PAGES UNIT 1 : Assamese Culture and Its Implication 5-23 Definition of Culture; Legacy of Assamese Culture; Interpretations and Problems UNIT 2 : Assamese Culture and Its Features 24-35 Assamese Culture and its features: Assimilation and Syncretism UNIT 3 : Folk Culture of Assam : Meaning and Importance 36-54 Meaning and Definition of Folk Culture; Relation to the Society; Tribal Culture vs. -
Antrocom Journal of Anthropology ANTROCOM Journal Homepage
Antrocom Online Journal of Anthropology vol. 16. n. 2 (2020) 341-353 – ISSN 1973 – 2880 Antrocom Journal of Anthropology ANTROCOM journal homepage: http://www.antrocom.net The Anthropology of Dress: A Study in the change of Assamese women dress in Assam Siwani Mech1 and Debarshi Prasad Nath2 1 Research Scholar,Department of Cultural Studies, Tezpur University; 2 Professor in the Department of Cultural Studies, Tezpur University. Corresponding author: Siwani Mech. Emails: [email protected] keywords abstract Assamese, Dress, As a cultural artefact, the dress holds an important position in everyday life. Other than Identity, Meaning, covering one’s body, it is representational and can be linked to questions of identity, nationalism, Photographs, Women status, class and caste. This paper highlights the importance of clothing as a significant part of material culture and analysing the factors that have influenced the change in women’s dress in different periods during the twentieth century Assam. It discusses the symbolic value and meaning attached to the dress and explains how it becomes a carrier of ethnic identity and class. The finding in the study is based on a structured interview using a visual ethnographic tool (photographs) as well as literature selected purposively. Introduction Anthropology contributes scholarship that relates to understanding the place of dress in culture, and I define the anthropology of dress simply as the study of the dress by anthropologists (Eicher,2000). The evolution of dress in society within its socio-economic and political scenario represents much more than it is being assigned as a part of material culture. Simply, the dress can be defined as something that helps in covering one’s body protecting one from the extreme weather condition. -
A Review on the Economy of the Mising Tribe of Assam Jharna Morang
Journal of Interdisciplinary Cycle Research ISSN NO: 0022-1945 A Review on the Economy of the Mising Tribe of Assam Jharna Morang Abstract— Mising, the second largest ethnic group of Assam are the backbone of conducive economic development of Assam. As a riverine tribe, agriculture has been the prime occupation since time immemorial that shares a large percentage in the economy of the Mising society. Along with men, Mising women contribute a lot to the income of the family. Originally as they are the rural inhabitants, both men and women are engaged in numerous primitive economic activities. Participation of womenfolk in farm and non farm activities is notable one. There are certain hurdles in the path of development of economy of the Mising tribe. Although they are industrious people, economic backwardness are seen. With due course of time changing trend of economic activities are noticed. Now a portion of population of Mising engage in various public and private sector jobs, small trading etc. Thereby uplift their economic status as well as contributes in the advancement of economy of the society. In this paper various economic activities, role of women in uplifting the rural economy, changing economic trend and hurdles are to be addressed. Keywords— changing trend, farm activities, hurdles, Mising women, non farm activities, primitive economic activities, rural economy. —————————— —————————— 1 INTRODUCTION conomy is the indicator of a country’s progress and development. Economy is one of the factors that a E 2 ECONOMY country’s stability depends on. Country like India where multi ethnic groups reside is the fastest growing economy.