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The Forgotten Saga of Rangpur's Ahoms
High Technology Letters ISSN NO : 1006-6748 The Forgotten Saga of Rangpur’s Ahoms - An Ethnographic Approach Barnali Chetia, PhD, Assistant Professor, Indian Institute of Information Technology, Vadodara, India. Department of Linguistics Abstract- Mong Dun Shun Kham, which in Assamese means xunor-xophura (casket of gold), was the name given to the Ahom kingdom by its people, the Ahoms. The advent of the Ahoms in Assam was an event of great significance for Indian history. They were an offshoot of the great Tai (Thai) or Shan race, which spreads from the eastward borders of Assam to the extreme interiors of China. Slowly they brought the whole valley under their rule. Even the Mughals were defeated and their ambitions of eastward extensions were nipped in the bud. Rangpur, currently known as Sivasagar, was that capital of the Ahom Kingdom which witnessed the most glorious period of its regime. Rangpur or present day sivasagar has many remnants from Ahom Kingdom, which ruled the state closely for six centuries. An ethnographic approach has been attempted to trace the history of indigenous culture and traditions of Rangpur's Ahoms through its remnants in the form of language, rites and rituals, religion, archaeology, and sacred sagas. Key Words- Rangpur, Ahoms, Culture, Traditions, Ethnography, Language, Indigenous I. Introduction “Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay of that colossal Wreck, boundless and bare, the lone and level sands stretch far away.” -P.B Shelley Rangpur or present day Sivasagar was one of the most prominent capitals of the Ahom Kingdom. -
Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
Class-6 New 2020.CDR
Foreword I am greatly pleased to introduce the inaugural issue of “rediscovering Assam- An Endeavour of DPS Guwahati” . The need for familiarizing the students with the rich historical background, unique geographical features and varied flora and fauna of Assam had long been felt both by the teaching fraternity as well as the parent community. The text has been prepared by the teachers of Delhi Public School Guwahati with the sole aim of fulfilling this need. The book which has three parts will cater to the learning requirement of the students of classes VI, VII, VIII. I am grateful towards the teachers who have put in their best efforts to develop the contents of the text and I do hope that the students will indeed rediscover Assam in all its glory. With best wishes, Chandralekha Rawat Principal Delhi Public School Guwahati @2015 ; Delhi Public School Guwahati : “all rights reserved” Index Class - VI Sl No. Subject Page No. 1 Environmental Science 7-13 2 Geography 14-22 3 History 23-29 Class - VII Sl No. Subject Page No. 1 Environmental Science 33-39 2 Geography 40-46 3 History 47-62 Class - VIII Sl No. Subject Page No. 1 Environmental Science 65-71 2 Geography 72-82 3 History 83-96 CLASS-VI Assam, the north-eastern sentinel of the frontiers of India, is a state richly endowed with places of tourist attractions (Fig.1.1). Assam is surrounded by six of the other Seven Sister States: Arunachal Pradesh, Nagaland, Manipur, Mizoram, Tripura, and Meghalaya. Assam has the second largest area after Arunachal Pradesh. -
Zoo-Therapeutic Practices Among the Deori Tribes of Dhemaji District
International Journal of Fauna and Biological Studies 2020; 7(4): 196-198 ISSN 2347-2677 www.faunajournal.com IJFBS 2020; 7(4): 196-198 Zoo-therapeutic practices among the deori tribes of Received: 17-04-2020 Dhemaji district, Assam, India Accepted: 06-05-2020 Citumoni Gogoi Department of Zoology, Citumoni Gogoi and Mridusmita Bora Moridhal College, Assam, India Abstract Mridusmita Bora Department of Botany, Gauhati Indigenous zoo–therapeutic healing practice is an old practice passed on from one generation to Athe University, Assam, India other by using the naturally available fauna in our environment. Rural tribal people of our Northeast India still seen relying on the traditional medicine prepared by our elders who are well expertise in handling the natural remedies from fauna. Dhemaji district of state Assam is inhabited by many tribes and among them Deori tribe contributes to the indigenous tribal population of the district. The present study focuses on this tribe and their traditional knowledge of using faunal species as medicine to heal different health problem. Due to dependence on modern medicinal treatment and anthropogenic activities, this tradition of using animal as remedy is not giving importance. Therefore it is an ardent need to research and conserve the ethno-zoological knowledge which was prevalent among the ancestors to treat different ailments. Therefore present study focuses on identifying the valuable medicinal properties of the animals. Keywords: Indigenous, zoo-therapeutic, deori tribe, ethno-zoological Introduction North-East India is considered to be rich in both flora and fauna along with diverse culture and tribes. Deori tribe is one of the plain tribal community of Assam dwelling mostly in the upper valley of Brahmaputra with their rich culture and traditional heritage. -
Indian Cultural Dance Logos Free Download Indian Cultural Dance Logos Non Watermarked Dance
indian cultural dance logos free download indian cultural dance logos non watermarked Dance. Information on North Central Zonal Cultural Centre (NCZCC) under the Ministry of Culture is given. Users can get details of various art forms of various states such as Uttar Pradesh, Bihar, Madhya Pradesh, Rajasthan, Haryana, Uttaranchal and Delhi. Get detailed information about the objectives, schemes, events of the centre. Links of other zonal cultural centers are also available. Website of Eastern Zonal Cultural Centre. The Eastern Zonal Cultural Center (EZCC) is one of the seven such Zonal Cultural Centers set up by the Ministry of Culture with a vision to integrate the states and union territories culturally. Users can get information about the objectives, infrastructure, events, revival projects, etc. Details about the member states and their activities to enhance the cultural integrity are also available. Website of Indira Gandhi National Centre for the Arts. The Indira Gandhi National Centre for the Arts (IGNCA) under the Ministry of Culture is functioning as a centre for research, academic pursuit and dissemination in the field of the arts. Information about IGNCA, its organizational setup, functions, functional units, regional centres, etc. is given. Details related to archeological sites, exhibitions, manuscripts catalogue, seminars, lectures. Website of Jaipur Kathak Kendra. Jaipur Kathak Kendra is a premier Institution working for Training, Promotion & Research of North Indian Classical Dance Kathak. It was established in the year 1978 by the Government of Rajasthan and formally started working from 19th May 1979. Website of North East Zone Cultural Centre. North East Zone Cultural Centre (NEZCC) under Ministry of Culture aims to preserve, innovate and promote the projection and dissemination of arts of the Zone under the broad discipline of Sangeet Natak, Lalit Kala and Sahitya. -
Assam - a Study on Bihugeet in Guwahati (GMA), Assam
International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment. -
Positioning of Assam As a Culturally Rich Destination: Potentialities and Prospects
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 9 Issue 3 Ser. IV || Mar, 2020 || PP 34-37 Positioning Of Assam as a Culturally Rich Destination: Potentialities and Prospects Deepjoonalee Bhuyan ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 22-03-2020 Date of Acceptance: 08-04-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Cultural tourism has a special place in India because of its past civilisation. Among the various motivating factors governing travel in India, cultural tourism is undoubtedly the most important. For any foreigner, a visit to India must have a profound cultural impact and in its broader sense, tourism in India involves quite a large content of cultural content. It also plays a major role in increasing national as well as international good will and understanding. Thousands of archaeological and historical movements scattered throughout the country provide opportunites to learn about the ancient history and culture. India has been abundantly rich in its cultural heritage. Indian arts and crafts, music and dance, fairs and festivals, agriculture and forestry, astronomy and astrology, trade and transport, recreation and communication, monumental heritage, fauna and flora in wildlife and religion play a vital role in this type of tourism. Thus, it can be very well said that there remains a lot of potential for the progress of cultural tourism in India. Culturally, North East represents the Indian ethos of „unity in diversity‟ and „diversity in unity‟. It is a mini India where diverse ethnic and cultural groups of Aryans, Dravidians, Indo-Burmese, Indo Tibetan and other races have lived together since time immemorial. -
ANNEXURE-A Names and Addresses of the Candidates of Different
ANNEXURE-A Names and addresses of the candidates of different districts who have applied for the posts of Driver in Prisons Department, Assam against the advertisement dated 15-11-2017 Sl. Name of R. No. Father Name Village P.O. P.S. District Pin Remarks No. Candidate Kishore Lobin Barghuli Niz- 1 D-24 Barghuli Barama Baksa 781354 Basumatary Basumatary Kaurbaha, B.P.H.C Thaneswar Dandi Charan 2 D-20 Labdanguri Labdanguri Gobordhana Baksa 781315 Narzary Narzary Prabir Kr. Lt. Parimal Ch. Ghunghur Near 3 D-112 NIT Lakhipur Cachar 788010 Das Das Juranmandir Tarun Ch. 4 D-140 Brajen Boro Niz Shyamabari Mudoibari Dhula Darrang 784146 Boro Pranab Lt. Bireswar 5 D-145 Jyoti Ghopa Dighirpar Sipajhar Darrang 784144 Baruah Baruah Tilak Ch. Nandeswar 6 D-801 Khasramthali Chengapathar Darrang 784525 Kalita Kalita Jaynta Gopi Kt. 7 Bahmolla Bahmolla Darrang 784522 Kalita Kalita Bibash Chakradhar 8 D-236 Gulung Temera Badulipar Golaghat Golaghat 785611 Loying Loying Chandmari, Dhrubajyoti Bipul Ch. 9 D-239 W.no-10, Near Golaghat Golaghat Golaghat 785621 Dutta Dutta Commerce college Bikash Bangkowal 10 D-257 Kebel Dawo Bangkowal Gaon Kamargaon Golaghat 785619 Dawo Gaon Rituporna Lt Niron Adhar Satra Na- 11 D-821 Adhar sastra Golaghat 785621 Borah Borah Pomuwa Chandan Suresh Ch. 12 D-817 Feta Gaon Dergaon Golaghat 785614 Deka Deka Dhekial Kumar 13 D-816 Rajib Deka Primud Deka Dhekial Golaghat 785622 Gaon Uttam Robi 14 D-820 Ajoy Robi Das Numali garh TE Numali garh Golaghat 785699 Das Partha 15 D-815 Protim Podumoni Podumoni Golaghat 785621 Duwarah Bimal 16 D-271 Lakhi Pathak Dokonia Gaon Borholla Borholla Jorhat 785631 Pathak Mukibur Lt. -
Cultures of Instrument Making in Assam Upatyaka Dutta
Cultures of Instrument Making in Assam Upatyaka Dutta As Assam slowly recovers from the double whammy of COVID-19 pandemic and floods, I utilized every little opportunity to visit instrument makers living in the interior villages of Assam. My first visit was made to a Satra (Neo-vaishnavite monastery) by the name of Balipukhuri Satra on the outskirts of Tezpur (Sonitpur district), the cultural capital of Assam. There in the Satra, the family introduced me to three hundred years old folk instruments. A Sarinda, which is an archaic bowed string instrument, turns out to be one of their most prized possessions. Nobody in the family is an instrument maker, however, their ancestors had received the musical instruments from an Ahom king almost three hundred years back. The Sarinda remains in a dilapidated condition, with not much interest given to its restoration. Thus, the sole purpose that the instrument is serving is ornamentation. Fig 1: The remains of a Sarinda at Balipukhuri Satra The week after that was my visit to a village in Puranigudam, situated in Nagaon district of Assam. Two worshippers of Lord Shiva, Mr. Golap Bora and Mr. Prafulla Das, told tales of Assamese folk instruments they make and serenaded me with folk songs of Assam. Just before lunchtime, I visited Mr. Kaliram Bora and he helped me explore a range of Assamese instruments, the most interesting among which is the Kali. The Kali is a brass musical instrument. In addition to making instruments, Kaliram Bora is a well-known teacher of the Kali and has been working with the National Academy of Music, Dance and Drama’s Guru-shishya Parampara system of schools to imbibe education in Kali to select students of Assam. -
“Sustainable Tourism- a Tool for Development”
WORLD TOURISM DAY- 2017 “Sustainable Tourism- a Tool for Development” #TravelEnjoyRespect DEPARTMENT OF BUSINESS ADMINISTRATION -TEZPUR UNIVERSITY- UTTARAN- 2017 SPECIAL EDITION FOREWORD Dr. Papori Baruah, Professor and Head Department of Business Administration, Tezpur University I am greatly pleased that the students have come out with yet another edition of ‘Uttaran’ coinciding with the ‘World Tourism Day’. I congratulate the students and the faculty for this effort. The theme Sustainable Tourism is indeed very apt in present day context. We have seen several destinations in the world creating havoc to the environment and the artefacts by unplanned management of tourism activities. This has happened to the snow-capped mountains of the Himalayas to seaside destinations of Thailand. Hence, we must relook at our tourism strategies to conserve the pristine beauty of nature and preserve the heritage for future. We need to shift our focus from gaining mere economic benefit through exploitation of resources to sustainability. I am sure that the articles published in ‘Uttaran’ will at least try to usher some change in the mind-set of the readers. Best wishes. (Papori Baruah) Page 2 UTTARAN- 2017 SPECIAL EDITION CONTENTS 1) From the Editor’s Desk 4 2) UNWTO Official Message 5-6 3) Sustainable Tourism 7-8 4) Why Tourism should be Sustainable? 10-13 5) Involvement of Local Community for promotion of Eco- tourism. 14-19 6) Tourism and Ecosystem 20-21 7) Being a Traveller 23-24 8) Beholding the Dzukou Lily 26-28 9) Mysteries of North East 29-32 10) Peculiar forms of Tourism 33-35 11) Bicycle Tourism – Old Wine in New Bottle 36-37 12) Bhomoraguri Stone Inscription 39-41 13) Raasta.. -
Introduction of the Bodos
Chapter 2 Introduction of the Bodos India is a meeting ground of diverse races, cultures, civilizations, religions, languages, ethnic groups and societies. Streams of different human races like Austro-Asiatic, Negritos, Dravidians, Alpines, Indo-Mongoloids, Tibeto-Burman and Aryans penetrated in India at different periods through different routes .They migrated and settled in different parts of India making their own history, culture and civilization. They had contributed to the structuring of the great Indian culture, history and civilization. The Tibeto-Burman people are predominant in whole North-Eastern region. The Bodos are one of the earliest settlers in Assam. The older generation of scholars used the term 'Bodo' to denote the earliest Indo- Mongoloid migrants to eastern India who subsequently spread over different regions of Bengal, Assam and Tripura. Grierson identifies the Bodos as a section of the Assam-Burma group of the Tibeto-Burman speakers belonging to the Sino-Tibetan speech family.1 S.K. Chatterjee subscribes to the same view. According to him these people migrated to eastern India in the second millennium B.C. and a large portion of them was absorbed within societies of plains-man at quite an early state.2 Isolation caused fragmentation of the original stock and ultimately the branches assumed independent tribal identities like the Tipra, the Bodo-Kachari, the Rabha, the Dimsasa, the Chutiya etc. Rev. Sydney Endle, in his monograph, The Kacharis, used 'The Kachari' in the same wider sense incorporating all these branches. In present day socio-political terminology 'the Bodo' means the plain tribes of the Brahmaputra Valley known earlier as 'the Bodo-Kachari'. -
Pronunciation for Singers : with Especial Reference to the English, German, Italian, and French Languages; with Numerous Example
PRONUNCIATION FOR SINGERS. PRONUNCIATION FOR SINGERS. WITH ESPECIAL REFERENCE TO THE anft i0|r, fernm, Jtalxan, Jfmittr WITH NUMEROUS EXAMPLES AND EXERCISES FOR THE USE OF TEACHERS AND ADVANCED STUDENTS. ALEXANDER J. ELLIS, B.A., LITT.D., F.R.S., F.S.A., F.C.P.S., F.C.P., Late Viet- President (formerly President) of the Philological Society, Member of the Mathematical Society, Member of the Musical Association, Honorary Member of the Council of the Tonic Sol-fa College, Scholar " Formerly of Trinity College, Cambridge. " Author of Early English Pronunciation" Translator of HELMHOLTZ'S Sensations of Tone" J. CURWEN & SONS, 8 & 9 WARWICK LANE, E.G. ici ls& Shillings and Sixpence. LONDON : J. CTJRWEN & SONS, MUSIC PEINTER8, PLAISTOW, B. CONTENTS. The letters a, 6, following the number of the page indicate first and second columns respectively. Preface, p. x. Quality of Tone of the Singing Voice, p. 9*. Vowel Quality of Tone due to Resonance, p. 10a. on the Nature of Vowel Qualities of SECTION I. Speaking and Singing Contrasted, Experiments Tone, p. 10*. pp. 1-6. Singers and Speakers, p. la. SECTION III. Short Key to Glossic, Diagrams. la. (1) Singing and Speaking differ in Compass, p. Systematic Arrangement of Speech -sounds, (2) Singing is at Sustained, Speaking at Gliding pp. 12-17. Pitch, p. H. Description of the following Tables, p. 120. (3) Singing requires a Clear, Speaking an Impeded English Glossic. p. 120, b. Passage for the Breath, p. 2. Foreign Glossic, p. 130, b. (4) Singing has to be Rapid or Slurred, where Diagrams of Positions for Vowels and Consonants, Speaking cannot be so, p.